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(...) daarbij gevoegd de vijf boeken van Egesippus Van de Joodsche oorlog en de verwoesting van Jerusalem. Amst., Marten Schagen, 1732. 3 vols. 1,44,482; 8,790; 26,112,12 p. Engr. frontisp., engr. fold. portrait after Van Mieris, 3 fold. maps, 9 fold. plates and 205 engr. text ills., most by Jan Luyken.(2) Jacob Basnage. Vervolg op Flavius Josephus of Algemene historie der Joodsche naatsie. Amst./ Delft, Onder de Linden/ Boitet, 1726-1727. 2 vols. Folio. 46,1940 p. Engr. frontisp., engr. half title, 6 plates (1 fold.) and num. engr. text ills., most by J. & C. Luyken, hcalf, spines w. mor. letterpieces and gilt lettering. Endpapers and back boards worn and dam., some wormholes in upper spine.(total 3)
Amsterdam, Wolfgang, Waasberge, Boom, van Someren en Goethals, 1687. (12),1063,(23) p. W. the following engr.: frontisp., portrait, and grave by J. Mulder; and several double-p. plates (mostly naval battles) by B. Stoopendael. Contemp. vellum binding over boards w. blindst. fleuron and manuscript title on spine. Some scratches on cover, minor staining and foxing. In excellent condition. Michiel de Ruyter (1607-1676) was a Dutch admiral. Widely celebrated and regarded as one of the most skilled and beloved admirals in Dutch history, De Ruyter is most famous for his achievements with the Dutch Navy during the Anglo-Dutch Wars.
(...). Leyden, S. Luchtmans/D. Haak, 1725. 2 vols. (126),620,(43); (2),634,(57) p. Contemp. unif. vellum, 2 different woodcut title-vignettes, large fold. engr. portrait of the author, 1 fold. plate.Added: Landrechten van Over-Yssel (...). Deventer, Jan van Wyk, 1724. 2 vols. in 1. (4),158; (1),162,(12) p. 4to. Contemp. vellum, fold. engr. title-p. depicting coat of arms. (total 3)
varvattende haar begin, opkomst, toeneming, en verdere stant (...). Dordrecht, S. onder de Linde, 1687. (16),1358,(24) p. 4to. Incl. the following etched/ engr. plates outside collation: frontisp.; fold. profile; large fold. map; 10 portraits; 1 large fold. plate w. coats of arms; 4 large fold. historical prints by Romeyn de Hooghe and others (strictly following the binder's index at the end); 1 extra large fold. portrait of Andreas Colvius by S. Savery, 1646; and many woodcut (some engr.) coats of arms in the text. Very finely bound in late 18th cent. richly gilt red morocco by the "Curved Lacework Bindery" of Hendrik de Haas (active 1765-1800), richly dec. covers, turn-ins, board edges and spine w. dec. compartments between raised bands, a.e.g., gauffered border, corner fleurons, w. the orig. marbled board slipcase and mor. letterpiece preserved, loosely inserted business card of Mr. C. Baron Speijart van Worden (Breda), w. manuscript annotation: "Den Weledelgeboren Heer J.J.G. Blussé van (printed name) met beleefde dankzegging voor verleend gebruik."Fold. map and plate w. coats of arms backed, the latter w. large tear, occas. sm. internal defects such as sl. waterst, the letterpiece on the spine might be of a later date, sm. scratches on binding, otherwise in excellent condition. Storm van Leeuwen, Dutch Dec. Bookbinding, IIA, p. 500-510, mentions Blussé as client of Hendrik de Haas. This copy w. fine provenance: it has always been in the Blussé family, known for the famous Dordrecht publ. and bookseller's firm Blussé, given by descent to the present owner. Nijhoff/ Van Hattum 17; Landwehr, Romeyn de Hooghe as Book Ill., 45. See also lot 281 in this auction.
