Of Napoleonic interest, a collection of boxes and medallions, including a Leeds Pottery black medallion 57mm diam., a circular composition box with double portrait print to the cover, 85mm diam., two other circular lidded portrait boxes, a pierced 'Defeat of Napoleon' medallion marked 'Inseparable Friend, to Elba' 25mm diam., a brass figural seal, another figure, a small portrait brooch, a profile portrait medallion, and three others of Napoleon III (12)
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283287 Los(e)/Seite
A Victorian papier mache card case, of rectangular form, inset with a reverse printed plaque of Balmoral, with scroll and leaf frame, 4ins x 3ins, together with a Victorian black papier mache snuff box, the lid decorated with an oval portrait of a dog, to a gilt and green frame, 3ins x 1.75ins x 0.75ins
Six 19th century Bilston enamel patch boxes, of various shapes and designs, to include One Month Before Marriage One Month After Marriage with portraits, Take This For a Kiss, Love The Giver, A Trifle from Exmouth, another with text and another with a portrait, together with a a shaped porcelain box decorated with a figure on horseback in landscape Condition report: Marriage box, - multiple cracks to top and bottom, interior mirror cracked, bottom has been restored in the past. Exmouth box has cracks and a chip as expected with age but otherwise good. Love the giver - mirror to the interior, good condition. Portrait box - cracked, rubbed and base re painted (badly!!). Oval box with text - very cracked and areas of loss to top and bottom, mirror very worn. Box with birds - missing metal mount to base and top sperate from base. Shaped box - top cracked, gilt mount needs re-gluing to base, base chipped twice.
Michael Noakes VPRO1,RP 1933 - 2018 Pencil Sketch of Dame Margaret Rutherford OBE 1892 - 1972. Signed and Dated by Michael Noakes 1970 - Mounted and Framed Behind Glass - Sketch Size 11.5 x 8.5 Inches. A Similar Pencil Sketch but Slightly Larger by David Noakes of Dame Margaret Rutherford - Is In The National Portrait Gallery.
Original Chalk Pastel Portrait 'Cyril 'Squib' Bradley' Signed K Shearfield 1924 A large scale portrait rendered in soft pastels on Bristol paper depicting a seated boy; namely, Cyril Bradley (1919 - 1943), here, aged 5 years of age. Signed in cerulean pastel to bottom right 'K Shearfield, 1924'. Housed in large, earlier Art Nouveau frame of wood and gilt gesso with stylised organic motif. Label to verso, 'Earnest Alden, Picture Mount And Frame Makers, London' 29 x 41 inches Good condition, some mild foxing to top. Please see accompanying image
Original Chalk Pastel Portrait 'Dorothy 'Doris' Bradley And Her Brother 'Cyril 'Squib' Bradley' Signed K Shearfield 1924 A large scale double portrait rendered in soft pastels on Bristol paper depicting brother and sister in embrace. Signed in black pastel to bottom right 'K Shearfield, 1924'. Housed in large, ebonised wood frame with gilt inner mount. Label to verso, 'H W Hayward, Picture Mount And Frame Makers, London' 25 x 31 inches, good condition. Please see accompanying image
A 19th Century Oil On Board Mourning Portrait Large scale portrait circa 1850, depicting female subject/widow in second mourning, her hand clasped together, a simple wedding band on her left hand; an oval mourning brooch at the centre of her collar. The sitter is depicted wearing a small crepe veil, indicative of half/second mourning. Unglazed and housed in original ebonised wood frame, with inner gilt trim and two original hanging rings to top. Some damage to frame, 24 x 29 inches. Please see accompanying image
FRENCH SCHOOL (20TH CENTURY) Portrait Miniature of a Lady in a Blue Dress, oil, possibly on board, indistinctly signed centre right, 8.5cm x 6.5cm (oval), in a shaped, velvet-covered frame; together with another portrait miniature, oil on ivory (cracked), indistinctly signed lower right, 4.5cm x 3.75cm (oval), (2).
AUTOGRAPHS - MARILYN MONROE A black and white portrait still from 'The Seven Year Itch', signed 'Marilyn Monroe' in blue ink, with descriptive text and copyright stamp verso, further inscribed verso in blue ink 'U.K. Fan Club / Sig'd By The Lady!!! / Billy W', 20cm x 25.5cm. Note: Greenslade Taylor Hunt do not guarantee the authenticity of these signatures. Sold as seen, not subject to return.
