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Preisdatenbank abonnierenA SMALL COLLECTION OF DECORATIVE ITEMS to include a copper coloured chinoiserie decorated pen tray, a small bronze dish by Just of Denmark, three papier mache snuff boxes, a miniature printed portrait in a contemporary frame of Mozart, a small Middle Eastern brass pierced container, a fan and a wooden cylindrical box (9)
STEVE MCCURRY (AMERICAN b. 1950), SHARBAT GULA, AFGHAN GIRL, PAKISTAN offset lithographic colour print, signed lower right in pen 54cm x 38cm Mounted, framed and under glass.Note: Steve McCurry took his most recognized portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognized photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.
* SYLVIA VON HARTMANN RSW SSA SSWA,SELF-PORTRAIT IN JULYgouache on paper, signed with initials and dated '8514.5cm x 14.5cmMounted, framed and under glassLabel verso: Gladstone's Land Gallery, National Trust for Scotland, Lawnmkarket, Edinburgh. With title, artist's name, date of September, 1985, and cat. no. 28.
* VICTORIA CROWE OBE RSA RSW ARWS (b 1946),SELF PORTRAIT - PASSING REFLECTIONmixed media on board, signed11.5cm x 13cmMounted, framed and under glassExhibited: Edinburgh, The Scottish Gallery, '20th Century & Contemporary Scottish Painting Exhibition'. 12 - 24 August, 2002. Cat. no. GC0S16917Label verso: The Scottish Gallery, Aitken Dott Ltd, 16 Dundas Street, Edinburgh.
An 18th century portrait miniature of a seated gentleman in a red velvet suit beside his desk, wearing a white wig, reputedly of Justin Vulliamy (1712-1797) English clockmaker, oil on board, in a gilt composition frame, moulded with lyre and anthemion motifs, 14 by 10cm, framed size 25 by 21cm. Provenance: by direct descent from the sitter.
T. Wheeler R. A. (British, 1790-1845): a pair of Georgian portrait miniatures, of James Mills of Orcheston St. George, and of his sister Ann Mills, oil on ivory, with signature and date 1821 verso, in oval format, 7 by 6cm, in decorated brass oval slip and surround, mounted in ebonised papier mache rectangular frames, with metal oak and vine leaf suspension rings, 18 by 15cm. (2)
Late 18th/early 19th century gilt metal enamel pocket watch by J.F. Valeri Leton France, consular case, verge fusee movement numbered 910, to the blue enamel reverse a portrait miniature within a lake scene, inside back cover stamped 910 Leton, diameter 5.2cm Condition Report working orderClick here for further images, condition, auction times & delivery costs
Four Oriental 19th century paintings - Hunting Scene in a Mountainous Landscape, scroll with ivory handles character signature on reverse, Ceramonial Scene, scroll with character signature and two other portrait of Male Figure max 195cm x 55cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
A Georgian mahogany inlaid longcase clock signed R Somervell Glasgow, circa early 19th century, the detachable hood with glazed door enclosing painted dial with portrait image of Justice to top, above 13 inch dial with Roman and Arabic numerals and two subsidiary dials, the trunk with door and two odd lead weights and pendulum, 221cm high
Diary and Correspondence of Samuel Pepys, F.R.S., Secretary to the Admiralty in the Reigns of Charles II and James II. With a Life and Notes by Richard Lord Braybrooke. Third Edition. 1848. Vols 1 - 5 ( Complete ). 8vo. Hb. Full panelled calf with, ribbed spines with maroon & olive labels, gilt. Vol. 1 has frontispiece portrait of Pepys & a fold-out illustration of Pepys handwriting and code for his diary. Vol. 2 has frontispiece portrait of Elizabeth Pepys. Volume 3 has fold-out frontispiece view 'View of the Interior of Mr. Pepys Library in York Buildings.' Volume 5 has a fold-out map of 'scheme of the Dutch fleet'. CONDITION REPORT: Bindings have been professionally re-backed and are a little worn and rubbed at the ext. but sound. Some minor sporadic foxing.
