Ernst Bernhard Wilhelm Busch signed wartime WW2 Hofmann 6 x 4 inch b/w portrait photo. German field marshal during World War II who commanded the 16th Army and later Army Group Centre. During World War I, Busch served as an infantry officer and was retained in the post war army of the Weimar Republic. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
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Generaloberst Rommel Signed Postcard Field Marshall Erwin Rommel in an official Heinrich Hoffman studio portrait. Very clean card with a bold Rommel pencil signature with excellent contrast. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
WW2 Luftwaffe fighter ace Martin Harlinghausen signed 6 x 4 inch portrait b/w photo in uniform. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Oberst Gustav Rodel KC OL signed 6 x 4 wartime Hoffman portrait photo. (born 24 October 1915 in Merseburg - died 6 February 1995 in Bonn-Bad Godesberg) was a German World War II Luftwaffe fighter ace. He scored all but one of his 98 victories against the Western Allies in over 980 combat missions whilst flying the Messerschmitt Bf 109. He was also a recipient of the Knight's Cross of the Iron Cross with Oak Leaves (German: Ritterkreuz des Eisernen Kreuzes mit Eichenlaub). The Knight's Cross of the Iron Cross and its higher grade Oak Leaves was awarded to recognise extreme battlefield bravery or successful military leadership. The Heinrich Hoffmann sepia coloured postcard photograph shows him in his Luftwaffe officers uniform, and he has boldly signed his name in ink below his image. signed 6 x 4 wartime Hoffman portrait photo (12 February 1918 in Mulheim an der Ruhr - 10 February 1985 in Ottobrunn) was a German World War II fighter ace who served in the Luftwaffe from 1937, initially as a member of the ground staff, until the end of World War II in Europe on 8 May 1945, by which time he had reached the highest ranks of combat leadership. A flying ace or fighter ace is a military aviator credited with shooting down five or more enemy aircraft during aerial combat. Schroer was also a recipient of the Knight's Cross of the Iron Cross with Oak Leaves and Swords. The Knight's Cross of the Iron Cross and its higher grade Oak Leaves and Swords was awarded to recognise extreme battlefield bravery or successful military leadership. For the fighter pilots, the grades of the Knight's Cross were also a quantifiable measure of their success and skill. Werner Schroer was arguably the greatest pilot of the Mediterranean theatre after the inimitable Hans-Joachim Marseille. The Heinrich Hoffmann sepia coloured postcard photograph shows him in his Luftwaffe officers uniform, and he has boldly signed his name in ink below his image. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
WW2 Luftwaffe fighter aces Adolf Dichfelt and Edmund Rossman KC signed 5 x 3 inch portrait b/w photo in uniform. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
African art Portrait mask, BauleIvory Coast. . Cm 16,00 x 43,00. Black patina wooden mask with four-end headdress. This mask belongs to the Baule tradition of the so-called portrait masks used during the dances of the mblo celebrations. The female face depicted is idealized to indicate an inner and moral beauty. Above the head, a sort of four-headed headdress possibly resembles animal horns.
African art Portrait mask, BauleIvory Coast. . Cm 22,00 x 33,00. Wooden mask in dark patina with elegant features. This mask belongs to the Baule tradition of the so-called portrait masks used during the dances of the Mblo celebrations. An idealized female face is here represented with various symmetrical scarifications and the mouth open in a circle.
African art Portrait mblo mask, BauleIvory Coast. . Cm 20,00 x 39,00. Dark patina wooden mask. This mask belongs to the Baule tradition of the so-called portrait masks used during the dances of the Mblo celebrations. An idealized female face is here depicted according to Baule's canons of beauty. In addition to some classic decorations that show scarifications, the open mouth with visible teeth is noted.
African art Portrait mask, YaureIvory Coast. . Cm 33,00. A fine dark patina wooden mask with comb headdress. An idealized female face is represented, the hair is decorated with geometric patterns and on the head she wears a comb headdress perhaps to suggest the portrait of a rich woman within the community.
Erotica: Sculpture/Garden Design: ▲ William Crozier (1942), Marilyn, 1975/80, Bronze, cast Hans Mayr Foundry, Munich, 1981, Edition 3/9, Signed and dated, 113cm by 83.2cm by 96.5cmExhibited: New York, Xavier Fourcade Inc, 1985 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.
Erotica: Sculpture/Garden Design: ▲ William Crozier (1942), Bob, 1971/80, Bronze, cast 1981, Edition 2/9, Signed stamp foundry |Guss Hans Mayr Munchen|, 22.9cm by 137.19cm by 61cmExhibited: New York, Xavier Fourcade Inc, 1985 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.
