283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 283287 Los(e)
    /Seite

Los 142

Hunter (John D.) Memoirs of a Captivity among the Indians of North America, from Childhood to the Age of Nineteen. Roy 8vo L. 1823. First English Edn., lacks portrait, cont. full calf, spine worn. Scarce. (1)

Los 212

The Fair Days at KinvaraCharter of George III to Robert Gregory of Coole Lodge, Co. Galway Royal Letters patent dated 12 January, 15th of George III (1775), granting to Robert Gregory of Coole Lodge, Co. Galway, Esq., the right to hold two fairs annually and a weekly market on Wednesdays, with court of pye powder, at Kinvara. Handwritten on vellum in English, with an elaborate printed border depicting the king's portrait and the arms and emblems of Great Britain, Ireland and France. Large seal, mostly intact.Robert Gregory of Co. Galway (1727-1810) made his fortune in India and on his return home purchased several landed estates, including Coole (1768) where he built "a large house with numerous offices", Ballylee, and Kinvarra. He was assiduous in developing his estate - hence this grant of two annual fairs and a weekly market in Kinvarra. He was also an MP at Westminster, a director of the East India Company, and a friend of Charles James Fox and Edmund Burke. He supported liberal issues such as concessions to Catholics, refused to accept bribes, and denounced political corruption - all of which greatly reduced his fortune. A contemporary described him as "a very honourable, incorrupt, independent man … laborious, attentive to business" (Bridget Hourican in Dictionary of Irish Biography).His great-grandson Sir William Henry Gregory was the husband of Yeats's associate Lady Gregory, as a m/ss., w.a.f. (1)

Los 290

[Irish Coin] A rare "1985" Twenty Pence, Trial Piece, the obverse with side profile portrait of a horse and 20p, the reverse with central harp, "Eire" and dated 1985, some streaking and uneven toning, otherwise very good example. (1)* This coin was issued by the Central Bank in an amount of 500. According to the Bank only 50 were unreturned by the various businesses who were provided same to test vending machines, phones etc.

Los 292

[O'Connell (Daniel)] A mounted engraved Portrait after J. Haverty of O'Connell, the inset Panel with original manuscript signature. (1)

Los 339

[Parnell (C.S.)] A 19th Century creamware Wallis & Gimson, Portrait Series Commemorative octagonal Plate, with profile of Charles Stuart Parnell, M.P. "Erin go Bragh" with harp and shamrocks, approx. 28cms (11") diameter. (1)Provenance: The Lady Gregory Collection.

Los 359

First Published Edition of MosadaYeats (W.B.). The Dublin University Review, issue for June 1886, containing the first printing of Yeats' poem Mosada at pp. 473-483. A little spotting at edges, part of last leaf torn (adverts) away with loss (not affecting Mosada), o.w. a fine copy as published. An offprint of 100 copies from this setting, with a portrait, was W.B. Yeats' first separate publication. A great rarity in either version, and a milestone in Irish literature. (1)Yeats later wrote in a copy, 'I wrote it when I was twenty-one & think rather sadly that when young men of that age send in like work I am not able to foresee his future or his talent.'

Los 385

'Nothing Except their Prayers'Shaw (George Bernard). A charming short ALS to a Mr. O'Reilly, 1 pp, on his headed paper, 14 September 1947, thanking him for photographs and handkerchiefs. 'But as I have enough of everything that money can buy, I ask nothing from my Irish friends except their prayers, which are unpurchaseable.' With a good signature, G. Bernard Shaw. Mounted and framed, with a portrait and two printed plaques. O'Reilly, a Dublin sanitation worker, was president of the Dublin Bernard Shaw Society. (1)

Los 398

Harry Kernoff[Yeats (W.B.)] A fine black and white Portrait of W.B. Yeats, approx. 5 1/2" x 3 1/2", Signed by Harry Kernoff, in black frame. (1)

