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NO RESERVE Moore (George) Esther Waters, first edition, occasional light spotting, 1894 § Sister Teresa, first edition, portrait frontispiece, ink ownership inscription to title and p.1, some light foxing, 1901, some cracking at gutter, original cloth, lightly rubbed, corners and spine ends bumped, slight shelf-lean, t.e.g.; and 39 others, literature, including a 25 vol. set of Scott's Waverley Novels, Melrose Edition, v.s. (41)
American comic songster.- Concert. Mr. Ossian E. Dodge...Town Hall, Milton...12th January, 1850, bifolium programme, full-page steel-engraved portrait of the performer holding a guitar, folds, splits at folds, with loss of a few letters, stained, lightly browned, large 8vo, Boston, J.E Farwell, 1850.⁂ Unrecorded for this venue. Indeed, any of his programmes are rare. Ossian Euclid Dodge was known for his genteel comic songs. He moved in political circles, making the acquaintance of Henry Clay, Millard Fillmore, and William H. Seward. In parallel to his musical career he was a journalist, acting as foreign correspondent to the Boston Weekly Museum during his time in Europe.
Keynes (John Maynard) A Treatise on Money, 2 vol., first edition, scattered faint spotting, previous owner's ink signature, ex-library with neat ink shelfmark and presentation labels, original cloth, lightly sunned spines, slight bumping to corners and extremities, split to spine head (vol. 1), 1930; The General Theory of Employment Interest and Money, first edition, second impression, previous owner's ink signature, portrait of Keynes taped to front pastedown, lacking final free endpaper, original cloth, a little rubbed, slight bumping to corners and extremities, March 1936; and 2 others by the same, 8vo (5)
Churchill (Winston S.) Thoughts and Adventures, first edition, portrait frontispiece, half-title browned, some spotting to final pages, original cloth, joints and extremities rubbed, covers lightly scuffed, [Woods A39a], 1932 § MacCallum Scott (A.) Winston Churchill in Peace and War, second edition, original cloth, dust-jacket, tear and paper restoration to upper panel, some light toning and surface soiling, spine head chipped, very slight wear to extremities, 1916 § Marchant (Sir James, editor) Winston Spencer Churchill... A Tribute by various hands presented to him on his eightieth birthday, portrait frontispiece, original cloth, dust-jacket, toning to spine, spine ends and fold corners chipped, with original commemorative wrap-around, spine a little toned, 1954; and 19 others Churchill, 8vo (22)
NO RESERVE Churchill (Winston S.) A History of the English-Speaking Peoples, 4 vol., first edition, maps, scattered faint spotting, original cloth, slight rubbing to corners and extremities, dust-jackets, slight chipping to corners and extremities, 1956-58 § Mussolini (Benito) My Autobiography, portrait frontispiece, plates, original cloth, slight bumping to spine extremities, price-clipped dust-jacket, a little rubbed, chipping and creasing to extremities, New York, 1928 § Stalin (Joseph) Leninism, original cloth, slight bumping to spine extremities, dust-jacket, lightly sunned spine, chipping and short tears to extremities, New York, 1928; and 3 others, 8vo & 12mo (9).
Scandinavia.- Acerbi (Joseph) Travels through Sweden, Finland, and Lapland, to the North Cape, in the Years 1798 and 1799, 2 vol., engraved frontispieces (vol. 1 with portrait, vol. 2 with folding map) and 14 plates, 5 hand-coloured, contemporary ink ownership inscriptions to front free endpapers, some light foxing, uncut in original boards with orange paper labels to spines, rubbed and lightly soiled, spine worn with loss to head and foot, joints cracked but covers holding, 4to, 1802.