de cognoscendis, et curandis morbis. Editio postrema Veneta juxta tertiam Luduno-Batavam. Bassano, 1788, sed prostant Venetiis apud Remondini ("Emendebat Joannes Sebastianus Menchetti" on final pages), 8 parts in 4 vols. (incl. the index-vol.), 314; 3,(1),284; 256; 260; 268; III,(1),555; VIII,630; 80 p., w. engr. frontisp. portrait, each vol. w. woodcut printer's mark on title-p., contemp. simple limp Italian vellum w. remnants of ties, 4to. Part 3 wormholed and waterst. in lower blank corner; occas. other wormholes/ (water)stains; vol. 6 sl. moulded at the beginning and end (incl. binding). The first two bindings w. split upper joint, final binding dam. on spine. With contemp. owner's entry of Joannes R. Rodriguez on upper pastedowns. Complete copy of a very rare edition, hardly ever offered for sale as such. (total 4)
Paris, Furne, Jouvet et Cie., 1868, (6),371 p., w. steel-engr. frontisp. portrait, and w. wood-engr. title-vignette and ills. after Yan' Dargent, finely contemp. bound by Quinet in half red. mor., ribbed and gilt spine, a.e.g., 4to.Minor foxing. A few rubbed spots at joints of leather, corners sl. bumped. Attractive copy. And 3 others. Added: P. Champion. Ronsard et son temps, Paris, 1925, bound in full giltlettered vellum, t.e.g., orig. wr. (loosening) bound with, 4to. (total 5)
Leiden, Elsevier, 1644 and 1645. 4 vols. Approx. 3000 p. 16mo. Hleather w. marbled boards, unif. bound, ill. title, 3 vols. w. title vignette. Occas. waterst.(2) Pub. Ovidii Nasonis. Opera. Daniel Heinsius textum recensuit. Ibid., idem, 1629. (24),344 p. Overlapping vellum, blindst., ill. title w. portrait. Copies show much use. (total 5)
4th ed. Amst., Rott. & The Hague, B. van Gerrevink & Erve Ratelband; Jan Daniel Beman; Cornelis Bouquet, 1746. (6),1065 p. w. register. New binding hleather, allegorical frontisp. w. title, title-p. in red and black w. vignette, several copper engr. incl. portrait of Ruiter, double p. engr. of naval battles (4 of 7) by Stoopendaal, and a full-page of the Grafsteede of Ruiter by Mulder.Sl. dam, an acceptable copy.
receullis et publiés par (...). Ghent, P.F. De Goesin-Verhaeghe, 1829, (4), 4 introd. p., lithogr. frontsp. portrait of Joan d' Huyvetter and 22 engr. plates w. detailed illustrations of vases, tankards, beer mugs, wine jugs, decanters, goblets, serving trays, dishes, clocks and stained-glass windows, cont. half calf, sm. folio.Inner hinges partly showing the sewing of the quires (occas. a bit loose); top of spine dam. Rare, published simultaneously with a Dutch language edition. About the interesting collection of Joan d'Huyvetter (1770-1833), member of the directory board of the Academy of Fine Arts at Ghent and the Royal Academy in Amsterdam. Vanderhaeghen, Bibl. Gantoise, 7250; Cat. Rijksmus. III, p. 356. (2) Lucien Double. Promenade a travers deux siècles et quatorze salons par Lucien Double. (Collection de Mr. Léopold Double). Paris, Ch. Noblet, 1878, 53, (2) p., w. 26 plates depicting paintings, furniture and decorative table wear, cont. half calf by L. Bauser, letterpiece on spine, large 8vo (leather sl. rubbed). Fine and luxurious ed. Overview of the splendid art collection of Léopold Double, artillery officer, art collector and bibliophile. Double owned paintings from the Dutch school, incl. works by Rembrandt, Frans Hals and Vermeer, the French school (Watteau), furniture, porcelain etc. Lugt, Repert. 41161. (total 2)
12th impression. London, D. Nutt, 1910. XIII,(1),255,(1) p. Contemp. (orig.?) gilt-lettered overlapping limp vellum w. remains of silk ties, t.e.g., printed on handmade paper, frontisp. portrait, former owners' entry "Clement & Enid Jones" in pen on endpaper.(2) Percy Bysshe Shelley. The Dramatic Poems. Arranged in chronological order w. a preface by C.H. Herford. London, Florence Press/ Chatto & Windus, 1922. XI,(1),412,(1) p. Orig. gilt-lettered full vellum, t.e.g., printed on handmade paper w. former owner's entry in pen on htitle. Deluxe untrimmed copy. -and 1 other vol. w. the lyrical poems and transl. by Shelley. Chatto & Windus, 1924. Deluxe copy w. full vellum gilt-lettered binding printed on handmade paper. (total 3)
