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283287 Los(e)/Seite
Los 52
Ronald Carvell Meaux (Cleveland, 1945-2012) A Large Collection of Group Portrait Studies, ca. 1960`s, Pencil and acrylic, On paper and board. A selection signed and dated. Titles include: “Study for 12 African Saints” “My Husband is Not Here!, May `64” “More Illuminated Pleasures, 11/25/67” “The Return of Jesus H. Christ, 2/28/68” Largest: h: 25 x w: 19.25 inches.
Los 130
AN ENGLISH RAPIER, SECOND QUARTER OF THE 17TH CENTURY with tapering blade stamped `Andria Ferara` within a short fuller on each face, steel hilt comprising a pair of straight quillons with tightly scrolling terminal (repairs), cup-guard chiselled with a cavalryman and a portrait medallion on the respective sides, all on a ground of scrolling foliage, drawn-up on one side to join the knuckle-guard, the latter interrupted by a grotesque moulding, plummet-shaped pommel chiselled with further portrait medallions, and the grip bound with copper wire and `Turks` heads` (the hilt pitted) 101.5cm; 40in blade
Los 149
THE HUNTING SWORD OF PETER HINRICH FUHRMAN (1714-1773), VINTNER TO THE SWEDISH ROYAL COURT with curved single-edged blade double-edged towards the point, cut with a very slender fuller along the back-edge, etched and gilt with a vertical arrangement of trophies and figures, the back-edge with a gilt criss-cross pattern, inscribed with the owner`s name on one face of the forte (a small area above erased) and `Vive La Bon Cause` on the other, gilt-brass hilt cast in low relief, comprising small shell-guard decorated with a stag set upon by a hound, a pair of straight quillons, knuckle-guard, cap pommel and natural staghorn grip (one retaining rivet missing) 53.5cm; 21in bladePeter Hinrich Fuhrman (1714-1773) lived at Svartmangatan 22 in the Old Town of Stockholm. He is recorded as supplying wine to the Royal Court and as the owner of a tavern at Svartmangatan 20.The area at the forte above the owner`s name might have carried a portrait of Gustav III that was erased after his assassination in 1792.
Los 176
A TRANSITIONAL SWORD, THIRD QUARTER OF THE 17TH CENTURY with tapering blade of hollow-diamond section, numbered `5` ahead of a short fuller, the latter retaining traces of the bladesmith`s inscription, chiselled steel hilt (areas of pitting), comprising asymmetrical double shell-guard with moulded brim decorated with foliage and celestial masks, a pair of quillons decorated with leaves enclosing the terminals and a running pattern over the rest of their surface, the latter extending over the arms, the quillon-block decorated with classical female portrait profiles, flattened plummet-shaped pommel decorated en suite with the quillon-block, and later grip 85.7cm; 33 3/4in blade
Los 191
A GERMAN HUNTING SWORD, MID-18TH CENTURY with curved blade double-edged towards the point, engraved at the forte with a hand clasping a falchion, a portrait profile and inscriptions including the date `Anno 1679`, `Solideo Gloria` and `Pro Aris et Focis` (light pitting), brass hilt cast in low relief, comprising shell-guard decorated with a pair of hounds in combat with a bear, globular quillon formed as a hound`s head, knuckle-guard interrupted by a central moulding comrpising a female demi-figure engulfed by a hound`s head, cap pommel and green-stained horn grip 62cm; 24 1/2in blade
Los 196
A FINELY CHISELLED CUP-HILT RAPIER IN SPANISH MID-17TH CENTURY STYLE, 19TH CENTURY with blade of flattened-diamond section, plain ricasso, steel hilt comprising deep cup-guard, the outer face pierced and chiselled with a symmetrical arrangement of foliage involving pairs of harpies and cornucopia centring on an expanded flowerhead on each side, boldly flanged brim pierced with a running pattern of foliage, a pair of straight steel quillons with chiselled moulded terminals, écusson chiselled with vine foliage, knuckle-guard interrupted by a moulding, and solid pommel finely chiselled with a devil`s mask surmounted by a harpy front and back and portrait medallions on each side 104cm; 41in blade
Los 294
A RARE SWEDISH GLAIVE FOR A SENIOR OFFICIAL, CIRCA 1818-44 with tapering double-edged blade, etched and gilt with a spray of acorns and oak foliage interrupted by a pair of crossed swords surmounted by the crowned Royal Cypher `C XIV J` on a blued panel within a gilt frame on each side of the forte, silver-plated brass hilt cast and chased comprising a pair of vertically-recurved quillons with hound`s head terminals, langets formed as grotesque masks, compressed oval pommel decorated with beadwork, and a pair of grip-scales (expertly replaced) retained by two panels chased with foliage, in its black leather scabbard with locket and chape decorated en suite with the hilt 81.5cm; 32 1/8in bladeAn identical sword is illustrated in Caroline Cathinca Engelhardt`s portrait of Karl XIV Johan, King Of Sweden (reigned 1818-44), preserved in the Royal Collection Stockholm (inv. nr. DKS.001703). The catalogue states that the uniform is that of a Swedish senior government official, despite his still being in France.
