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283287 Los(e)/Seite
AN OPEN FACED VERGE POCKET WATCH BY JOHN E CORALL? OF WARWICK, having gold effect multi textured dial and rose gold style Roman numeral hour markers, reverse under crystal having four bands of decoration around a floral centre, movement on four pillars with intricate foliate scroll and side profile portrait of a Georgian gentleman to balance cock together with pieced foliate scroll with mythical bird detail, No.6006, Dia 6 cm
AN EARLY GEORGIAN TORTOISESHELL AND HALLMARKED SILVER PAIR CASED VERGE POCKET WATCH BY RULE OF PORTSMOUTH, No. 248, silver casing dated 1778, on four pillars with intricate foliate scroll and lovely pierced balance cock detailed with a profile portrait of a man smoking a pipe, typical pin detail to the edging of tortoiseshell casing with additional fern leaf and gold edging to the patination of the tortoiseshell , Dia 5 cm
Frank Sidney Harper (British, 1878-1929), portrait of the artist's wife Mary, standing half-length in profile, wearing a white blouse and an Arts & Crafts pendant, signed with monogram twice and dated 1913 l.l., oil on canvas, 105 by 56cm, in an oak frame. Note: the artist was Head of Painting at Birmingham College of Art
Attributed to George Harvey (British, 1806-1876), portrait of Dr Anderson, circa 1820-27, half-length seated wearing a brown tunic; portrait of Mrs Anderson, circa 1820-25, half-length seated wearing a lace bonnet and tartan wrap, a pair of portrait miniatures on ivory, 13 by 10cm, framed (2). Note: Exemption Certificate No.3A9VCJEK
Attributed to George Harvey (British, 1806-1876), portrait of Mr James Parke, circa 1820-27, half-length seated holding a book; portrait of Mrs Nayle, circa 1820-25, half-length seated wearing a white bonnet and holding a book, miniatures on ivory, 13 by 10cm, framed (2). Note: Ivory Exemption Certificate No.KLT3ZRZH
Attributed to John Bulfinch (British, 1680-1720), portrait miniature of King Charles II after Ryley, bust-length, ink and wash, 16.5 by 13cm, gilt frame. Provenance: inscription verso states that the work was purchased at Sotheby's from the Collection of Sir Bruce Ingram (1877-1963) and that it has been examined by The British Museum and The National Portrait Gallery in 1965
Christopher Dresser for Ault, a large Aesthetic Movement art pottery vase, circa 1880, shouldered and footed ovoid form, modelled in relief with Classical portrait roundels of Venus, Aphrodite and others, above sunflower lappets, the conical neck with Egyptian cornucopia and acanthus motifs, yellow draining to green, moulded mark, 61cm high
Louis Gustave Siever for G L Siever and Co., Worcester, an Aesthetic Movement painted tile, 1882, the Minton plaque decorated in the Italian Renaissance style with a profile portrait of Jeanne de Greville, on raised gilt ground, signed and dated, printed and impressed marks verso, 36cm x 23cm
Anthony Stewart (1773-1846), a pair of portrait miniatures, circa 1840, watercolour on ivory, painted to depict twin boys, each wearing a grey dress with white frilled collar, within circular yellow metal frames, lengths including surmount 5.5cm, total weight 35.1g, Ivory Act Exemption Certificate Numbers ARFMSQQ7 and QJP1T1Z1Note: examples of Anthony Stewart's work can be found in the Victoria & Albert Museum, the National Galleries of Scotland and the Royal Collection Trust Overall good condition Miniatures measure approximately 4 by 4cm each Miniatures appear to be in good condition, with minor marks only No visible signature Glazing shows light scratches and marks only Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lotFor enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Charles Sillem Lidderdale (British, 1831-1895), portrait of a young lady, bust-length wearing a red bow in her hair, blue dress and white scarf, signed with monogram l.r., oil on panel, 50 by 40cm, gilt frame. Provenance: No.77, Richard Lukeman Exhibition of Victorian Paintings at Knowle Gallery, Solihull, 2nd and 3rd December, 1989, with brochure
A satinwood games table, 19th Century, of Sheraton design, sunburst veneered demi-lune fold-over top painted with pearl bordered oval portrait miniature of beauties after Joshua Reyonds, suspended on ribbons, baize lined interior, double gateleg action, on tapered block legs terminating in spade feet, 92cm wide, 90cm diameter open
Robert Andrew (British, late 19th Century), portrait of a young lady, bust-length in profile wearing a shoulderless dress, signed l.r., dated 1899 u.r., oil on canvas, 50 by 38cm, gilt frame. Provenance: No.102, Richard Lukeman, Exhibition at Knowle Gallery, 8th to 14th May, 1988, with brochure

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283287 Los(e)/Seite