Vernon T. : Cases Argued and Adjudged in the High Court of Chancery, Vols. I, 1726 and Vol. II, 1728. Folio, Hb. Vol. I with contemporary full calf, gilt & engraved portrait frontis. Vol. II. Later, grained leather binding, gilt. CONDITION REPORT: Vol. I professionally re-backed. Both text blocks generally very clean and tight.
Folio Society : Joyce : Portrait of the Artist as a Young Man (2); L'Engle : Wrinkle in Time (2); Macdonald : Princess and the Goblin; What Are The Seven Wonders of the World?; Kipling : Jungle Book (2), Kim; Lyons : Impossible Journeys; Keane : Good Behaviour; Coetze : Disgrace; Belloc : Cautionary Tales; Brewer : Medieval Comic Tales; Masefield : Midnight Folk. ( 15 vols. ). Fine copies, all except Joyce with slip cases. All in sealed wraps. CONDITION REPORT: All these titles are contained within the publishers sealed wraps and it is therefore not possible to ascertain the impression status.
Family Bible with Commentary & Notes by Eadie, Nd. C.1880. Large Folio, full textured leather binding, gilt, with ornamental brass corners and clasps - complete. Aeg. Family register and portrait gallery unused. Fine chromolithographic plates. CONDITION REPORT: Very good example. Binding with some wear at the extremities but sound. One plate at the beginning where tissue guard has stuck to the plate in a small area - easily rectified.
WHITE "Coastal landscape with sailing vessels and steam vessel in background, figures in a tender in foreground", oil on board, signed lower left, together with AFTER ANTHONY VAN DYKE "D. Constantinvs Hvgens Eqves Toparcha Svylecom", portrait study, black and white engraving, another coloured engraving, cartoon "Paul Verlaine (usher in Private School at Bournemouth 1877-1878)", and an unframed engraving "Ponte Santa Trinita"
20TH CENTURY ENGLISH SCHOOL "Mr Charles Shaw", study of a gentleman in red robe, full length portrait, oil on canvas, unsigned CONDITION REPORTS Has wear and tear conducive with age and use to include some accretions especially evident to the left hand upper section of the painting. In need of a clean and there is also a varnish mark in the bottom left hand quarter. The painting is still housed in the carry crate as it is nailed together. Measures, including frame, approx 140 cm in width x 201 cm in length
Political Autographs and Letters, a black and white portrait photograph of Margaret Thatcher with signature in blue ink, with accompanying thank you letter, on Downing Street headed paper dated May 1979 and two Edward Health signed thank you letters on headed paper with envelopes (dated 1970 and 1974).
A Cantagalli majolica charger decorated with a dog portrait of a Russian toy terrier or Manchester terrier in a garden setting, blue cockerel painted mark, 29cm diam approx ** Russian toy terriers were so called due to many of the breed being owned by the Russian aristocracy prior to 1917, by repute this dog was called 'Maudie' by the family and was painted as a special commission by the factory
§ Olga Lehmann Domesday, 1086, signed, signed lower left "Olga Lehmann", acrylic on board, 50 x 60cm; and Portrait of Jean Valjean in Les Miserables, signed lower left "Olga Lehmann", oil on board, 45 x 35cm two (2) Exhibited: The Society of Graphic Artists (undated old label refers) Condition is fine for both.
§ Reginald Grange Brundrit, RA ROI (British, 1883-1960) Yorkshire landscape oil on board 23 x 34cm (9 x 13in) Reginald Grange Brundrit (1883 – 1960) was born in Liverpool and was educated at Skipton, then Bradford Grammar School. He studied art at Bradford School of Art, before moving to London to study at the Slade School, and privately with the Royal Academician, John Swan, the animal painter. He was predominantly a landscape and portrait painter, who exhibited over 200 paintings between 1906 and 1961 at Royal Academy shows and at international exhibitions in Pittsburgh, Rome, Paris and Venice. His work was highly regarded by his fellow landscape artists, and The Times obituary commented: ” Few painters can have made their reputation with less sensation than Reginald Grange Brundrit.” In 1931 Reginald Brundrit was elected an Associate, then a full member of the Royal Academy in 1938. After his London art education, he adopted Yorkshire as his home and was a member of the Wharfedale Group of local artists; the Wharfe Valley often featured in his paintings and he had a studio at Linton. His work is in the Tate. Condition is fine.
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