Vladimir Kozhevnikov, Russian b.1950- Portrait ; oil on canvas, signed and dated 02, bears inscription on the reverse, 90x59.5cm: Elena Iosifovna Gurvich, Russian b.1948- Still life; oil on canvas, signed with monogram and dated 94, bears inscription on the reverse, 54.5x59.5cm: H Weitzner, mid-late 20th century- "Andriyivsky Uzviz"; oil on panel, signed, 81x60cm: Tsukanau Sergei Maksimovich, Russian b.1936- Still life; oil on canvas, signed and dated 2004, bears inscription on the reverse, 60x80cm: Faizrakhman Aminov, Russian 1908-1984- Portrait of a noblewoman seated three-quarter-length turned to the right; oil on canvas, signed, 53.5x41cm: Valentina Sventakhouskaya, Russian, late 20th/early 21st century- Seated female nude; oil on canvas, bears inscription on the reverse, 108.5x69cm., (part unframed) (6) (may be subject to Droit de Suite)
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A R Stradling, British, early-mid 20th century- "Mt Kenya from Nairobi River"; oil on canvas, signed and dated 1927, in a glazed gilt oak reeded moulding frame, 54x72.5cm: A Dürler, mid 20th century- Floral still life; oil on panel, signed and dated 47, 57x50cm: H Vekaart, mid 20th century- Still life with an African mask; oil on canvas, signed, 56x46cm: British School, early-mid 20th century- Self portrait of the artist, (recto), Village landscape, (recto); oil on canvas, 46x36cm: Muriel Copnall, British, early 20th century- Floral still life; oil on canvas, signed, 46x36cm., (5) (may be subject to Droit de Suite)
Ronald Hobling, British fl. 1930s- Portrait of a lady in a crocheted hat; gouache, signed, 47.5x36cm: Juliet Kathleen Pannett SGA FRSA, British 1911-2005- "Nazareth Market"; watercolour, signed, 54x35.5cm: J B Holland, British, early-mid 20th century- "The Golden Gate, Split, Dalmatia"; oil on canvas board, bears inscription on the reverse, 51x35cm: Margaret Cox, British, late 20th/early 21st century- "Abstract Landscape"; oil on canvas, signed on the reverse of the backboard of the frame, 50x40cm: D Garratt, British, mid-late 20th century- "Richmond"; oil on canvas, signed, signed on the reverse, 51x61cm: D Sippings, British, llate 20th/early 21st century- Figures with a boat on a seashore; oil on board, signed, 46x61cm., (6) (may be subject to Droit de Suite)
British School, mid/late 20th century- Portrait of a man turned to the right; oil on canvas laid down on board, 76.5x63.5cm: Croatian School, late 20th/early 21st century- Gardener with a bunch of flowers; hand-coloured lithograph, signed and inscribed in pencil, bears publisher`s blind stamp, 70x49cm., (2)
![SCHOOL OF SIR HENRY RAEBURN [1756-1823], OIL ON CANVAS, 29" X 24", `PORTRAIT OF LORD DOUGLAS`: Entitled "Portr](http://lot-images.atgmedia.com/SR/33875/2886779/2015-2013617123645_468x382.jpg)
SCHOOL OF SIR HENRY RAEBURN [1756-1823], OIL ON CANVAS, 29" X 24", `PORTRAIT OF LORD DOUGLAS`: Entitled "Portrait of Lord Douglas as a Student", purchased from Trosby, Palm Beach, Florida in 1971. Sir Henry Raeburn, British, 1756-1823. From the Collection of John P. O`Hara, Bloomfield Hills, Mich.
ARNO BREKER, BRONZE SCULPTURE, 21" X 18" X 12", "PORTRAIT DU COMTE LUCKNER-BERLIN", 1934: Signed and dated. Reference: "Arno Breker" by Charles Despiau, 1942 [successful bidder receives a copy of this monograph and a copy of the soft cover publication, "Arno Breker" by Kanter-Bucher, 1943].
ARNO BREKER, BRONZE SCULPTURE, 1939, 15" X 9" X 11", "PORTRAIT DE M.ARTHUR KAMPF": Signed; also inscribed "Guss Rich Barth". Reference: "Arno Breker" by Charles Despiau, 1942 [successful bidder receives a copy of this monograph and a copy of the soft cover publication, "Arno Breker" by Kanter-Bucher, 1943].