Editio Quarta. Leiden, Hieronimus Vogel, 1645. (14),452,(12) p. 12mo. Overlapping vellum, ill. title-p. w. portrait.(2) M. Annaei Lucani Pharsalia, sive De Bello Civili Caesaris et Pompeji Lib. X. Additae sunt in fine Hugonis Grotii Notae (...). Amst., J. Blaeu, 1643. 330,(6) p. 12mo. Overlapping vellum, ill. title-p. (3) C. Nepotis Vitae excellentium imperatorum. Cura & Studio Davidis Hoogstratani. Amst., A. Wor & and Haered. G. onder de Linden. (26),217,(62) p. Large 12mo. Vellum, blindst., large manuscript title on spine, ill. frontisp., title w. vignette. All copies show much use. (total 3)
Eighteen cards and flyers mostly late 1960s, early 1970s. Includes an amazing set of 4 invitation cards by Alexandre Iolas for exhibitions in 1965, 1970, 1972 and 1974. (2) Flyer for Ich, Staatstheater Kassel 1967/8. (3) Card promoting Nana inflatable sculptures distributed by Niki's sister Elisabeth de Saint Phalle in New York, undated ca. 1968. (4) Two greeting cards ' Merry X-Mas' and 'Cheers' published by the Museum of Modern Art New York in 1968. (5) Seriaal Amsterdam cards 1969 and 1971. (6) Poster Ad Libitum Antwerp 1969, 42.5 x 30 cm, with pinholes and age wear. (7) Card with b/w image featuring The Devouring Mothers and other sculptures at Galerie Espace Amsterdam 1971. (8) B/w portrait of the artist, photographer unknown. (9) -and 7 others. (total 18)
Acc. var. lectiones. Leiden, Elsevier, 1640. (24),414,(28) p. 16mo. Vellum, manuscript title on spine, title w. vignette, last approx. 100 p. w. sm. wormholes.(2) Viri Illustris Jacobi Bongarsi. Epistolae ad Joachimum Camerarium, Medicum ac Philosophum Celeberrimum scriptae (...). Ibid., idem, 1647. (12),444 p. 16mo. Vellum, manuscript title on spine, title w. vignette, marginalia, stamp on title-p. (3) C. Sallustius Crispus cum veterum Historicum fragmentis. Ibid., idem, 1634. (16),310,(34) p. 16mo. Overlapping vellum, ill. title-p., wood engr. portrait of author. (4) Joannes Seldeni. De Successionibus ad Leges Egraeorum in bona defunctorum (...). Ibid., idem, 1638. (54),428 p. 16mo. Vellum, title in red and black w. vignette. All copies show much use. (total 4)
Ca. 15th-20th cent. Various techniques (incl. a few mezzotints, photogr. and reproductions) and sizes.Incl. a.o.: a woodcut portrait of Seneca in his bath from Hartmann Schedel, Weltchronik (1493); portraits and documentation on Spinoza, incl. old photogr. of his statue in The Hague and the house he lived in Rijnsburg; a fine mezzotint portrait of Iacobus Thomasius by Ioh. Iac. Haid; a mezzotint portrait of Balthasar Bekker by P. Schenk; fine 16th cent. engr. portraits of Caspar Schwenckfeldius and Patrus Ramus; an engr. portrait of Iacobus Faber by Hendrik Hondius (w. text quire); and portraits of Erasmus, Hugo de Groot, Hume, Leibnitz, John Locke, Montesquieu, Newton, Pufendorf, Rousseau, Adam Smith, Socrates, Plato, Vossius and Xenocrates. (total approx. 150)
Groningen, J. Oomkens, early 19th century. 42 x 33.5 cm. Some mild staining, edges frayed. (2) Vervolg van het nieuw prentkundig ABC voor lieve kinderen, met toepasselyke versjes. N. 57. (Turnhout Glenisson & Zonen, ca. 1856-1900). Handcol. woodc. with letterpress, 40 x 32.5 cm. Edges sl. frayed. Added: signed portrait of printer J. Oomkens by B.W. van Wouw, ca. 1835. (total 3)
Reyse, welche von einem holländer, Wilhelm Schouten genandt, neulicher Zeit is verrichtet worden (...). Franckfurt am Main, Pauli Jacobi, 1619. 1 text part and 1 plate part. Text: 35 p. Folio. Splendid large engr. title ill. w. double portrait of Magellan and Schouten above a world map, 2 fold. engr. charts outside collation. Plate part: letterpress title-p., 9 plates (incl. the same engr. as on the title of text and 1 chart), loose quires.Professionally and beautifully restored copy, leaf AV w. loss of text, leaf BIV w. repaired tear sl. affecting the text, occas. sm. tears in margins, quires sl. browned, occas. sl. stained. Very rare early ed. Willem Schouten (1577-1625) discovered the Strait of Magellan in 1616, during one of the greatest maritime voyages of all time. The orig. Dutch ed. appeared in 1618. The beautiful ills. were made by members of the De Bry family.
