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Los 171
Louis August Mathieu Legrand 1863 Dijon - 1951 Livry-GarganSous les Figuiers (Unter den Feigenbäumen). 1895.Radierung und Aquatinta. Arwas 102. Signiert, nummeriert, betitelt und bezeichnet. Exemplar mit zweiter Radierung am linken unteren Blattrand (`Laufender Hund`, 7,2 x 13,4 cm, von separater Platte). Auf festem Japan. 31,4 x 49,2 cm (12,3 x 19,3 in). Papier: 46,3 x 61,5 cm (18,2 x 24,2 in).Rechts unten mit dem roten Stempel des Verlegers Gustave Pellet (1859-1919), Paris (Lugt 1193).Wohl ein Selbstporträt Legrands mit seiner Frau. [CB].PROVENIENZ: Galerie Wolfgang Ketterer, Stuttgart, 1963 (mit Rechnung in Kopie). Aus der ehemaligen Sammlung Wilhelm Laaf. ca. 16.07 h +/- 20 Min.ENGLISH VERSIONLouis August Mathieu Legrand 1863 Dijon - 1951 Livry-GarganSous les Figuiers (Unter den Feigenbäumen). 1895.Etching and Aquatint. Arwas 102. Signed, numbered, titled and inscribed. Copy with two etchings in lower lefrt margin (`Laufender Hund`, 7.2 x 13.4 cm, from separate plate). On firm Japon. 31,4 x 49,2 cm (12,3 x 19,3 in). Sheet: 46,3 x 61,5 cm (18,2 x 24,2 in).Lower right with red stamp of publisher Gustave Pellet (1859-1919), Paris (Lugt 1193).Presumably a self portrait of Legrand with his wife. [CB].PROVENANCE: Galerie Wolfgang Ketterer, Stuttgart, 1963 (with copy of bill). From former collection Wilhelm Laaf. ca. 16.07 h +/- 20 min.
Los 222
Ludwig von Hofmann 1861 Darmstadt - 1945 PillnitzBildnis einer sitzenden Dame. Um 1910/20.Kohlezeichnung mit Rötel. Unten links monogrammiert. Auf dünnem, graubraunen Skizzenpapier. 37 x 23,5 cm (14,5 x 9,2 in). Blattgröße. [ATh].Intimes und kunstvoll komponiertes Damenbildnis in der für Hofmann typischen eleganten Linienführung.ca. 16.45 h +/- 20 Min.ENGLISH VERSIONLudwig von Hofmann 1861 Darmstadt - 1945 PillnitzBildnis einer sitzenden Dame. Um 1910/20.Charcoal drawing with red chalk. Monogrammed lower left. On thin gray brown sketch paper. 37 x 23,5 cm (14,5 x 9,2 in). Size of sheet. [ATh].Intimate and artfully composed portrait of a lady, in Hofmann`s characteristic elegant line management. ca. 16.45 h +/- 20 min.
Los 323
Frankreich - Schule von Barbizon Im Wald von Fontainebleau. Mitte 19. Jahrhundert.Öl auf Leinwand. Rechts unten bezeichnet `Corot`. Verso alt bezeichnet `original de Corot - Grotte et Rocher de Franchard Forêt de Fontainebleau avec portrait de Français sous la grotte`. 31 x 44 cm (12,2 x 17,3 in). Auf dem Keilrahmen mit Resten alter Etiketten sowie einem alten Auktionsetikett.PROVENIENZ: Palais Galliéra, Paris, 21. Juni 1966, Lot 200 (dort als Corot).Im Kinsky, Wien, 51. Kunstauktion, 12. Oktober 2004, Lot 41 (dort als Corot).Privatsammlung USA.Privatbesitz Süddeutschland. Die stimmungsvolle kleine Landschaft zeigt die bekannte und bizarre Felsformation der `Gorges de Franchard` im Wald von Fontainebleau. Ganz im Sinne der Schule von Barbizon ist in freiem Duktus und gedämpfer Farbigkeit gearbeitet. Der zartblaue Himmel umspielt die Braun- und Grautöne der frei umrissenen Felsformationen und deren verschattete Flächen. Der kleine weiße Hund, dessen Besitzer sich nur schemenhaft aus dem ihn umgebenden Schatten zu lösen scheint, fängt den Blick des Betrachters und leitet diesen in die Tiefe der Komposition. [CB]. ca. 18.16 h +/- 20 Min.ENGLISH VERSIONFrankreich - Schule von Barbizon Im Wald von Fontainebleau. Mid 19th century.Oil on canvas. Inscribed `Corot` lower right. Verso with old inscription `original de Corot - Grotte et Rocher de Franchard Forêt de Fontainebleau avec portrait de Français sous la grotte`. 31 x 44 cm (12,2 x 17,3 in). With remains of an old label on stretcher as well as with an old auction label.PROVENANCE: Palais Galliéra, Paris, 21 June, 1966, lot 200 (there as Corot).Im Kinsky, Vienna, 51st art auction, 12 October, 2004, lot 41 (there as Corot).Private collection USA.Private ownership Southern Germany. [CB]. ca. 18.16 h +/- 20 min.
