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Richard Lindner (1901-1978)The Gambler ou Portrait of Paul Rand, 1952Huile sur toileSignée des intiales vers le bas à droite et datée 52 dans le motif en bas à gaucheOil on canvasSigned with initials lower right and dated 52 lower left38 x 43 cm - 15 x 16 7/8 in. Provenance:Collection Paul RandNancy Schwartz Fine Art, New YorkGalerie Brockstedt, HambourgGalerie Michael Haas, BerlinCollection particulière, BerlinExpositions:New York, Betty Parsons Gallery, Richard Lindner: Paintings, 25 janvier - 14 février 1954Paris, Musée de la Vie Romantique, Richard Lindner, Adults-Only, 15 février - 12 juin 2005, reproduit sous le n°5 page 126 du catalogue de l`exposition
A postcard album containing circa 70 cards including views of Cardiff, Dublin, Duclair, portrait cards, comic cards together with photograph albums containing postcards, greetings cards, railway related cards, shipping cards, Queen Mary Souvenirs, New dissected animal puzzles, cigarette cards etc
Two Sèvres-style porcelain cabinet plates, 19th century, the blue ground borders with richly jewelled and gilt decoration, reserved with flower panels, one painted in the centre with a portrait of Queen Marie Leczinska, the other with the Duchess of Bourbon, painted titles and pseudo Sèvres marks to base, 26cm diameter (2)
A Sherwin & Cotton portrait tile, of William Gladstone, head and shoulders, designed by George Cartlidge, after the portrait by Mendelssohn, 23cm x 15cm, the reverse inscribed, c.1880; another, In Commemoration of the One Hundredth Anniversary Celebration of the Birth of Abraham Lincoln February 12th 1909, modelled from the only untouched negative in the US, taken 1864 (2) Good, slight glaze crazing especially to Lincoln
A gold and diamond set drop shaped pendant, with a matching pair of earstuds, a 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady, a 9ct gold pendant detailed Manchester United, a sapphire set line bracelet, an amethyst and marcasite set pendant cross, a garnet and marcasite set pendant cross, a colourless paste set drop shaped pendant, a 9ct gold and colourless gem set pendant necklace, a blister pearl set brooch and a quantity of further silver and other jewellery.
A gold ring, mounted with an oval shell cameo, carved as the portrait of a lady, a 9ct gold and diamond set half hoop ring, mounted with a row of circular cut diamonds, between decorated sides, a 9ct gold, green and colourless gem set cluster ring and a 9ct gold and pale blue gem set solitaire ring.
A gold and silver brooch, designed as a riding crop and a horseshoe, a square carved ivory brooch, in an Oriental design, a shell cameo pendant brooch, carved as the portrait of a lady, a colourless paste set brooch, designed as a floral and foliate spray, a small cameo bar brooch and a gold and seed pearl set bar brooch.
Walton (Izaak) & Charles Cotton. The Compleat Angler, second Major edition, engraved portrait frontispiece and 13 plates, extra-illustrated by the insertion of 24 related engraved plates, offsetting, some foxing or spotting, offsetting, original blind-stamped and gilt pictorial Gosden cloth, covers with central gilt image of Izaak Walton memorial stone and angler, gilt angling motifs to spine and corners, upper cover reattached, spine faded, corners a little worn, rubbed, [Coigney 25], 8vo, John Major, 1824.
Shirley (Thomas) The Angler`s Museum; or, the Whole Art of Float and Fly Fishing, first edition, engraved portrait frontispiece, woodcut title-vignette of fish, portrait a little offset on title, lightly browned, ex-library copy with small ink and perforated stamps on title (across woodcut so fairly unobtrusive), modern crimson morocco with gilt rule border, by Frost & Co. of Bath, spine titled in gilt and with two raised bands, g.e., [ThacherW&S p.194], 12mo, for John Fielding, [1784]. The rare first edition. The portrait frontispiece shows "Mr. John Kirby, the celebrated angler", who was keeper of Newgate and died in 1804 at the age of 80.
[Crawhall (Joseph)] The Compleatest Angling Booke that Ever was writ, second edition, one of 100 copies, signed and inscribed by the author to "Thomas Satchell from his friend Joseph Crawhall with kind regards" at head of first page of text, etched, woodcut and wood-engraved vignettes and illustrations by the author, Joseph Crawhall III, James Guthrie and W. Chapman throughout, some hand-coloured, with prospectus, subscription form and a few sample pages and other additional material bound in at end, some foxing, worst at beginning and end, bookplate of Sir John Dodd and with his pencil inscription to front free endpaper, later half green morocco, spine gilt in compartments with angling motifs, t.e.g., others uncut, spine faded, lower corners slightly bumped, [Thacher p.131; W&S p.69], 4to, Newcastle upon Tyne, Andrew Reid, 1881. An excellent association copy belonging to the famous piscatorial bibliographer. The additional material at the end comprises 2 plates from the first edition of 1859 which was limited to 40 copies only (etched reproduction of the famous woodcut from Berners`s Treatise of Fysshynge and a portrait of Izaak Walton), plus pp.61-68 & 85-92 and 4 plates from Border Notes & Mixty Maxty of 1880 (limited to 50 copies), all tipped into larger leaves and inscribed "Remainders" at head of p.61 in Crawhall`s hand.

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