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283287 Los(e)/Seite
Los 75
Kate E. Hill - Half Length Portrait of a Lady wearing a White Lace Shawl over a Black Silk Dress, holding an Open Book and with One Arm resting on a Wall, watercolour, signed and dated 1895, together with a sepia photograph, Child and Water Spaniel in an Interior, cased, and an over-painted photographic miniature, within a shagreen oval case.
Los 311
A 19th Century German .930 silver oval table snuff box, the hinge lid decorated in relief with a crown issuing acanthus swags framing a pair of glazed portrait miniatures flanking the letter `N`, all embellished with green, blue, red and clear pastes, the side decorated with foliate scrolls, Hanau marks to base, length approx 9cm (one portrait indistinct and wear to other).
Los 3005
Three albums containing a large collection of postcards, the majority topographical views, including photographic postcards titled ‘Aldermaston Station’, ‘Broad St., Reading’, ‘Broomhouse Laundry, Fulham’, ‘The School, Broomhouse Rd Fulham’, ‘Club House Hurlingham’, ‘Entrance to Hurlingham Club’ and a few of military portrait groups.
Los 3112
PERRIN, Ida Southwell. An album containing approximately 138 mounted watercolours and drawings by Perrin. [N.p.: many dated [19]17 or [19]18. Oblong folio (225 x 364mm.) The majority portrait studies, a number of children (some cropped), most signed with monogram. (Occasional soiling or glue-staining.) Contemporary limp morocco, blocked in gilt with the initials ‘M.N.P.’ to upper cover. – And an album of photographs of her exhibited work mounted above explanatory notes (2).
Los 3167
RIVINGTON, Septimus (editor). The Publishing House of Rivington. London: 1894. 8vo (227 x 143mm.) Portrait frontispiece, occasional plates and illustrations. (Light spotting to first and last few pages.) Original cloth (extremities bumped). Provenance: J.W. Harden (presentation inscription signed by the editor and dated July 4, 1894 to front-free endpaper). – And another later copy of the same work (2).
Los 3168
WISDEN, John. – C. Stewart CAINE (editor). Cricketers’ Almanack for 1926… sixty-third edition. London & Wisbech: 1926. 8vo (160 x 101mm.) Portrait plate, numerous advertisements. (Some light browning.) Contemporary cloth blocked in gilt, original wrappers bound-in (extremities bumped). – And one other similar almanack for 1929 (2).
Los 3174
CORNEILLE, Pierre. Théâtre… preface par V. Fournel. Paris: Librairie des Bibliophiles, 1877-1879. 5 vols., 8vo (216 x 129mm.) Additional title-pages printed in red and brown, titles printed in red and black, portrait frontispiece to vol. I. (Light browning and spotting.) Contemporary grey half-morocco, spines lettered in gilt (spines slightly faded, head of vol. 4 scuffed).
Los 3204
SHAKESPEARE, William. [The Works]… edited by Howard Staunton. London & New York: 1858-1861. 3 vols., 8vo (245 x 165mm.) Engraved portrait frontispiece to vol. I, numerous wood-engraved illustrations, vol. I extra-illustrated with a single engraved portrait. (Minor spotting and browning.) Contemporary calf (spines rubbed).
Los 3246
HINTON, J.H. (editor). The History and Topography of the United States of America… fourth edition. London & New York: [n.d. but circa 1955]. 2 vols., 8vo (266 x 179mm.) Portrait frontispieces, 46 plates, 7 double-page maps hand-coloured in outline, 1 double-page facsimile. (Some spotting and browning.) Contemporary diced calf, spines gilt, metal mounts to corners, g.e. (extremities scuffed, head and foot of spines chipped).
Los 3250
BINDINGS. – Edmund BURKE. The Works. London: 1837. 2 vols., 8vo (253 x 161mm.) Portrait frontispiece to vol. I. (Light spotting to first and last few leaves, frontispiece offset.) Contemporary calf, spines gilt in six compartments with raised bands, morocco lettering piece to the second and third, the others elaborately tooled in gilt (spines slightly rubbed, head and foot of spine of vol. I scuffed). – And fourteen others, all leather-bound, including four from the Badminton Library series (16).
Los 3269
BINDING. – John BUNYAN. The Elstow Edition [of] The Pilgrim’s Progress. London: 1881. 8vo (179 x 114mm.) Plates. Original publishers’ red morocco gilt, the covers inset with panels ‘made of the oak taken from Elstow Church previous to Restoration 1880’ blocked in gilt, the upper cover with paper portrait onlay, the spine gilt in six compartments with raised boards, lettered in the second and last, the others with repeat decoration in gilt, gilt turn-ins, g.e., contained within original slipcase (slipcase defective).