Los 379
Ilka Freiin von Fabrice 1846 Dresden - 1907 FlorenzSelbstporträt der Künstlerin. 1897.Öl auf Leinwand. Links oben signiert mit ihrem Pseudonym `C. [Carl] Freibach` und datiert. 70 x 54 cm (27,5 x 21,2 in). PROVENIENZ: Privatbesitz Süddeutschland. AUSSTELLUNG: Gegenwart der Musen - Künstlerinnen auf Schloss Neubeuern, Ausstellung anlässlich der Neubeurer Woche 2013, Schloss Neubeuern am Inn (ohne Katalog).Internationale Kunst-Ausstellung Dresden 1897 (verso auf dem Rahmen mit dem Etikett, dort mit handschriftlich eingetragener (Kommissions?)-Nr. `1320`), wohl Kat.-Nr. 171 (`Portrait`, ohne Abb., ohne Maße im Kat.). Ilka von Fabrice wird 1846 in Dresden geboren. Ihre Eltern sind Oswald von Fabrice, ein hoher sächsischer Staatsbeamter und Helene Gräfin von Reichenbach, die jüngste Tochter von Kurfürst Wilhelm II. von Hessen-Kassel und dessen zweiter Ehefrau Emilie von Reichenbach-Lessonitz. 1874 wird der Vater zum außerordentlichen Gesandten Sachsens in München berufen. Die Wohnung der Eheleute von Fabrice im Palais am Karolinenplatz wird zum gesellschaftlichen Treffpunkt der Prinzregentenzeit. Ilka von Fabrice erhält Malunterricht bei Franz von Lenbach und ist 1882 Gründungsmitglied des Münchner Künstlerinnenvereins. Ihre Werke werden unter anderem auf den Internationalen Kunstausstellungen 1883 und 1900 in München und 1897 in Dresden ausgestellt. Später lebt und arbeitet Ilka von Fabrice in der Toskana, wo sie 1907 in Florenz stirbt. [CB].ca. 18.58 h +/- 20 Min.ENGLISH VERSIONIlka Freiin von Fabrice 1846 Dresden - 1907 FlorenzSelbstporträt der Künstlerin. 1897.Oil on canvas. Signed with pseudonym `C. [Carl] Freibach` and dated upper left. 70 x 54 cm (27,5 x 21,2 in). PROVENANCE: Private ownership Southern Germany. EXHIBITION: Gegenwart der Musen - Künstlerinnen auf Schloss Neubeuern, exhibition on occasion of the Neubeurer Woche 2013, Schloss Neubeuern am Inn (no catalog).Internationale Kunst-Ausstellung Dresden 1897 (verso of frame with label, there with (commission?) no. `1320`), presumably cat. no. 171 (`Portrait`, no illu., no dimensions in cat.). ca. 18.58 h +/- 20 min.
