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CIRCLE OF SIR JOSHUA REYNOLDS (1723-1792) An oil on canvas portrait thought to depict a young Charles James Fox (1749-1806), son of Henry Fox 1st Baron of Holland (1705-1774) and future prominent Whig statesman, Foreign Secretary.59cm x 44.5cmFox was a gambling addict, womaniser, debtor, and dandy who was forgiven his failings by many because of his defence of civil liberty and his overwhelming charisma. This painting is perhaps a rare depiction of Fox as a young man, on the cusp of adolescence but still very much with an air of child-like innocence.Reynolds was known to have painted Charles Fox's portrait as an adult in 1783, as well as painting his father Henry Fox and Lady Caroline Fox in 1757.The work was reframed on the 23rd October 1987 at Colin Denny Ltd Fine Art Dealers in Chelsea, London. There is another receipt possibly related to this painting from July 28th 1987 at Colin Denny Ltd Fine Art Dealers, which states 'reline with wax impregnation, clean and restore'.Inscription on the back of the stretcher reads: 'Charles James Fox 1747-1806 first son of Henry Fox first Lord Holland by Lady Caroline daughter of 2nd Duke of Richmond. Foreign Secretary 1780 and 1806. This information may have been taken from a label on the original frame before the 1987 re framing.See the link below for a comparatively young looking Charles James Fox after Reynolds: A mezzotint of a triple portrait with Charles James Fox standing beside Lady Susan Strangways at a corner of Holland House, both three-quarter length, Lady Susan holding dove in her hands; with Lady Sarah Lennox leaning out of window above, towards her.This print was made by James Watson after a painting by Sir Joshua Reynolds. https://www.britishmuseum.org/collection/object/P_1832-1211-77
A RUSSIAN SILVER AND SILVER GILT MODEL OF THE TSAR BELL SAIKOV, ASSAY MASTER POSSIBLY ANDREI KOVALSKY, MOSCOW 1850, 84 ZOLOTNIKI Cast with Tsarina Catherine and another Tsar, portrait cartouches, swags, Acanthus and Palmette borders, modelled with the crack from the original bell 13.5cm (5 1/4in) high 615g (19.8 oz)
MONTEGRAPPA, LA TRAVIATA A LIMITED EDITION GOLD COLOURED, ENAMEL AND RED RESIN FOUNTAIN PEN, NO. 05/37Cap and Barrel: Red marbled resin cap and barrel, with gold coloured overlay, the barrel with enamelled portrait of Violetta, with Milan, post 1968 control marks and stamped 750 Nib and Filling System: The nib stamped Montegrappa 18K 750, piston filling system, uninked Accessories: Montegrappa wooden box with rope twist cord and tassel decoration, with authenticity certificate, instruction booklet, information booklet Condition Report: Appears unused Condition Report Disclaimer
AN EARLY 19TH CENTURY PORTRAIT MINIATURE BROOCH/CLASP/PENDANT CIRCA 1820 The oval panel painted with a brown haired child wearing cream clothing, with domed glazed panel within a gold setting, brooch fitting and partial clasp with suspensory loop Size/dimensions: 4.3cm x 3.3cm Gross weight: 12.9 grams Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lotRef: H91Y2W63 Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding.
Außergewöhnlich seltene und fein dekorierte Tasse mit dem Portrait "Friedrich des Großen" (Fridericus Rex II) in Schwarzlot Malerei. In ovaler Reserve auf pastösem Gelbfond, eingerahmt von radierten Goldrändern und Blüten (Vergißmeinnicht) das Portrait Friedrich des Großen, volkstümlich auch der „Alte Fritz“ genannt. Regentschaft ab 1740 als König von Preußen und Kurfürst von Brandenburg , ab 1772 König in Brandenburg, Seine königliche Linie gehörte zur angesehenen Dynastie der Hohenzollern. Im Spiegel der Untertasse ebenfalls eine Ovalreserve , eingerahmt von radierten Goldrändern und Blumen in Purpur, das Monogramm “„FR„“. Es dürfte sich bei dieser Tasse um eine Gedenktasse handeln, da Friedrich im August 1786 verstorben ist. Weitere Ausformungen sind uns nicht bekannt. Meissen, um 1775-86, 1.Wahl Manufakturmarke Schwerter mit Stern unter der Glasur in blau, sowie verschiedene Press-, Form- und Malernummern Höhe ca. 7,8cm Altersbedingter Originaler Erhaltungszustand,
