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283287 Los(e)/Seite
Los 1014
19TH CENTURY ENGLISH SCHOOL; oil on canvas, portrait study of 'Charlotte Von Zweidorff', unsigned, inscribed on label verso and dated 1945 plus 1868 in Koln with further indistinct pencil scratched details to the pine boards, 29.5 x 24cm.Additional InformationThere is a patch repair lower left, there is some crazing to the picture and some surface scratches, some noticeable scratches to the canvas around the edges.
Los 1016
A group of late 19th and early 20th century oils with maritime examples including coastal and sailing scenes on panel within gilt borders, the first titled 'Clovelly Nth Devon' and signed T.H. Horwood, 19 x 35cm including gilt boarder, a further example depicting waves crashing on rocks, signed A. Hall and dated 1904 and three further rural landscapes, also eight 19th century engravings, including 'Beata Beatrix' after Rossetti by G.W. Rhead, 20.3 x 15cm, a portrait of Edward Earl of Clarendon after Sir Peter Lealy by M. Burg and a series featuring the classical deities after Robert Ker Porter, an oval print depicting young gentleman wearing laurel wreath in oval moulded gilt frame, frame 86 x 62.5cm, also two decorative prints (some af).Additional InformationGeneral heavy wear, oil paintings generally heavily worn with impacts, dirt, scuffs, marks, staining, heavy discolouration etc, some spotting and foxing to engravings, yellowing also, heavy wear to frames, both the oils on panel with chips, scuffs and losses to gilt and painted detail, one of the panels with several holes to the painted section.
Los 424
HAROLD RILEY DL, DLitt, FRCS, DFA, ATC (Born 1934); coloured pastel on paper mounted on board, portrait of Riley's mother in a black lace shawl, signed R. and dated '64, 27.5 x 19cm, framed and glazed. (D) Provenance: Private Collection London. The Mrs Westwall Collection.Additional InformationOverall in good condition, just a few scuffs to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 428
HAROLD RILEY DL, DLitt, FRCS, DFA, ATC (Born 1934); pencil and charcoal heightened with colour, unfinished portrait study, signed and dated 68, 34 x 21.5cm, framed and glazed. (D) Provenance: The vendor's Godfather is Harold Riley given as a gift to his mother.Additional InformationSome light browning to the paper in original 1960-70's frame which has some staining to fabric section. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 432
HAROLD RILEY DL, DLitt, FRCS, DFA, ATC (Born 1934); charcoal with shading heightened in white, portrait of Laurence Stephen Lowry, signed and dated 68, 32.4 x 23.5cm, framed and glazed. (D) Provenance: Private Collection London; The Mrs Westwall Collection.Additional InformationIn good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 510
HAROLD RILEY DL, DLitt, FRCS, DFA, ATC (Born 1934); oil on board, portrait study of a young girl, signed and dated 61, 30 x 14.5cm, framed and glazed. (D) Provenance: Private Collection London. The Mrs Westwall Collection.Additional InformationIn good condition, just a few scuffs to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 556
LUDVIG FIND (Danish, 1869-1945); oil on board, portrait of a young girl, signed, with artist’s biographical details verso, 28 x 28cm, framed. (D)Additional InformationMinor surface marks in the form of a couple of spots of stray paint and foxing or brown marks, scuffs and some losses to the frame, basically OK. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 602
DAME ETHEL WALKER (SCOTTISH, 1861-1951); oil on canvas, portrait study of a young woman wearing a floral throw, signed, with stencil verso '173KY' and also inscribed verso 'Freda Skinner', 61 x 51cm, framed. (D)Additional InformationIn good original untouched condition, has been in the same private collection for many years. Undoubtedly some surface dirt, some rubbing to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 968
SIR FRANCIS DODD RA RWS (1874-1949); three drypoint etchings, portrait of Henry Jardine Bidder (1847-1923), Fellow and Tutor of St John's College Oxford, one an artist's own proof and further inscribed by the artist '1910 Reverend R. Pih engraved and dedicated to the sitter with affectionate regards, F.D.', all signed, the inscribed example 25 x 17.4cm, all framed and glazed (3). For another example, please see National Portrait Gallery code NPG D696.Additional InformationSome spotting, the inscribed example with a stain upper left corner. Frames with general wear.
