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283287 Los(e)/Seite
An 18thC Jacobite portrait wine glass, the tapered conical bowl, etched and engraved with a half length portrait of Charles Edward Stewart beneath a crown, and inscribed `AB.OBICE.MAJOR`, `Fiat` to the reverse, and with further flower and frond engraving, supported on a tapered knopped stem with folded foot, 19cm high.
E. March (Early 20thC English). A portrait of Colonel Borthwick, seated at a table clenching a roll of paper inscribed `Western Malwa`, oil on canvas, inscribed verso on the stretcher frame `Colonel Borthwick by E March 1919, after Tait R.A.`, 113cm x 87cm; and a companion painting, (a pair), of a three-quarter length portrait of a lady in a black silk dress in a landscape, indistinctly inscribed verso, 11cm x 87cm, framed as a pair in gilt gesso frames with scroll and shell mouldings.
In the manner of Michael Dhal (Swedish, 1659-1743), an 18th century half length portrait of a queen, probably Mary of Modena (1658-1718), wife of James II of England and VII of Scotland; the sitter wearing an ermine trimmed russet gown, her consort crown mounted with fleur-de-lis and pearls to her left, oil on canvas, W. 99 cm, H. 124 cm.
G. LEO JEWELL (Twentieth century) OIL PAINTING ON CANVAS Landscape scene Signed 16" x 24" (40.6cm x 60.9cm) AND P. A. STAKEY OIL PAINTING ON CANVAS Still life of a Vase of Flowers Signed 18 ½" x 15" (46.9cm x 38.1cm) RONNIE LESTER (1978) PASTEL DRAWING Portrait of a School Boy Signed and dated 18" x 13 ½" (45.7cm x 34.2cm) AFTER JOHN WESTERN limited edition print from a pencil drawing `Fettes College` (359/850) 12 1/2" x 21" (31.8cm x 53.3cm) (4) (3)
17th century English school - Portrait of King Charles I and his consort Henrietta Maria of France, with his crown and orb of majesty, oil on canvas, 117 x 192 cm, in 18th century carved giltwood and composite plaster frame Condition Report Possibly two separate portraits joined together - crease/join vertically through centre Heavily restored, flat surface, but all intact
Two 19th century Sunderland Pottery circular plaques commemorating The Reverend John Wesley, A.M. and Adam Clarke, L.LD F.SA, transfer printed in black with titled portrait and verse, all within a black and yellow border, c. 1830-40, 18.5 cm (2) Condition Report Two small chips to underside of edge of John Wesley plaque. One chip to front edge of Adam Clarke plaque.
An Imperial German Model 1889 Hessian Cavalry trooper’s sword, the plated 33” blade with maker’s mark of WK & Co and profusely etched with panels of foliage, horse’s head and portrait of Wilhelm II and commemorative inscription “Zur Erinnerung an meine Dienstzeit” in scrolls, all on a blued ground, the other side similarly etched with cypher of Tsar Nicholas II and in blued panel “2. Grosch Hess Drag. Regt (Leib Drag Regt) No 24”, the regulation black painted steel hilt with Hessian lion in panel and ribbed composition grip, in its black painted scabbard. GC, the blade good apart from light rust staining at forte (part of guard slightly bent, some wear to scabbard paint)
John Mackie Falconer (Scottish/American, 1820-1903), "Lady Holding her Cat", 1853, and "Portrait of a Little Girl in a Cloak", 1851, two watercolors on paper, initialed "JMF" and dated lower right, and signed and dated lower left, respectively, sight 9 1/4 in. x 6 1/2 in. and 9 1/8 in. x 6 1/2 in., framed.
American School, late 19th c., "Portrait of Alexander Hamilton", after John Trumbull (1756-1843), oil on canvas, unsigned, 36 in. x 24 in., framed. Note: This painting is after John Trumbull`s famous posthumous 1805 "Portrait of Alexander Hamilton" (72 in. x 52 1/2 in.) now conserved in the New York City Hall Collection. In 1880, the U.S. Treasury Department commissioned a copy of the painting to be made by Caroline Ormes Ransom (1826- 1910), a student of Asher B. Durand. The portrait of Hamilton on the $10 note was later printed after Ransom`s copy. Two other Hamilton portraits by Trumbull, which bear a close resemblance to the one auctioned here, were painted in 1791 and 1806. The former can be seen at the Metropolitan Museum of Art and Crystal Bridges Museum of American Art (through joint ownership) and the latter at the Washington University Law School in St. Louis, MO. References: ARTstor; Oxford Dictionary of Art; "Alexander Hamilton (1789-1795)", U.S. Department Of Treasury. Web. 17 Oct. 2013; Kornhauser, Elizabeth Mankin (Curator of Paintings at the Metropolitan), John Trumbull`s Portrait of Alexander Hamilton", The Magazine Antiques, 9 Sept. 2013. Web. 17 Oct. 2013.
An American Neo-Grec Gilt Brass-Mounted, Gilt Incised and Carved Rosewood Armchair, c. 1865-1875, attributed to Pottier & Stymus, New York, shaped padded back flanked by stiles with bronze portrait medallions, padded arms over volute supports, bowfront seat rail, square tapering legs terminating in palmette feet, casters.
Henry Casselli (American/New Orleans, b. 1946), "Hopscotch", 1974, oil wash on paper, signed and dated lower right, signed, titled and dated en verso, sheet 29 3/4 in. x 22 1/4 in., Gothic-frame constructed by the artist. Note: Born in New Orleans` Ninth Ward, Henry Casselli studied at the McCrady School of Fine and Applied Arts on Bourbon Street in the French Quarter, where he developed a close student-teacher relationship with the great southern artist, John McCrady. In the 1970s, Casselli began to earn considerable success with his work and exhibited at the American Watercolor Society and National Academy of Design. He was commissioned to paint the portrait of President Ronald Reagan now at the National Portrait Gallery.
James Reid Lambdin (American, 1807-1889), "Portrait of an Alabama Gentleman", 1838, oil on canvas, signed, dated and inscribed "Painted by J.R. Lambdin, Mobile, Dec. 1838" en verso, 26 in. x 21 5/8 in., in a period giltwood frame. Note: From January of 1835 to December of 1838, Lambdin traveled throughout Alabama painting portraits. Lambdin would later paint the portraits of such important political leaders as Senator Henry Clay, General Zachary Taylor, President William Henry Harrison and Senator Daniel Webster. Reference: E. Bryding Adams, ed., Made in Alabama: A State Legacy, Birmingham: Birmingham Museum of Art, 1995, p. 135.
William R. Hollingsworth, Jr. (American/Mississippi, 1910-1944), "Portrait of a Man, Jackson, Mississippi", watercolor on paper, signed lower left, 7 in. x 5 1/2 in., period frame. Note: William Hollingsworth is best known for his watercolors of African-American life in rural Mississippi. In 1937, one of his watercolors won the William Tuthill prize in an international watercolor show at the Art Institute of Chicago. This watercolor is an appealing example of his intimate portrait studies, conveying a sense of thoughtfulness.

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283287 Los(e)/Seite