*** Please note, the description of this lot has changed *** Fleming (Ian) The Man with the Golden Gun, first edition, original second state cloth, fractional bumping to spine extremities, price-clipped dust-jacket, slight chipping to corners and spine extremities, 1965; The Spy Who Loved Me, first edition, original boards, small loss to spine head, chipping to spine foot, 1962; From Russia with Love, first edition, faint spotting to first few leaves, original cloth, 'Boots' label to upper cover, a little rubbed, slight bumping to corners and extremities, 1957 § Thomas (Dylan) The Map of Love, first edition, portrait frontispiece, scattered faint spotting to first few leaves, previous owner's faint pencil inscription, original cloth, sunned spine, slight bumping to corners and extremities, 1939; 8vo (4).
Music.- Nares (James) Twenty Anthems in Score... Composed for the use of His Majesty's Chapel Royal, engraved title, with altered imprinted slip pasted down, engraved dedication leaf, 140 engraved plates of music, occasional browning or spotting, stitching weak and torn, rear endpaper loose, contemporary boards, lacking lower cover and spine, 1778 § Battishill (Johnathan) Six Anthems and Ten Chants, engraved title, engraved portrait frontispiece (loose, or loosely inserted), 102 engraved plates of music, contemporary half calf, worn, 1804; and 2 other similar collections of sacred music, folio & 12mo (4)
Shakespeare (William) Carmina quae Sonnets nuncupantur latine reddita ab Alvredo Thoma Barton, number 61 of 150 copies, lacking portrait frontispiece, title printed in blue and black, original vellum, some light discolouration, t.e.g., others uncut, 8vo, Medici Society, 1913.⁂ First edition of this notable translation.
Northern England.- A Description of the Memorable Sieges and Battles in the North of England, That Happened During the Civil War...To which is added, The Life of Oliver Cromwell, engraved portrait frontispiece of Cromwell, folding engraved plate, some toning, occasional light foxing, upper hinge cracked, modern half calf over marbled boards, spine gilt with red morocco label, extremities lightly rubbed, lower joint cracked, but holding firm, Bolton, for the editor, 1786 § [Coppock (Thomas)] The Genuine Dying Speech of the Reverend Parson Coppock, Pretended Bishop of Carlisle, half-title, faded contemporary ink ownership inscription to verso, marginal tear to p.17, some light damp-staining, mostly marginal, later wrappers bound in, upper with ink inscription, modern panelled calf, spine gilt, Carlisle, printed by Thomas Harris, [1746]; and 8 others, including 5 volumes of various pamphlets, many Northern related, v.s. (10)
NO RESERVE Balloons.- Santos-Dumont (A.) Im Reich der Lüfte, half-title, photographic portrait frontispiece and illustrations, ink stamp to half-title and verso of portrait, lightly browned, modern cloth, gilt title to upper cover, Stuttgart & Leipzig, 1905; and 7 others, mostly German Polar Travel, 8vo (8)
Trees.- Evelyn (John) Silva, or a Discourse of Forest-Trees..., To which is added the Terra: A Philosophical Discourse of Earth, edited by Alexander Hunter, 2 vol., second Hunter edition, engraved portrait by Bartolozzi, 41 engraved plates by John Miller (one folding) and one sepia aquatint plate to 'Terra', 3 letterpress tables (2 large and folding, one double-page), one folding table torn, both mounted on linen, some foxing, mostly to plates, bound in modern russet calf, by Edgar Powell in 1907 (as indicated in pencil to verso of portrait), covers and spine titled in gilt, spine with five raised bands, g.e., a little rubbed and marked, spine slightly faded, [Henrey 138; Keynes 48; Nissen BBI 615], 4to, York, A.Ward for J.Dodsley..., 1786.⁂ Edgar Powell (1853-1939), studied bookbinding under Douglas Cockerell at the Central School.
Whitehurst (John) The Works of John Whitehurst with Memoirs of his Life and Writings, engraved portrait frontispiece after Joseph Wright, 9 folding plates by the author, some foxing, heavier in places, bookplate of Alfred Seale Haslam, contemporary tree calf, gilt, corners rubbed, upper joint cracked, 4to, for W. Bent, 1792.