Los 412

Eucharistic Congress 1932A very fine pair of coloured Prints designed and published by the Dublin printer Fergus O'Connor to mark the Eucharistic Congress and the 1500th anniversary of the coming of St. Patrick to Ireland, both approx. 50cms x 38cms (20" x 15"), printed one side only in full colour, in excellent condition.The Saint Patrick print shows the grey-bearded saint in green robe holding a shamrock, in an oval, against an Irish background with round tower and Celtic cross, over the Papal crossed keys device, printed in Germany, designed and published by Fergus O'Connor, Dublin. The Eucharistic Congress print shows an elaborate crowned portrait of the Saviour, with sacred heart and crown of thorns, carrying a jewelled mace, right hand raised in blessing, presumably also printed in Germany, mounted within a separately printed rectangular border printed in Dublin, showing provincial and Celtic symbols under the Papal device. The German printers and artists are not named.An interesting and effective pair, in the highly-coloured style of the time. Presumably O'Connor could not obtain the Saviour print in a matching size to St. Patrick, so he improvised by printing a separate border himself to equalise the dimensions. (2)Fergus O'Connor first came to note as printer to the First Dail, and is best known as a publisher of pamphlets and postcards. Though well printed on heavy stock, the prints are inherently fragile, and it is likely that few survive in acceptable condition.

Los 442

Box: Irish Biography and Autobiography: Reid (B.L.) The Man from New York - John Quinn and His Friends, roy 8vo N.Y. 1968, illus. d.w.; O'Leary (John) Recollections of Fenians and Fenianism, 2 vols. L. 1896. First Edn., ports. cloth; Craig (Mary) Longford A Biographical Portrait, L. 1978; O'Brien (Conor Cruise) The Great Melody.. Edmund Burke, L. 1992, First Edn., d.w.; & 17 others sim. As a box lot, w.a.f. (21)

Los 502

Moore (Thomas) The Life and Death of Lord Edward Fitzgerald, 2 vols. L. (Longman, Rees etc) 1831, Second Edn., hf. title, portrait & fold. map frontis, ex. Libris 'Charles William Packe,' hf. mor., marble boards, gilt decor. spine. Clean set (bound by W. Barratt, 21 Portugal Street). (2)

Los 59

Pochin Mould (D.D.C.) Valentia, Portrait of an Island, 4to D. (Blackwater) 1978, Signed by the Author, illus., cloth and d.j.; Carmody (Vincent) Listowel - Snapshots of an Irish Market Town 1850 - 1950, 4to Killarney 2012, Signed by the Author, illus., cloth & d.j.; [Pamela J.] Dromantine in Bloom, 4to, Singapore 2007, illus., cloth & d.j. (3)

Los 611

Including Three Signed CopiesArland (Marcel). Etapes. Paris 1927, with a portrait by Chagall, wrappers, numbered copy, inscribed to Rene Arcor; Étienne, Paris 1924, First, numbered copy, orig. wrappers; Ou le Coeur se Partage, Paris 1927, First, numbered copy, inscribed; Antares, Lausanne 1953, dessins de Marie Laurencin, First, numbered copy; three others, same author. All in fine condition. (7)

Los 615

With a Letter of Sympathy to Douglas HydeGregory (Lady). Gods and Fighting Men. L. 1904, First Edition, Douglas Hyde's copy with his bookplate, inscription partly in Irish from Lady Gregory laid down on f.f.e.p., later stamp of C.F. Kennedy, postcard of Mancini's portrait laid down on prelim, ALS (4 pp, single folded sheet, lacking signature leaf) dated March 22 on Coole Park paper laid down before title, thanking Hyde profusely for his book, and suggesting 'now you have time in being less tied up with the 'Saints & Sinners who form the Gaelic League, that you will go back 'folk-loring' - you put a great deal of patience into that tribe, & in my opinion you are well out of them - you have done a very great work in saving so much of the language & the literature & legend, & putting others on the path of saving them - Those who are really interested in 'the things that matter' will go on & keep your work alive - & the politicians will screech till [indecipherable] & nobody be a penny the better ..' (1)Hyde resigned the Presidency of the Gaelic League in 1915, after a disagreement on whether it should express views on political matters. A superb Association Copy and Letter, from one Pioneer to Another.