One Holy Bible, full leather, folio, three volumes, "Scott's Bible", full leather, backstrips missing and chipped, all very worn and the Rev. Charles Marriott "The New Royal English Dictionary...", 1780, frontis portrait, front hinge broken, some bookworm damage to ffep, full contemporary leather binding, raised bands, red pastedown to backstrip, but all rather worn (1 box)
A Charles II oak joined chest, originally fitted with three long drawers, each having geometric applied mouldings but now that at the center has been adapted and the drawer front is now two doors, the interior is lined with printed paper including a portrait of Charles II and his queen, later bracket feet, width 98cm.
An oval portrait miniature by Annie Dixon, profile of a young girl on ivory, signed and dated 1854, within a square ebonised frame with brass oval aperture 9.5 x 7.5cm (damage). Condition Report: Paint faded and flaking all over with much gouache repainting. A large section on the left hand side has been broken off and missing.
KPM oval porcelain panel painted with a portrait of a lady in Eastern costume, impressed mark to reverse, 27cm high Condition report: The plaque has been glued to the mount board with only the impressed mark visible. The front displays no signs of damage or restoration, there are minor scratches and one enamel flake. The plaque is separate from the frame and will require refitting.
James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Portrait of the artist`s mother, signed, oil on board, 53 x 71.5cm.; 21 x 28.25in. * Isherwood painted a number of portraits including many celebrities such as the singer Gracie Fields, the round-the-world yachtsman Sir Francis Chichester and Lord and Lady Weymouth. However, his mother proved to be a favoured subject and one which Isherwood returned to on several occasions. Artists` Resale Right ("droit de suite") may apply to this lot.
Philip Naviasky (1894-1983), Continental market scene, signed, oil on board, 43 x 52.5cm.; 17 x 20.75in. * Studied at Leeds School of Art and at the Royal College of Art. Exhibited at the Royal Academy; Royal Society of Portrait Painters; Royal Scottish Academy; Royal Glasgow Institute of Fine Arts and in the provinces. Artists` Resale Right ("droit de suite") may apply to this lot.
Murray Urquhart R.B.A. (British, 1880-1972), River scene with figure, signed, oil on canvas, 50 x 60cm.; 19.75 x 23.5in. * Studied at Edinburgh School of Art, at the Slade School, at Westminster School of Art under Sickert, at Frank Calderon`s Animal School and at the Academie Julian in Paris. Exhibited at the Royal Academy; Royal Society of Portrait Painters; Royal Society of British Artists and New English Art Club. Artists` Resale Right ("droit de suite") may apply to this lot.
Jacob Kramer (Russian, 1892-1962), Portrait of a young lady, signed, pastel, 37.5 x 31.5cm.; 14.75 x 12.5in. * Born in Klincy, Ukraine, Kramer settled in England, in Leeds in 1900. Attended Manchester School of Art and studied at the School of Art in Leeds in 1908-11 and Slade School of Fine Arts in 1913-14. In 1915 Kramer held his first solo exhibition at Matthews & Brooke, Bradford. In 1960 retrospective exhibition at Leeds City Art Gallery. Later shows included Parkin Gallery in 1973, Belgrave Gallery in 1990 and centenary show at Leeds University Art Gallery. Victoria & Albert Museum, British Museum and Tate Gallery hold his work. Artists` Resale Right (droit de suite) may apply to this lot.
A Victorian gilt metal shaped oval brooch glazed with a feathered hair locket compartment within an interlooped surround with engraved motifs at intervals, the rotating central locket glazed with the portrait print of a lady in 17th Century costume to the back, a Victorian brooch modelled as a fluted column with spiral decoration, the back bearing a registration stamp, and a silver cased and enamelled keyless wind open-faced lady`s fob watch with a cylinder movement, the case detailed `0, 935`, with a dress Albertine fitted with a swivel.
A set of four early 20th Century prints on silk, each depicting a head and shoulder portrait of `The Maharajah of Kapurthala`, `The Maharajah of Baroda`, `The Maharajah of Jhalawar` and `The Maharajah of Patiala`, all within foliate borders, approx 30cm x 27cm, framed and glazed, together with a similar set of four prints depicting ladies, each beside a shield representing England, Scotland, Ireland and Wales.
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