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283287 Los(e)/Seite
Los 1
Salvador Dali - A signed black and white original etching of the head of a man (self portrait?) with heightened white shirt and laurel wreath crown, a smaller profile study of a head with halo near the lower right of the picture, the plate also with wording (indistinct) 'Le come L'empereur Salvador Dali', plate size 11.5 in by 14.5in, signed by the artist lower right below the plate in pencil and also inscribed A/B 1/200, framed.
Los 1
Inlaid mahogany longcase clock, the fretwork swan neck pediment over blind fretwork frieze above an arched painted dial named for Gibson of Saltcoats with portrait panel of George III to the arch and symbols representing the continents to the spandrels, the face with subsidiary seconds dial and calendar ring, the hood flanked by later reeded columns over trunk with side spiral pilasters and inlaid central patera and all over detail, all raised on bracket feet, 88in (223.5 cm) high
Los 1
Fenton (Roger). Captain Brown, 4th Light Dragoons & Servant in Winter Dress, pub. T. Agnew & Sons, 29th February 1856, full - length portrait showing Captain Brown seated and servant standing, with tents in background, salted paper print, 198 x 158mm, mounted with engraved caption and imprint beneath, some spotting to mount, overall 36 x 31.5cm (1)
Los 1
Karsh (Yousuf). Portrait of Eila Hiltunen, c. 1960s, gelatin print showing the Finnish sculptress head and shoulders with welding mask raised and maquette of the Sibelius sculpture behind her, printed text label, copyright label (Camera Press Ltd) and date stamp (31st October 1967) to verso, light crease to lower left corner, 153 x 202mm (1)
Los 1
A group of four salt print portraits of Edinburgh people, circa 1850, some fading, each approx. 14 x 11cm or slightly smaller, pasted on modern mounts with pencil identification to versos The first portrait shows a group of six men and is identified as Dr. William Broadbent and medical students. The other three photos. each depict one person: Professor Symes [ - James Symes, Scottish surgeon, 1799 - 1870], Mrs Potter/Mary Broadbent and Dr. Slach, Edinburgh. (4)
Los 1
Lubschez (Ben Judah). Manhattan, the Magical Island, 1st ed., New York, 1927, b & w plts. from photos., incl. tipped - in frontis., orig. cloth, rubbed, 4to, together with Riesenberg (Felix & Alexander Alland), Portrait of New York, 1st ed., New York, 1939, b & w plts. from photos., orig. buckram, rubbed, large 8vo, plus Alsberg (Henry G.), America Fights for the Depression a Photographic Record of the Civil Works Administration, 1st ed., New York, 1934, b & w illusts. from photos., orig. buckram, rubbed and soiled, 4to, plus other American photography interest, incl. 14 x U.S. camera, 1940s - 60s (30)
Los 1
Nicholson (William). Nine colour litho. prints, early 20th century, incl. 'Sada Yacco' (image approx. 260 x 250 mm), 'Admiral Sir John Fisher, G.C.B.' (2 copies; image approx. 230 x 195 mm), 'M. Auguste Rodin' (210 x 175 mm), 'Mr. Joseph H. Choate' (210 x 195 mm), 'Li Hung Chang' (approx. 250 x 240 mm), 'The Kaiser' (approx. 310 x 230 mm), 'Pope Leo XIII' (approx. 280 x 240 mm) and a self portrait - (approx. 260 x 230 mm), some surface marks and abrasions, all mounted (9)
Los 1
Cornwall and Devon. Letters Patent of Charles I granting the Baronetcy and arms of Ulster to William Wray of "Trebith", Cornwall, 1628, large impressive parchment document, written in Latin, having a hand - drawn initial portrait of Charles I and decorative border, some rodent damage but good condition otherwise, only part of the Great Seal remaining, together with an English translation, and Customs of the Manor of Tawstock, Devon 1646. (3)
Los 1