Los 628

Joyce (James). Dedalus. Portrait de l'Artiste Jeune par Lui-Meme. Traduit de l'Anglais par Ludmila Savitsky. Paris, La Sirene 1924. Orig. printed wrappers, inscribed on prelim to M. Rene Arcos by the translator. S&C D15. (1)

Los 674

Joyce (James). Giocomo Joyce, intro. Ellmann. NY 1968, First, slipcase; A Portrait of the Artist as a Young Man, illus. Brian Keogh, NY 1968, Lim. Eds. Club, qtr morocco in slipcase. (2)

Los 170

Nine Coloured Box Cameras, examples include a red No 2 Portrait Brownie, No 2 Brownies (red, olive green, brown and maroon), a light brown Coronet and a blue Portrait Hawkeye

Los 235

A Rodenstock Tiefenbildner Imagon Soft Focus Portrait Lens serial no 2326200, 200mm H 5.8, with three difuser rings, H=5.8-H=7.7, H=7.7-9.5, H=9.5-H=11.5, in Compound Deckel shutter, shutter working, elemnents F, fungus and some separation

Los 334

Two Gilt Framed Wall Mirrors for Restoration and an Oval Edwardian Portrait

Los 1610

FABRIQUE NATIONALE A 12-BORE 'C2G' SINGLE-TRIGGER OVER AND UNDER EJECTOR, serial no. 8J3RP7167, 30in. nitro barrels with 12mm ventilated matt top-rib, 2 3/4in. chambers, bored approx. 1/4 and 1/2 choke, hold-open toplever, manual safety with integral barrel selector switch with gold-inlaid 'O', 'U' and 'S' detail, scroll engraving set against a matt background surrounding vignettes of flushed fowl on the left, the right with flushed pheasant, the underside with a portrait of a partridge, signed 'F. Marechal' and 'Baptiste', bright finish, 16 1/2in. stock including 3in. wooden extension and buttplate, weight 7lb. 14oz., in a leather caseS2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

Los 10

HRH Prince Philip Duke of Edinburgh – fine signed presentation portrait photograph of The Duke standing, wearing Admirals' uniform, orders and decorations, signed in ink on mount ‘Philip 1970’, in original blue Morocco leather frame with gilt embossed crowned P Royal monogram to arched top with easel back support, 31.5cm x 22cm overall

Los 103

18 th century miniature on ivory portrait of a noblewoman wearing a black ribbon and crucifix, pale-grey dress with lace trimming in silver frame brooch mount with pierced crown cresting and waved border, unmarked, 6.5cm high x 4cm wide

Los 1032

18th century tortoiseshell and gold piqué box, rectangular form, centred by profile portrait of George III, the interior with twin lidded compartments with inset bee ornament, 6cm wide

Los 107

Early Victorian English School watercolour portrait of HM Queen Victoria on a theatre balcony, wearing a tiara and sash of the Order of the Garter and holding a posy of rose, thistle and shamrocks, in period rosewood frame, 39.5cm x 32cm

Los 108

HM Queen Elizabeth II and HRH The Duke of Edinburgh - two 1950s Royal Presentation portrait photographs - The Queen wearing a diamond diadem and necklace and diamond encrusted star of the Order of the Garter, The Duke in Naval uniform wearing the Order of the Garter and medals - in Baron Studios folder, 40.5cm x 30cm and 38cm x 30cm

Los 109

HRH The Duke of Edinburgh - signed 1955 presentation portrait photograph by Baron - The Duke wearing a suit, signed in ink on mount 'Philip 1955', in original glazed frame, with typed provenance on reverse, 45cm x 30cm overall

Los 1092

Wilhelm Carl F. Trautschold (1815-1877) oil on canvas - portrait of Sir James Clark, Bart. (1788-1870) in black coat and white necktie, signed and dated 1847, in original gilt frame, 80cm x 66cm NB: Sir James Clark was Physician-in-Ordinary to Queen Victoria between 1837 and 1860 and to Prince Albert from 1840

Los 1111

20th century Bloomsbury School oil on canvas - portrait of a female artist in an interior, unframed, 59cm x 49cm

Los 1118

Gladys Mary Clark-Kennedy (b.1887) oil on canvas - portrait of a lady in a white dress, signed and dated 1912, in glazed gilt frame, 88cm x 70cm NB: Clark-Kennedy was a Royal Academy Schools student from 1905-1912

Los 1141

Edwin Harris (1855-1906) oil on canvas - portrait of a fisherman lighting a clay pipe, signed, in gilt frame, 37cm x 26cm

