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Preisdatenbank abonnierenGreek Coinages, KINGS OF THRACE, Lysimachos (305-281), Tetradrachm, Heraclea, 287-282, diademed and horned head of Alexander right, rev. Athena seated left, holding Victory, club in exergue, 15.90g (Thompson 178). Some pitting in obverse field and light scratches on reverse, otherwise about very fine, clear portrait £90-£120
Hadrian, Denarius, 130-3, laureate bust right, drapery on far shoulder, rev. Africa reclining left, holding scorpion and cornucopia, basket of corn-ears at feet, 2.97g/6h (RIC II.3 1494; RSC 138; BMC 820). Very fine, strong portrait and attractively toned £120-£150 --- Provenance: SNC March 1976 (1792)
Greek Coinages, KINGS OF PERGAMON, Attalos I (241-197), Tetradrachm, Pergamon, head of Philetairos right, rev. Athena seated left, crowing legend with wreath, bee in left field, monogram by knee, 16.83g (SNG von Aulock 1359; cf. McClean 7675; Sear 7220). Sometime cleaned, fine, portrait better £90-£120
Diocletian, Argenteus, Nicomedia, 295-6, diocletianvs avg, laureate head right, rev. victoriae sarmaticae, four-turreted gateway to military camp, doors thrown open, smnt in exergue, 3.33g/12h (RIC 22a; RSC 492; RCV 12616). Extremely fine and attractively toned; with a portrait of pleasing style £600-£800
Royal Mint Proof Year sets of 1972, 1982, 1999, St. Helena & Ascension First coinage 1984 Proof set, New Zealand 1990 Proof Set with Silver $2 & $1 coins within set, Sealed Brilliant Uncirculated Fourth & Fifth Circulating Coinage Portrait set, Isle of Man £1 set one in original box with three commemorative coins.
Aidan Savage. (1901-1986) - After Sir Joshua Reynolds - An oil on canvas portrait painting study depicting William Pulteney The First Earl Of Bath 1684-1786, Head and shoulder portrait in red & white ceremonial robes. Set to an ornate gesso swept frame with name plaque to underside. Measures approx; 91cm x 76cm (frame) 67cm x 55cm.
A FINE VICTORIAN MAHOGANY CASED 'WEATHER STATION'JAMES HENRY STEWARD, LONDON, CIRCA 1873With timepiece incorporating four pillar eight-day single fusee movement with anchor escapement regulated by heavy disc bob half-seconds pendulum and 7 inch circular silvered brass Roman numeral dial with recessed subsidiary seconds dial over signature J.H. STEWARD, 406 & 66. STRAND & 54 Cornhill, LONDON to centre, with blued steel hands set within canted silvered brass surround, positioned to the left of the central paper-scale lined drum rotating via a bevel-gear take-off from the clock movement, over horizontal mercury tube slivered centigrade scale 'maximum and minimum' recording thermometer, the right hand side with matching 7 inch circular silvered barometer scale calibrated in barometric inches from 28 to 31 divided into hundredths, with conforming signature to centre, blued steel pointer and canted surround, the aneroid mechanism with take-off to facilitate recording of the change in barometric pressure on the central paper scale lined drum via a vertical slide fitted with a pencil positioned against a further small vertical scale calibrated for barometric inches, the rectangular case with moulded cornice over downward hinged glazed front and moulded waist applied with engraved silver plate inscribed THE INSTITUTION OF CIVIL ENGINEERS, Man by Premium 1873, THOMAS SOPWITH. JUN'R. M. INST. C.E., the rear with door behind the clock movement, on stepped ogee moulded skirt base; together with W. Robert Dickinson, oil on canvas, portrait of THOMAS SOPWITH ESQ. M.A. F.R.S. in gilt gesso frame, (2).The weather station 42cm (16.5ins) high, 68.5cm (27ins) wide, 20cm (8ins) deep; the portrait 76cm (30ins) by 66cm (26ins) excluding frame. Please note this barometer is being sold as per condition report. Provenance:The present lot was the property of Thomas Sopwith (1803-79) who trained under his father, Jacob (1770-1829) as a civil engineer completing his apprenticeship in 1824. He initially worked with Richard Grainger in the redevelopment of Newcastle-on-Tyne; and Joseph Dickinson of Alston, Northumberland assisting in the surveying of mines in the area belonging to Greenwich Hospital. His involvement with geological surveying led him to become a fellow of the geological society in 1835. Thomas Sopwith was also engaged as a railway engineer firstly in Newcastle-on-Tyne with Richard Grainger then with Robert Stephenson and Sir William Cubitt assisting with the creation of the French Railway network. He also assisted Stephenson on surveys for the construction of the Sambre-Meuse Line in Belgium in 1843. Two years later, in 1845, Thomas Sopwith was living at Allenheads, Northumberland and was engaged as an agent for W.B. Lead Mines, a position held until 1871.Thomas Sopwith was married three time and had eight children including a son who shared his name and followed in his footsteps to become a civil engineer. His Grandson, also called Thomas, went on to found the Sopwith Aviation Company. James Henry Steward is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as a maker of all types of barometers who worked from several addresses in London including; 406 Strand (1857-1900 and beyond), 67 Strand (1867-8), 63 St. Pauls Churchyard (1867-80), Cornhill (1867-92), 66 Strand (1869-88), 456 Strand (1879-88), 474 West Strand (1886-1900 and beyond) and 7 Gracechurch Street (1893-1900 and beyond). He advertised as maker of the celebrated Lord Bury telescope and maker of the Fitzroy barometers, as in use at all railway termini and principal hotels in London.Condition Report: Clock movement is intact and appears to be complete and in all-original condition, the mechanism is fully wound and the escapement will just about