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Preisdatenbank abonnierenCircle of Thomas Forster (c.1677-1712)Portrait of a gentleman, head and shoulders, in a brown coat and white stockpencil, oval13 x 11cm, with an engraved crest to the reverse of the frame and inscribed 'Deo Gloria Detur'Condition report: Under glass and there is some discolouration and browning - the paper is crinkled under the glass.Beautifully engraved reverse to the frame with a lion holding a moon.
An Apsley Pellatt glass scent bottle, c.1830, intaglio moulded with a titled portrait of Lord Brougham, enclosed by facet cut sides and a facet cut mushroom stopper, moulded ‘Pellatt & Co Patentees’, 11.3cm high Provenance: The Peter and Pat Crofts Collection.Condition report: Minor chip to the underside of the front edge. Small chips to the edge of the stopper.
James Ferguson (1710-1776)A family group of five plumbago miniatures including two ladies, two gentlemen and a boyeach oval, 6.5 x 5.5cm (5)Condition report: There is some surface dirt and time staining to each of the miniatures, but otherwise the images are in apparently good condition - unexamined out of the glazed frames.Portrait of a lady: The frame is damaged with splits to the wood, there is are three clean, old holes from woodworm and a mark where it has been knocked, there are some scratches to the glass (see illustrations).Portrait of a young boy: The frame has some small knocks and there is a loss at the top, one small old woodworm hole (see illustrations).Portrait of a gentleman: Frame has been knocked at the top causing small loss (see illustrations).
Attributed to Bernard III Lens (1682-1740)Portrait of a gentleman in a blue coat and red waistcoaton card, oval10 x 8cmBernard Lens III was the miniature painter to the Courts of George I and George II and instructor in miniature painting (then called limning) to HRH Prince William, HRH The Princess Mary and HRH The Princess Louisa, the children of George II. Although Lens was the first British miniaturist to work on ivory, he occasionally painted on vellum.Condition report: A little loss of colour and a little scuffing around the right-hand edge. Dusty under the glass.
English School, early 18th centuryPortrait of a lady, bust length, in a brown dressoil on canvas64 x 48.5cmCondition report: Oil on canvas which has been lined at an early stage of its history. The canvas tension is slightly slack but the picture is generally in plane. The paint layers have a network of age cracks which are slightly raised in several areas. The cracks have imbibed dirt over time becoming prominent in the lighter paint passages such as the sitter’s face. There are old damages present in the sitter’s chest which have been filled and retouched. The varnish is degraded, becoming discoloured and brittle with abrasion around the edges.
Circle of John Hoskins (c.1595-1664)Portrait of a young gentleman in armour, c.1660on card, oval7.5 x 6cmCondition report: Please find condition report as requested:The edges of the card curve outwards. There is some shining in places to the background, it is unclear what this is, it doesn't appear to be damage as such, and it is not gum arabic. In general it is in good order.I hope this is of interest and if I can be of any further assistance please do not hesitate to contact me.Kind regards, Jane
Walter Robertson (Irish, 1750-1801)Portrait of Lady Pastard in a white dress with pink sash, her dark hair in ringlets, a landscape beyondon ivory, oval9 x 7cm, with a blue glass backProvenance: Sale, 5 November 2002, Lot 80 (label refers - sale unrecorded)Condition report: Some discolouration and browning throughout, including some dark shadows upper left. There appears to be a small chip to the righthand edge. The glass and frame are in good overall condition
Attributed to William Singleton (d.1793)Portrait of a gentleman wearing a grey curled wig, purple overcoat and white stockon ivory, oval6 x 4.7cm, with blue glass, woven hair, seed pearls and initials 'DR' versoCondition report: A little faded and very slightly yellowed. Occasional very light brown stains. There is glue, or something similar, visible around the edges of the portrait. A flake of paint loss above the hair. A hair trapped under the glass lower centre. The glass is lightly scratched. The metal of the frame is uneven and slightly rippled at top edge, and is scratched in places. There is some damage to the border in the centre of the reverse.
Bernard II Lens (1659-1725)Portrait of the Hon. Robert Fielding (1650-1712) in an orange buttoned coat, white stock and jewelled pinon card, oval5.8 x 4.5cmProvenance: Christie's, London, 25 May 2004, lot 60Inscription verso reads: 'The Honourable Colonel Robert Fielding, painted by Bernard Lens, son of John Fielding, of Solihull, Warwick. On coming to London to study law he was remarked by the King as 'Handsome Fielding', and as he dressed in the most expensive way he was usually called 'Beau Fielding'; married Mary, daughter of Viscount Carlingford, after whose death he dissipated the whole fortune of her family; becoming impoverished he married one Mary Wadsworth, taking her to be Madame Deleau with a large fortune; concealing this he was married to the Duchess of Cleveland, who prosecuted him for bigamy; he was found guilty but pardoned by Queen Anne'.