Los 3277
NICHOLS, John. The Works of William Hogarth from the Original Plates, restored by James Heath. London: printed for Baldwin and Cradock, [n.d. but circa 1835-1837]. Elephant folio (639 x 478mm.) Engraved portrait frontispiece, engraved plates on 115 leaves and 2 plates loosely inserted in pocket at rear. (Some spotting and soiling, frontispiece creased, some minor marginal tears, including to a few plates.) Contemporary red half-morocco, the spine gilt in seven compartments with raised bands, lettered in the second, the others with repeat decoration in gilt, g.e. (extremities scuffed and bumped).
Los 3302
FENELON, Francois de Salignac de la Mothe. The Adventures of Telemachus, the Son of Ulysses… with the Adventures of Aristonous. Jena: for John Meyer’s Widow, 1726. 8vo (167 x 105mm.) Title printed in red and black, portrait frontispiece. (Some spotting, browning and occasional ink marks or inscriptions, frontispiece somewhat creased.) Contemporary vellum (soiled, spine darkened).
Los 3323
BINDING. – Edmond ROSTAND. L’Aiglon, Drame en Six Actes, en vers. Représenté pour la première fois au Théatre Sarah-Bernhadt, Le 15 Mars 1900. Paris: Librairie Chapentier et Fasquelle, 1900. 8vo (213 x 141mm.) Printed on green paper throughout, additional decorative title printed in white and gilt by R. Lalique, portrait frontispiece of Bernhadt by Louise Abbema. Contemporary green morocco gilt, by Haultecoeur, the covers elaborately tooled with triple-fillet borders containing a repeating border of scrolls, anthemions, wreaths and bees, the flat spine gilt in five compartments, lettered in the second and fourth, the others with uniform decoration, wide gilt turn-ins, similarly tooled, watered silk endpapers, marbled paper blanks, t.e.g. (spine faded to brown), contained within a contemporary slipcase. Provenance: Jane Dutar (printed ‘Exemplaire imprimé spécialement pour Madame Jane Dutar’ verso of half-title).
Los 3327
KENNETT, Basil. Romae Antiquae Notitia: or, the Antiquities of Rome… ninth edition. London: 1731. 2 parts in one vol., 8vo (193 x 119mm.) Portrait frontispiece, title printed in red and black, engraved plates (6 folding, 1 double-page). (Worm damage to first few leaves including frontispiece, some browning and spotting, folding plate torn, a few other leaves slightly tattered to edges, old creasing.) Contemporary panelled calf (head and foot of spine chipped, joints split). Provenance: Arthur Rawlin Pains (crossed-out signature dated 1784 to front-free endpaper; Henry Eycott (signature dated 1790 to front-free endpaper and stamp dated 1792 to title-page); C. Smith (inscription dated 1806).
Los 3352
FREART, Roland. A Parallel of the Antient Architecture with the Modern… [translated] by John Evelyn… the third edition. London: 1723. 2 parts in one vol., folio (333 x 209mm.) Title printed in red and black, engraved portrait frontispiece, 40 full-page illustrations and occasional decorations. (Frontispiece slightly shaved, some soiling and light browning, occasional minor damp-staining, one plate with repaired tear.) Late 19th Century half-morocco (somewhat scuffed and rubbed). Provenance: William Armstrong (signature to title-page).