Los 389
Franz von Defregger 1835 Stronach/Tirol - 1921 MünchenBeim Vorlesen. Um 1900.Öl auf Malpappe. Rechts unten signiert. 33 x 22 cm (12,9 x 8,6 in). Verso von fremder Hand bezeichnet.Wir danken Herrn Dr. Horst Ludwig, München, für die wissenschaftliche Beratung und die mündliche Bestätigung der Authentizität.Franz Defregger wird 1835 als Sohn eines wohlhabenden Bauern in Tirol geboren. Nach dem Tod des Vaters verkauft er den Hof der Familie, geht nach Innsbruck und beginnt 1860 eine Bildschnitzerlehre bei Michael Stolz. Dieser erkennt bald seine außerordentliche Begabung und ermöglicht ein Zusammentreffen mit dem Maler Karl Theodor von Piloty. Auf dessen Rat hin besucht Defregger zunächst die Vorbereitungsklasse an der Kunstgewerbeschule in München bei Hermann Dyck und wechselt im Herbst 1861 zu Hermann Anschütz an die Akademie der Bildenden Künste. Eine anschließende Studienreise führt ihn 1863 für längere Zeit nach Paris, wo er die Malerei der Schule von Barbizon kennenlernt. Nach seiner Rückkehr lebt Defregger in München und Osttirol, zu dieser Zeit entstehen vor allem Porträts von Verwandten und Freunden. 1867 malt er die Studie `Der verwundete Jäger`, mit der er von Piloty als Schüler angenommen wird. Defregger wird schnell zu einem der populärsten Genremaler der Münchner Schule und hat schulbildenden Einfluss. 1878 wird der Künstler zum Professor für Historienmalerei an der Münchner Akademie berufen und lehrt dort bis 1910. Seine 1880 erbaute repräsentative Villa in der Münchner Königinstraße wird zum gesellschaftlichen Treffpunkt. Defregger erhält in den folgenden Jahren zahlreiche Auszeichnungen und Ehrungen, die 1883 in der Verleihung des bayerischen Kronenordens, verbunden mit dem Adelstitel, gipfeln. Neben der akademischen Genre- und Historienmalerei entstehen in den 1890er Jahren auch eine Reihe von freieren Porträts, Landschaften und Darstellungen aus dem privaten Bereich. Intime Skizzen und Studien belegen eindrucksvoll seine koloristischen Fähigkeiten in der Landschaftsmalerei sowie seine Beobachtungsgabe in der Porträtkunst.Wie bei nahezu allen Bildsujets Defreggers findet sich auch das Vorlese-Motiv mehrfach in seinem ?uvre wieder. Hier jedoch variiert der Künstler alle vier bekannten Versionen deutlich, sei es in der Position der Figuren zueinander, der räumlichen Situation oder des zuhörenden Kindes, so dass jedem Werk eine ganz individuelle Situation zu Grunde liegt. Die verbindende Konstante findet sich in der vorlesenden Mutter, die bei allen Versionen als das vertraute Defregger-typische Dirndl dargestellt ist.Franz Defregger stirbt 1921 in München. [CB].ca. 19.06 h +/- 20 Min.ENGLISH VERSIONFranz von Defregger 1835 Stronach/Tirol - 1921 MünchenBeim Vorlesen. Um 1900.Oil on cardboard. Signed lower right. 33 x 22 cm (12,9 x 8,6 in). Verso inscribed by a hand other than that of the artist.We are grateful to Dr. Horst Ludwig, Munich, for her expert advice and the oral confirmation of this work`s authenticity.Franz von Defregger was born the second son of the wealthy farmer Michael Defregger at the Ederhof at Stronach in Tyrol in 1835. After his father`s death, he sold the family`s farm and went to Innsbruck, where he began a carver-apprenticeship under Michael Stolz. Stolz soon recognised his artistic talent and organised a meeting with Karl Theodor von Piloty. On the painter`s suggestion Defregger attended the preparatory class at the Kunstgewerbeschule in Munich under Hermann Dyck and switched to Hermann Anschütz` painter`s class at the Akademie der Bildenden Künste in autumn 1861. A following study trip led him for a longer period to Paris in 1863. There he got acquainted with the school of Barbizon, which influenced him especially in his nature pieces. After returning from Paris, he stayed in Munich and Eastern Tyrol, where mainly portrait
Los 42