Los 1157

Cornelius Johnson known as Cornelis I Janssens Van Ceulen (1593-1661) oil on canvas - portrait of Lady Sophia Talbot, half length, in embroided dress with red ribbons, in painted oval and gilt frame, 75cm x 62cm Provenance: Ms E. Savage, Christie’s London, 28th July 1966, lot 177

Los 116

HM Queen Mary - signed presentation portrait photograph of The Queen wearing a diamond tiara, necklace, jewels and Order of the Garter - signed in ink ‘Mary R 1935', in glazed frame, inscribed by The Queen on reverse ‘Grateful thanks for the charming presents’, 23 x 15.5cm. Provenance: Sent to Lord and Lady Curzon

Los 1173

19th century Pre-Raphaelite oil on canvas - portrait of Tennyson’s Maud, in gilt frame, 25cm x 20cm Provenance: Estate of Eva de Ruyter

Los 1175

Alois Hans Schram (1864-1919) oil on board - portrait if a young lady in a garden, signed and dated 1900, in gilt frame, 52cm x 34cm Provenance: Estate of Eva de Ruyter

Los 1181

19th century English school oil on canvas - portrait of a lady with flowers and feathers in her hair, in gilt and ebonised frame,

Los 1182

Attributed to John Moir (1776-1857) early 19th century oil on canvas - portrait of a gentleman in woodland, in gilt and ebonised frame, inscribed verso ‘Tully Higgins’, 78cm x 63cm

Los 1188

Iris C. Moncrieff Bell (d.1962) oval portrait miniature on ivory - a lady “Myrtle”, signed and dated 1939, in oval gilt frame, inscribed verso, 7cm x 5.5cm

Los 12

TRH The Prince of Wales and The Duchess of Cornwall – signed Royal Presentation portrait photograph of the smiling Royal Couple, signed in ink on mount ‘Charles 2014 Camilla’, in original green Morocco leather frame with gilt embossed Prince of Wales feather cresting and easel back, 24.5cm x 18cm, in original Ettinger, London, box. Provenance: Presented to the late Mr Dennis Brown R.V.M., the vegetable gardener at Highgrove

Los 1204

Elizabeth Dobson, early 20th century oil on canvas - portrait of a lady in white shawl, signed and dated 1911, in glazed frame, 35cm x 29cm

Los 1205

Allan Douglas Davidson (1873-1932) oil on board - portrait of a young girl in blue dress, signed, in gilt frame, 44cm x 34cm

Los 1206

Allan Douglas Davidson (1873-1932) oil on board - portrait of a young girl in red shirt, signed and dated 1931, in gilt frame, 52cm x 42cm

Los 1207

Late 18th century English school oil on canvas - portrait of a Clergyman, in gilt frame, 90cm x 70cm

Los 121

Collection of black and white Royal portrait photographs of HM The Queen and HRH The Duke of Edinburgh, formerly the property of A. K Lawrence R.A., R.P. - Royal portrait painter - studies for portraits (12)

Los 1233

Mid 19th century English school oil on canvas - portrait of a lady seated in an interior, in gilt frame, 71cm 56cm

Los 1248

Mid 19th century English school oil on canvas - portrait of a girl seated in a landscape, in ornate gilt frame, 75cm x 62cm

Los 1258

*Edward Wolfe (1896-1981) ink on Chinese silver board - Portrait of a Young Man, 107cm x 48cm, in glazed frame Provenance: Patrick Seale Gallery, Motcomb Street

Los 1260

Frederic Auguste Laguillermie (1841-1934) signed etching - portrait of Madame Le Brun, published 1893, in original gilt and ebonised frame, 54cm x 42cm Provenance: Robert Dunthorne, The Rembrandt Gallery

Los 1266

Attributed to Richard Ramsay Reinagle (1775-1862) oil on canvas - portrait of a gentleman, unframed, 77cm x 64cm

Los 1273

19th century English school oil on canvas - portrait of a Spaniel, “Joey”, in gilt frame, 45cm x 40cm

Los 130

Victorian Diamond Jubilee 1897 gilt metal relief plaque by Kenrick & Son, with profile portrait of The Queen and scroll ‘1837 VR 1897’, mounted on red velvet covered shield, 35cm