Los 345
A COLOUR SERGEANT`S FULL DRESS DOUBLET OF THE ROYAL SCOTS PRE-1881 a scarlet doublet of the 6th Volunteer Battalion, with white metal Royal Arms buttons and collar-badges, plain red shoulder-straps inscribed 6/V/RS in black worsted embroidery above a silver-embroidered R, silver lace chevron on right sleeve below crossed flags and crown, five Efficiency badges above right cuff and Marksman`s badge on left sleeve; together with a small portrait photograph of the original owner, Charles Wilson (1846-1933) and a typed biography of him by one of his twenty six grandchildren (3)
Los 412
TWO DECORATED FLASKS, 19TH CENTURY the first probably North African, with round hide body, decorated with a stylised flower on the outer face, fitted with pierced steel nozzle with sliding wooden cut-off, and a pair of loops for suspension; the second of engraved gourd, the outer face engraved with a half-length portrait and signed (perhaps I. Teslis), the inner face with an expanded flowerhead, fitted with a pair of loops for suspension and turned wooden nozzle the first: 22cm; 8 3/4in high
Los 507
AN IMPORTANT 20 BORE FRENCH ROYAL FLINTLOCK LONG HOLSTER PISTOL MADE FOR CHARLES XI, KING OF SWEDEN (1655-97), BY PIRAUBE AUX GALLERIES DU LOUVRE A PARIS, DATED 1676 with blued barrel formed in four stages, the forward section signed `Piraube aux Galeries du Louvre a Paris 1676` in gold damascene on a long flat decorated with further damascened scrollwork, fitted with silver fore-sight, damascened with a classical trophy-of-arms at the muzzle, and a pair of monsterheads attacked by serpents hanging in scrolls of foliage ahead of the median, the latter formed with an engraved shaped panel flanked by a pair of damascened captives seated upon further trophies, the breech of octagonal then polygonal form, decorated in gold damascene with foliage, pellets and the full crowned Royal Swedish Arms (the bluing faded and with losses), the underside of the breech stamped with the barrelsmith`s mark, the letter `M` in a rondel, engraved tang decorated with monsterhead scrolls of foliage and border ornament, rounded lock chiselled with scrolls of foliage issuant from a classical vase and signed `Piraube` twice on the tail, engraved with border ornament, delicate scrolling tendrils inhabited by an archer and inscribed `aux Galleries a Paris` beneath the pan, the brim of the pan chiselled with a grotesque, fitted with chiselled cock decorated with leafy tendrils, a serpent head, a green man mask on the comb and retained by a further mask-shaped screw (the top-jaw and screw replaced), steel chiselled with a symmetrical arrangement of leafy tendrils issuant from a green man mask, figured walnut full stock (an early working replacement of circa 1730-40), impressed with the letter `K` next to the trigger-guard, carved with a raised moulding over the fore-end, a spray of foliage ahead of the trigger-guard and further scrolls and shell ornament about the tang, steel mounts comprising side-plate pierced and chiselled with a central moustachioed mask dividing an arrangement of scrolling monsterhead tendrils inhabited by a pair of differing herms, spurred pommel engraved with a pattern of rondels and foliage around the border, chiselled on each side with a symmetrical design of scrolling monsterhead tendrils issuant from a green man mask against a recessed gilt ground, the front and the back chiselled with further masks and engraved with monsterhead scrolls, fitted with a small finely chiselled grotesque mask cap supported by a pair of gold damascened Classical figures seated upon Classical trophies and surmounted by a Classical