Erotica: Sculpture/Garden Design: ▲ William Crozier (1942), Debra, 1976/77, Bronze, Edition 1/9, Signed, 11.5cm by 43.2cm by 37cm The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.
Interior Design/Sculpture: An extremely rare Coade stone bust of Gerard de Visme, stamped Coade, Lambeth, the back scratched with Gerard de Visme E** 5 1793 and with partial old paper inventory label, 29cm highThis extremely rare bust is illustrated in Mrs Coade's stone by Alison Kelly, who states on page 139 "Another charming small portrait bust sold at Christies in April 1986. The name on the sitter was scratched on the back and difficult to decipher. He was Gerard de Visme, a Huguenot, and the piece is marked 1793. It is bronzed. Its provenance is unknown, and it is now in a private collection. It was shown in Henry Clay's article in the Connoisseur, October 1928, pp 79-87, but he did not know who it was. Gerard de Visme lived at Wimbledon Lodge, South Side, Wimbledon, lavishly decorated with Coade stone"Further research has revealed that Gerard was born on 6 February 1725 probably in the parish of St Mary Aldermary in the vicinity of Bow Lane, and christened at the French Huguenot Church of St Martin Orgars on the 28th February. He seems to have gone to Lisbon in Portugal around 1746 and then lived much of his life there. He then returned to the England around 1794 and spent his later years living at Wimbledon near London.His estate in Portugal was Quinta at Benfica, near Lisbon and later Monserrate near Sintra.A prominent member of the British Factory in Lisbon, he made a vast fortune, possibly relating to diamonds commerce with Brazil. He was possibly the Administrator of the Crown jewels and diamond mines of Brazil. He also possibly imported redwood and presumably had many other business interests. He seems to have been involved in the building of the British Hospital in Lisbon. He was also involved in a bank Purry Mellish & De Vismes. He is mentioned in the book 'They Went to Portugal' by Rose Macaulay.In 1790, Gerard moved onto the Monserrate estate, near Sintra. It would appear that he was not able to buy the property at Monserrate due to laws forbidding ownership of property by foreigners in Portugal at the time. Years later Francis Cook, another Englishman, stumbled upon the ruins of DeVisme's Palace and was able to purchase it. Francis Cook became the first Visconde of Monserrate.One rumour about DeVisme's daughter is that she was the reason he abandoned Monserrate. He apparently spent much time isolated there and the speculation is that he carried on some kind of improper relationship (with a servant or another member of society). His permanent abandonment of Monserrate coincides with his reappearance in London with an unexplained daughter.In London Gerard appears to have been a partner in the banking firm of De Vismes, Cuthbert, Marsh, Creed and Co, which is recorded in the London Directory of 1797.Gerard is buried in the churchyard of St Mary's in Wimbledon. He is noted as dying in 1797 having been resident at Wimbledon Lodge, Southside.A large portrait of Gerard, by Thomas Hickey, dated 1783, 10 years before this bust was commissioned, is in the National Trust collection at Tyntesfield, near Bristol. A second copy of this portrait, presumably also painted by Thomas Hickey, came up for Auction 14 March 2012 in Australia (Mossgreen, Lot 49).There is also a small miniature portrait of him painted in 1794 by Henry Spicer (English, 1743-1804) where Gerard is noted as being 67 years old. This miniature is now in the Carnegie Museum of Art in America.Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769, and appointed the sculptor John Bacon as its manager two years later. She was employed by all the leading late 18th Century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled A Descriptive Catalogue of Coade's Artificial Stone Manufactory. Then in 1799, the year she entered into partnership with her cousin John Sealy, she issued a handbook of her Pedlar's Lane exhibition Gallery. The firm became Coade and Sealey from this date and following Sealey's death in 1813, it reverted to Coade and in 1821 with the death of the younger Eleanor Coade, control of the firm passed to William Croggan, who died in 1835, following bankruptcy. Coade's manufactures resembling a fine-grained natural stone, have always been famed for their durability.Literature: Mrs Coade's Stone, by Alison Kelly,SPA, 1990, page 139
Erotica: Sculpture/Garden Design: ▲ William Crozier (1942), Aching, 1981/82, Bronze, Edition 1/9, Signed and dated |81-82| and foundry mark Guss Mayr Munchen, 132cm by 128.3cm by 231cmExhibited: New York, Xavier Fourcade, 1985 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.