Los 131

TM King George VI and Queen Elizabeth – fine pair of Wartime signed presentation portrait photographs by Dorothy Wilding – The King wearing Admiral’s uniform, orders and decorations, The Queen a tiara, pearls and Royal Family Orders, signed in ink on mounts ‘George R.I. 1943’ and ‘Elizabeth R 1943’, in original black Morocco leather frames with domed tops, gilt and embossed crowned Royal ciphers and easel backs, 25.5cm x 18cm. Provenance: Presented to Major T. D. Williams M.V.O., D.S.O., I.S.O., the Superintendent of Buckingham Palace during the War and Officer of the Buckingham Palace Home Guard. Sold with copy of a photograph of Major Williams at his desk in Buckingham Palace with the above photographs on display King George frame is in tact and can stand up on its own. Some wear to the leather on back of kick stand. Queen Elizabeth frame does not stand up alone, the ribbon is broken and the kick stand leather is worn along the top and creased.

Los 1326

Edward Robert Hughes (1851-1914) sanguine chalks - portrait of a young girl leaning on a chair, signed and dated 1896, in glazed oak frame, 70cm x 50cm

Los 1327

19th century English School oil on canvas - portrait of a young girl with flowers, in gilt frame, 69cm x 51cm

Los 1328

Samuel Lane (1780 - 1859), oil on canvas - full-length portrait of Henry John Sperling (1795 - 1882) of Dynes Hall, probably painted on the occasion of appointment as Deputy Lieutenant of Essex in 1844, unsigned, 170cm x 132cm, in fine period gilt gesso frame. Provenance: By family descent from Charles Sperling, brother of the sitter. N.B. Henry John Sperling was born in Hammerwood Park near East Grinstead. His father John Sperling was a prominent fur trader throughout Europe and owned a Dublin brewery, he commissioned the architect Latrove to build Hammerwood Park in 1792, the architect later moved to the United States where he designed the White House and other buildings. When John Sperling's business suffered as a result of the Napoleonic Wars, he was forced to sell Hammerwood Park and the family established themselves at another property which they owned, Dynes Hall, Near Great Maplestead, Essex. Henry John Sperling served in the 9th Regiment under the Duke of Wellington in 1814 - 1815 in Northern France. He married his cousin, Maria, and settled in the family seat at Dynes Hall, dying at his residence in Cannes in 1882. Henry Sperling and his family were immortalised in a series on annotated sketches made by Henry's younger sister Diana Sperling (b. 1791) and published in 1981 by Gordon Mingay under the title 'Mrs Hurst Dancing: And Other Scenes from Regency Life'. Henry features in many of the comical illustrations and is variously seen falling off a horse, playing badminton, in military uniform, etc. A copy of the book is to be included in this lot. Although unsigned, the attribution to artist Samuel Lane is supported by family tradition that he painted the work. Samuel Lane was born in Kings Lynn and painted many notable East Anglian gentry and others including Sir Philip Broke, Sir Astley Cooper, Thomas Telford and Admiral Horatio Nelson

Los 1332

Ursula Wood, late Victorian oil on canvas - portrait of a lady in ornate cloak, signed and dated 1896, unframed, 61cm x 46cm

Los 1348

After Jacob Ocktervelt (c.1634-1708) oil on canvas - portrait of a nobleman in armour, in gilt and ebonised frame, 72cm x 57cm

Los 1350

17th/18th century English school oil on canvas - portrait of a noble lady wearing a pearl pendant, in ebonised and burr veneered frame, 60cm x 17th48cm

Los 1371

Early 20th century oil on canvas - Portrait of a Lady, unframed, 61cm x 51cm

Los 1382

Fruin Bruce Charles Bravington (1910-2000) oil on canvas - portrait of an artist at an easel, signed and dated 1967, unframed, 61cm x 51cm

Los 1390

Edwardian English school oil on canvas - Portrait of Edmund Barnes (1842-1926), Mayor of St Pancras, dressed in his robes and chains, in gilt frame, 90cm x 70cm, together with an Edward VII presentation silver medal in red leather case

Loading...Loading...
  • 283287 Los(e)
    /Seite

Kürzlich aufgerufene Lose