MICHAEL BAUERMEISTER (American b. 1957) A SCULPTURE, "Self Portrait (Wood)," 2008, painted wood vessel, signed and dated at end, on base. Height: 68" (5' 8") Diameter: 21" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
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RICHARD WILLIAM HAMILTON (British 1922-2011) A PRINT "Portrait of the Artist by Francis Bacon," 1970, collotype and screenprint, signed and numbered in margin in pencil L/R, "R Hamilton 18/140," along with watermark, titled L/L. 23" x 21" Note: In 1969, at the end of a characteristically wine-soaked lunch at Robert Carrier’s London restaurant with the artist Francis Bacon (1909–1992), Hamilton asked Bacon to photograph him against the drapes of the dining room. The first exposure was blurry from Bacon’s tipsy handling of the Polaroid, but Hamilton found the image to have an affinity with Bacon’s distinctive style of painting. Working with oil on collotype copies of that portrait, Hamilton produced seven studies from which Bacon was to select his favorite. He chose the seventh study in which Hamilton had covered the blurred curtains with a, particularly Bacon-esque violet.-Description from the Met Museum Collection Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Generally in good to very good condition wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HENRI ÉMILE BENOÎT MATISSE (French 1869-1954) A PRINT "Portrait de Rouveyre, No.11," 1947, lithograph on paper, ed. 10/35 (from total edition of 370). 10" x 6 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Certificate of authenticity attached. Minor spots L/C and L/R, light apparent foxing, frame chipped, generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GROUP OF TWO ENGLISH PLASTER LIFE MASK REPLICAS OF WILLIAM BLAKE AND JOHN KEATS, CIRCA 1999, the William Blake life mask/bust replica on an integral circular socle with light fawn tinting throughout, verso incised inscription, "A 66 / PUBD AUG.1.1823 IDEVILLE / 67 Arnand London," height: 11"; together with a John Keats white plaster life mask replica, verso hollowed interior beneath an integral suspension wire, height: 9 1/4", width: 6 1/2". Note: Each of these plaster masks is cast from the original life mask located in the collections of the National Portrait Gallery in London. William Blake's (English 1757-1827) life mask replica was taken from the 1823 original made when he was 66 years old by James Deville. This comes with a 1999 letter from the National Portrait Gallery to the owner concerning the ordering of Blake's mask/bust.John Keats (English/Poet 1795-1821) this life mask replica was taken from the original made on December 14, 1816 by Benjamin Robert Haydon (English 1786-1846) so that he could add Keats as one of the observers in his immense historical painting, "Christ's Entry into Jerusalem." Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Each in good condition with some surface dust buildup and a few tiny nicks throughout while Keat's mask has a surface lump of soft red wax in throat area. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
An 17th / 18th century engraving depicting 'Old Scarlett', 'Sexton of Peterbro, from an ancient Picture in ye Cathedral, Ot July 2nd 1594 R Saetatis 98', the well known 16th century grave digger of Peterborough Cathedral, during his long career he buried two queens in the cathedral, Katherine of Aragon and Mary, Queen of Scots, his portrait hangs over the main doors of the cathedral together with the words; 'You see old Scarleits picture stand on hie, But at your feete here doth his body lye, His gravestone doth his age and Death time show, His office by thes tokens you may know, Second to none for strength and sturdye limm, A Scarebabe mighty voice with visage grim. Hee had interd two Queenes within this place, And this townes Householders in his lives space, Twice over: But at length his own time came, What for others did for him the same, Was done: No doubt his soule doth live for aye In heaven: Though here his body clad in clay, July 2 1594 R Saetatis 98', 33 by 17cm, glazed and gilt framed, 40 by 23.5cm.
After Bryan Organ (British, b. 1935): Portrait of Martin Johnson limited edition print, signed by former England international and Leicester Tigers Captain, Martin Johnson and the artist, numbered 15/50, 80 by 62cm, mounted, glazed and framed, 105.5 by 87.5cm, together with a poster signed by Organ with dedication, promoting the exhibition of the original portrait held at the New Walk Museum and Art Gallery Leicester, 70 by 50cm, stapled to board, 80.5 by 60cm. (2)
A 19th century portrait of a gentleman in a smoking jacket with wine coloured waistcoat, blue cravat and gold pin, with label to the back for F 'Kleinberger, Paris, 9 Rue de l'Echelle, New York Branch, 709 Fifth Avenue, First-Class Old Paintings, Speciality: Dutch and Flemish Schools, High-Class Primitives of all schools', oil on canvas, 35 by 29cm, framed 45 by 39cm.
British School (early 20th century): a 1920s style portrait of a young woman, watercolour, signed 'Josie Fisher', 30 by 23cm oval, mounted, glazed and framed, broken glass, 54 by 46cm, together with a watercolour still life of flowers, signed 'J.P. Wale', 25 by 16, mounted, glazed and framed, 45.5 by 36cm, and after J. W. Gozzard, a colour reproduction print 'Highland Solitude, 33 by 51cm, mounted, glazed and framed, glass broken, 56 by 73.5cm. (3)
Simon Hopkins (British, 20th century): portrait of a hound, watercolour, signed and dated '1990', 36 by 42cm, mounted, glazed and framed, 77 by 84cm, together with two colour prints of a bear and her bear cubs titled 'Peaceful Moments', after Ralph Thompson, and 'Puppy Love', after William Strutt. (3)
An assortment of various historical coinage to include Queen Victoria, Crown, 1889, George IV, Sixpence, 1828, George V, Threepence, 1916, and various other copper and cupro-nickel denominations from George III to Elizabeth II, together with an Elizabeth II, Series "C" Portrait Issue (1970-) One Pound banknote, signature J.B. Page, Prefix HZ02, EF.
A small assortment of mixed collectables including a silver-plated Aegis shield mounted with the head of Sekhmet, back stamped 'Reproduction Christofle 550/2000', a complete hard stone chess set, a synthetic amber bead, coin and metal necklace and a portrait miniature on panel, depicting a man and woman, possibly an illustration from Shahnameh etc.
A walking stick made from a Narwhal tusk, late 18th / early 19th century, 95cm long, (valid cites certificate), together with two framed portrait silhouettes of Sir William Bennett (1733-1813) previous High Sheriff of Hampshire, and Lady Bennett of Fareham, understood to have been bought by the vendor's father from a descendant of the Bennett family. (3)
A wooden-sleeved single-drawer brass telescope, with forward sliding object lens shade and sliding front and rear lens covers, 48cm - 85cm, together with a Hallwood & Ackroyd Type 01 Davy lamp, a ship's portrait of HMS Warspite, within rope-twist oak-leaf boarder above her battle honours, watercolour on paper, unframed, 46x35cm, and The Pilgrim's Progress, by John Bunyan
Henry C. Brewer R.I. (1866 - 1950) 'Toledo', signed, unframed watercolour, 25 x 35cm, together with another watercolour depicting a mountainous lake scene, signed 'Chas. Vacher Lucerns 1850', a portrait study of a girl with bird entitled 'Chocolate-Panama', signed Diana Hand' And one other watercolour study

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