Alexandre Girard (French, 19th century)Portrait of a cellistsigned and dated 'Alexandre Girard 1892' u.l., oil on canvas176 x 103.5cm, unframed Provenance: Sotheby's, 'British & Continental Pictures', 30 November 2005, lot 268.Condition report: The painting is executed in oil on a canvas support which is unlined. The canvas tension is slightly slack but the painting is generally in plane. There are minor undulations caused by impact from the reverse with small, associated paint losses. The paint layer is stable overall but has suffered from areas of loss, mainly around the edges caused by a previous framing. Small drying cracks have formed in the paint layer in localised areas. There is a thick layer of surface dirt present.
English School, early 18th century Portrait of a gentleman in a russet coat and white stockindistinctly inscribed 'This is the portrait of Lord Baron Donnelan. He was Chief...Ireland...1706' verso, on card, oval7.8 x 6.2cmThe sitter is perhaps Nehemiah Donnelan (1649-1705), who was Puisne Baron of the Irish Court of Exchequer and became Chief Baron of the Exchequer in 1703.
Samuel Shelley (1756-1808)Portrait of a gentleman in a blue coat, red-trimmed waistcoat and white stockon ivory, oval4 x 3.1cm, with plaited hair border, with a picture of three urns under a willow tree depicted in seed pearls over blue glass versoCondition report: A little discolouration to the background of the watercolour but the seed pearl memorial is fine
French School, c.1700Portrait of a gentleman in armouron copper, oval5.5 x 4.5cmCondition report: Some flakes of paint loss around the extreme edges. Also two flakes of paint loss in the background upper right, and by the left edge. A little dust under the glass and there appears to be some light surface dirt. The case is dirty and shows signs of wear and tear.
A group of seven George III deep blue enamel boxes,late 18th century, Staffordshire, to include an oval example painted with the portrait of a man, and inscribed 'Quin',5cm wide4cm deep2cm high,together with six further boxes,largest 5.5cm wide4cm deep 2cm high (7)Condition report: All with damages, chips losses and damage, cracks and heavy wear, the metal discoloured, the mounts loose and completely separated on two boxes.
*Andrew Beer (1862-1954)'Beaufort Beauty' and 'Beaufort Pride', a double portrait of racing pigeonssigned 'Andrew Beer' l.r., inscribed l.c. oil on canvas38 x 51cm*Artist's Resale Right may apply to this lot.Condition report: Surface dirt, especially at edges. A light wave to the canvas. A stretcher mark is visible along top edge, and along lower edge from certain angles. A couple of light surface scratches and abrasions.
An enamel patch box,mid to late 18th century, of lobed form, the lid painted with the portrait of a lady wearing a feathered headdress, the band inscribed 'Long live the King',3.5cm wide5cm long2.5cm high,together with a second oval patch box,the lid painted with a monochrome portrait of Louis XVI,3.5cm wide5cm long 2cm high (2)Condition report: Long live the king box - cover and mount are separated from the base, chips visible from under the edge of the mount, light scratches to the surface, no major chips loses or restorations.Louis XVI box with impact chip/cracks to the left-hand side repaired chip to the front, scratches to the surface.
English School, early 19th centuryPortrait of a young man in a blue coat with gold buttons, c.1810on ivory, oval6.6 x 5.2cm, with a fan-shaped arrangement of curls within a plaited hair border versoCondition report: The ivory is very slightly warped. Some hairs caught in the paint of the coat. A little light surface dirt. Not seen outside of case. The hair verso is in reasonable condition although a little dusty, and there is some damage to the plaited border lower centre, plus some loose strands of wire in the main section.
R... Fortin (18th century)Portrait of a young girl with golden hair in a blue dress and straw hat bedecked with ribbonssigned and dated 'Fortin/1793' u.l., on ivory, oval6.6 x 5.5cm, with plaited hair versoLiterature: Miniatures Dictionary and Guide, Daphne Foskett, 1987, Antique Collectors Club, p.349.Condition report: There are a series of brown foxing spots running along the lower rim of the watercolour and some fadingf and discolouration.
English School, 18th centuryPortrait of a lady in mourning attire, a black cap, white lace ruff and fichu, and pearl necklace in the style of a lady c.1620on ivory, oval4.2 x 3.7cm, in an 18ct gold frame, with an engraved family crest to the reverseThe family crest on the reverse is the same as for lot 415.Condition report: This has the same family crest as line 415 (which we have kept) - tested as approximately 18ct gold - condition appears fine.
A WWII RAF Navigators, Air Bombers and Air Gunners Flying Log Book to R.M. Appleton No. 207 Squadron 1005588 Sgt. First Entry is 22 March 1943 through to 2nd October 1943 where he was killed in action (aircraft crashed on take-off Munich), together with cabinet portrait photograph, newspaper clipping and an RAF medical letter from Middlesbrough to accept Mr Appleton as a volunteer.
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