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283287 Los(e)/Seite
A circular portrait miniature of a lady, wearing a dress decorated with flowers, bears indistinct signature, possibly VERLIER F 1778, in a gilt metal surround, within a blue and white enameled border and an oval portrait miniature of a lady, in an ebonised frame and detailed to the back Charlotte Sophie Comtesse Bentinck. Illustrated.
A gold topped, turquoise and half pearl set hat pin, an enameled, garnet and turquoise set oval brooch, glazed with a locket compartment, a multi row necklace of seed pearls, an 18ct gold and black enameled mourning ring, a glazed hair locket mourning brooch, a turquoise set single stone ring, a Victorian gold and turquoise set five stone ring, a bone ring of carved ropetwist form, a coral set bar brooch and a circular pendant, with a portrait detailed ROBERTS.
A green and colourless paste set pendant, a citrine single stone pendant, two pearl and gem set bar brooches, a shell cameo brooch designed as the portrait of a lady, a coral stick pin, an imitation pearl stick pin, a banded agate set small seal, a single row necklace of graduated cultured pearls and a mother of pearl stud.
A Bohemian green glass table lustre, late 19th Century, the scalloped bowl relief decorated with oval floral and child portrait panels, the foot with floral and gilt scroll panels, the stem and ground otherwise gilt with foliage, hung with ten cut glass prismatic drops, height approx 31cm (repaired around top of foot).
A Bohemian ruby tinted glass vase, late 19th Century, of tapered ovoid shape with spreading circular foot and trumpet neck, gilt overall with foliate scrollwork and reserved with an opaque oval panel enamelled with a head and shoulders portrait bust of a lady, height approx 23cm (some wear).
A Doulton Lambeth stoneware match holder and strike, of spherical shape with ribbed exterior decorated with a zig-zag band of flowers and foliage, impressed marks to base, together with a small group of Doulton wares, comprising a Royal Doulton footed circular bowl printed in black to the interior and exterior with a continuous landscape band, a Faience vase by Mary Denley with Neoclassical style scrolling foliage (restored) a coaching scenes series ware cream and sugar bowl (hairline to sugar) and a jug relief moulded with a portrait of Elizabeth I (restored).
The Estate of the late Mrs J R F (Cookie) Matheson 20 STUDIO OF ALLAN RAMSAY THREE QUARTER LENGTH PORTRAIT OF JAMES OGILVY , 5TH EARL OF FINDLATER Oil on canvas 127cm x 101.5cm (50in x 40in) Note: Ramsay painted the portrait of James Ogilvy in 1739, when the sitter was aged fifty. He also painted a portrait of his wife, Sophie, Countess of Findlater at the same time. In her log book she notes that two further versions were painted of each of the portraits, for the couple's other residences and this may be one of these subsequent canvases.

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283287 Los(e)/Seite