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283284 Los(e)/Seite
WW1 - Royal Sikh Pioneers, the property of Captain Heyward, an 1897 pattern infantry officer's sword, by Robert Mole & Son, Birmingham, Makers to the War and India Offices, 82.5cm straight fullered blade, pierced guard with crowned GRV cypher, wire bound fish skin grip, serial no. M8608, braided frog, 101cm long, 1914-1918; the captain's shoulder and cap badges; b/w portrait photographer in uniform (qty)
Medals, Nigeria Theatre Military B.E.M. - W.O. II D. Comrie, Argyll & Sutherland Highlanders, group of five, B.E.M. (Mil), EIIR - 2979203 W/O Cl.2 D. Comrie, A. & S.H. (L/G 1.6.1953); 1939-1945 Defence and War Medals; GSM 1918-62, EIIR/clsp. Malaya - 2979203 Sgt. D. Comrie, BEM, A. & S.H.; Army LSGC, GVIR/Regular Army Bar - 2979203 Sjt. D. Comrie, A. & S.H., all mounted for Court wear; photographic portrait of W.O. Comrie; copied researchProvenance: Spink of London, Lot 34, April 24th 2014
Antiquarian Books - Art History/Portraiture - Bates (William), The Maclise Portrait-Gallery of "Illustrious Literary Characters", With Memoirs Biographical, Critical, Bibliographical & Anecdotal Illustrative of the Literature of the Former Half of the Present Century, With Eighty-Five Portraits, first edition, Chatto and Windus, London 1883, illustrated with full-page monochrome lithographs, contemporary buckram as issued, thick 12mo; Steuart Erskine (Mrs), Beautiful Women In History & Art, Printed at The Chiswick Press for George Bell & Sons, London 1905, xi, 283pp, the illustrated throughout with plates engraved by Hallett Hyatt of The Rembrandt Studio, allegorical title-page and ornamental headpieces from designs by W.L. Bruckman, pictorial blue cloth, contemporary bookseller's label W. Erskine Mayne, Belfast, 4to [2]
2003 Extreme Endeavours (Explorers) group of four trials (excl 42p and 47p) all with value and Queen's head in silver (rather than gold) and with other minor shade or inscription differences, the '2nd' Amy Johnson shows an entirely different portrait which faces to the left and has her clothing in white, the '2nd' and '1st' se-tenant with interpaneau gutter, all fine u/m
A London delft royal portrait blue-dash charger, circa 1690, painted with the crowned standing figure of King William III dressed in coronation robes lined with ermine and holding a sceptre and orb, inscribed WR , flanked by stylised trees, above a striped green and yellow ground, within a yellow line and a border of blue dashes, 34cm diameter
A photograph album of students at Saltley College, Birmingham, circa 1907 onwards, (currently St Peter's College), British soldiers, the staff at 'Haverstock Hill' school, assorted portraits, wedding photographs, portraits of school children, and more; a Victorian portrait photograph album, including Queen Victoria, together with a topographical postcard album including Shrewsbury and Oswestry (qty)
A Regency mahogany eight day longcase clock, the 13 inch arched enamel dial signed 'JAS Webster, Salop', with central subsidiary seconds and date dials, within a ring of Arabic numerals under a portrait painted to the arch, the hood with wrythen front corner pilasters over an oval panel trunk door and crossbanded box base, raised on splay bracket front feet, 244cm high
Thomas Benjamin Kennington (1856-1916) - Oil painting of massive proportions - 'Pandora' - Full length, near life size portrait of a young woman clutching her dress, canvas 163cm x 92cm, signed in full and dated '75, with Dicksee & Co, Liverpool label verso to stretcher, in gilt leaf moulded frame, good original condition, minute area of paint loss to upper canvas
19th Century - Oil painting - Fine portrait of a cow 'Duchess '92', canvas approx 50cm x 65cm, apparently unsigned, in gilt frame with plaque inscribed 'Duchess '92, calved 1864, bred by and the property of Colonel Gunter, Wetherby Grange, Yorkshire', in good original condition, slight wear to paint surface and frame Note: Wetherby Grange, built in the 17th Century, originally known as Beilby or Micklethwaite Grange, purchased in 1831 by Colonel Gunter and demolished in 1962
ARR Ifor Freeman (20th Century Cumbrian) - Brown patinated plaster sculpture - Portrait bust, thought to be Pan, 53cm high, unsigned, Patination wear Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.
ARR Ifor Freeman (20th Century Cumbrian) - Green patinated plaster sculpture - Portrait bust of a young woman, on figured veneered plinth, 44cm high, unsigned, Chip to hairline Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.
WILLIAM IV STYLE GILDED PINCHBECK WOVEN CUFF BRACELET, set with green and white glass oblong portrait cameo in the large embossed oblong clasp, 1 1/2" wide, in Selfridges, London, morocco, velvet lined fitted case and hand-written provenance noting the passage through the family 1848, 1887 and 1916

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