NO RESERVE Canada.- An album containing travel photographs, the majority of Canada, captioned and dated in pencil, alongside portrait photographs, newspaper clippings and other ephemera, pasted onto c.40 album leaves, each leaf approx. 294 x 231mm, some toning and surface dirt, most leaves working loose or loose, contemporary half-calf, decorative red morocco label to upper cover with E. A. Hobson in gilt, worn, upper cover detached, lacking spine, 4to, c.1860-1870. ⁂ Canadian photographs include The Citadelle of Quebec, the Molson Bank Building in Montreal, Montmorency Falls, Niagara Falls, and three large photographs of the H. M. S "Aurora" in her winter quarters outside Quebec, dated 1866.
NO RESERVE Mythology .- Smids (Ludolph) Pictura loquens; sive Heroicarum tabularum Hadriani Schoonebeeck, first edition, engraved frontispiece, title vignette, portrait of Nicolaas Witsen to verso of title and 60 full-page illustrations by Schoonebeek, occasional spotting, lightly browned, 20th century ?morocco, gilt, rubbed, [Praz p.498], 8vo, Amsterdam, Adriaan Schoonebeek, 1695.⁂ Schoonebeek, the illustrator and publisher, was a pupil and follower of Romeyn de Hooghe.
NO RESERVE Woman author.- Winter (Lucretia Wilhelmina and Nicolaas Simon van) Tooneelpoëzy, 2 vol., first edition, half-titles, engraved title vignettes, 9 folding plates by R. Vinkeles and 5 portraits by J. Houbraken, cut signatures of the authors and a portrait of Lucretia bound in at start of vol.1, contemporary speckled half calf, spines richly gilt and with red and black labels, vol.1 upper joint splitting and with chip at head, both vol. corners worn and rubbed, 8vo, Amsterdam, Pieter Meijer, 1774-1786.⁂ Rare. Born Lucretia Wilhelmina van Merken Winter was a Dutch poet and playwright. She wrote an ode in French for George Washington, which she sent to him, and was also responsible for seventeen of the psalms in the revised Dutch version of the Book of Psalms.
Harold Riley (British 1934-) Female portrait, unsigned, charcoal and pastel.21cm x 13.5cm (8.25in x 5.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-) Female portrait, unsigned, oil on board49.5cm x 39cm (19.5in x 15.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in good, original condition. There are some minor surface marks and scuffs across the painting with some small flecks of paint loss. The surface of the painting appears dirty and would certainly benefit from a light clean. The painting is ornately framed but not glazed. The frame has some knocks and losses.
Harold Riley (British 1934-) Portrait of a boy, signed, charcoal and pastel.27cm x 19.5cm (10.75in x 7.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. There is some staining to the mountboard in the lower left-hand corner. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-) Portrait of a girl, signed and dated '68, charcoal and pastel.25.5cm x 20.5cm (10in x 8in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The mountboard has some minor staining. The original frame has some minor scuffs and knocks commensurate with age.
Peter Howson O.B.E. (Scottish 1958-) Portrait of a man, signed and dated '74, oil on canvas board.40cm x 30cm (15.75in x 11.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-) Portrait of a lady, signed and indistinctly dated '70, ink and pastel.42cm x 24cm (16.5in x 9.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in fair, original condition. The ink has faded universally across the drawing. The drawing is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-) Portrait of a young woman, signed and dated '64, titled on gallery label - 'Clark Art Ltd.' verso, pastel.31.5cm x 21cm (12.5in x 8.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age and some sellotape stuck to the edges.
Harold Riley (British 1934-) Portrait of a young boy, signed and dated '69, charcoal drawing.27.5cm x 19cm (10.75in x 7.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The original metal frame has some minor scuffs and knocks commensurate with age.
