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283284 Los(e)/Seite
Los 469
BOB DYLAN - Great collection of 30 x LPs from Dylan, including early pressings. Titles include The Hurricane Carter Benefit (SODD 007), Blonde On Blonde (including original stereo pressing S DDP 66012, 9 pictures on inside of gatefold, '33 1/3' on labels, a very clean strong Ex copy, Self Portrait (original UK pressing S 64085/6), John Wesley Harding (UK stereo original), Hard Rain, Desire, Blood On The Tracks, Bringing It All Back Home and The Times They Are-A-Changin. Condition is generally VG to Ex.
Los 397
A Russian plate in the Soviet propaganda style 20th century, after a design by Mikhail M. Adamovich, painted with a portrait of Lenin, ration cards and the slogan 'He Who Does Not Work Does Not Eat', blue hammer and sickle mark, and a Continental porcelain plate decorated with panels of flowers in the manner of Meissen for the Turkish market, interlaced LL mark, 24.8cm max. (2) Cf. Nina Lobanov-Rostovsky, Revolutionary Ceramics, pl.2 for the original design of the Russian plate.
Los 360
A pair of Naples porcelain portrait plaques 19th century, in the Doccia manner, decorated in high relief with profile portraits of Louis XVI and Marie-Antoinette, within embossed borders of floral panels, and a Doccia style plate with a moulded scene of Classical figures in a landscape, crowned N marks in blue, 25.7cm max. (3)
Los 403
Five Russian porcelain plates with Soviet Propaganda designs 20th century, one originally designed by Pototskaya with books to the well and script around the rim, another painted with a javelin thrower beside a sport programme and with brightly coloured cyrillic script around, one by Rudolf Vilde with a Russian worker taking a hammer to Death, another with a figure riding a winged horse over the burning ruins of a city, the last with a portrait of Lenin, various marks, 24.5cm max. (5) The last exhibited at M Ekstein Ltd, 90 Jermyn Street, 14th - 24th December 1987, with paper label for the same.
Los 190
A small Birmingham enamel theatrical portrait plaque c.1780-90, printed in manganese with a portrait of Samuel Reddish in the role of Young Bevil, set in a brass mount, 6cm overall. Provenance: The Norman Stretton Collection, Phillips, 21st February 2001, lot 321. The print is taken from a 1777 engraving in Bell's British Theatre, signed I Roberts, of Mr Reddish in his role in The Conscious Lovers. Samuel Reddish (1735-85) was an actor and director from Frome, who played Macduff opposite Garrick's Macbeth in 1767. In 1779 he began to show signs of forgetfulness, and in 1785 is recorded as dying in the York asylum as a lunatic.
Los 53
A rare wine glass or champagne flute of coal-mining interest c.1780, the tapering bowl finely cut with an ovolu border beneath tiny foliate sprigs, engraved below with 'Success to the Thwaite Colliery', the reverse with an armorial crest of a rearing bull above a ducal coronet, the monogram JS below, the stem cut with six vertical facets, 16.6cm. Provenance: from a private collection in Sussex. Exhibited: English Glass Circle exhibitions, 'Strange and Rare', 1987, no. 146, and Diamond Jubilee, 1997, no. 127. This glass is thought to be the only 18th century one known to commemorate the opening of a colliery. Thwaite Colliery, about 4 miles outside Leeds between Hunslet and Rothwell, was owned by John Smyth, and the heraldic bull is his family crest. The mine was opened in 1780 and closed in 1796. The engineer who designed the main shafts was John Smeaton, better known for constructing the lighthouse now on Plymouth Ho. Smyth held various offices during his life being, MP for Pontefract, a Privy Councillor, a Lord of the Admiralty and the principal proprietor of the Aire and Calder Navigation Company which owned the mine. There is a portrait of him by Pompeo Battoni in York Art Gallery.
Los 101
Three small reverse glass or verre églomisé pictures 19th century and earlier, one depicting the Ascension, one a portrait of a gentleman in Tudor dress, one a small black silhouette portrait within a green panel on a gold ground, and a souvenir thermometer picture of Freundschafts in Carlsbad, decorated in glass frit and mosaic with figures beneath tall trees, 21cm max. (4) Provenance: from a private collection in Sussex.
Los 102
A verre églomisé silhouette portrait of William I of Württemberg 1st half 19th century, his uniform picked out in gilt and silver, within a red, gold and black leaf border, reserved on a green ground with gilt oak branches, titled above the portrait 'Wilhelm Koenig von Württemberg', in a gilt wood frame, the plaque 30.5cm x 30.5cm. Provenance: from a private collection in Sussex.
