Camera Equipment including Cameras ( Kodak Cini (Model B), Mamiya 135EF, Vivitar 35EF, Pentax 200M90, Ilford Sporti, Boxed Diaposcope, Boxed Bencini Kodak and Manual), Leather Cased Studion Lightmaster Photmeter, EXA 500 and 50 F2-8 Lens, EXA 11b and 50 F2-8 Lens, Boxed Set of Kodak Filters, Kodak Colour Filter, Kodak Portrait Attachment, Kodak Sky Filter plus Carl Zeiss Binoculars and a Case
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Laurence Stephen Lowry (British 1887-1976) ARR Limited edition set of three prints all hand signed in pencil and a bronze medallion relief of the artist No 237/300 Prints include portraits of Lowry's mother and father and a self portrait. Limited edition of 300 37cm x 26.5cm The above three prints were issued in conjunction with a bronze plaque with a relief profile of Lowry by the sculptor Lee Soloman, in commemoration of Lowry's 80th birthday Lot 483 and 484 are 237/300 and 32/300 box sets each comprising of three signed prints and a bronze medallion in commeroration of Lowry's 80th birthday
Laurence Stephen Lowry (British 1887-1976) ARR Limited edition set of three prints all hand signed in pencil and a bronze medallion relief of the artist No 32/300 Prints include portraits of Lowry's mother and father and a self portrait. Limited edition of 300 37cm x 26.5cm The above three prints were issued in conjunction with a bronze plaque with a relief profile of Lowry by the sculptor Lee Soloman, in commemoration of Lowry's 80th birthday Lot 483 and 484 are 237/300 and 32/300 box sets each comprising of three signed prints and a bronze medallion in commeroration of Lowry's 80th birthday
Two mechanical shutters, three lenses for display or repair.Includes an early Bausch & Lomb 17056 air shutter, Burr of London 5933 No. 3 Portrait lens, and very large Acme Synchro No. 3 Ilex shutter. Issued: 19th-20th c. Dimensions: 5.25"L x 5"D, largest Manufacturer: Various Country of Origin: Various Condition: Age and use related wear, as-is
Rare half-frame box design with original 35mm cartridges.The Agfa-Ansco Memo was a unique piece of early photographic design based more on 35mm cinema camera than most still cameras. Designed when 35mm film wasn't considered practical for still photography, in the same decade Leica made their own bid to change consumers' minds on the format, the Memo has a clever linear advance similar to how cinema cameras feed their film. An auto-cocking shutter, 5 shutter speeds and 4 aperture settings, top mounted viewfinder, frame counter, and tote handle complete the look. Such cameras were highly praised by American Boy Scouts at the time who, like European Leica users, saw the brilliant benefits of a lightweight 35mm camera for backpacking and mountaineering- a movement which would soon relegate large format cameras to portrait studios and fashion shows. Comes with a suede leather case. Issued: 1920s Dimensions: 2.25"L x 2.75"D x 5"H Manufacturer: AGFA Ansco Country of Origin: United States Condition: Age and use related wear, as-is
Rich wood and leather camera; film holders, case, box of filters.The Conley Model 15 is a well-made mahogany and leather, traditional field and hand camera fitted with substantial features for the day- vertical and horizontal shift, a long focus with locking bellows, a capable shutter with 8 speeds, wood and chrome viewfinder with folding cover and a fully revolving rear end, allowing landscape or portrait format shots without having to reposition the camera. Included in the original leather case is two wood and metal sheet film holders, one sheetpack adapter, and quite uncommonly, an entire case of original specialized lens filters for a variety of unique lens effects. While all the cameras sold by Whitley's Auctioneers are general sold as-is and untested unless otherwise noted, this Conley is in particularly good condition- bellows appear strong and supple; all shutter speed settings fire when cocked, and aperture ring moves smoothly. Pop-out focus rack works correctly, all latches close tight, and even the mirrored view finder is still usable. Overall, a very functional camera, although all speeds, light seals, and advanced functions will likely require some level of tuning. Issued: 1909 Dimensions: 12.5"L x 4.25"D x 7"H Manufacturer: Conley Country of Origin: United States Condition: Age and use related wear, as-is
