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283284 Los(e)/Seite
PAIR OF GIEN, FRENCH PORCELAIN JARDINIERES EACH OF SQUARE CANTED FORM WITH TAPERING OBLONG FOOT, puce painted with panels containing classical portrait busts and musical trophies, tied by panels containing moulded ribbon-tied bell flower pendant, set beneath pierced scroll panelled border, 6 3/4" (17.2cm) high, 6 3/4" (17.2cm) square, printed marks (2), one with re-glued and restored foot
GOOD 19th CENTURY BOHEMIAN GREEN OVERLAID GLASS PEDESTAL VASE, of steep sided form with petal cut rim, waisted support and tall, cylindrical pedestal base, cased in white and painted with a portrait panel of a maiden and three floral panels, on a foliate scrolling gilt ground, 15" (38.1cm) high
A Victorian pique work circular brooch, and a gold cased memorial brooch, c.1830, glazing cracked, and a Georgian mourning brooch, and a George III horn and gold inlaid brooch of circular form together with a 19th century ambrotype photograph in embossed leather case and one other in pressed case marked F. Goll and a miniature portrait
Attributed to Andrew Plimer (1763 - 1837), watercolour on ivory - miniature portrait of a lady, with powdered hair and white dress, inscribed verso in a later hand - 'Henrietta Williams', mother of George Hardisty, 5.5cm x 4.5cm, oval, mounted in glazed giltwood frame CONDITION REPORT Not examined out of frame, miniature condition appears to be good, gesso frame has significant losses and deterioration
W. Taylor (mid-19th century), pair of watercolour miniature portraits, half-length, depicting a young lady in red shawl and bonnet and a gentleman in smock and waistcoat, the second signed, 18cm x 14cm, in glazed maple frames, together with a mid-19th century paper-cut silhouette portrait of a boy and his dog (3) CONDITION REPORT Pair - slight discolouration, time staining to paper. Silhouette - a little time staining, some losses to frame
19th century English School oil on panel - portrait of a nobleman, believed to be Prince Frederick, Duke of York, wearing breast Star and Sash of the Order of the Thistle, in gilt frame, 27cm x 22cm CONDITION REPORT It has been pointed out that the sitter is not the Duke of York and is more likely a Danish nobleman wearing the Grand Cross sash and breast star of the Danish Order of the Dannenbrog
Gervase Spencer (circa 1715 - 1763), miniature watercolour on ivory - portrait of a gentleman in purple coat and red waistcoat, signed with initials and dated 1750, indistinctly inscribed verso - Lord Mountjoy (?) Son to the (?), oval, 4.2cm x 3.5cm, in glazed gilt frame CONDITION REPORT Dust and debris under the glass, otherwise appears to be in good condition
Indian School (18th century), watercolour - portrait of a nobleman in traditional attire, reclining on cushions, 22cm x 17cm.Provenance: From the collection of Edward Moor (1771 - 1848), British soldier and scholar. Author of 'The Hindu Pantheon' published 1810 - the first English publication detailing the Hindu gods. The original work was extensively illustrated by William Blake - the engravings taken from Indian paintings in Edward Moor's own collection. The majority of the collection was gifted to the British Museum by Mrs A. G. Moor in 1940
Indian School (circa 1800), watercolour and gouache on paper - portrait of the Indian statesman 'Ballagee Nana' seated, in gold-splash border, 28cm x 21cm, framed.N.B. Nana Furnaveese was a prominent Indian statesman. Edward More mentions a bronze statue once in the domestic chapel of Nana Furnaveese at Poona and was plundered thence when that great man was so shamefully seized and used by that foolish boy (as he was then, the present Dowlut Rhao Sindeah (see lot 900).Provenance: From the collection of Edward Moor (1771 - 1848), British soldier and scholar. Author of 'The Hindu Pantheon' published 1810 - the first English publication detailing the Hindu gods. The original work was extensively illustrated by William Blake - the engravings taken from Indian paintings in Edward Moor's own collection. The majority of the collection was gifted to the British Museum by Mrs A. G. Moor in 1940 CONDITION REPORT Main image- vertical tear or crease lower right corner. A little surface staining, marks, scratches, a little paint loss, border similarly a little staining, some losses- possible insect damage particularly lower right corner and right margin
A late Victorian jet oval pattern pendant set to the centre with oval porcelain panel of young man, 70mm x 40mm overall, a pair of similar pendant drop earrings (for pierced ears), inset with an oval porcelain panel of a shoulder-length portrait of a young woman, 45mm drop overall, and small quantity of other Victorian jet beads, various
A 19th Century Berlin porcelain cup and saucer, the rims with gilt detail, both with a garland of ivy leaves, the cup with a cameo portrait of Queen Louise (Anhalt), and three Continental majolica shell pattern dishes painted with flowers, each 3.75ins high Note: The cup and saucer comes with a handwritten note which states - "Cup and saucer with picture of Queen Louise (Anhalt) given to her by one of her Ladies in waiting"
Colin Colahan (1897-1987) - Charcoal drawing - Three-quarter length portrait of a nude woman, 17.5ins x 9ins, signed, another of a seated nude woman, 19ins x 15.75ins, signed and dated '69, and one other with two sketches of seated nudes, 19.75ins x 12.75ins, signed (all unframed) Provenance: Given by Monique Colahan (1914-2015), Colahan's wife to her niece, the vendor of this lot. Note: The two undated sketches probably date to 1969-1970

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