bust portrait, engraved trigger-plate, trigger-guard with an early inventory number `P No 1` chiselled with a further mask on the bow, the forward baluster issuant from a gaping mask and the finial chiselled with scrolling tendrils on a recessed gilt ground, a pair of moulded ramrod-pipes, the rear decorated with a gold damascened angel, pierced and engraved escutcheon damascened with the crowned Royal Swedish Arms, and steel-tipped ramrod, perhaps the original, and remaining in fine condition throughout (the damascene with small losses, areas of light wear) 53.3cm; 21inProvenance Charles XI, King of Sweden An American Private Collection Literature John F. Hayward, Bertrand Piraube, in Livrustkammaren 15, no.5 (1980), pp.129-132, figs 12-14.The pair to this pistol is preserved in the Metropolitan Museum of Art, New York (inv. no. 1990.114.2).These pistols are Bertrand Piraube`s earliest dated work. The late John Hayward identified three levels of quality by this maker of which the present pistol belongs to the highest. Piraube has been described as the most important figure in the decorative development of French firearms in the latter part of the 17th and early 18th centuries. On 25th January 1670 Louis XIV granted him a brevet de logement in the Galleries du Louvre. This appointment, which was confirmed in March the following year, established Piraube as primus inter pares amongst the gunmakers working for Louis XIV. In Germain Brice`s Description de la Ville de Paris, published in various editions between 1698 and 1718, he was described as a gunmaker who produced pieces of rare beauty. His period of tenure in the Galleries to Louvre (1670-1720) was the longest of any gunmaker. Working within the precincts of the Royal Palace freed Piraube from the restrictions of the Parisian Guilds and consequently he was able to employ as many apprentices and journeymen as his commissions required. It comes as no surprise that a significant number of the great European Ancestral Gunrooms have firearms by him. The present pistol and its pair illustrate a number of aspects of the designs of Louis XIV`s chief designer, Jean Bérain. For a further discussion of this maker and his work see John F. Hayward (op.cit.), and Thomas Del Mar Ltd, 9th December 2009, lot 266.Charles XI (1655-97) succeeded to the throne at the age of 4 in 1660. He excelled in the chase and was a fine horseman, as recorded in both his and other members of the Royal Family`s diaries. The present made to him by the French Ambassador at his coming of age in 1672 comprised twelve magnificently caparisoned Spanish thoroughbreds, complete with an equal number of pistols and guns, of which Piraube made one pair of pistols and one fowling piece. The present pistol, and its pair, must have been ordered within two years of this gift, allowing for the time lag in construction. A smaller pair of pistols, with silver barrels and mounts, decorated in almost an identical manner to the present pistol, are preserved in the Royal Armoury, Stockholm, (inv.no.4072, 4073). Given their size they were probably intended for a lady, and the materials used would suggest that they were made more for display than use.The letter `M` within a rondel beneath the breech is stamped on a number of French firearms of this period, including another pair of pistols and a gun by this maker, a pair of pistols by Masson, and a gun by Varnier all preserved in the Livrustkammeren, Stockholm (inv. nos. LRK 4334, 4335, 3626, 3627, 10036 respectively).See J. F. Hayward 1963, pp.32-47; the same author 1980, pp. 118-157; N. Drejholt1996, pp. 136-139 and S. J. Pyhrr 1991, p. 24.
