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LAMBARDE, William. An Alphabetical Description of the Chief Places in England and Wales. London: 1730. 4to (255 x 182mm.) Portrait frontispiece, title printed in red and black. (Some spotting, heavier to first and last few leaves, small tear without loss to title-page.) Modern half-calf (extremities lightly scuffed).
BINDINGS. - Robert BROWNING. The Ring and the Book new edition. London: 1898. 8vo (205 x 127mm.) Portrait frontispiece. Contemporary red half-morocco, bound by Riviere & Son, the spine in six compartments with raised bands, lettered in the second and third, the other compartments with repeat decoration in gilt (minor scuffing). - And four others, leather-bound (5).
BINDINGS. - Henry Wadsworth LONGFELLOW. The Poetical Works. London: 1877. 8vo (195 x 135mm.) Portrait frontispiece, occasional illustrations. (Some spotting.) Contemporary blue morocco gilt, the spine in six compartments with raised bands, lettered in the second, the others with repeat decoration in gilt, g.e., (spine slightly faded). - And eleven others, all leather-bound (12).
ECONOMICS. - Andrew CARNEGIE. The Empire of Business. London & New York: 1902. First edition, 8vo (240 x 155mm.) Title in red and black, portrait frontispiece. Original cloth, t.e.g. (bumped, slightly faded). - And twelve others by Paul H. Douglas, Henry Deutsch, Hugh Dalton, Melvin T. Copeland and others. Provenance: Bernard Leslie Jones (respected stockbroker in the City of London for over 40 years and a founder member of the Society of Technical Analysts) (13).
SAINT-PIERRE, Jacques-Henri Bernadia de. Paul and Virginia. London: 1825. 16mo (91 x 52mm.) Engraved portrait frontispiece, engraved additional decorative title. (Occasional minor browning.) Contemporary green straight-grain morocco gilt, g.e. (extremities rubbed and scuffed). - And a quantity of others (a quantity).
FINANCIERS, MILLIONAIRES AND BILLIONAIRES. - Gustavus MYERS. History of the Great American Fortunes. Chicago: 1911. 3 vols., small 8vo (190 x 135mm.) Plates. Original cloth (slightly soiled). - And Otto H. KAHN. Reflections of a Financier. London: 1921. First edition, 8vo (213 x 135mm.) Portrait frontispiece. Original cloth (slightly bumped); together with forty-five others of similar interest. Provenance: Bernard Leslie Jones (respected stockbroker in the City of London for over 40 years and a founder member of the Society of Technical Analysts) (49).
John Miers (1758-1821). A pair of silhouette profile portraits of a wife and daughter, each in an oval glazed and gilt frame, the reverse with `J, MIERS LEEDS` trade labels, and one dated `1789`, both with inscriptions to the verso, 12 x 10cm, together with a very similar silhouette portrait of a man possibly by Miers. (3)
A Louis Phillippe ormolu desk paperweight, decorated with a bands of palmettes and with a pegasus finial, applied with a portrait bust silhouette signed `Held H. Skand` and with a plaque inscribed `En Memoire du Comte Simon Woronzow le 21 Juin 1832`, 6.4cm high, 12cm wide, 7cm deep. Count Semyon Romanovich Vorontsov (1744-1832) was Russian Ambassador to the United Kingdom (1785-1806). He remained in England until his death. He was the brother of Princess Dashkov who took part in the coup d` etat which placed Catherine the Great on the throne. His daughter,Catherine, married George Herbert the 11th Earl of Pembroke.
Domenico Brucciani (1815-1880). A Victorian life size plaster cast of the Venus de Milo by D. Brucciani & Co. London, the base marked `D. BRUCCIANI & CO, LONDON`, 212.5cm high, 63.2cm wide, 49.5cm deep. Domenico Brucciani was born near Lucca, Italy and came to England with his father establishing a gallery of casts in Covent Garden by 1837. He worked for the South Kensington Museum, the National Portrait Gallery and the British Museum, taking casts of items in their collections and of monuments elsewhere.
λ An 18th century French ivory caricature relief portrait bust, of a man wearing a hood and a fleur de lis on his cloak, 9.8 x 7cm, mounted in an 18th century carved giltwood frame. This bust is very similar to a set of seventeen sold by Sotheby`s, London, Wednesday 16th December 1998, Lot 99, where they were attributed to Huguenots carvers in reply to their persecution after the revocation of the edict of Nantes in 1685. The portrait reliefs are of the leading figures working in France for the extermination of the Huguenots. Provenance: The part contents of a Wiltshire Rectory.
Thomas Woolner R.A. (1825-1892). A portrait of William Charles Wentworth, circular bronze relief plaque, signed and dated `T. Woolner Sc 1854.`, 21cm diameter, later mounted. William Charles Wentworth (1790-1872) is a very important figure in Australian history. He was a poet, explorer, politician and journalist and was one of the leading figures of early colonial New South Wales. Provenance: The collection of Ralph Holland (1917-2012), art historian.
Richard Cockle Lucas (1800-1883). Three wax relief portrait busts, one of Lord Palmerston signed and dated 1855, with a plush mount and gilt-slip to a leaf carved frame, 37.2 x 31.4cm, the other two both of gentlemen, each indistinctly signed, titled and dated, one framed and glazed the other mounted on an ebonised plaque. (3)
John Tweed (1869-1933). A portrait of Auguste Rodin, plaster relief, signed and dated `Tweed 27/7/03` and dedicated to `Ethel Elder`, 38 x 30.5cm, in an ebonised moulded frame. John Tweed was known as the `Empire Sculptor` due to the many public commissions won in Canada, Africa and India. He was friends with Auguste Rodin and is credited with bringing Rodin to England. Provenance: The collection of Ralph Holland (1917-2012), art historian.
A Victorian rosewood and parquetry casket, with domed cover, 9.75in., together with a late Georgian inlaid mahogany tea caddy, 8.5in. and an early Victorian segment-veneered mahogany cutlery box with brass swan-neck handles, 17.5in., also to include a Victorian framed colour print and a union case - portrait daguerreotype
MY QUEEN WHISKY JUG. (WG pg 180) 8.5ins tall, mallet form jug all white glaze, brown transfer ‘THE CREAM OF/ HIGHLAND WHISKIES’ to shoulder. Portrait of Queen Victoria to front “MY QUEEN/ JUBILEE BLEND”. Coat of arms to rear ‘THOM & CAMERON LIMITED/ GLASGOW’. Port Dundas impressed p.m. Professional neck repair.
A hallmarked silver Arts and Crafts spoon with pierced terminal centred by ball shot, length 13cm, Birmingham 1925, A E Jones together with a white metal Art Nouveau part buckle cast with a portrait of a maiden, signed F Lasserre a French silver enamelled box and a novelty white metal egg shaped vinaigrette damaged.(4)

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