Pre-Columbian, South Coast Peru, Inca, ca. 1200 to 1500 CE. A silver kero or drinking vessel hammered into a beaker shape with a flat base and a flaring spout, skillfully decorated with an abstract visage created in repousse on one side and an anthropomorphic figure flanked by a pair of simian creatures on the other side of the vessel body. The portrait face presents bold features such as striking almond-shaped eyes, arched brows, an aquiline nose, and a slight smile. Given how he is elaborately decorated with ear ornaments and a beaded necklace, he most likely represented an elite individual. An impressive royal drinking vessel that was clearly used for more than ordinary domestic purposes. Rather, vessels like this one were used during life by royalty and after life at funerary ceremonies that incorporated intricate religious libations and imbibing rites. Size: 4.375" in diameter x 7.75" H (11.1 cm x 19.7 cm)To create this piece, the ancient metalsmith hammered a silver piece into a very thin sheet, approximately the size of the finished work. Then the artisan used fine-grained stone anvils and hammer stones made of hematite or green porphyry, sometimes with animal hide attached, and a wooden core template to create the form and its repousse ornamentation, as the metalsmith hammered the silver sheet upon the wooden template. An elegant royal Inca silver kero, comprised of pure silver that would have belonged to a king or noble and/or would have been used at sacred funerary rites. Provenance: private Hawaii, USA collection; ex-Ron Messick collection, New Mexico, USA Condition: Expected age wear with some denting as shown, but overall form and detail are excellently preserved. Small fissures to periphery of base. Nicks to rim. Nice patina from age and handling. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #136605
MILHAUD DARIUS: (1892-1974) French Composer. A good signed and inscribed postcard photograph, the image showing Milhaud in a close-up portrait with his conductor´s baton in hand. Signed `Milhaud´ in bold black ink to the upper part of the image, and dated 1968 in his hand. Accompanied by the original envelope. VG £60-90
INNOCENT X: (1574-1655) Pope of the Roman Catholic Church 1644-55. He is regarded as one of the most politically shrewd Pontiffs of that era, increasing considerably the power of the Vatican. A very good L.S., `J.B. Card.lis Pamphilius´, one page, 4to, 9th April 1644, in Latin. The letter being a request from the Roman monastery of Santa Lucia in Selce, asking for a contribution of 1000 scudi in order to be able to attend the bills of the wine merchant and baker. Innocent´s response being that the monastery has to repay its debt. Innocent X would become Pope only five months after signing the present letter. Bearing to the front an attractive paper seal affixed in very fine condition. Small overall age wear, with very light foxing and small ink erosion to the lower part of the letter. Professional repair to the left edge small area of paper loss. G £1500-2000Innocent X was portrayed by Spanish painter Diego Velazquez on the masterpiece oil on canvas `Portrait of Pope Innocent X´, a portrait often considered by artists and art critics as the finest portrait ever created. The oil on canvas is housed in the Galleria Doria in Rome.