Erotica: Sculpture/Garden Design: ▲ William Crozier (1942), Dawn-Marty, 1973/78, Bronze, cast 1980, Edition 1/9, Signed dated '1973-8' Stamp foundry Munchen19.1cm by 90.2cm by 61cmExhibited: New York, Xavier Fourcade Inc, 1984 The following six lots (lots 104 to 109) of erotic bronzes by William Crozier, were formerly in the collection of Robert Skull who with his first wife, was one of the first collectors of contemporary American Art in the 1960's. The 1973 Sotheby's auction, "The Collection of Robert C. Scull", of 50 mostly Pop Art lots yielded $2.2 million, and was the first single seller auction of contemporary American art.William Crozier is a figurative sculptor who has lived and worked in New York for more than 30 years.For many years William Crozier was represented by Richard Bellamy and Xavier Fourcade. He has had one-person shows at Xavier Fourcade, Inc, New York, (where a number of these bronzes were exhibited) as well as the Richard Hines Gallery, Seattle and Jason McCoy Gallery, New York. Crozier's work was included in the 1983 Whitney Biennial Exhibition and is in the permanent collection of the Metropolitan Museum of Art. The collector Robert Scull purchased one cast of each of his new pieces from 1970 to 1983 and all of the bronzes in this collection are numbered 1/9. Other bronzes in the edition have subsequently been sold at Sotheby's and Christies contemporary art sale in New York in the 1980's and 90's.Crozier's public commissions include a monumental-scale sculpture of Senator Jacob Javits for the Jacob Javits Convention Center, The Korean War Veterans Memorial in Kissena Park, Queens, New York and a portrait bust of David Rockefeller for Rockefeller University.Due to the erotic nature of these bronzes we have not illustrated them, however photographs are available on request.
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a good but later impression of New Hollstein's eighth state (of nine), the landscape showing wear but otherwise printing clearly, on slightly thick laid paper without watermark, platemark 158 x 131 mm (6 1/4 x 5 1/4 in), sheet 164 x 134 mm (6 3/8 x 5 1/4 in), scraping verso, recto with light rubbing and surface dirt (unframed)Literature:Hind 229; New Hollstein 240 viii/ix
James Barry (1741-1806)Self-portrait of the artistMezzotint, circa 1756-1810, an excellent heavily inked impression on fibrous wove paper without watermark, platemark 350 x 255 mm (14 x 9 3/4 in), sheet 475 x 330 mm (18 3/4 x 13 in), appears to be the full sheet with deckle edge, even toning and some surface dirt, a few scattered worm holes to sheet (unframed) Literature:Chaloner Smith 20 (Engraver not ascertained: Class III);cf. Pressly 36⁂ An unrecorded proof impression of this scarce print; printing before corrections made to the jacket, the areas surrounding the hair, and most prominently the drapery behind the artist. We have been unable to find a comparative state at auction, or a copy held within an institution.
James Barry (1741-1806)Self-portrait of the artistMezzotint, circa 1756-1810, a well inked and clear impression on cream wove paper without watermark, with extensive ink inscription within margin below that reads 'Barry Fecit/ James Barry Esq. late P.P.+ R.A. of/ the Royal Academy and member of Clementine Academy at Bologna', platemark, 355 x 250 mm (14 x 9 3/4 in), sheet 455 x 345 mm (18 x 13 1/2 in), minor spotting and handling creases (unframed) Literature:Chaloner Smith 20 (Engraver not ascertained: Class III);Pressly 36⁂ Scarce. The last copy at auction that we can trace was sold at Sotheby's London, December 1st, 1988 [see lot 171; sold for £6,380, incl. premium]. The ink inscription on the present impression bears some similarities to those on another copy held in the British Museum [see acc. no. 1902,1011.7094].
DEZO HOFFMAN GLASS NEGATIVE. An original glass photo negative (8x10") of a George Harrison portrait taken circa 1964 by Dezo Hoffman and published by Nempix, includes four photo prints of the image, two with handwritten annotations and one example of the finished image. Issued in original paper bag with handwritten notes.
A 1905 centenary copper portrait plaque of Nelson by L F Von Roselieb, with three-quarter shoulder-length profile of Nelson in full-dress hat with chelengk, uniform with decoration and inscribed HORATIO NELSON/1805 THE TRAFALGAR CENTENARY 1905, mounted on plush backing within oak frame, plaque 22.5 x 19.5cm, 40.5 x 37cm overall.