Los 971
SIR FRANCIS DODD RA RWS (1874-1949); two drypoint etchings, the first a portrait of Stanley Anderson c1931, the second a further portrait of a gentlemen, both signed lower right, 30 x 27cm, both framed and glazed (2).Additional InformationBoth with some waviness, having been stored in damp or cold conditions. The second portrait with creasing to the upper left, frames worn.
Los 999
UNATTRIBUTED; watercolour heightened in white, portrait of a lady kneeling in chapel with stained glass window to upper right, unsigned, 54.5 x 38.6cm, in gilt frame and glazed.Additional InformationSome light scuffs and marks to frame and apparent, very small area of surface loss to the lower left on the chair leg, and some further surface impacts and small losses above her head to the centre upper left section.
Los 2808
DALI, Salvador(1904 Figueres - 1989 Figueres) "Portrait au Signature" Aquarellierte Radierung. Bleistiftsignatur. In der Platte datiert 1966. Exemplar: 48/200, Wasserzeichen "Richard de Bas". Platte: 32,5 x 24,5 cm, Blatt: 66,5 x 51 cm. Blatt 4 von 12 aus der Serie "Calderon - das Leben ist ein Traum" Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus.
Los 2915
13 Ausstellungsplakate von Künstlern des 20. Jh. 13 Farbsiebdrucke. Richard Anuskiewicz "New York City Opera", 1968, 89 x 63,5 cm | Sonia Delaunay "Unesco - Ano Internacional de la Mujer 1975", 77 x 51 cm | Karel Appel "An American Portrait 1776 - 1976", 76 x 53 cm | Alexander Calder "La Galerie Maeght presente Maeght Editeur du 16 Decembre 1971 au 21 Janvier 1972", 80 x 50 cm | 2x Sam Francis "Fondation Maeght 19 mars - 5 mai 1983", 88,5 x 53 cm | Piero Dorazio "Herrenhof Mussbach 4. Oktober - 1. November 1987", 76 x 56 cm | Miró "nuits de la fondation maeght - exposition de musique contemporaire", 88 x 55,5 cm | Almir Mavignier "strukturen und prinzipien - konkrete tendenzen in hamburg" (handsigniert und datiert [19]79, Exemplar: 53/200), 83,5 x 59,5 cm | "Piero Dorazio", 88 x 64 cm | Robert Indiana "Love" - Galerie Domberger "Raritäten aus der Edition Domberger", 84 x 59,5 cm | Roy Liechtenstein "Landscape with Figures and Rainbow" - Museum Ludwig Köln, 70 x 90 cm und Jim Dine "Rainbow" - Complete Graphics | April 1970 Galerie Mikro Berlin, 99 x 67 cm
Los 3119
SCHWARZENBACH, Jörg "Portrait A" Öl/Malkarton. Rechts signiert, verso signiert/betitelt. Verso datiert: 1996. 56 x 42 cm. Gerahmt 60 x 47 cm. Farbkräftige Darstellung eines sitzenden Mannes mit Buch Deutscher Maler, studierte an der Akademie München bei Manfred Hollmann. Literatur: www.joergschwarzenbach.de.