Max Jacob. Paris, Louis Broder, 1956. With one lith. frontisp. portrait of Max Jaco, 2 col. lith. designs and three etchings by Picasso, numerous woodcuts in the text by Georges Aubert. No. 38 of 150 on Montval paper, numbered and signed by the artist. Loose as issued in the orig. lith. wrapper with dust-j. in hard covers, slipcase with lith. design. Slipcase sl. (water)st., spine toned, else a fine copy.
so kercklicke als werltlicke Gheschiedenissen van Nederland, Vranckrijck, Hooghduytschland, Groot Britannyen, Hispanyen (...) tot 1624 (...). Arnhem/ Zutphen, J. Jansz/ A. Janssen, 1624-1625. 2nd enl. ed. 16 parts in 2 vols. Sm. folio. Contemp. vellum w. blindst. centerpiece and border, ribbed spine w. manuscript title, engr. title, num. engr. portraits in both vols., Gothic type.Lacking frontisp. w. incorporated oval portrait of the author, binding sl. worn, sl. foxing. In excellent condition. (total 2)
in rijm bearbeyd ende met veele oude en nieuwe stucken buyten dicht uyt vewrscheyde kronijcken, handvesten, brieven, memorienofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd (...). Haerlem, Adriaen Rooman, 1628. 2 vols. in 1. (84),520,(6); 124 p. Sm. 4to. Vellum, manuscript title on spine, frontisp. by J. Bronchorst and Th. Matham, title w. sm. vignette, portrait of Laurens Coster by J. v. Velden after J. v. Campen, 4 maps/plans, 14 prints, all full-p. or double-p. in copperplate by Saenredam and Van de Velde, large woodcut printer's device at end of book.Bound w.: Laure-Kranz w. large printer's device. Stamps on endpapers, sl. browned, one p. repaired, waterst. at end of book. Rare.
Contains two different cards made in conjunction with Kippenberger's show at Galerie van Beveren which took place from March 23 to April 21 1985 in Rotterdam. (1) Artists' card, 21 x 15 cm, colour printed recto featuring a portrait of the artist showing a sticker (I love 50%), the photo was made by Günther Förg.A text line in the left margin reads 'Hoe kom ik in vredestijd met botbreuken en futurisme klaar'. On verso the gallery address and 'Martin Kippenberger, 1985'. Rare. (2) Added is the original colour slide from Förg used for the above card, in a transparent paper sleeve with handwritten printing instructions by Peter van Beveren. (3) Regular invitation card for the 1985 exhibition, printed black on white card, 21 x 15 cm. Text in Dutch on one side, text in German on the other side. Both cards mint. (total 3)
Ca. 1920-2006, all in orig. bindings, hc w. wr., various sizes.Very extensive collection, mostly by De Vries, incl. (rare) 1st ed. of early works. Incl. some biographical and bibliographical works, such as Van der Vegt's biography (2006). Comprised of a.o.: De Nacht (1920); Vlamrood (1922); Lofzangen (1923); Coplas (1935, sheet music by J. Mul w. words by De Vries); Silenen (1928, 200 copies); Robijnen (n.d., clandestine publ. in 525 numb. copies. Quosque Tandem 13); Groningsche poëzie (1941); Drie verzen buiten de Tovertuin (1995, 75 numb. copies); and Atlantische balladen (1937, 175 numb. copies. Ursa Minor 3). Also incl. a very fine large photogr. portrait of Hendrik de Vries by Chris van Houts. (total approx. 50)
Amst., I. Tirion, 1756-1757. 4 parts in 2 vols. (4),354,(8),355-670,(12); (8),344,(8),345-642,(30) p. 4to. Contemp. vellum w. manuscript title, 2 different engr. frontisp., 3 fold. maps, 2 fold. plans, 3 fold. views, 4 fold. plates w. a total of 24 sm. circular plans and 1 portrait.(total 2)
In VI Boecken verdeelt. Op en Nedergank vande oude Koninklycke en loffelijcke Anzee-Stadt Stavoren (...). Haarlem, Thomas Fonteyn, 1647. 6 books in 1 vol. 328p. 16vo. Contemp. vellum binding over boards, manuscript title on spine, ex-libris on front pastedown w. motto 'Grypt als trypt', printer's mark on last printed page, sm. copperplate portrait engr. throughout, flower pressed into book, multiple types, incl. Gothic and Italics. Minimal waterst. and foxing, otherwise in excellent condition.
By Abraham Guiragossian (1871-1956), Beirut, ca. 1910. 8 showing a military ceremony on Martyr's square in Beirut, lead by French vice admiral Ferdinand-Jean-Jacques de Bon, and one group portrait of French military officials such as the vice-admiral De Bon, M. de la Forcade, Haute commissaire Francaise, Commandant Doizelet, the military governor of Beirut and others. As described in contemp. letter incl. w. photos. Added: an invitation for M. Guillandot by the officers of the French Division of Beirut on a boat called "Du Chayla", and a few newspaper clippings on Syria from 1905-1906. In a paper folder w. manuscript title: "Turquie, Syrie, Beyrouth. Les beautés de la Domination Turque, extrait de "les pyramides", 30 mai 1906". (total 13)
Giusta il suo originale, con la prefazione e le note istoriche e politiche di M.ur Amelot de la Houssaye e l'esame e confutazione dell'opera scritto in idioma Francese ed ora tradotto in Toscano. Cosmopoli (=Venice), n.publ. (G. Pasquali), 1769. (2),368 pages. W. engr. frontisp. portrait and title vignette, simple contemp. boards. A few quires yellowed, bookblock loosening, paper over spine torn and w. library tickets.