Cornelis Vermeulen 1644 Antwerpen - um 1708 AntwerpenAllegorisches Selbstbildnis des Malers Raymond LaFage. Um 1700.Radierung nach einem Selbstbildnis LaFages. Hollstein 120 III (von III). In der Platte signiert und bezeichnet. Kräftiger Druck auf Bütten, mit breitem Rand um die Plattenkante. 44 x 31 cm (17,3 x 12,2 in). Papier: 47,5 x 34 cm (18,7 x 13,4 in).Verso mit diversen handschriftlichen Bezeichnungen.Nach Raymond LaFages allegorischem Selbstbildnis, unterhalb der Darstellung mit dem Hinweis auf dessen frühen Tod 1684 im Alter von nur 28 Jahren. `In heroischer Nacktheit, mit Weinlaub bekränzt, als Inkarnation des Gottes Dionysos, tritt uns Raymond LaFage (1656-1684) in seinem Selbstbildnis entgegen. Der Griffel in der Rechten und die blanke Tafel, die ein Satyr auf der anderen Seite präsentiert, verweisen auf seine Profession als Zeichner. Mit der linken Hand stützt er sich auf den Torso von Belvedere. Umgeben von einem Gefolge aus Bacchanten und Satyrn nimmt er die zentrale Position auf einer bühnenartig gestuften Architektur ein. Forsch richtet er den Blick aus dem Bild heraus, während er den Tyros-Stab - des Attribut des Dionysos - ohne hinzusehen mit Weinranken verziert. [..] Er spielt mit den verschiedenen Ebenen der Realität und überschreitet die Grenze zwischen Bild und Wirklichkeit. `Dionysos`-LaFage schlägt die blanke Tafel aus, die ihm ein Satyr entgegenhält. Er gebraucht seinen Stift vielmehr dazu, eine Weinrebe um einen realen Stab zu kreieren. Sein Griffel wird zum Zauberstab, sein Zeichnen zum schöpferischen Akt.` (Anna-Dorothea Niklaus, in: Ausst.-Kat. München u.a., Robert Stalla (Hrsg.), Es muß nicht immer Rembrandt sein.., Haus der Kunst, München 1999, Kat.-Nr. 97, S. 264f. (mit Abbildung, anderes Exemplar). [CB].ca. 14.30 h +/- 20 Min.ENGLISH VERSIONCornelis Vermeulen 1644 Antwerpen - um 1708 AntwerpenAllegorisches Selbstbildnis des Malers Raymond LaFage. Um 1700.Etching after a self portrait of LaFages. Hollstein 120 III (of III). Signed and inscribed in plate. Strong impression on laid paper, with broad margin around platemark. 44 x 31 cm (17,3 x 12,2 in). Sheet: 47,5 x 34 cm (18,7 x 13,4 in).Verso with various inscriptions by hand.After Raymond LaFage`s allegoric self portrait, with reference to his timely death in 1684 at the age of 28 years below image. [CB].ca. 14.30 h +/- 20 min.
Los 213
Set of two lithographic prints comprising:lithographic print of painting by Lorenzo Costa entitled A Lady with a Lap-Dog, originally painted c.1500-1505Probably purchased by Charles II (1630-85), recorded in the collection of Charles II at Whitehall c.1666.Oil on poplar panel. The style of costume and head band is typical of the costume of Northern Italy 1490-1505. Although the sitter remains unidentified there is speculation that she may be a member of the Bolognese or Mantuan Court. The left edge of the panel is bevelled at the back, an indication that suggests it may once have been hinged to form the right wing of a diptych, possibly celebrating a marriage. Were this to be the case, the lap dog would symbolise fidelity.Print size inches: 7.2 x 9.4 together with lithographic print of painting by Titian entitled Portrait of a Man, originally painted 1518 (c.1514-18)Acquirer Charles II (1630-85). Among the pictures presented to Charles II in 1660 by the States of Holland and West Friesland.Oil on canvas. Dated variously as from 1511 to early 1520s, the vestments and hairstyle worn by the sitter would indicate a date closer to 1513. Although the sitter is unknown, the pose with his finger marking a page in the book, suggests a writer or humanist the most likely of whom being the Neapolitan poet Jacopo Sannazaro (1458-1530) and is listed as such in The Queen`s Collection.Print size inches: 7.7 x 9.3
Los 120
William Thomas Roden (1817-1892) - Circular oil on canvas - Portrait of the young Percy Solomon of Sutton Coldfield, three quarter length, standing in a cloudy landscape, cradling wild flowers in his apron, unsigned, 56cm diameter Provenance - By direct descent. Percy Solomon was the current owners great uncle Some very minor flaking, minor crackelure across whole surface - ** General condition consistent with age
Los 126