WINSTON CHURCHILL COMMEMORATIVE JUG - COPELAND SPODE a Copeland Spode jug, transfer printed with a portrait of Churchill on one side and with quotes from famous speeches on both sides. Also with a Royal Lancastrian vase by Richard Joyce, with a raised Fish design on a matt ground. Jug marked, Copeland Spode, Reg Applied For. 6 3/4ins (17cms) high. (2), Vase 8ins (20cms) high. (2)
Vienna type vase signed Wagner, painted with a portrait of a lady within raised paste gilt work on a maroon ground, also an enamel on copper vase painted with a lady within a garden together with an oval plaque painted in pink with a lady blowing bubbles, indistinctly signed, late 19th century, early 20th century, the vase stands 21cm high
A Victorian leather-bound photograph album mainly relating to the Fellowes and Wellesley families, including portraits of Vice Admiral Charles Fellowes, Colonel Wellesley, etc, but also containing various named portrait photographs of other notable persons, including Mrs Siddons as 'Lady Teazel', General Travers, Princess Alice with baby, and other topographical photographs of family residences, Babbacombe Bay, Ansteys Cove Torquay, etc
H.M.S. Bounty - Mutiny. A portrait miniature of accused 'Bounty Mutineer' Peter Heywood (1772-1831), half length, taken in later life, 14 x 9.5cm, and his older sister, presumably Hester 'Nessy' Heywood, each with paper labels to the reverse of 'Wane & Rothwell Artists Douglas' in a two part leather frame. Together with a small miniature of 'John Quale Clerk of the Rolls' (according to a modern inscription to the reverse); three 19th century Heywood family silhouette portrait busts, and an Edwardian circular miniature of a lady in gilt frame. Peter Heywood joined Bounty's crew as Midshipman, aged 15 years - Bligh may well have known his family as his wife was the daughter of the Collector of Customs at Douglas on the Isle of Man. He remained on the ship after the mutiny in 1789, when William Bligh and some loyal crew were set adrift in an open boat. Heywood and some others left the ship when at Tahiti, whilst the rest of the mutinous crew, including Fletcher Christian sailed on to Pitcairn Island. In 1791 Heywood and others were captured and taken back to England for trial. Though condemned to death at a courtmartial, he was pardoned by the King and in later years saw several promotions within the Navy, retiring in 1816. Provenance: By descent within the Manx Christie family, and later a gift to the family of the current vendor. A portrait by John Simpson of Captain Peter Heywood is in the National Maritime Museum
RAEMAEKERS (Louis) The Great War, A Neutral's Indictment. London: The Fine Art Society, Ltd. 1916, first edition, large folio, limited edition (1050), signed by the author below frontispiece portrait, 100 mounted plates, covers dust stained and faded; Vol. II - The Great War in 1916, signed to limitation leaf, 1917, folio, 58 mounted plates, similarly bound; 3 others - satirical cartoons (5)
Literature and church, various: PEARSON (John, Lord Bishop of Chester) An Exposition of the Creed, 12th edition, London 1741, folio, portrait frontispiece, worn calf; CRUDEN (A) A Complete Concordance, 2nd edition 1761, 4to, portrait frontispiece, later half calf; DICKENS (C) Master Humphrey's Clock, 3 vols., 1840, illustrated, no title to vol. III, old staining, worn half calf; others including Trollope, etc
Literature, various, including: MORTIMER (W G) Peru, History of Coca, "The Divine Plant" of the Incas. New York 1901, illustrated, cloth gilt; FAIRBAIRN. Book of Crests, 2 vols, 4to, cloth gilt; HAYES (S) Practical Essay on Planting and the Management of Woods and Coppices, 1794, 8vo, calf; BECKE (Louis) Notes from my South Sea Log, London 1905, 8vo, portrait and map, original cloth; others - Jorrocks, modern fiction, etc
NICHOLSON (Peter) Practical Carpentry, Joinery and Cabinet-Making, revised by Thomas Treadgold, 1846, 4to, portrait frontispiece, added engraved title and plates, old staining, half bound; RIDDELL (Robert) The Carpenter and Joiner, Stair Builder and Hand-Railer. Edinburgh [1870], folio, added architectural title, 1 plate and 57 plans (one folding), the last four supplied in duplicate with foldout diagrams to card backing, binding worn
CHAUCER (Geoffrey) The Works, edited by John Urry (1663-1714), London: for Bernard Lintot 1721, first edition, folio, 2 engraved portraits (one with slightly frayed fore edge), illustrations, slight foxing or staining, recased in later calf backed marbled boards, head of spine strip slightly damaged; GODWIN (W) Life of Geoffrey Chaucer, in 2 vols., 1803, 4to, 2 portrait frontispieces and one other portrait, rebacked diced calf (3)
CHAUCER (Geoffrey) The Workes of our Ancient learned English Poet..., London: Adam Islip 1602, folio, title within wood engraved border (repaired), lacking portrait, with large woodcut arms, woodcut of the knight to B1, double column, black letter, slight damp stain mainly affecting fore margins of first and latter leaves, and more so to Glossary at end, good reback to spotted calf
CHAUCER (Geoffrey) The Workes of our Antient and Learned Poet.., Edited by Thomas Speight. London: Adam Islip, at the charges of Thomas Wight, 1598, folio, woodcut title, portrait damaged with loss and laid down, lacking frontispiece, Canterbury Tales with woodcut title, large coat of arms to A6v, knight on horseback woodcut to head of B1, double column, black letter, ff394, 10pp corrections at end, rebacked calf
WORDSWORTH (William) The White Doe of Rylstone; or the Fate of the Nortons. A Poem. London: Longman, 1815. 4to, 162 pp. lacks half-title, engraved plate, damaged worn binding; COWLEY (Abraham) The Works, 9th edition, 1700, folio, portrait frontispiece, calf; LEAPOR (Mrs, of Brackley) Poems upon Several Occasions, 1748, 8vo, worn boards; POMFRET (John) Poems upon Several Occasions, 7th edition 1727, 12mo, calf; FAWKES (Francis) The Argonautics of Apollonus Rhodus. 1780, 8vo, half calf; (5)
Quakerism. A collection of works, 18th century, all in varying condition, including: RAY (J) The Wisdom of God, 7th edition 1717, 8vo, portrait frontispiece; BROWN (Henry) Justin Martyr's Dialogue, vols. I & II, 1755, 8vo, slight worming, calf; LEIGHTON (R) Sermons Preached by --, 1745, 8vo; MOLLINEUX (Mary) Fruits of Retirement or Miscellaneous Poem, 4th edition 1739; BURNETT (G) The Conclusion of Bishop Burnet's History, 1734, unbound; BARCLAY (Robert) An Apology for Quakers, 1703; BRINE (John) A Defence of the Doctrine of Eternal Justification, 1732, 8vo, binding worn; WATTS (I) Horae Lyricae, Poems. 3rd edition 1715, 12mo, portrait frontispiece, panel calf; WHITING (J) Christ Jesus owned as He is God and Man, 1709, paper wrapper; few others including Wesley; sold not subject to return (21)

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