Leipsic, Spamer for Insel, 1917. 216,(6) p. Orig. gilt full calf, w. fine full-p. ills. and initials, w. dedication in pen by German actress Ernestine Costa (1900-1959), dated "27 Juli 36", portrait of Costa mounted on upper pastedown.Binding rubbed along edges. Deluxe copy. (2) The Happy Prince and Other Tales. Ills. in col. and in b/w by Charles Robinson. Oxford, Kemp Hall Press for Duckworth, 1935. 133,(2) p. 4to. Col. plates, ills. and orig. picture cl. after Ch. Robinson. Occas. foxed/ browned. (3) Salome. A Tragedy in One Act. Transl. from the French of Oscar Wilde, w. 16 drawings by Aubrey Beardsley. London, W. Clowes & Sons for John Lane, 1912. 4to. Richly gilt front cover, 15 (of 16) plates by Beardsley. Lacks 1st plate, "The woman in the moon", extremities of binding sl. worn. -and 4 others by Wilde, incl. De Profundis, bound in gilt-lettered hvellum (1905). (total 7)
of Tegenwoordige Staat van alle volkeren (...) Xde deel. Behelzende eene beschryving van den tegenwoordigen staat der Oostenryksche, Fransche en Pruisische Nederlanden. Amst., Isaak Tirion, 1738. Rebound w. orig. spine, frontisp., title w. sm. vignette, 15 copper engr. w. maps, plans, views, a portrait and a procession.
(...) Nouvelle édition, soigneusement conférée sur les trois éditions originales, augmentée d'un notice de la Perse, depuis les temps le plus regulés jusqu'a ce jour (...). Paris, Le Normant, 1811. Folio. Contemp. hcalf, engr. frontisp. portrait of Chardin, fold. map, 1 other map, 80 ills. on 63 (fold.) platesAtlas only, lacking text vols., upper inner hinge weak, library ticket on top of spine, occas. sl. foxed. Good copy.
SS. Rosario virginis matris devotis a deo opt. max. collata. Antw., Th. Galle, 1610. Sm. 4to. Engr. title-p., 4 letterpress p. and 15 numb. plates, very finely bound by F. Bedford in full crushed brown mor., both covers with double gilt fillet border and blindst. borders, corner fleurons, gilt board edges, gilt and ribbed spine, a.e.g., w. old bookseller's ticket of Robson & Kerslake (London) on upper pastedown. Bound w.: (2) Jan Swelinck. D. Catharinae Senensis virginis SS. ord. praedica torumvita ac miracula selectiora formis aeneis expressa. Paris, Thomas de Leu, n.d. (ca. 1610). Num. engr., incl. title-p. and 33 numb. plates. Plate 32 misprinted w. paper flaws. Very rare. Not to be confused with the print series with exactly the same title by Theodorus Galle, published in 1603. And bound w.: (3) Th. Galle. Vita et miracula S.P. Dominiici praedicatorii ordinis primi institutoris. Antw., Th. Galle, 1611. Engr. title-p., 4 letterpress p., frontisp. portrait, 32 engr. plates and 8 letterpress p. w. descriptions of the plates in Dutch. Excellent copy, plates in very good condition, all together in a very fine signed binding.
Incl. a.o.: an orig. wooden signpost w. address; a stiff paper letterpress "prijscourant" (Nov. 1920); a board advertisement display; photogr. of the building in which the firm was housed (above Hirsch & Cie at the Leidseplein, finished in 1912); a collection of 12 bronze/ silver tokens; 2 boxes of glass negatives ("Shakespeare, voor Dr. L. Berger"); and 38 orig. photogr., incl. portraits of Mies Merkelbach, the famous (self?)portrait of Jacob Merkelbach and a splendid portrait of "Regisseur Dreyfuss".Sm. archive of one of the most important Amst. photographic companies of the 20th cent., founded in 1913 by Jacob Merkelbach.