Los 459
Russian School, act.1931- Portrait of a woman, seated in a landscape, wearing a shawl; black crayon and watercolour, heightened with white, signed and dated 1931, 30x23cm: Russian School, early-mid 20th century- Portrait of an Officer; black crayon and watercolour wash, signed, inscribed verso, 34x44cm: Alice Newman, British 1907-1992- Study of a female nude; pencil and watercolour wash: Pat Cleary, British, act.1962- Portrait of a Rabi; (4) (may be subject to Droit de Suite)
Los 578
Mid-late 20th Century- Portrait of a gentleman in Victorian costume, head and shoulders holding a pair of spectacles; oil on canvas laid down on board, oval, 73.5x62cm: together with a portrait study of a woman by the same or related hand, head and shoulders, holding a sprig of flowers, and inscribed `Ch. La Puqué, 1862`; oil on canvas laid down on board, oval, 73.5x62cm., (2)
Los 643
William Lionel Wyllie RA RE 1851-1931- "Eel Boats on The River Thames in front of Tower Bridge"; etching, signed in pencil, 20x25cm: together with one other etching by the same hand titled "Shipping Moored off Sheerness", signed in pencil, 9x33.5cm: Rowland Langmaid 1897-1956 exh 1924-1930- "Old Portsmouth"; etching, signed in pencil, 8.5x33cm: William Strang RA RE RP 1859-1921- "Portrait of J B Clark"; etching, signed and dated 1910 within the plate, signed and inscribed `David Strang imp Final State (of 6) in pencil, 25x17.5cm: together with one other etching by the same hand of a Portrait of Dr Balfour, signed within the plate, 22x16cm., (5) (mounted) (unframed)
Los 669
Hal Bevan-Petman, Scottish 1894-1980- Portrait of a Military officer; pastel on paper, signed and dated 1943, 32x27cm: Neville Sterry, 20th Century- `On the verge of Hinbleth`; pastel on brown paper, initialed and dated `84, 30x22cm: 20th Century- Figures by boats on the seashore; watercolour on paper, initialed and dated `49, 26.5x37.5cm: 20th Century- Battersea Power Station on the banks of the river Thames; watercolour on paper, indistinctly inscribed, 37x55cm., (4) (may be subject to Droit de Suite)
Los 682
After David Oxtoby b.1938- "Francis Rossi", publ by Village Fine Art Limited West Mosley Surrey; colour reproduction print, signed in pencil and signed by the sitter in pencil, 52x48cm: Battye, late 20th century- "Rocks on Beacon Hill, Bradgate", 1987; collage and mixed media on board, bears inscription on the reverse, 61.5x92cm:Late 20th Century- Portrait of an Indian Chief; colour reproduction print, 75x58cm., (3)
Los 693
After Rembrandt van Rjin, 18/19th century- Portrait of the artist`s father; mezzotint, 18x15.5cm: J Pass act.1805- "Filaria and Fistularia"; engraving: Edward J Cherry, 19/20th century- Street scene; dry-point etching, signed: Steiger, early 20th century- "Isoa Bella"; lithograph, signed and titled in pencil: Taylor, 18/19th century- "An Algerine Funeral"; engraving: together with a folio of other 18/29 and 20th century prints, engravings, etchings and reproductions by and after various hands, to include the Arch of Constantine; London`s Bombed Churches; Dr Martin luther; Dieux Gaulois; Assembly Rooms Bath; Eaton Hall; Veronica Officinalis and others, (A/F) (a lot) (unframed)
Los 695
John Bulloch Souter, British 1890-1972- "Reduced Study for Etching Nude Reclining..."; pencil, squared for transfer, with further inscription and dedication for William Mitchell, 16x18cm: together with an etching indistinctly titled "A *** Balcony", and signed in pencil, signed and dated within the plate, a good impression with margins, 26x40cm, (2) Note: John Bulloch Souter, painter, draughtsman, printmaker and restorer. Born in Aberdeen, studied at Gray`s School of Art. After serving in the Royal Medical Corps during World War I. Shortly after becoming a portrait painter, painting sitters such as Gladys Cooper, Ivor Novello and Fay Compton. He exhibited at The Redfern Gallery, the Fine Art Society, Royal Scottish Academy and the Royal Academy. During World War II he worked in the Censorship Department as a translator also restoring paintings at Windsor Castle. (unframed)
Los 733
Martin Kortmann, German Jugendstil School, early 20th century- "Skizze für Mosaik Kuppel"; pencil, watercolour and gouache, inscribed, 27x37cm: German School, early 20th century- Study for a church mosaic; pencil and watercolour heightened with white on buff paper, inscribed `...Petersburg, Riga...` and dated 1905 in the margin: Eastern European Post Impressionist School, mid 20th century- Portrait of a man; black and coloured crayon and watercolour wash, signed with initials `SZ.B` and dated 35: European School, 20th century- Standing female nude, black chalk: Hilda Davis c.1935-1960- Study of a woman reclining on a settee; oil on paper, signed: German School, mid 20th century- Seated female nude; pen and black ink on grey/buff paper, signed and dated 1954 in pencil, (7) (unframed)
Los 201
A late 18th/early 19th century oval portrait miniature of a young gentleman wearing a black coat and white cravat on dark ground painted on ivory together with a miniature portrait watercolour of a young man wearing a coat with red and white shirt painted on card, both in reproduction gilt metal frames.
Los 210
A 19th century portrait miniature on ivory of a young girl wearing a black dress with frilled collar mounted on card inscribed in ink ` From a Miniature by Lady Be...y; Mrs J ..... August 19 1848` and inscribed to the ivory by W G F W August 19 1848 in a 19th century bronze frame (1.5 inches, frame larger).
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283287 Los(e)/Seite