ABBIATICO & SALVINELLIA PAIR OF 28-BORE SINGLE-TRIGGER OVER AND UNDER SIDELOCK EJECTORS, serial no. 321 / 480,26in. nitro barrels with 7mm ventilated matt top-ribs, gold-inlaid 'I' and 'II' at the breech ends, 2 3/4in. chambers, bored approx. 1/2 and 3/4 choke (No.1) and imp. cyl. and 1/4 choke (No.2), hold-open toplevers gold-inlaid 'I' and 'II', the top-straps gold-inlaid '10' and '11', automatic safeties with gold-inlaid 'SAFE' details, non-selective single triggers, rolled-edge triggerguards, the actions, lockplates and furniture finely engraved with acanthus scrollwork, No. I lockplates finely engraved in bulino style with game scenes of pheasant and woodcock and signed 'A.L. Hunt', the underside with a portrait of a Jack Russell and signed 'A.L. Hunt', the triggerplate signed 'INGLESINA G. BRUNO INC.', No.II lockplates finely engraved in bulino style with hound flushing partridge, alighting pheasant and the underside with a lone woodcock, the triggerplate signed ' S. Venzi & R. Sanzogni', the triggerguard tangs with cartouches gold-inlaid 'I' and 'II, bright finish, 15in. highly-figured stocks including 7/8in. leather covered recoil pads, the fore-ends with relief engraved A&S crest sliding release catches, weight 6lb., in their lightweight leather case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act
MARIE LAURENCIN (FRENCH 1883-1956) Portrait de femmes, watercolor, ink and pencil on paper 44.5 x 35.5 cm (17 1/2 x 14 in.) signed lower left PROVENANCEPurchased by the previous owner from Daimaru in Kobe, Japan, 1970-1972Sotheby's, New York, February 12, 2009, lot 18Acquired at the above by the present owner
A GROUP OF 12 WORKS ON PAPER BY STANLEY BORIS PRANSKY (AMERICAN 1931-1965), 6 DOUBLE-SIDED, 1963-1964 comprising:a) Portrait of a Person in Sunglasses (recto, verso), watercolor on Fabriano paper, 43 x 29.5 cm (16 7/8 x 11 5/8 in.)b) Firenze (recto), 1963, signed, dated and inscribed lower right; Portrait of a Man (verso), watercolor on Fabriano paper, 43 x 59 cm (16 7/8 x 23 1/4 in.)c) Frenze (recto), 1963, signed and dated lower right; Dark-Haired Man (verso), watercolor on Fabriano paper, 59 x 43 cm (23 1/4 x 16 7/8 in.)d) Half-Length Portraits of Woman and Man (double-sided), watercolor on Fabriano paper, 59 x 43 cm (23 1/4 x 16 7/8 in.)e) Woman in Blue Headscarf, watercolor on Fabriano paper, 59 x 43 cm (23 1/4 x 16 7/8 in.)f) Cityscape with Cypress Trees, watercolor on Fabriano paper, 59 x 43 cm (23 1/4 x 16 7/8 in.)g) Man in Sunglasses, ink on card paper, 70 x 50 cm (27 1/2 x 19 3/4 in.)h) Girl in Salmon Dress, watercolor on paper, 69.5 x 49.5 cm (27 3/8 x 19 1/2 in.)i) Half-Length Portrait of a Woman (recto), ink on paper; On the Couch (verso), watercolor on paper, 69.5 x 50.5 cm (27 3/8 x 19 7/8 in.)j) Seated Man, 1963, watercolor on paper, signed and dated lower right, 59 x 43 cm (23 1/4 x 16 7/8 in.)k) Woman in Sunglasses and Headphones and Full-Length Portrait of a Woman (recto, verso), watercolor on Fabriano paper, 59 x 43 cm ((23 1/4 x 16 7/8 in.)l) [Reclining Man] Firenze, 1964, charcoal on Fabriano Duraflex paper, signed, dated and inscribed lower right, 69.5 x 50 cm (27 3/8 x 19 3/4 in.) PROVENANCEGrosvenor Gallery, London
SIMKHA SIMKHOVITCH (RUSSIAN 1893-1949) Girl in Pink (Portrait of the Artist's Daughter), circa 1941 oil on canvas board 50.8 x 40.5 cm (20 x 15 7/8 in.) signed lower left PROVENANCEJanet Marqusee Fine Arts Ltd., New YorkDoyle, New York, May 9, 2012, lot 85LOT NOTESThis painting was used as the cover illustration for the 1990 publication of the novel Allegra Maud Goldman, written by Edith Konecky.

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