Ex ult. J. Lipsii emendatione et M. Annaei Senecae Rhetoris quae extant. Ex Ant. Schotti recens. Leiden. Elsevier. 1640. 16mo., overlapping vellum, engr. illustr. title, one portrait of the author and one engr. before the text. (24),552 p. 1st part. (2) Ibid. idem. Edition 1649. (3) M. Annaei Senecae. Rhetoris tomus tertius. Leiden. Elsevier. 1639. Overlapping vellum, title w. sm. vignette, 442 p. and index. (4) A later ed. of the same. 1649. (5) Joh. Fred. Gronovii ad L. & M. Anneos Senecas Notas. Leiden. 1649. (6) Manuale Graecarum vocum N. Testamenti (..) Auctore Georgio Pasore w. ill. title. Leiden. Elsevier, 1640, overlapping vellum, (6),536,(28),47 p., w. Latin and Greek text.-and 10 more Elsevier editions about Seneca, Cicero, Tacitus, Terentius, Caesar a.o. Incomplete series. Copies show much use, shabby bindings, waterstains in places. (total 16)
(1) Cary McWilliams. Ambrose Bierce, a Biography. New York, Albert & Charles Boni, 1929. 1st ed. Cl. w. dust-j. 1st full biography about Bierce.(2) Walter Neale. Life of Ambrose Bierce. New York, Walter Neale, 1929. 1st ed. Cl. sl. worn. (3) Vincent Starrett. Ambrose Bierce: A Bibliography. Philadelphia, Centaur Book Shop, 1929. 1st ed. Printed in 300 numb. copies, frontisp. portrait. (4) S.T. Joshi & D.E. Schultz. Ambrose Bierce: An Annotated Bibliography of Primary Sources. London, 1999. Cl. -and 15 more on and by Bierce. All 8vo, cl. or hcl. w. dust-j., all w. bookplate. (total 19)
in een gemeenzamen briefstijl beschreven, en met onderscheidene letterkundige aanmerkingen en andere soorten van inlasschingen doorvlochten. Groningen, Oomkens, 1827-1828. 2 vols. X,470; X,455 p. Sc, titles w. vignettes by Veelwaard after Koster, 2 charming fold. views by Veelwaard, 1 portrait by Veelwaard after M. Elis-Deboor, all copper engr.Added: 4 more literary travel books in Dutch, ca. 19th cent., about German towns. (total 6)
Oil on panel, 23.5 x 18 cm, titled and signed illegibly in lower margin, unframed.(2) (Portrait of a woman). Oil on board, 49.5 x 38 cm, with signature "Gustav Klimt" in lower right corner. (3) (Portrait of a girl). Oil on thick board, 37.5 x 33.5 cm, illegibly signed in lower left corner, unframed (panel warped). (total 3)
London, Hodder and Stoughton, ca. 1919. With 12 tipped-in coloured plates by Dulac. Dec. cl. 8vo. (2) The Sleeping Beauty and other fairy tales from the Old French. Idem. 1910. 30 tipped-in coloured plates by Dulac. Dec. faux-leather. Large 8vo. Dam. to upper spine, sl. loose. (3) Edmund Dulac's Picture-book for the French Red Cross, Idem, 1915. 19 col. plates and photo portrait of Dulac. Dec. cl.Overall in good condition. (total 3)
beginnende mette opdrachte der selver landen, gedaen by Keyser Karel de V aen zijnen zoon Koninck Philippus van Spangien, tot de droevige doot van zijn Excell. Willem Prince van Orangien. Leiden/Amst., Govert Basson/Michiel Colijn, 1621-(1630). 5 parts in 6 vols. Folio. 3 vols. with engr. title-p., title vol. 4 with large vignette, full-p. map, 150 half-p. engr., 22 portraits of which 2 are full-p., 2 woodcuts in the text, uniform blind-tooled vellum, ribbed spines with titles and vol. nos. in ink.Vol. 3, 4 and 5 with contemp. owner's mark in ink, stamps on front endpapers and a few half titles. Incomplete set, 14 fol. w. engr. and portraits cut out, a few w. inner margin cut through surrounding lvs., occas. incorrect pagination, a few engr. views pasted over the orig, full-p. portrait of the author has loose leaf w. text pasted on recto of leaf, some waterst., bindings sl. worn/discol. (total 6)
San Francisco & New York, Western Authors Publishing Co., 1892. 1st ed. Blindst. cl., frontisp. portrait. Sl. soiled, stain on back cover. (2) Tales of Soldiers and Civilians. New York, United States Book Co., 1891. 1st New York ed. Contemp. hcl. Sl. dam. to upper outer spine. (3) In the Midst of Life: Tales of Soldiers and Civilians. London, Chatto & Windus, 1892. Gilt lettering and ornamentation, early U.K. ed. Worn, lacks French title. (4) Josephine Clifford McCrackin. The Woman Who Lost Him and Tales of the Army Frontier. W. introd. by Ambrose Bierce. Pasadena, G. Wharton James, 1913. 1st ed. Worn. -and 2 more. All 8vo and w. bookplate. (total 6)
ad gravissimos severissimosque viros, patres melancholicorum conscriptos. Amst., Prostant apud Neminem, sed tamen Ubique, 1648. (6), 252, (14) p. W. beautiful engr. frontisp. portrait, woodcut title ill., 19th cent. calf, gilt triple and double fillet lines around sides and edges of covers, inside dentelles, ribbed and gilt spine w. mor. letterpieces a.e.g., 12mo. Rebacked w. the orig. backstrip laid down. Bound w.: (2) P. Porcium (= J. Placentius). Pugna porcorum per P. Porcium, poëtam, Paraclesis pro Potore. N.pl., n.publ., 1648. 71 p. W. the same title woodcut as (1). And bound w.: (3) Peerdeklontius (= C. Stymmel). Studentes, sive comoedia de vita studiosorum. Autore Ignoto Peerdeklontio. Alentopholus (= Amst.), In aedibus Iberiorici nobilimè, 1647. 96 p. Nice convolute. These comic and bawdy tales and poetry are often bound together. The 2nd work is written in a grotesque neo-latin, incorporating words from vernacular languages, often in bizarre combinations.