Los 209
Katherine Read (Forfarshire 1723-1778 ?)Portrait of a gentleman, half-length, in a light mauve robe de chambre and turbanpastel 63.4 x 54.2cm (24 15/16 x 21 5/16in).Footnotes:LiteratureN.Jeffares, Dictionary of pastellists before 1800, online catalogue, cat. no. J.612.501For further information on this lot please visit Bonhams.com
Los 173
Circle of Pierre Gobert (Fontainebleau 1662-1744 Paris)Portrait of Mademoiselle de Blois (1677-1749) as Venusoil on canvas 112.2 x 99.2cm (44 3/16 x 39 1/16in).Footnotes:The present work is derived from Gobert's Portrait of Mademoiselle de Blois as Galatea Triumphant, offered at Christie's, New York on 23 January 2004, lot 11.For further information on this lot please visit Bonhams.com
Los 154
English School, 18th CenturyPortrait of Samuel Arnold (1740-1802), half-length, in the robes of a Doctor of Music oil on canvas76.8 x 64cm (30 1/4 x 25 3/16in).Footnotes:ProvenancePresumably the sitter, by descent to Captain Hugh Hawdon and thence by descent to the present ownerSamuel Arnold began his career composing for the London theatre and went on to become organist at the Chapel Royal in 1783, and in 1793 at Westminster Abbey, where he was eventually buried.For further information on this lot please visit Bonhams.com
Los 170
Circle of Louis Tocqué (Paris 1696-1772)Portrait of a gentleman, three-quarter-length, in an embroidered brown coat, white lace jabot and red cloak, holding a small case, standing beside a stone plinth in an interior oil on canvas92.4 x 72.6cm (36 3/8 x 28 9/16in).Footnotes:ProvenanceSale, Hotel des Ventes, Vernon, 27 November 1994, lot 50, where purchased by the present ownersFor further information on this lot please visit Bonhams.com
Los 60
Tilly Kettle (London 1734-1786 Aleppo)Portrait of a gentleman, half-length, in a brown coat and pink and gold waistcoat oil on canvas76.2 x 63.5cm (30 x 25in).Footnotes:ProvenanceSale, Christie's, London, 15 December 1993, lot 117Sale, Christie's, South Kensington, 11 March 1999, lot 27For further information on this lot please visit Bonhams.com
Los 115
Circle of Cornelis Troost (Amsterdam 1697-1750)Portrait of a couple, possibly Conradus van Bockhorst and Charlotta Eichenbrecht, in an interior inscribed and dated 'Conradus van Bockhorst/ Charlotta Eichenbrecht 1729' and charged with coat-of-arms (upper centre) oil on canvas60.5 x 79.2cm (23 13/16 x 31 3/16in).For further information on this lot please visit Bonhams.com
Los 160
After Antonis Mor, circa 1800Portrait of Fernando Álvarez de Toledo y Pimentel, 3rd Duke of Alba, half-length, wearing armour oil on canvas, unlined100.5 x 82.6cm (39 9/16 x 32 1/2in).Footnotes:The original portrait of the Duke of Alba is in the Fundación Casa de Alba, Madrid. Alba was one of the greatest generals of his generation, best known for his role in suppressing the revolt of the Netherlands during the first stages of the Eighty Years' War.For further information on this lot please visit Bonhams.com
Los 106
Attributed to Gerard van Soest (Soest circa 1600-1681 London)Portrait of a lady, half-length, in a blue dress, seated before a landscape oil on canvas77.1 x 64.5cm (30 3/8 x 25 3/8in).Footnotes:ProvenancePrivate Collection, UK, since circa 1907For further information on this lot please visit Bonhams.com
Los 117
Dutch School, 17th CenturyPortrait of a couple with a dog in a landscape indistinctly signed and dated 'W ***ers./1652' (on wall, lower right)oil on canvas141.4 x 143cm (55 11/16 x 56 5/16in).This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 129
James Millar (Birmingham 1740-1805)Portrait of two sportsmen in a landscape with a spaniel signed 'JMiller' (on rock, lower left)oil on canvas61.5 x 49.5cm (24 3/16 x 19 1/2in).Footnotes:ProvenanceWith Lucerne Gallery in the 1970s, where acquired by the late ownerFor further information on this lot please visit Bonhams.com
Los 30
Anton van Maron (Vienna 1733-1808 Rome)Portrait of a man, bust-length, wearing a fur-trimmed coat and red turban oil on canvas55.2 x 42.1cm (21 3/4 x 16 9/16in).Footnotes:ProvenanceSale, Bonhams, Knightsbridge, 10 April 2019, lot 31, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Los 90
Henry Pickering (active Britain, circa 1741-circa 1771)Portrait of a lady, half-length, in a pink dress and blue shawl signed and dated 'HPickering Pinxt/-1758-' (lower left)oil on canvas76.2 x 63.2cm (30 x 24 7/8in).Footnotes:ProvenanceThe Collection of Sir Henry Morris-Jones (1884-1972), Plas Trefaldwyn, Montgomery, Powys, from whom acquired by the present ownerFor further information on this lot please visit Bonhams.com