CLEMENT IX: (1600-1669) Pope of the Roman Catholic Church 1667-69. A good L.S., `G. Card le Rospigliosi´, one page, folio, 18th August 1666, in Latin. A boldly penned dark ink untranslated letter. Very attractively matted in red cloth, beneath a colour 8 x 10 portrait of Clement, framed in gilt wood and glazed to an overall of 15 x 29. Small folding, traces of a former seal to the verso, otherwise about VG £600-900
CARLOS THE JACKAL: (1949- ) His real name being Ilich Ramirez Sanchez. Venezuelan terrorist, a Marxist-Leninist recruited by the Popular Front of the Liberation of Palestine. Carlos is currently serving a life sentence in France. He has been sentenced to three different life terms. A.N.S., `Carlos´, to the verso of his own photograph, a Kodak colour 6 x 4 image showing Carlos in a close-up portrait in 2011, Poissy, 29th May 2011. Carlos states `Here I appear at Court in Paris on a minor issue; I had an allergic reaction against something in the food… Yours in Revolution, Carlos´. Matted in black, beneath a 5 x 7.5 photograph of Carlos in the 1970´s, to an overall of 8 x 12. The signed photograph being easily removable. EX £150-200
GAULTIER JEAN PAUL: (1952- ) French Haute Couture Fashion Designer. Signed and inscribed, including sketch, 6 x 8 photograph by Gaultier, the image depicting the French artist in a close-up artistic portrait pose. Signed and inscribed to the verso by Gaultier, a large bold dark ink signature, also adding a self-portrait sketch above the signature in his hand. VG £60-90
SCHWEITZER ALBERT: (1875-1965) Alsatian Theologian, Musician, Philosopher & Physician, Nobel Peace Prize winner 1952. Signed postal card Albert Schweitzer, the card showing a drawn image of Schweitzer, bearing his name and his Nobel award at the foot of the image. With a Republic of Gabon stamp affixed to the top left corner, also showing Doctor Schweitzer, and an ink stamp from Lambarene, with Schweitzer portrait once more. The Physician adds beneath his autograph the date 23rd July 1960, in his hand. VG £100-150
DERAIN ANDRE: (1880-1954) French Painter and Sculptor. Co-founder with Matisse of the Fauvism. A good A.L.S., `Derain´, two pages, 8vo, written to first and third page, Paris, 11th February 1936, to Monsieur Dezarrois, in French. Derain states `I feel obliged to prevent you regarding my painting “The Portrait of Dignimont”. In fact, this painting has not yet been returned and this is bothering me a lot..´ At the conclusion, Derain annotates his name again and his full address. One stain to the third page, not affecting the text or signature, otherwise about VG £300-400
ANNENKOV YURI: (1889-1974) Also known as Georges Annenkov. Russian Artist, mostly known for his book illustrations and portraits. He also worked for theatre and cinema. Maxim Gorky´s book, Samovar (1917) was his first work as a book designer. Annekov went into exile in France in 1924 and in the 1950´s he collaborated with the magazine of the association anti-communist `Paix et Liberté´ (“Peace and Freedom”). A good A.L.S., `G. Annenkov´, one page, folio, n.p., 18th September 1958, in French. Annenkov states in part `My artistic debut was very happy because I was very very young..´ Further referring to the work which made him famous `Portrait of Leon Trotsky. But it wasn´t pure Art, because it was done based on nature: Trotsky posed over a week. It is true that Leonardo da Vinci spent 4 years to paint his Gioconda without finishing it (according to his own confession)´. To the heading showing the collector´s annotations with questions Annenkov responds to. VG £400-600
HUGO VICTOR: (1802-1885) French Poet and Novelist. An excellent vintage signed and inscribed printed 8.5 x 10.5 engraved portrait of Hugo, depicting him in a head and shoulders pose. Signed by Hugo `A Mr. Jean Destrem - Victor Hugo´, in bold black fountain pen ink to the lower photographer's mount. Matted in purple and framed and glazed to an overall size of 13 x 17. Only frame damaged, otherwise VG £600-900
FILM DIRECTORS: A good and small selection of signed 8 x 10 photographs by various film directors, comprising John Huston, an excellent signed and inscribed close-up portrait of Huston; Peter Brook, a scarce signed image depicting the multiple awarded theatre and film director filming, and Christopher Hampton. All are signed to clear areas of the images. VG, 3 £80-120