Alb. Plasschaert en Just Havelaar. Jan Mankes. Wassenaar, J.A.A.M. van Es, 1917, 60 p., with glued-in original woodcut ('Koemelkster') and 32 tipped-in heliograph (incl. self-portrait cover and frontispiece). Original halfcloth. 4to. Added: Willem de Mérode. Jan Mankes. De Geitenpers, Brummen, 1989. (total 2)
Two early issues of the influential artists magazine Avalanche, edited by Liza Bear and Willoughby Sharp, published by Kineticism Press, New York (13 all published 1970-1976). Each 23.5 x 23.7 cm, offset-printed, staple bound, ills. b/w. Includes: (1) No.3 Fall 1971. Cover portrait of Barry Le Va. Features Le Va, Gordon Matta-Clark, Ulrich Rückriem, Robert Morris, Bill Beckley, Joel Fisher, Italo Scanga. (2) No.2 Winter 1971. Cover image Bruce Nauman. Includes Nauman, Richard Serra, Yves Klein, William Wegman, Vito Acconci et al. Minimal traces of use on covers, else very good copies. (total 2)
Lithograph printed in black and red, 30 x 30 cm, (The Hague, 1922).Folded and sl. creased; a few minor tears/ tiny holes on folds. Remnants of former mounting on lower corners verso. A good copy. Hoek, 682b, the first version, with the date 1923 in upper right corner. Adorned with citations like "Tous les matins j'enfile met bottines (Francis Picabia)" and "Dada est contre le futur, Dada est mort, Dada est idiot, vive Dada! Dada n'est pas une école littéraire hurle". Mounted at upper right hand margin in: Theo van Doesburg. Klassiek-barok-modern. Lezing door Theo van Doesburg. Printed by Drukkerij Sinte Katharina in Bruges for "De Sikkel" in Antwerp, 1920, 31, (1) p., 17 ills. on plates, orig. wr. designed by Van Doesburg. Waterst. in upper outer corners at the beginning and end (not affecting the Dada-poster); occas. minor foxing. Wrappers browned, a bit creased and splitting on spine. With owner's entry in pen: "Friedel Cabos de Fries" (Martha Frieda de Fries, 1893-1988). In 1924, Piet Mondriaan painted a portrait of her (both her husband Ernst Cabos and she collected works by Mondriaan). She also played a role in the film "Die blonde Geisha" in 1923 (as geisha Osukisan).
Announcement poster for an exhibition by Marcel Broodthaers at Gallery Bassenge in March-April 1969. Offset printed black on white sheet, 70 x 50 cm, folded 3 times.Features a photographic portrait of Broodthaers and Otto Hahn, and 4 b/w reproductions of works and texts by Marcel Broodthaers, Otto Hahn, Jean Dypreau, Pierre Restany and Alain Jouffroy. Wear and some tiny incisions along the folds, else a fine rare copy.