19th Century Australian School - Oil on board - Half length portrait of Mrs Sarah Chubb, unsigned, verso with hand written label `Mrs Sarah Chubb, nee Miss Sarah Washbourn, painted in Sydney, Australia. Emigrated about 1853. Her mother was a Miss Palyne of Longfords before marriage`, 22cm x 30cm Sarah Chubb is listed in the Australian Cemeteries Pioneer Section as passing away on July 30th 1901 aged 80 years old ** General condition consistent with age
Los 142
19th Century Scottish School - Oil on canvas - Full length portrait of a young boy in full highland costume, a large black dog to his side, unsigned, 106.75cm x 71.5cm, unframed As the clan badge in the boys bonnet shows a thistle it is possible that the subject is wearing a rather haphazard representation of the Stewart tartan ** General condition consistent with age
Los 145
19th Century English School - Miniature on ivory - Portrait of a lady wearing a pink dress, carved to verso dated 1827, 9.25cm x 6.75cm, in a green Morocco folding case As can be seen from our extra images the image covers a full rectangle some of which is obscured by the gilt metal mount, some possible fade - ** General condition consistent with age
Los 146
C.K.B. Callard (18th Century) - Oval oil on board - Portrait of a boy having long hair and wearing a lace collar, unsigned, verso with faint script `General Phillips (as a boy). At Trafalgar on board the `Bellisle` (sic) R.N. and after Commandant at Portsmouth R. Artillery and after Chatham. Painted by C.K.B. Callard, 1779`, 26.5cm x 22.25cm, unframed Unframed, possibly trimmed from a rectangular image, some scratching and scuffing, the reverse of the card has major diagonal crease which is not visible from the front - ** General condition consistent with age
Los 155
Charles Jelu (Belgian 1830-1900) - Oil on panel - Study of old bearded gentleman with a young boy, unsigned, period gilt gesso frame inscribed `C. Jelu. Pede Pinxit Antwerp 1881. Charles Jelu, born 1830 at Waermaerde, Belgium, died in 1900. Was born armless and painted with his foot. His was a well known portrait painter and copied pictures in the Antwerp Galleries. The late Mr Robert Hassell saw him painting this picture and bought it for £25`, 24cm x 28.25cm ** General condition consistent with age
Los 183
A. Jacobson (19th/20th Century) - Watercolour - Primitive ships portrait Steam Ship `Grenadier`, bears signature, 30cm x 48cm Grenadier was built by Wighm Richardson in 1895 for the Tyne Steam Shipping Company`s Rotterdam service. On February 23rd 1917 she was torpedoed without warning with the loss of her master and seven crew members ** General condition consistent with age
Los 126
19th Century Australian School - Oil on board - Half length portrait of Mrs Sarah Chubb, unsigned, verso with hand written label `Mrs Sarah Chubb, nee Miss Sarah Washbourn, painted in Sydney, Australia. Emigrated about 1853. Her mother was a Miss Palyne of Longfords before marriage`, 22cm x 30cm Sarah Chubb is listed in the Australian Cemeteries Pioneer Section as passing away on July 30th 1901 aged 80 years old ** General condition consistent with age
Los 142
19th Century Scottish School - Oil on canvas - Full length portrait of a young boy in full highland costume, a large black dog to his side, unsigned, 106.75cm x 71.5cm, unframed As the clan badge in the boys bonnet shows a thistle it is possible that the subject is wearing a rather haphazard representation of the Stewart tartan ** General condition consistent with age
Los 145
19th Century English School - Miniature on ivory - Portrait of a lady wearing a pink dress, carved to verso dated 1827, 9.25cm x 6.75cm, in a green Morocco folding case As can be seen from our extra images the image covers a full rectangle some of which is obscured by the gilt metal mount, some possible fade - ** General condition consistent with age
Los 146
C.K.B. Callard (18th Century) - Oval oil on board - Portrait of a boy having long hair and wearing a lace collar, unsigned, verso with faint script `General Phillips (as a boy). At Trafalgar on board the `Bellisle` (sic) R.N. and after Commandant at Portsmouth R. Artillery and after Chatham. Painted by C.K.B. Callard, 1779`, 26.5cm x 22.25cm, unframed Unframed, possibly trimmed from a rectangular image, some scratching and scuffing, the reverse of the card has major diagonal crease which is not visible from the front - ** General condition consistent with age