Los 238
A Pratt ware commemorative jug c.1795, moulded to two sides with an equestrian portrait, one titled 'Duke of York' the other 'Prince Cobourg', and a pair of pearlware circular wall plaques, decorated in raised relief and Portobello colours with a smoking miser and a female snuff-taker within beaded borders, 21.5cm max. (3)
Los 99
James Tassie (Scottish, 1735-1799) Two portrait plaques of Jane Gray and Dr James Gregory, modelled in profile facing left, cast in white glass relief on a blue grey ground, titled 'Jane Gray Died 13 Feb 1792' and 'James Gregory MD Acad Edin 1791' respectively, both signed 'Tassie F', mounted in glazed wooden oval frames, 15cm. (2) Dr Gregory was a Professor of Medicine at Edinburgh and the inventor of Gregory's Powder, a foul-tasting but effective stomach sedative. Provenance: from a private collection in Sussex.
Los 356
Marjorie Cox (British, 1915-2003), CH Kaytop Marshall (Tarzan) - Portrait of a Welsh Corgi, signed 'Marjorie Cox' (lower right) and inscribed with title and dated '1978' (lower left), pastel, 42cm x 50cm; together with two other pastel portraits of Welsh Corgis 'Tully' and 'Piglet' by the same hand, (3). DDS.
Los 625
A needlework panel, circa 1700, worked in coloured silks and metallic thread, with raised work embroidery and gilt spangles, on a blue ground, centred by an oval bust portrait of a young lady, the central panel with birds perching on flowering branches in a two handled vase, the border with birds perched on meandering flowering branches, 27.5cm x 21.5cm. Illustrated.
Los 229
Henry William Pickersgill RA (1782-1875)PORTRAIT OF COL. THE HONOURABLE SIR HORATIO TOWNSHEND, THREE-QUARTER LENGTH STANDING, IN UNIFORM AND WEARING THE WATERLOO MEDALOil on canvas125 x 101cmLt Col. Sir Horatio George Powys Townshend was a Grenadier Guard, one of Wellington’s men; he was badly injured in the Waterloo campaign. He became MP for Whitchurch, Hampshire and was appointed Governor of Windsor Castle. He was awarded the status of Knight Commander of Hanover and wears the two orders denoting this, beside his Waterloo medal.He died, aged 63, in 1843 and his coffin was carried to the family vault by regimental survivors of Waterloo.
Los 347
Griselda Lewis,'A Collector's History of English Pottery',published by The Antique Collectors' Club, 1987,Robin Reilly,'Wedgwood, A New Illustrated Dictionary',published by The Antique Collectors' Club, 1996,P D Gordon Pugh,'Staffordshire Portrait Figures',published by Praeger Publishers, 1971,Michael Messenger,'Coalport 1795-1926',published by The Antique Collectors' Club, 1995,F Brayshaw Gilhespy,'Derby Porcelain',published by Macgibbon & Kee, 1961,Geoffrey A Godden,'Godden's Guide to Ironstone and Granitewares',published by The Antique Collectors' Club, 1999,C J A Jorge,'The Geldermalsen History and Porcelain',published by Kemper, 1986,Robin Reilly & George Savage,'The Dictionary of Wedgwood',published by The Antique Collectors' Club, 1980,John Sandon,'The Dictionary of Worcester Porcelain', 1752-1851, Volume 1, Published by the Antique Collectors' Club, 1993,Henry Sandon,'Royal Worcester Porcelain',published by Barrie & Jenkins, 1975,Geoffrey A Godden,
Los 230
*Sir Oswald Birley (1880-1952)PORTRAIT OF DOREEN LEIGH PEMBERTON, HALF LENGTH SEATED, IN A BROWN DRESSSigned, inscribed 'To John Leigh Pemberton' and dated 1949 u.r., oil on canvas76 x 64cm;and a pencil drawing of the same sitter, inscribed 'Day Drawing Study'29 x 25cm;and another,John Leigh Pemberton (1911-1997)PORTRAIT OF HUGH SIDNEY MARSHAM TOWNSHEND (SON OF THE HONOURABLE ROBERT MARSHAM)Oil on canvas76 x 63cm (3)Exhibited: Royal Society of Portrait Painters.*Artist's Resale Right may apply to this lot.
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283284 Los(e)/Seite