[BAUDELAIRE CHARLES]: (1821-1868) French Poet, a pioneering translator of Edgar Allan Poe. An excellent unsigned 7.5 x 9.5 woodburytype print monochrome photograph of Baudelaire, the image being by Etienne Carjat (1828-1906), French photographer. The most famous portrait of the French poet corresponds to the "Galerie Contemporaine" edition, printed to the heading and matted white border. With a very small tear to the upper matted edge, and extremely small age wear, otherwise VG £600-900
GRANT CARY: (1904-1986) English Actor, Academy Award winner. Vintage signed and inscribed 8 x 10 photograph, the image depicting Grant in a close-up attractive portrait. Signed in bold black ink to a partially clear area to the right bottom corner of the image 'To Carlotta Ringland, Greetings, Cary Grant'. Overall minor age wear and creasing, with remnants of former affixing to the verso. G £100-150
COLETTE: (1873-1954) French Novelist, best known for her novel Gigi. An excellent and unusual size signed and inscribed 7.5 x 9.5 photograph by Colette. The attractive artistic image depicting the French writer in a close-up profile portrait pose. Signed in bold blue ink with a lengthy and curious inscription `au plus Marseillais des amis et des directeurs, -ai-je jamais fait un meilleur compliment? il n'est de réveillons qu'à Marseille ! - Colette´, also dated December 1925 in her hand. VG £600-900
EASTWOOD CLINT: (1930- ) American Actor & Film Director. Academy Award winner. A good signed 10 x 8 photograph by Eastwood. The attractive image shows the actor in a close-up portrait pose, in his role as Harry Callahan, in a scene from Dirty Harry. Signed in bold black ink to a clear area of the image. EX £150-200
TAGORE RABINDRANATH: (1861-1941) Bengali Poet, Musician and Polymath. Awarded with the Nobel prize in literature in 1913, and first non-European to win the Nobel in literature. Rare signed 3.5 x 5.5 postcard by Tagore, the image being a drawn portrait of the Indian artist. Signed in bold black ink at the base of the image, in Bengali. Post-stamped to the verso. Overall rust spots, otherwise G £800-1200
BREGUET LOUIS: (1880-1955) French Aviator and Pioneer Aircraft Designer. Vintage signed postcard photograph of Breguet, the image showing him seated in the cockpit of his aircraft, alongside three members of his team. To the upper right corner also showing a small portrait of Breguet. The postcard was addressed to Antony and Andre Mars. Bearing a French postage stamp, postmarked Douai, 5th December. Signed by Breguet with his name alone to a clear area of the image, VG £120-200 Known for his development of reconnaissance aircraft used by the French during World War I, Breguet also remained an important manufacturer of aircraft during World War II.
CHAMBERLIN CLARENCE: (1893-1976) American Aviator. In 1927 Chamberlin took up the challenge of completing a solo non-stop flight from New York to Paris, a competition with a reward of 25 thousand dollars which Charles Lindbergh won. Chamberlin decided to attempt a distance record making the second non-stop transatlantic flight and the first to carry a passenger, beside setting many other aviation records. A good signed 8 x 6.5 photograph `Clarence D. Chamberlin´, in bold black ink at the base of the image showing his biplane NC726K, a Curtis T-32 Condor, alongside an oval head and shoulders portrait of Chamberlin wearing his aviator cap and goggles. Very small creasing to corners, otherwise VG £150-200
DANTON GEORGES: (1759-1794) Leading figure of the French Revolution and first President of the Committee of Public Safety. Danton voted for the death of Louis XVI in 1793. Guillotined by the advocates of revolutionary terror. An excellent and rare L.S., Danton, one page, large folio, Paris, 13th August 1792, in French. The hand written letter being a decree of the National Assembly related to the 10th August Storming of the Tuileries Palace and the Swiss Guards behaviour, stating `By decree, the National Assembly establishes that the Minister of war will send an urgent report to this Assembly explaining the reasons which have forced Captains Buxdorf, Bourcand and Salis Scevis to resignate and about Lieutenant Colonel Bachman´s behaviour..´ Bearing at the base a red ink stamp. Accompanied by a contemporary 9 x 14 engraving showing Danton´s portrait and biography. Folded. VG, 2 £1200-1500Niklaus Franz von Bachmann (1740-1831) Swiss General of the Napoleonic wars. Brother of Karl Joseph von Bachmann, Commander of the Swiss Guards. Bachman is at the origin of the today´s date flag, being the first during the Second Coalition to re-introduce to his troops the old Swiss symbol of the white cross on a red field which had not been used anymore since the Middle Ages.