behelzende Saken van staet en oorlogh, voorgevallen in, en omtrent de Vereenigde Nederlanden en door geheel Europa, mitsgaders in meest alle de andere deelen des werelds. Beginnende met het jaar 1669 daar het de Heer Lieuwe van Aitzema heeft gelaten; en eyndigende na het jaar 1679, met het sluyten der Nimeegsche en algemeene vrede. Amst., J. ten Hoorn and J. Bouman, 1685, 2 parts in 1 vol. Paginated in 4 parts: (8),714,(8); (2),376; 216; 55,(9) p. Folio. W. 25 engr. plates: engr. frontisp.; 1 double-p. map of Holland, Utrecht and part of Gelderland; 2 double-p. plates of fortresses; 7 double-p. plates of sieges by C. Decker (siege of Maastricht w. movable part); 11 portraits (some equestrian); 1 double-p. sea battle; 1 double-p. plate of the burial procession of Michiel de Ruyter; and 1 double-p. plate of peace negotiations. Contemp. blindst. full vellum binding, ribbed spine. Occas. foxed, sl. browned, portrait of the "Keurvorst van Brandenburg" erroneously bound in "Tweede stuk, Derde deel" (opposite p. 296). Vellum torn along top of spine and ink indications on spine ("Vervolg") deliberately erased and written over ("vol. II"). Rare. Publ. as finely ill. continuation of Lieuwe van Aitzema. Saken van staet en oorlogh (...). Bound w.: Lieuwe van Aitzema. Saken van staet en oorlogh, in, ende omtrent de Vereenigde Nederlanden, beginnende met het Jaer 1621 (...) ende eyndigende met begin van 't Jaer 1669. The Hague, J. Vely, J. Tongerloo and J. Doll, 1669-1672, 6 parts in 6 volumes. Folio. Each part w. the same engr. frontisp. by H. Bary after V. Schuer, and engr. portrait in the first part. This set lacks vol. 2. Occas. sm. internal and external imperfections. Beautiful example of large 17th cent. bindings. (total 7 vols.)
fidus tibi dux et achates per Belgium. Hispan. Regnum Galliae. Ducat. Sabaudiae, Turinum usq. Pedemonti Metropolis. Leiden, Elsevier, 1631. (8),671,(1),(38) p. 16mo. Vellum, ill. title-p. Travelguide.(2) Q. Curtii Rufi Historiarum libri. Ibid., idem, 1633. (10),338,(20) p. 16mo. Leather, ill. title portrait, fold. map of Alexandri Magni Macedonis expeditio and full p. engr. (3) Ibid., idem. Limp vellum binding. All copies show much use. (total 3)
Various sizes, 35 w. orig. signature or signed dedication (to J. Hogge) in pen, all neatly though loosely mounted at corners, in modern A4-sized portfolio.Collection of fine (large) portrait photogr., also incl. a few offset portraits. Incl. the following photos w. signed dedication or signed, a.o.: Isaac Stern (1920-2001, violinist, dated 1951); Grace Moore (1898-1949, newspaper article w. her picture and signed dedication); Charles Munch (1891-1968, conductor and violinist); Doris Niles (1905-1998, dancer, 2); Eleftherios Papastavrou (dated 1961); Gaston Poulet (1892-1974, conductor and violinist); Manuela del Rio (Spanish actress and dancer, dated 1935); June Roberts (2, one dated 1937); Max Rostal (1905-1991, violinist, dated 1956); Gijorgy Sandor (1912-2005, pianist, dated 1957); Solange Schwarz (1910-2000, ballerina, 2, dated 1946 and 1947); Pia Sebastiani (1925-2015, dated 1957); Claire Sombert (1935-2008, actress); Amanda Webb (violinist, 2, one dated 1942); Nathan Wilstein (violinist, dated 1947); Iwan d'Archambeau (1879-1955, cellist, dated 1935 verso); René Defossez (1905-1988, composer); and Grzegorz Fitelberg (1879-1953). Also incl. is a nice series of photos by Kurt Kahle (1897-1953). (total approx. 100 in 1 portfolio)
(1) Twenty three cards and flyers mostly late 1960s, early 1970s. Four cards from Sonnabend New York and Paris including a small (undated) poster. (2) Three invitation cards from Enzo Sperone Torino including a leaflet from 1965 with a yellow wrapper featuring a photo portrait of Dine. (3) Brochure published by Stedelijk Museum Amsterdam for a Dine drawing exhibition in 1967. (4) Two large cards from Robert Fraser Gallery London 1969 announcing the same show, but printed in different colours. (5) Two cards from Multipli Torino. (6) Leaflet presenting graphic works at Der Spiegel Cologne 1971. (7) -and 10 others. (total 23)
(1) grafiek en boeken van ruscha, van 20 juni t/m 11 juli 1971, De Utrechtse Kring. Folded sheet housing 4 loose stencilled pp., 31 x 22 cm. Catalogue for Ruscha's first solo show of prints and books in The Netherlands at the low key student venue Neudeflat (9th floor). Incl. biographical information, text by Carel Blotkamp in Dutch, and a pricelist for the exhibited works. Moderate toning and agewear on exterior, sheets are fine. Scarce.(2) Edward Ruscha, Fotoprojekt in het kader van Sonsbeek 71, 1971. Brochure, 29.5 x 24 cm. 4 pp., folded once. Intro by Poul ter Hofstede, statement by Ruscha (in Dutch), with b/w portrait of Ruscha shooting pictures, and b/w ills. of the project which evolved into the artists' book Dutch Details. Moderate creasing, else fine. (total 2)

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