Negri (Francesco Pietro). Franc. Petreii Nigri Cremonen. A Secretis Senatus Mediolanen. Britannicar. Nuptiar. Libri Tres, Mediolani: Moscheniana, 1559, woodcut portrait to title of Mary I of England and Philip of Spain, 8vo, together with Bessarion (Cardinal, 1403 - 72), Bessarionis Niceni Cardinalis Orationes de Grauissimis Periculis..., Rome: Francisci Priscianensis Florentini, 1543, woodcut title border, contents trimmed sometimes affecting printed text, small 4to, and Andrelinus (Publius Faustus), P. Fausti Andrelini Foroliviensis Hecatodistichon, Caen: Martini & Petri Philipporum, 1555, woodcut printers device to title and final page, small 4to, plus Amaseo (Pompilio), Pompilii Amasaei de Bononiensium Scholarum Exaedificatione Oratio, Bologna: Joannis Rubei, 1563, woodcut printers device to title, small 4to, and four others similar, all unbound (8)
Los 1
Hughes (Arthur, illust.). Enoch Arden, By Alfred Tennyson. Illustrated by Arther Hughes, Edward Moxon, 1866, eng. portrait frontis., four wood - eng. plts., and twenty - one wood - eng. vignettes after Hughes, 16 - page publisher's catalogue at the end, orig. green cloth, blocked in gilt on the front, back, and spine to an intricate design, by either Hughes or John Leighton, trivial rubbing at extrems., a bright copy, a.e.g., 8vo (1)
Los 1
Dropmore Press. Sitwell (Sir George), On the Making of Gardens, with an Introduction by Sir Osbert Sitwell, 1949, col. illusts. by John Piper, untrimmed, orig. cloth gilt in slightly soiled d.j., 8vo, (limited edition 329/1000), together with A Portrait of Logan Pearsall Smith, Drawn from his Letters and Diaries, Introduction by John Russell, 1950, port. frontis., t.e.g., remainder untrimmed, orig. red morocco gilt with slightly frayed d.j. and slipcase, 8vo, (limited edition 8/450, signed on verso of title by John Russell, with some show - through), plus Sanderman (Christopher), Thyme and Bergamot, 1947, wood engs. by John O'Connor, untrimmed, orig. half vellum with slightly soiled d.j., and orig. box, slim 4to, (limited edition 3/550, signed by Sanderman), and Bryant (Arthur), Historian's Holiday, 1946, uncut and mainly unopened, orig. half vellum with orig. box, slim 4to, (limited edition 6/550, signed by Bryant) (4)
Los 1
Dropmore Press. The Sculptured Garland, a selection from the lyrical poems of Walter Savage Landor, 1948, b&w wood eng. illusts. by Iain Macnab, untrimmed, orig. half brown morocco, in d.j. (lightly discol. to spine and margins), with card slipcase, rubbed and marked, 4to (limited edition 28/300), together with Duff Cooper, Translations and Verses, 1949, t.e.g., remainder untrimmed, orig. full red morocco, in d.j., lightly discol. to spine, with slipcase, rubbed, 8vo (limited edition of 600 copies, this being no. 47/50 especially bound and signed by the author), plus A Portrait of Logan Pearsall Smith, drawn from his letters and diaries and introduced by John Russell, 1950, port. frontis., t.e.g., remainder untrimmed, orig. red morocco gilt in rubbed and torn d.j., with some discol. to spine, with slipcase, 8vo (limited edition of 400 copies, this being no. 15/25 especially bound and signed by John Russell, and Shadow of Eros, a biographical and critical study of the Life and Works of Sir Alfred Gilbert, by Adrian Bury, 1952, b&w plts., t.e.g., orig. brown full morocco, in somewhat frayed and worn d.j., darkened on spine, small 4to (limited edition of 300 copies, this being no. 13/53 especially bound and signed by the author) (4)
Los 1
Morgan (Charles). The Gunroom, 1st ed., A&C Black, 1919, orig. cloth, spine faded and sl. frayed at head, 8vo, together with My Name is Legion, 1st ed., Heiemann, 1925, orig. cloth, spine sunned and with closed tear at head of spine, 8vo, plus Portrait in a Mirror, 1929; The Fountain (signed), 1932; Sparkenbroke, 1936; The Voyage, 1940, all 1st eds., pub. Macmillan, all orig. cloth in rubbed d.j.s with minor edge wear, 8vo, together with a qty. of others by Morgan, incl. some signed copies, news clippings etc. (one shelf)
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283287 Los(e)/Seite