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283287 Los(e)/Seite
Los 12
Sutphen (William G. Van Tassel) The Golficide, And Other Tales of the Fair Green, A FIRST EDITION OF THE FIRST BOOK OF AMERICAN GOLF FICTION, 8vo., published in London and New York, 1898, 6 half tone plates, original pictorial green cloth (nick in head of spine, light rubbing to joints), Robertson and Mullems Booksellers label; sold together with another title by the same author, The Nineteenth Hole: Being Tales of the Fair Green, A FIRST EDITION OF THE SECOND SERIES OF STORIES by America’s pioneer writer on golf, published by Harper in London & New York, 1901, 8vo., coloured photogravure portrait of the author, 8 half tone plates after A.B. Frost, original half cloth (2)
Los 114
The Aynsley China Verulam Centenary Trophy 1905-2005, a fine bone china two handled cup & cover, hand painted decoration by L. Woodhouse, this example being artist’s proof No.1, with a portrait of Samuel Ryder (1858-1936) posing with golf’s Ryder Cup trophy, the reverse with a monochrome portrait of Abe Mitchell, royal blue ground, extensive gilding, height 40cm., 16in., on a turned circular wooden base
Los 177
Bill Waugh (contemporary) OLD TOM MORRIS; TOM MORRIS JR.- THE CLUBHOUSE, LA CASCADA, VALDERRAMA (TWO PAIRS) four signed & titled pencil drawings; the latter pair dated 1988 and larger 29 by 42cm., 11 1/2 by 16 1/2in.; sold together with a small Bill Waugh pencil drawing portrait of Mrs Ortiz-Patiño (5)
Los 190
A portfolio of Bill Waugh golf prints, from the Valderrama Golf Club 1997 Ryder Cup series, 13 unissued & unsigned examples of “The Eight Green”; “Commemoration of the Royal & Ancient Golf Club of St. Andrews 250th Anniversary Lunch, 14th May 2004”, 11 examples of signed artist’s proofs, one bearing an inscription from the artist to Jaime Ortiz-Patiño; from the Robert Trent Jones Collection, “La Cascada, The Fourth Hole”, signed, 782/850; The Eighteenth Hole and Clubhouse, 3 examples for Royal Troon, Scotland”, signed but unnumbered; “The Sixteenth Green and Clubhouse, Royal Liverpool G.C., Hoylake”, signed, unnumbered (creased); the lot also including an Old Tom Morris portrait, signed to the mount; a mount containing four views of the R&A Clubhouse circa 1860, 1870, 1890 & 2000, signed; and a Famous Golf Courses printed calendar signed and inscribed To Jimmy Have A Great 2007, Bill” (32)
Los 145
Jean Georges Vibert (French, 1840-1902) Jean Georges Vibert (French, 1840-1902), "Standing Portrait of a Cardinal Consulting a Missal on the Steps of the Bibliotheque du Vatican", oil on panel (cradled in 1901), signed lower left, 17 3/4 in. x 14 1/2 in., antique frame. Provenance: A New Orleans Family
Los 213
Attributed to George Peter Alexander Healy Attributed to George Peter Alexander Healy (American, 1813-1894), "Portrait of a Lady", c. 1855-60, oil on canvas, unsigned, 36 in. x 29 in., very elaborate original carved giltwood frame, verso of top rail with an extensive original framers` label: "Jones, Wood [...] / Gilders and Colormen[?] / [Looking Gla]ss, Portrait, & Picture [Framers] / [...] Manufacturers. / [Paint]ings & Li[thographs] / [...] Wood & Gilt Mo[ldings] / Wholesale and Retail / No. 89 Montgomery Street, near California / San Francisco."