Harold Riley (British 1934-) Female portrait, signed and indistinctly dated '67, charcoal and pastel.22.5cm x 15.5cm (9in x 6.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
A Wedgwood pale green jasper dip oval plaque depicting Admiral Sir John Jervis, First Earl of St Vincent, post-1798, modelled by John de Vaere, impressed and incised marks to reverse, height 11.2cm, together with a miniature Wedgwood dark blue jasper dip teapot, cover and stand, 19th century, typically sprigged in white, height of teapot 7cm. Note: the portrait plaque is one of a set of four modelled by de Vaere of great naval heroes.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of orange ground opaline glass vases, circa 1860, the pear shaped bodies with flared trumpet necks, both decorated with a circular panel of a classical portrait bust within a gilt and black chain border, height 34.5cm (typical wear).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Copeland Spode Boer War commemorative tyg, circa 1900, decorated with a portrait of Queen Victoria beneath the title 'TRANSVAAL WAR', an image of Britannia and a list of victories, flanked by portraits of Field Marshall Lord Roberts and the Prime Minister, black printed 'Subscriber's Copy' marked to base with T. Goode & Co, height 14cm (minor starcrack to base), together with a Ridgway Birmah pattern soup tureen and cover.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Prince Rainier of Monaco (1923-2005) and Princess Grace of Monaco (1929-82), signed black and white portrait photograph of the Prince standing, the Princess seated accompanied by their young children, Prince Albert and Princesses Caroline and Stephanie, signed under the image in black fountain pen and dated Nov. 1966, the image 16.2cm x 16.4cm, 22.8cm x 16.8cm overall, mounted on card
Large 19th Century Italian maiolica charger the centre painted with four figures, one horned (possibly a scene of Moses striking the rock), within a border of mythological birds and scrolling foliage, the outer border with four portrait reserves (three female, one male) interspersed by fauns, mythological birds and stylised foliage, 59cm diameterPreviously sold in these rooms, 7th June 2018, lot 253.Condition report: Short minor hairline verso at 11 o'clock.
English School, early mid 19th Century - Oil on canvas - Portrait of a young gentleman, possibly Francis Norman, circa 1830. depicted bust-length in white wing-collar shirt, white stock, waistcoat and jacket or long coat, beside a pillar, unsigned, 74cm x 61.5cm, in swept gilt frame, later handwritten label verso 'Francis Norman of Mistley Bros.', and storage label of C. & G. Ayres Royal County Depository, Reading
λ Tomas Watson (British b. 1971) Drawing Painting 3 Oil on linen Signed, inscribed and dated 2005 (verso) 152.5 x 122cm (60 x 48 in.) Framed Provenance: Jill George, London Tomas Watson won the BP British portrait award in 1998. He lives and works in Greece and has exhibited widely in London, Tuscany, Greece and Los Angeles. Condition Report: Generally good condition- some surface dirt- old stain to the reverse Condition Report Disclaimer
Y Four framed portrait minutes on ivory including Bianca Festa portrait of young girl, signed, image 5.6cm diameter; three 18th century style ladies of fashion,largest image 7.2cms high Condition Report: Festa colour has altered from sunlight- background browned remainder all mild fading- study with girl with pink ribbon to her hair is smudged to the right hand side Condition Report Disclaimer
A pair of late 19th century Continental reverse pictures on glass, probably French, with overpainted prints laid down onto glass depicting courting couples, gilt composition frames, 35.5cm high overall; together with A pair of prints of Venetian views, hand-coloured, depicting the Rialto Bridge and St. Mark's Square, each 21.5 x 34cm (8 1/2 x 13 3/8in.), overall inc. frame 41 x 51.5cm (16 1/8 x 20 1/4in.) (2); and English School (19th century) Portrait of a lady, seated Hand-coloured engraving, oval 47 x 36.5cm (18½ x 14¼ in.) In oval giltwood frame Condition Report: some lifting from glass and internal discolorations and dirty frames dry and some hairline shrinkage Portrait of a lad: Under glass, unexamined out of glazed frame. Tear and visible repair to the upper edge. Puckering in two areas to the sheet in the upper right corner. Handling creases throughout. Additional tears and repairs scattered throughout. Surface dirt. Condition Report Disclaimer
Two terracotta busts by Arthur Fleischmann (1896-1990) 'Balinese Man' Terracotta Signed, 24cm high; And another by the same artist "Portrait Bust of Mr Lamb", signed, 33cm high, (2) Arthur John Fleischmann (1896-1990) trained in Prague, Budapest and Vienna and worked in France and Italy before spending 6 months six months working in Bali before arriving in in Australia in 1939. He was celebrated as a modernist sculptor and exhibited in Sydney and Melbourne before leaving for London in 1948. He became a Fellow of the RBS and exhibited widely. `Mr. Lamb' was, by family repute, an architect working in London after the war. Condition Report: Both will benefit from light surface clean- portrait with white paint (?) to right hand side of mouth Bothe with some wear and small chips/losses to lower margins- Balinese arm base- portrait plinth base The portrait with whiter infill around junction point of neck and plinth- this may have been done by the artist or is later strengthening Condition Report Disclaimer
A pen and coloured wash portrait of 'Lotti', a beloved pet, indistinctly signed and inscribed, dated 1963, 25.5 X 29.5cm.Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.
