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283287 Los(e)/Seite
Circle of Erasmus Quellinus II (Antwerp 1607-1678) Portrait of a military commander, full-length, with his mount and two servants oil on canvas 21? x 17 in. (55.2 x 43.2 cm.) "It has been suggested by Dr. Erik Larsen, in a letter dated 19 December 1988, that the sitter may be identified as General Hieronymo de Bran, agent to General Piccolomini.
Cornelis Brize (1622-after 1670) An Allegory of Peace overcoming War: Portrait of a Boy, full-length, holding an olive branch, with armour, a cannon, a drum and the flag of the House of Orange signed and dated 'C.Brize f/1654' and with initials 'PDG' (centre right) oil on canvas 41 1/8 x 34 5/8in. (104.5 x 88cm.) " The initials of Pieter de Grebber (who died in 1653) suggest that he could have played some part in the execution of the portrait.
Follower of Justus Sustermans Portrait of Waldemar Christian of Denmark, bust-length, in armour with a white lace collar oil on canvas, unlined, oval 27 5/8 x 20? in. (70.2 x 52.1 cm.) with old inscription on the reverse 'M. Pia Corti Il Principe di Danimarca' "After the picture in the Pitti Palace, Florence.
Circle of Pierre Mignard (Troyes 1612-1695 Paris) Portrait of a gentleman, bust-length, in armour and a red neckerchief, traditionally identified as the Duc de Ventadour oil on canvas, oval 29 x 23? in. (73.7 x 59.7 cm.) inscribed on a label to the reverse 'Duc de Ventadour Governor of Limosik & Lt. General of Languedoc D. 1622'
Giuseppe Cesari, il Cavaliere d'Arpino (Rome 1560-1640) The Madonna, bust-length, looking down; Head of a Muse crowned with laurels; Head of a female saint looking up to the left; Head of a bearded monk looking up; and Head of a monk looking up to the left numbered '223', '224', '227', '222', and '219' respectively red (2-5) and black (1 and 4) chalk 3? x 2 7/8 in. (80 x 72 mm.) and smaller; and Portrait of a boy, bust-length, numbered '217', and Head of the Madonna, numbered '218', by an artist in the circle of the Cavaliere d'Arpino (7)
North Italian School, 17th Century The Assembly of the Gods on Olympus, with putti presenting a double portrait: Design for a trompe l'oeil ceiling indistinctly inscribed ( recto ) black chalk, pen and grey ink, grey wash, heightened with white (oxidiZed), on three attached sheets of light brown paper, the largest with watermark Strasburg bend, losses 20? x 25? in. (517 x 655 mm.)
Genevi?ve Navarre (1737-1795) Portrait of a young woman pastel on brown paper 11 5/8 x 10 3/8 in. (324 x 263 mm.) "Comparable with a signed drawing by Mademoiselle Navarre exhibited at Galerie Cailleux, Paris, Trente pastels, gouaches et aquarelles du XVIIIe si?cle , 1971, no. 4. A member of the Acad?mie de Saint Luc in Paris from 1762 to 1776, she exhibited portraits in pastels there in 1762, 1764 and 1774. The attribution was kindly suggested by Joseph Baillio.

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283287 Los(e)/Seite