Los 155
Charles Jelu (Belgian 1830-1900) - Oil on panel - Study of old bearded gentleman with a young boy, unsigned, period gilt gesso frame inscribed `C. Jelu. Pede Pinxit Antwerp 1881. Charles Jelu, born 1830 at Waermaerde, Belgium, died in 1900. Was born armless and painted with his foot. His was a well known portrait painter and copied pictures in the Antwerp Galleries. The late Mr Robert Hassell saw him painting this picture and bought it for £25`, 24cm x 28.25cm ** General condition consistent with age
Los 183
A. Jacobson (19th/20th Century) - Watercolour - Primitive ships portrait Steam Ship `Grenadier`, bears signature, 30cm x 48cm Grenadier was built by Wighm Richardson in 1895 for the Tyne Steam Shipping Company`s Rotterdam service. On February 23rd 1917 she was torpedoed without warning with the loss of her master and seven crew members ** General condition consistent with age
Los 29
AN RFC PILOTS PORTRAIT FRAMED WITH WINGS ABOVE. A framed photographic portrait of a young Royal Flying Corps pilot, with brass RFC wings affixed to the frame. Seated and in his `Maternity Smock` noted on the partial label reverse Edgar Whitf. Xmas 1917. The portrait was taken by M Wright M`bro. Oak frame 21.1/2"" x 17"".
Los 644
AN ALBERT MEDAL GROUP OF FIVE MEDALS TO COMMANDER LIONEL A DE SAUSMAREZ.etc. The Albert Medal 2nd Class in bronze awarded to Sub/Lt L A de Sausmarez RN, the first officer to receive the award in 1868. An Egypt medal with bar Alexandria 11th July , whilst on HMS Sultan. Medal named to Lt L A De Sausmarez HMS Sultan. An Order of Osmanieh 4th Class, from the Sultan of Turkey.. A Khedives Star unnamed as issued dated 1882. A Royal Humane Society Bronze medal named to L A de Sausmarez. Sub Lt. HMS Myrmidon. 1st June 1868. Successful award with Vit.Ob. Serv.D.D.Soc.Reg.HVM reverse. Also the matching miniature group, both mounted for wear. A framed Citation from the Sultan of Turkey awarding the 4th Class Order of Osmanieh to Lionel Andros de Sausmarez. Frame 15.3/4"" x 23.3/4"". An original draft of the action for which the Albert Medal was awarded, signed by the Commander (Captain) of HMS Myrmidon, H B Johnstone. Lagos June 1st 1868 Banana Creek, River Congo.. An Oil Painting of Commander L A De Sausmarez wearing his first four medals, in naval uniform. A photograph which the portrait was based on, by Elliott & Fry. A sketch done of the nightmares suffered by S/lt L A de Sausmarez, after his rescue attempt in the shark infested waters, by the ships surgeon of HMS Myrmidon. A marble clock with silver presentation plaque. 8 Day movement with inset green panels. Presented to Lieutenant Lionel A de Sausmarez RN. By the seamen and marines of HMS Aurora, as a token of their esteem and respect May 1875. A very large framed family tree, recording some of the famous sons of the De Sausmarez of Guernsey family. 30"" x 51.1/2"" An album containing paper cuttings and letters concerning his awards, service and death etc. Also some relating to his brother Captain Philip de Sausmarez RN. (Medal sold in Lawrences in a previous sale 14/11/2013) .Obituary 1929 March . Commander L A de Sausmarez Albert Medal RN. Rtd. The third son of Captain Philip de Sausmarez, died at East Moseley Lodge, East Moseley on the 25th last. He entered the Navy in 1860 he was promoted to Sub Lt in 1866. His mother was the only child of Lt Col F Barlow of the 61st Regt, who fell at Salamanca. While he was an officer of the watch on the anti slavery patrols on HMS Myrmidon,an able seaman who could not swim, called William Torrance aged 26 years fell overboard. Without hesitation S/Lt de Sausmarez aged 21 jumped in to save him. In shark infested waters the rescue took place, where despite strong currents he towed Torrance to the bank and awaited a boat. He received the Bronze