Los 169
Attributed to Pierre Gobert (undefined, Fontainebleau 1662-1744 Paris)Portrait of Princess Caroline of Hesse-Rheinfels, Duchess of Condé, standing full-length before a park landscape oil on canvas147.7 x 114.8cm (58 1/8 x 45 3/16in).in a carved and gilt frameFootnotes:The present work closely follows a portrait, also given to Pierre Gobert, of the Princess which now hangs at the Musée Condé, Chantilly (acc. no. PE 377). One of ten children, Princess Caroline of Hesse-Rheinfels married Louis Henri, Duc de Bourbon as his second wife in 1728. Once considered a possible match for the young King Louis XV, she was discarded on account of her bad temper. She and Louis Henri went on to have one child, Louis Joseph, Prince of Condé.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 42
Studio of Daniel Mytens (?Delft 1590-1644 The Hague)Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in).Footnotes:Although the composition of the present portrait does not appear to be directly derived from any hitherto known portrait of the King, it can be related to a number of portraits of King Charles I by Daniel Mytens. The head in the present work can be compared to the Mytens in the Royal Collection which is signed and dated 1628. The composition which shows the Great George suspended from the Garter sash is known through engravings, published by Franciscus van Hoeye after Mytens. Perhaps most interesting of all is the presence of what must be a representation of the Scottish royal crown, which is unique to the present portrait, all the other portraits of Charles I that depict him with a crown having shown him beside the Tudor Crown, otherwise known as the Crown of Henry VIII. Although Charles succeeded his father in 1625, his long-delayed and long-awaited Scottish coronation did not take place until he finally returned to his native Scotland in the early summer of 1633, making a magnificent civic entry, the first such royal pageant in Edinburgh since 1590. It is possible that the present portrait was commissioned to record this event and is a rare contemporary depiction of the Scottish crown. The regalia known as the Honours of Scotland, which include the Crown along with the Sceptre and Sword of State, unlike their English equivalent of the time, still exist. Following the Act of Union of 1707, which unified the Kingdom of Scotland and the Kingdom of England to form the Kingdom of Great Britain, and having no ceremonial role to play in the proceedings of the new Parliament of Great Britain in London, the Honours were locked away in Edinburgh Castle. There they remained all but forgotten in a chest until 1818, when a group of people including Sir Walter Scott set out to find them to great public acclaim. Charles's complicated relationship with Scotland was summarized by the historian C. V. Wedgwood: 'It was not the least of this king's misfortunes that he was always too much of a Scotsman for England and too much of an Englishman for Scotland. In many ways he was the type of the absentee Scot, rootless in England and uprooted in Scotland.'For further information on this lot please visit Bonhams.com
Los 186
Jan van Mieris (Leiden 1660-1690 Rome)Portrait of Maria van Heemskerck; and Portrait of Agatha Bartha van Heemskerck the former signed and dated 'W. van/Mieris/ Ao. 168*' (lower right)a pair, oil on panel, ovals12 x 9.2cm (4 3/4 x 3 5/8in). (2)Footnotes:ProvenanceDe Wildt Collection, Leiden, before 1838, by descent toJohanna Elisabeth Backer-de Wildt, Amsterdam, before 1897Sale, Mensing & Zoon, Amsterdam, 9 December 1930, lot 254Probably, Collection of F.J.E. van Lennep (jhr.), Amsterdam, by 1963Sale, Christie's, Manson and Woods, Laren, 20 October 1980, lot 281Sale, Sotheby's, London, 3 July 1996, lot 133With Johnny Van Haeften Ltd., LondonLiteratureM.L. Wurfbain et al, Catalogus van de schilderijen en tekeningen, Leiden, 1983, exh. cat., p. 223, under no. 2585 (as Jan van Mieris)Maria and Agatha (1656-1692) were the twin daughters of the glass engraver Willem van Heemskerck (1613-1692). The companion portrait of the sitters' father is now in the Stedelijk Museum de Lakenhal, Leiden.For further information on this lot please visit Bonhams.com
Los 114
Spanish School, late 17th CenturyPortrait of a young lady, full-length, in a blue dress oil on canvas195.7 x 105.7cm (77 1/16 x 41 5/8in).This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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283287 Los(e)/Seite