June Barrington-WardMale Portrait BustPlaster sculptureH:33cmProvenance: From the Estates of June Barrington Ward & Maggie Cameron Frazer‘Two Remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Frazer 1923-2021 For several decades, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”Maggie Cameron Frazer was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in this sale were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in North Cornwall from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.
Sir Frederick Still KCVO. His commission as Royal Physician to the Duke & Duchess of York, July 27th 1936, from Rear-Admiral Sir Basil Vernon Brooke, Comptroller to the Duke of York's Household, typed on 11 Grosvenor Crescent headed notepaper and signed by Brooke in ink. Still's reply and acceptance is handwritten on the reverse.Still's invitation to the 1937 Coronation of George VI with a studio portrait of Sir Still in his Coronation regalia, together with studio portrait of Still as a young man (much damaged).Together with other papers & ephemeraProvenance: From the Estate of Sir Frederick Still M.D. Physician to The Royal Family, thence by descent.Sir George Frederic Still, KCVO (1868 - 1941) was a prominent paediatrician. Caring for children was his life’s work, to which he devoted himself entirely, publishing over a hundred papers and five books. He worked at Guy's Hospital, Great Ormand Street Hospital and the Evelina Hospital of Sick Children.Born in London, the only son in a working-class family of 12, he rose to be one of the most respected men in his field who became Physician to the Royal Household and was knighted in 1937. He is often referred to as the "Father of British Paediatrics". An extremely shy man, he was transformed in the company of children, who adored him. For my garden is the garden of childrenCometh naught there but golden hours,For children are its joys and its sunshine,And they are its heaven sent flowers.-Sir George Frederick Still, 1941 This small, remarkable and entirely charming collection of letters, cuttings and photographs stand testament to the high regard in which Sir Frederick Still was held, particularly by the Royal Family. It is clear from the affectionate, yet respectful tone of Her Majesty The Queen Mother, that she valued his care and advice enormously. The delightful embroidery made by Her Majesty the Queen when she was just a five-year-old princess, is both a token of affection and also a thing of incredible rarity. Items of such a personal nature relating to our present Queen virtually never come onto the open market and the sale of these precious pieces poses an exciting opportunity for collectors of royal memorabilia.
A late 19th/early 20th century woolwork ship portrait of the yacht 'Defender' (America's Cup victor 1895). 46cm x 38cmProvenance: The vendor purchased this item from the artist Dod Procter in the 1970s.Condition report: This appears to be in excellent condition, we can see no moth damage or rot other than possibly on the lower extreme margins.The frame is old but probably not original. We know that Dod and Ernest Procter collected these portraits.
A Butchers Famous Cameras Popular Pressman plate camera with a 6 7/8 inches f/4.5 No 85258 T.-P, Cooke Anastigmat Lens T T & H Ltd, supplied by Wallace Heaton Ltd London W1, an F Deckel-Munchen COMPUR folding plate camera, a SIX-20 BROWNIE Junior camera, a Portrait Hawkeye No.2 camera and an Ensign camera case.

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283287 Los(e)/Seite