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283284 Los(e)/Seite
Los 107
Of Royal interest - An important Gold, Diamond, Seed Pearl and Enamel bracelet presented by Queen Victoria to her daughter Princess Alice the fine quality gold bracelet with applied Gothic style strapwork and foliate engraved decoration within dark blue enamelled borders, set with two dark blue enamel and gold ovals inclined towards each other, one depicting a ship in full sail within a border of twenty-six seed pearls, the other a bust portrait of Princess Alice within a border of twenty-six old cut diamonds, the two ovals surmounted by a diamond set red enamel crown and with a diamond set six-pointed star beneath, the inside face of the bracelet engraved in script with the inscription, "To dear Alice from her loving parents Albert and Victoria R who though visibly parted are ever united, April 25 1862" * Queen Victoria was renowned for her fondness for commemorating important events during her reign with presentation jewels. This bracelet was presented to Princess Alice to mark the occasion of her departure to commence a new life in Darmstadt in Hesse, prior to her marriage to Prince Louis of Hesse on 1st July 1862. It is one of the most important examples of Victoria`s presentation jewels to have been offered on the open market for many years, commemorating an event of great personal significance to her second eldest daughter, who had become her closest companion and effective head of the Royal household at a time of huge grief and turmoil within the family so shortly after the death of Prince Albert. It is probable that the jewel was commissioned prior to Albert`s death in December 1861, the inscription`s reference to `visibly parted` originally intended as a reference to Alice`s departure overseas, but gaining additional poignancy owing to her father`s passing.
Los 150
English School (late-19th / early 20th century) The Introduction pen, ink and watercolour sketch on grey paper pasted onto board 11 x 15in. (28 x 38cm.), another pencil sketch pasted verso, together with another double sided charcoal and chalk sketch of ladies by the same hand, and a 19th century pencil portrait of a lady, all unframed. (3)
Los 162
Pierre Eugene La Coste (French, 1818-1908) Reclining female nude charcoal and chalk sketch on grey paper, dated 1860 7 3/8 x 12½in. (18.75 x 31.75cm.), unframed; together with five other pencil and charcoal portrait and figural studies by the same hand, one framed; and a pen and ink and wash drawing of a courting couple in an interior by Paul Emile Detouche (French 1794-1874), 4 3/8 x 4 1/8in. (11 x 10.5cm.). (7)
Los 257
English School (early 19th century) Portrait of a gentleman wearing a blue velvet jacket with high collar and brass buttons, ivory waistcoat and ruffled white shirt, his grey powdered wig worn en queue oil on panel, contemporary hand written label verso inscribed `Mr. Mulloch`s` 4 x 2 7/8in. (10 x 7.25cm.)
Los 258
Sir Edwin Long, R.A. (British, 1829-1891) Portrait of Harry McLeod, Royal Artillery, in full ceremonial dress oil on canvas, unframed 24 x 20in. (61 x 51cm.) * Harry McLeod was General Colonel-Commandant of the Indian Army. This portrait is believed to have been painted c.1855 when he was eighteen years of age. He is believed to have died in St. Helier, Jersey and to have been buried in St. Saviour, Jersey.
Los 318
Charles Bouttier (Jersey, mid-19th century) Self portrait of the artist, half length, wearing a black coat, dark blue waistcoat, white shirt with wing collar and black tied cravat pastel, signed faintly `Bouttier` and dated centre left, inscribed verso, unframed 9¾ x 7½in. (24.75 x 19cm.) * The hand written inscription in ink verso reads "Monsr. Charles Bouttier, Artist, No.4 Minden Place, opposite the cattle market, is at home Mondays, Wednesdays, Fridays and Saturdays from half past eleven to half past four. Monsr. Bouttier gives private lessons in Pencil, oil, & Pastel Drawing"
Los 389
English School (mid-19th century) A portrait of a Russian Guard, full length pastel, black chalk and bodycolour, inscribed and dated lower right `1st sketch from nature at Charlemagnes, St. P. Decr. 2. 1859` 13½ x 9¾in. (34.25 x 24.75cm.) * `Charlemagnes` probably refers to the studio of Adolphe Josefovich Charlemagne, one of St. Petersburg`s foremost artists in the mid-19th century, undertaking official commissions for Alexander II and awarded the title of Artist of His Imperial Majesty in 1875.
Los 403
English School (19th century) Portrait of a female sculptor, probably Rosa Bonheur, half length, wearing a dark brown robe with fur collar, black coat and open necked white chemise, holding a chisel, her other hand resting upon a marble bust oil on canvas, old stencil painted Christies stock no. verso `CE278` 39 x 29in. (99 x 73.5cm.)
Los 410
Circle of Sir Thomas Lawrence P.R.A. (British, 1769-1830) A portrait of a lady, half length, wearing a dark green robe and white open necked chemise oil on canvas, unframed, remains of handwritten `The Reynolds Galleries` label verso and another inscribed `Catherine.....` 30½ x 25½in. (77.5 x 64.75cm.)
Los 417
George Arnald (British, 1763-1841) Portrait of Admiral Samuel Barrington of the Royal Navy, fourth son of John Shute Barrington, 1st Viscount Barrington of Beckett Hall oil on canvas, signed and dated verso `Geo. Arnald 1791`, old stencil painted Christies stock no. verso `601VA` 30 x 24in. (76 x 61cm.) * The original version of this portrait, by an unknown hand, is in the National Portrait Gallery collection, no.NPG740, dated c.1785.
Los 474
Sir David Wilkie, R.A. (British, 1785-1841) A portrait sketch of Helen Fansen pencil, signed with initials `D.W` and inscribed to lower corners, unframed 11¼ x 6½in. (28.5 x 16.5cm.); together with three other portraits of ladies, including one in pencil and pastel by Benjamin Burnell, a pencil drawing of a lady seated painting dated July 1827 and a watercolour sketch signed `E. de Blaas`; and a sepia watercolour by G. Mattia of a classical scene, all unframed. (5)
Los 485
English School (early 19th century) Portrait of a gentleman in a black double breasted coat, ivory waistcoat, white concertina fronted shirt with wing collar and tied cravat oil on canvas, bears handwritten label verso inscribed `Denys Lefebvre` (possibly the subject) 24 x 18in. (61 x 46cm.)
Los 487
German School (late-18th century) A portrait miniature of a gentleman, believed to be a member of the Royal family, wearing a blue jacket with white braided red facings and red collar, white shirt and ruffled lace cravat, his powdered grey wig worn en queue oval watercolour on card, within a gilt pressed brass frame, extensive hand written notes to label verso 2½ x 2in. (6.4 x 5.2cm.)
Los 512
Andrew Plimer (British, 1763-1837) Portrait of a young lady watercolour and pencil, signed with monogram and dated 1826 9¼ x 7 1/8in. (23.5 x 18cm.); together with two other watercolour portraits of young women by Franz Pitner (Austrian, 1826-1892) and Francois Theodore Rochard (French, 1798-1858), one framed. (3)
Los 45
Circle of Antonio David - `Prince Charles Edward Stuart` (Oval Miniature Three-quarter Length Portrait of the Young Boy wearing a Blue Damask Dress and holding a Bunch of Grapes beside Fruit on a Table and Flowers in an Urn), early 18th Century watercolour and gouache, approx 7cm x 5.3cm, within a shaped gilt metal frame, on a velvet easel support with engraved plaque verso.
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283284 Los(e)/Seite