FERNANDEL: (1903-1971) Fernand Contandin, known as Fernandel. French comedy Actor. An excellent signed and inscribed 7.5 x 9.5 photograph by Fernandel, the unusual image showing the popular French comedian in a close-up portrait pose, in costume, in a scene of Ernest the Rebel (1938). Signed in bold blue ink to a clear area of the image. VG £150-200
A rare Imperial Chinese eight dragon roundel robe, long pao, Daoguang, with eight five clawed dragons, four are full faced and four side facing, embroidered with gold thread surrounded by five coloured clouds and bats holding auspicious symbols, with a band of running dragons inset half way along the sleeve and the horseshoe shaped cuff and neck edgings embroidered with writhing dragon’s, lively bats and clouds, the borders are edged with a rich brocade, the robe is lined with a blue silk damask, approximately 175cm cuff to cuff x 135cm high Provenance: From a private English Family collection, acquired before 1950 when found in the trunk of a military gentleman. 清道光 绛色八团金龙纹女龙袍 拍品来源:英国私人家族收藏,上世纪五十年代前发现于英国一位军官的卡车车厢内 This robe would have been worn by an Imperial Consort or a Princess, wife to a first or second rank Prince. Compare with a similarly constructed robe at the Palace Museum, Beijing, reference ID 故00049820 The 1759 regulations depict three main patterns worn by the female Royal Courtiers during the Qing dynasty 1644-1911. A full dragon robe jifu, a full dragon waistcoat chaogua and the eight-roundel robe long pao. The long pao had a pattern variation seen with or without the lishui design along the hemline. The Imperial Empress, Consort, Princess and wives of Manchu noble men were allowed to wear the third style long pao, an eight-roundel coat. Different coloured grounds distinguished the wearers from each other. Yellow was held for the Empress and Imperial first rank consorts. The second-degree Imperial consorts wore a shade of brown, incense or golden yellow. These other colours are all one of the five Imperial 'yellows' worn at court. The Castiglioni painting 1688-1766, in the Cleveland Museum (John L Severance Fund 1969-31) depicts the Emperor Qianlong with his wife and consorts, one wearing a ‘brown-incense’ eight roundel robe painted in 1736. Wives of the first and second rank Princes also wore a shade of brown. The Huangchao liqi tushi, 1759 regulations illustrate all the ranks; an illustrated plate of the Imperial yellow long pao example is housed in the British library archives. The elegant design shows these eight roundel robes are highlighted by the symmetry and balance of eight perfectly formed celestial worlds. In this example, eight five-clawed dragons (four full faced and four side facing) are embroidered with gold thread surrounded by five coloured clouds and bats holding auspicious symbols, bestowing ‘ten thousand fold’ of good fortune upon the wearer. The side facing dragons clasp the pearl of wisdom indicating Imperial power. A band of running dragons is inset half way along the sleeve and the horseshoe shaped cuff and neck edgings are embroidered with writhing dragon’s, lively bats and clouds on a deep blue silk ground. The borders are edged with a rich brocade often seen on Imperial garments. The robe is lined with a blue silk damask woven with peonies, a symbol of feminine beauty. Most Imperial women courtiers lived their life in the northern section or inner court of the Forbidden city, once raised to the rank of consort they never left the court, it was a life-long position. They had servants and riches and access to the Imperial embroidery workshops where they would commission their wardrobe. Garments were made of the highest quality and most exquisite silk cloth. The transition of colours between the 18th and 19th century changed with the introduction of new dyes available. The colour of 'brown-incense' became more a shade of aubergine. Occasionally green dyes were used. The tailoring and dye colours clearly place this robe into the first half of 19th century, before 1840. It is originally tailored still showing the classical shape used during the 18th century. The clasping of the pearl by the side facing dragons would place this robe in the order of high royalty an Imperial consort. See the full Castiglioni painting for colour guidance. See, Book Imperial Wardrobe by Gary Dickinson and Linda Wrigglesworth, Ten Speed Press ISBN number 1-870076-07-9. and Splendours of Chinas Forbidden City, Merrell ISBN 1 858942-03-9 which show a full images of Castiglioni portrait of Qianlong and his consorts, page 165. We are grateful to Linda Wrigglesworth for her assistance in cataloguing this lot.

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