Albert Medal (A scrap cutting states first such award to an officer) and the Royal Humane Society Bronze medal. In all Commander de Sausmarez has rescued six people, during his naval career. As Senior Lt of HMS London he was for three years actively engaged against the Slave Trade, for which he was mentioned in despatches. This for entering a narrow Creek and cutting out a slaver Dhow, under heavy fire. during the Egyptian war he was the Senior Lieutenant of HMS Sultan, serving as such during the Bombardment of Alexandria July 1882. Two days later he was sent ashore and commanded the party in charge of the gate leading to the Palace and Ras-el-Tin Gun Battery. He was again mentioned in despatches and awarded the Egypt Medal with bar, the Khedives Bronze Star, the Order of Osmanieh 4th Class. He retired from the Royal Navy in 1883 with the rank of Commander. He was Managing Director of The Army & Navy Cooperative Society. Commander de Sausmarez was educated at Elizabeth College, he was the father of three daughters. A copy of the funeral arrangements mentions that his medals, sword and cocked hat were placed on the coffin, without flowers as per his wishes. Among those attending was General Cecil de Sausmarez, showing that not all the family sons, had entered the Nav
Los 761
A DSO GROUP OF SIX MEDALS TO Lt COL A H K JOPP A I F. A George V Distinguished Service Order in case of issue, 1914/15 Star named to Lieut A H K Jopp 3/F.A.Bde. A.I.F. British War & Victory medals named to Major A H K Jopp.(MID Emblem on the Victory medal). 1939/45 War medal impressed to 3239 A H K Jopp. South African Service medal again impressed to 3239 A H K Jopp. Arthur Harold Keith Jopp was born in Brisbane on the 1/5/1890, the son of George Keith Jopp. Educated in Queensland he joined the Australian Field Artillery in 1909 as a Lieutenant, Captain 1914, Major 1916, retired as a Lt Colonel in 1919. He married in 1915 Anne Talbot the youngest daughter of Mr Baines of Westbrook, Horsham, Sussex (She died in 1928). He served in Egypt and Gallipoli during 1915. (Despatches). In France from 1916-17 being awarded the Distinguished Service Order LG 1/1/1917. During that period for six months he was seconded to the fledgling Australian Flying Corps (Naval Flying in newspaper article). He is listed during the 1920-30-40`s as in the Australian Commonwealth Bank in London, later South Africa. With a schools medal dated 1907, Brisbane Grammar School, Schools of the Empire match. A H K Jopp around the rim. A photograph of Lt Colonel Jopp in later life, also a newspaper article `A Gallant Australian`. Major A H Keith Jopp under his portrait, who has been awarded the DSO. He is the son of Mr & Mrs Keith Jopp of Sydney and the brother-in law of Mjr-General Sir Harry Chauvel KCMG and CB, commanding the Anzac mounted infantry in Egypt. Major Jopp is 26 years of age and before the war he held the rank of Captain in the Garrison Artillery.He served throughout the Gallipoli Campaign, for two months as a Captain of the Royal Artillery, and from then on before the evacuation as an Observation Officer in the Royal Naval Flying Corps. On the reorganisation of the forces preparatory to going to the Western Front, he was promoted to the rank of Major in command of a Howitzer Battery. He was twice Mentioned in Despatches. As a subaltern his first guard of honour was to the late Lord Kitchener on his visIt to Melbourne. With his group of matching miniatures, mounted for wear. A signed portrait of Jan Smuts, also a silver tea strainer and bowl, enscribed To Mrs Keith Jopp from 4th Heavy Battery August 1940. See Illustration
Los 150
MONTAGUE RHODES JAMES (2 ttls): ETON AND KINGS?S RECOLLECTIONS, 1926, 1st edn, orig cl, gt, d/w, ABBEYS, 1925, 1st edn, orig cl bkd bds, gt, + MICHAEL COX: M R JAMES AN INFORMAL PORTRAIT, 1983, 1st edn, orig cl, gt + R W PFAFF: MONTAGUE RHODES JAMES, 1980, 1st edn, orig cl, gt, d/w + LYNDA DENNISON (ed): THE LEGACY OF M R JAMES, 2001, 1st edn, orig cl, gt, d/w, (5)
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283284 Los(e)/Seite