FOUR PICTURES AND A FRAME, comprising a 19th century style landscape with cattle, signed A. Cook, signed and dated 1988 verso, oil on board, approximate size 25cm x 35cm, an unframed 19th century portrait of an elderly female figure, no visible signature, oil on panel, approximate size 23cm x 18cm, three designs for 1925 ladies clothing, unsigned watercolour on paper, approximate size 29cm x 41cm, a Victorian style print on glass and an unused picture frame to fit a 30cm x 30cm picture (Qty)
A VICTORIAN GENRE PORTRAIT OF A FEMALE FIGURE IN REPOSE, the sitter is shown in a seated pose and is wearing a silken top and skirt, her head is resting on her arms, no visible signature, oil on canvas, approximate size 90cm x 72cm, Condition Report: there are several holes together with five old patched repairs verso, unframed
A SMALL QUANTITY PAINTINGS AND PRINTS ETC, to include two Michael Crawley watercolour landscapes, a study of a farm building signed Vera M. Holland, a pastel portrait of a male figure signed and dated Tom Whitehead 1941, River landscape signed J West, unsigned coastal landscape, unsigned river landscape, assorted prints including a coloured print 'The South-East Prospect of Leeds in the County of Leeds (Qty)
A BOX AND LOOSE FORMULA ONE MOTOR RACING THEMED ITEMS, to include a Nice Man Sports Ferrari jacket, size XL, racing style hat and goggles, Senna: Portrait of a Racing Legend and a poster book on Ayrton Senna, Jim Clark Grand Prix Legend by Andrew Tulloch, three framed Ayrton Senna prints, etc (1 box + loose) (sd)
FIVE BOXES OF ASSORTED BOOKS, to include Folio Society titles, authors include Primo Levi, Pliny, Marcus Aurelius, Sebastian Faulks, Anton Chekhov, Leon Wolff, etc, other titles include Venice Art & Architecture published by Konemann, Portrait of Vincent by Lawrence & Elizabeth Hanson, The GCHQ puzzle Book, Cry Havoc by Simon Mann, How to Stay Alive by Bear Grylls, Botanica's Roses, Birds by Katrina Cook, Jungle Jungle Little Chindit by Hollis and Carter - first edition etc (5 boxes)
ROBERT LENKIEWICZ (BRITISH 1941-2002) 'THE PAINTER WITH PAULA' self-portrait with model, limited edition print on paper, facsimile signature, 20/150 with certificate, mounted but unframed approximate size 73cm x 58cm Condition Report: bumps to the corners of the mount (artist resale rights apply)
TWO 19TH CENTURY STYLE PAPIER MACHE SNUFF BOXES, the circular example with later? painted cover of Nelson and the interior of the lid painted with reclining female nude, diameter 9cm, the rectangular box painted with a portrait of a female to the hinged cover 8cm x 5.5cm x 2cm (2) (Condition Report: a few areas of wear and small chips to the circular box, the rectangular box has a crack on a short end and a chip to the top edge, both have some craquelure)
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include two Garman Morris coastal landscapes with working boats on the water, signed and titled to lower edge, watercolours on paper, approximate sizes 18cm x 52cm, two DOUGLAS HOUZEN PINDER (1886-1949) North African scenes with figures on camels, V. Hermann still life study of fruit, oil on board, approximate size 40cm x 50cm, unsigned 19th / 20th century watercolour landscape - mould to the mount, unsigned oil on panel portrait of a Victorian gentleman, topographical prints etc
Kupferstichkarte (um 1638) "Nova illvstrissimi dvcatvs Pomeraniae tabvla", so in Kartusche betitelt. Kupferstich (stark gebräunt, Altersspuren, kl. Randeinriss), n. Lubin (korrigiert v. Palbitzke) b. Janssonius. Pommernkarte mit Kartuschen, darunter eine Wappen- sowie Portraitkartusche mit Portrait von Bugislaus, Junior XIV, Herzog von Pommern. Blattmaß ca. 44x 51 cm. R.
19th C. American School Portrait of a Gentleman. Housed in a Newcomb Macklin Frame (label verso). Oil on canvas. Appears to be unsigned, has not been examined out of the frame. Provenance: From the Estate of Francis Luis Mora (New York, Connecticut, 1874 - 1940). Sight Size: 30 x 25 in. Overall Framed Size: 36 x 31 in.
Early Old Master School Portrait of a Gentleman. Oil on panel. Appears to be unsigned, inscribed verso. Provenance: Butterfield and Butterfield Auction (San Francisco) 1990's, partial label verso. Housed in a later added tabernacle frame. Sight Size: 16 x 12 in. Overall Framed Size: 27 x 22.5 in.