Los 509
A PAIR OF 22 BORE FRENCH SILVER-MOUNTED FLINTLOCK HOLSTER PISTOLS BY LABORDE A PARIS, CIRCA 1760 with blued swamped barrels fitted with silver fore-sights on a bed of gold scrollwork, signed in gold on a long flat and decorated with a gilt panel and scrolls of foliage over the breeches (the bluing oxidised to brown, the gold with losses), engraved tangs, signed stepped bevelled locks engraved with scrollwork on the tails, figured walnut full stocks carved with scrolling foliage ahead of the trigger-guards and a panel of flowers and foliage about the barrel tangs (the fore-ends with chips and repairs), the butts inlaid with silver wire scrolls, full marked silver mounts cast and chased in low relief, comprising pierced side-plates with serpentine terminals, spurred pommels decorated with further designs en rocaille and fitted with classical portrait profiles enclosed by laurel wreaths on the caps, trigger-guards with foliate terminals, vacant escutcheons, a pair of ramrod-pipes, and original bone-tipped baleen ramrods with iron worm and slotted terminal respectively 39cm; 15 3/8in (2)
Los 516
A 32 BORE CENTRAL ITALIAN FLINTLOCK PISTOL, CIRCA 1740 with tapering barrel formed with two flats and a slender rib, chiselled with scrolls, a portrait medallion and with traces of a maker`s signature at the breech, engraved tang, rounded lock stamped with a mark on the inside, chiselled with a grotesque on the tail and engraved with a cityscape beneath the pan, chiselled cock and steel, the latter decorated with a green man mask (side nails replaced), figured walnut full stock (cracked through in three paces), steel mounts including side-plate pierced and chiselled with scrolling monsterhead tendrils, trigger-guard en suite with the breech, and spurred pommel decorated with further scrolls and a portrait bust, and original steel-tipped wooden ramrod 38.7cm; 15 1/4in
Los 1050
Folio of pictures relating to the Donauer family to include pastel portraits of Carl Frederick Donauer and Marie Margarthe Donauer, five antique photographs and by R H Ildebranette? - portrait of Carl Donauer, signed and dated 1950, watercolour, 18.5" x 14.5" framed and 18th century engraving of Johann Christoph Wendeler (9)
Los 234
German School, mid 18th century `Portrait of Henriette Tisha Pollens,` a miniature on copper, 4cm x 3cm also two companions (3)WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
Los 263
English School, late 16th century 'Portrait of Sir Philip Sydney, 1554-1586, poet and soldier wearing lace ruff', oil on canvas, dated 1580 and inscribed 'Atatis Svae 27', 62cm x 48cm Provenance: Christie, Manson and Woods, Lord Northwick's Collection, 1866 Hammersley Galleries, Harpenden, 1968 (attributed to Sir Anthony More 1519-1587) Private collection
Los 1278
An oval portrait miniature of a gentleman, wearing a dark blue jacket and with grey hair, mounted in a border of seed pearls, the back glazed with a feathered hair locket compartment and with the initials D.S, probably circa 1770, later converted for use as a brooch and with a half pearl set suspension loop fitting.
Los 1281
Silver, comprising; a pepperette formed as a miniature teapot, Chester 1898, a vesta case with engraved decoration, Birmingham 1907, a rectangular stamps case, formed as a book and detailed in blue enamel Stamps, Birmingham 1903, a circular pillbox, decorated with the portrait of a lady, Birmingham 1902, two shoe horns with loaded silver handles and a plated circular box, mounted with a coin.
Los 1284
An oval portrait miniature of a gentleman, wearing a pale brown jacket and with grey hair, initialed F.S, in a blue enameled border, with a colourless paste surround, the back glazed with a locket compartment, cased and an oval portrait miniature of a lady, wearing a red jacket and with dark brown hair, initialed P.H, in a blue enameled border, with a surround of imitation pearls, the back glazed with a locket compartment, cased.
Los 1378
A gold, black enamelled, rose diamond and blue gem set mourning ring, mid 18th century, a labradorite set cameo ring, carved as a classical portrait of a warrior, a marcasite set ring designed as two conjoined hearts with a coronet surmount, a 9ct gold and sardonyx set oval signet ring and three gem set rings.
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283287 Los(e)/Seite