Los 218
Stow Wengenroth (American, 1906-1978) Stow Wengenroth (American, 1906-1978), three lithographs including: "Flat Rock Cove", "Rocky Ledge" and "Winter", all pencil-signed, sight 8 in. x 12 in. to 15 1/2 in. x 11 1/4 in.; together with Keith Shaw Williams (American, 1906-1951), "Portrait of Stow Wengenroth, sight 8 in. x 12 in., (4 pcs.)
Los 404
First Lady Jacqueline Kennedy Typed Letter Signed First Lady Jacqueline Kennedy Typed Letter Signed, dated September 19, 1962, on White House stationery, to Mr. Earle W. Newton, Director, Museum of Art, Science and Industry, Bridgeport, CT, relating her thanks for a donation of a portrait of Daniel Webster by Bass Otis to the White House; together with a typed letter signed from James R. Ketchum, White House Registrar, both enclosed in a White House envelope, with postmark from Newport, RI, with Project Mercury stamp, with a newspaper article listing recent donations to the First Lady`s refurbishing project, noting the Webster portrait.
Los 658
Chinese School, Qing Dynasty (1644-1911) Chinese School, Qing Dynasty (1644-1911), "Genealogy Portrait: Six Women and Four Men of Civil Rank (Egret)", ink, color and gilt on paper, 68 1/2 in. x 37 1/2 in., mounted as a hanging scroll, suspended in a clear plastic shadowbox frame, 96 in. x 48 1/4 in
Los 861
Circle of Willem Wissing (Dutch, 1656-1687) Circle of Willem Wissing (Dutch, 1656-1687, active in England), "Portrait of a Noble Lady", oil on canvas, "Albert du Vannes, New York" label en verso, 30 in. x 25 3/4 in., giltwood frame. Provenance: According to an old inscription on paper backing, formerly in the collection of Mrs. G. Q. Whitney, 2233 St. Charles Ave., New Orleans
Los 864
Austrian School, c. 1835 Austrian School, c. 1835, "Portrait of Archduke Maximilian Joseph von Österreich-Este (1782-1863)", oil on canvas, unsigned, with Austrian or German stencil en verso of canvas, titled on contemporaneous typewritten label en verso of stretcher, 37 1/2 in. x 31 1/4 in., framed
Los 1037
Bernard Moses (German/New Orleans, 1832-1899) Bernard Moses (German/New Orleans, 1832-1899), "Portrait of a Isabella Hahn Pollatsek (1854-1927)", 1877, oil on canvas, signed and dated lower right, 30 1/4 in. x 25 in, original frame. Note: For more on this canvas, please see www.nealauction.com.
Los 445
Late 20th/Early 21st Century- Portrait of a lady, head and shoulders; charcoal, signed, dedicated and dated 94, in a glazed gilt composition frame, 71x46cm: After Edward Tennyson Reed, British 1867-1933- Maxims for the Bar No I, II, III and IV; hand-coloured reproduction prints, mounted in matching glazed reverse profile moulding frames, 17.5x14, 16x20, 16.5x21.5 and 17x19cm: Edward W Sharland, British, late 19th/early 21st century- "Rheims"; etching printed in colours, signed and inscribed in pencil, 39.5x27cm: Braun, late 20th/early 21st century- Flowers in a vase; oils on panel, a pair, both signed, in matching gilt composition swept frames, 39x29cm., ea., (8) (may be subject to Droit de Suite)
Los 472
Late 20th/Early 21st Century- Standing nude; gouache, in a glazed blue reverse profile frame, 75x49.5cm: Crolla, mid 20th century- Surrealist portrait; oil on board, signed and dated 56, 45.5x35.3cm: Lounds, mid-late 20th century- "Black Rhino"; oil on unstretchered canvas, signed and inscribed, 23.5x31.3cm: Late 20th/early 21st century- Wooded river landscape with a stone bridge; oil on canvas, signed with initials "AMH", 40.5x50.5cm: Late 20th/Early 21st Century- Untitled abstract composition; mixed technique on canvas, 46x46cm., (5)
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283287 Los(e)/Seite