William Holbrook Beard (New York, Kansas, 1824 - 1900) Two exhibited oil on canvas paintings depicting two of the four seasons (Spring & Summer). Alexander Gallery label verso. Illustrated in the Alexander Gallery exhibition catalog (page 38). The "Winter" scene of the four seasons painted by Beard was sold at Sotheby's New York (5/23/07) for a price realized of $84,000 (see last image for reference). Housed in gilt/exhibition frames. Sight Sizes: 16 x 24 in. Overall Framed Sizes: 25 x 33 x 3 in. William Holbrook Beard was a 19th-century American painter, specialized in animals, landscapes, portraits. Pupil of his older brother, John Henry Beard. William Beard worked as an itinerant portrait painter before joining his brother in New York in 1845 then establishing his own studio in Buffalo, NY in 1850. He traveled in Europe from 1856-58 before settling in New York City in 1860. Beard gained enormous success during the 1860s, when narrative, mythological, and fairytale paintings became treasured escapes from the cruel realities of the Civil War.
Walter Simpson Parke (American, 1909 - 1994) "Gypsy Dancer" - 1934 The portrait of a man in red headdress, earrings, and billowing blouse is signed and dated lower right front. A label verso provides the painting's title and lists the artist's address in Memphis, Tennessee. Provenance: The Robert W. Steinbach Trust and Steinbach Family Collection, Kansas City, Missouri. Sight Size: 27 x 22 in. Overall Framed Size: 38 x 33 in.
19th Century British School, an oil on canvas, A double sided portrait - one side depicting a Scottish Clansman drummer, the surrounding text taken from the Clan Cameron war cry, the other side depicting a bearded Victorian gentleman holding a note dated 1884, the canvas having two punctures and areas of restoration, framed, 57cm x 79cm, & 82cm x 102cm overall
Grouping of 8 Framed Photographs of WW1 Scottish Interest, mostly being studio portrait photographs of officers and other ranks from Scottish regiments. Various sizes. (8 items) Please note due to the size of the items postage will be higher than normal and we advise personal collection if possible. Late Gordon Anderson collection
Large WW1 Framed and Glazed Portrait Photograph of a Scottish Soldier, fine example which has been hand tinted. Housed in a period wood and glazed frame. Accompanied by another similar example and three smaller glazed photographs of WW1 Scottish interest. (5 items) Please note due to the size of the items postage will be higher than normal and we advise personal collection if possible. Late Gordon Anderson collection
Large Portrait Image of a WW1 Scottish Officer, fine circa 1917 mixed media rectangular picture of a Scottish officer in full uniform. Housed in a large rectangular glazed frame. Please note due to the size of the item postage will be higher than normal and we advise personal collection if possible. Late Gordon Anderson
Hellenistic Period, ca. 295–275 BC.A silver coin (tetradrachm) of Alexander the Great within a modern handmade circular sterling silver setting. The obverse of the coin shows the right-profile portrait of young Hercules wearing the characteristic Nemean lion's skin headdress. The reverse depicts a seated Zeus holding an eagle and a sceptre; the legend (in Greek) reads “Alexander”. These coins were minted after the death of Alexander the Great, the king of Macedonia and conqueror of much of the known world as far east as India, in order to pay homage to him and lay claim to his legacy. The pendant makes a stunning statement piece necklace. Excellent condition; wearable. Size: L:45.6mm / W:34.9mm ; 31.47g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 100-300 AD.A black gemstone intaglio depicting a left-facing portrait of a male wearing a helmet; set in a possibly later gold ring with a round band gradually expanding to triangular-shaped shoulders, accentuated with chiseled decoration. Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2; 14.73g Provenance: Private London collection; British art market 1990s.
Ca. late 2nd century AD.A gold ring with a D-shaped design, characterized by a round-section shank that expands at the shoulders and culminates in scroll finials. These finials elegantly support an eye-shaped bezel adorned with intricate scrolls and a cutout, which serves as a captivating frame for the garnet intaglio set below. Faustina Junior, the subject of the intaglio, was a prominent figure in Roman history. She was born Annia Galeria Faustina in the year 128 AD, and she held the title of Augusta as the wife of the Roman Emperor Marcus Aurelius. Faustina Junior played an influential role as the Empress of Rome, and her image on the intaglio highlights her significance and power during the Roman Empire. The left-facing portrait of Faustina Junior depicted on the intaglio reflects the artistic style and attention to detail prevalent during the Roman period. The intaglio, meticulously carved into the garnet gemstone, captures the Empress's likeness, showcasing her facial features, hairstyle, and likely even her attire. Such intaglios were highly prized and served as both personal adornments and symbols of status and allegiance. Size: D: 19.15mm / US: 9 1/4 / UK: S; 7.75g Provenance: Property of a Central London gallery; formerly in a private UK collection; Ex. W. Victor Hruby collection, 1984.

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