beat however it would appear that the movement is dry/a little gummed-up so requires a gentle clean/service before reliable running is likely to be achieved. The bevel gear take-off to the rotating barograph drum is lacking one of the gears and the one still attached (to a slightly bent arbor protruding from the clock movement backplate) is lacking a couple of teeth. The recording drum and pointed assembly otherwise appears to be in good original undisturbed condition. The barometer also appears undisturbed and is providing a reasonable reading however we are unable to access the internal mechanism as this apparently requires disassembly of the entire instrument/case which appears to have never been apart and is beyond our remit. Regrettably the maximum/minimum thermometer tube is now broken (in an attempt to dismantle the instrument to report on the barometer mechanism); the scale however is in good original condition. The silvering to the barometer and timepiece dials are in good original condition with minimal discolouration as are the lacquered and oxidised finishes of the mechanism and casings. Externally the case is in good original condition with the only major fault being a section of cornice moulding missing from the right hand side. There also some patchy localised degradation to the surface polish.Timepiece has original pendulum and there is a winding key present.The portrait is in good original condition with faults limited to a small scuff to the background at face level and some slight blooming to the varnish in places. The frame has a few small chips/losses to the gesso. Condition Report Disclaimer
A FINE EBONISED ARCHITECTURAL MINIATURE LONGCASE TIMEPIECE WITH EARLY TIC-TAC ESCAPEMENT AND ALARMTHE MOVEMENT ATTRIBUTED TO JOHN WISE, LONDON, CIRCA 1673 AND LATERThe four double-baluster turned pillar movement with plates measuring 6.375 by 4 inches enclosing four-wheel train with the earliest form of tic-tac escapement regulated by lenticular bob half-seconds pendulum, the right hand side fitted with a transverse weight-driven alarm mechanism with verge crownwheel and vertically pivoted hammer for sounding on a bell mounted set above the plates, fitted with a 7 inch square gilt brass dial with Arabic hour engraved silvered alarm setting disc to the matted centre within applied narrow silvered Roman numeral chapter ring with cruciform half hour markers and Arabic five minutes within the minute track, with fine sculpted steel hands and gilt winged cherub mask spandrels to angles within line border interrupted by engraved text John Wise Londini fecit to lower edge, in a finely executed case most probably constructed using period elements with rising hood incorporating triangular pediment over crisply moulded projecting cornice, Knibb-style alternating scroll-and-circle pierced alarm sound fret to frieze, and Corinthian three-quarter columns with gilt caps and bases flanking fixed the dial aperture, the sides with rectangular glazed apertures and conforming quarter columns set against bargeboards rising past the lintel to meet the cornice overhang at the rear, the trunk with convex throat over 38.5 inch slender rectangular door applied with two long around a central short raised panels within a half-round moulded surround, on stepped ogee top plinth base decorated with high-position step to the box.174cm (68.5ins) high, 32cm (12.5ins) wide, 20.8cm (8ins) deep. John Wise senior is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Banbury, Oxfordshire in 1624 and apprenticed to Peter Closon through Thomas Dawson in 1638, gaining his Freedom in October 1646. He apparently lived in Warwick 1653-68 where he repaired the clocks at St. Nicholas and St. Mary`s churches, the latter providing the venue for the baptism of three of his children. He moved back to London in 1669 where he was re-admitted to the Clockmakers` Company by redemption. He took many apprentices including no less than six of his sons; Richard (Free 1679), John (Free 1683), Thomas (Free 1686), Joseph (Free 1687), Peter (Free 1693) and Luke (Free 1694). He worked from 'neer the Popeshead in Moorfields' and was recorded as a recusant in 1682/3. John Wise senior died in 1690 and was buried at St. Andrew's, Holborn. The double-baluster form of the movement pillars of the current lot can be directly compared to those of a table clock by John Wise sold in these rooms on 6th September 2011 (lot 151) for £46,000 hammer and on a month-duration longcase clock (case later) with 9.5inch dial sold at Cheffins in their Fine Sale 11th September 2019 (lot 427) for £6,000. In addition to the double-baluster design pillars these two clocks also shared the same unusual portrait engraved decoration to the maintaining power winding hole shutters. When considering this unusual pillar design and the overall feel of the movement of the current lot an attribution to the workshop of John Wise would appear certain.The tic-tac escapement of the current lot is of the earliest form utilising an escape wheel with teeth profiles essentially matching those of a 'normal' wheel. This configuration can be compared to that seen on a short duration astronomical timing movement made for St. Andrews University by Joseph Knibb (at the order of astronomer James Gregory) in around 1673 illustrated in Dawson, Percy G.; Drover C.B.; and Parkes, D.W. Early English Clocks on page 137 (Plate 177). Although the escape wheel and pallet arbor in the present movement appear original the very small pallets are probably replacements most likely required dur to wear; not withstanding this the escapement would appear to be a significant survivor.The dial and case are most likely restorations/recreations executed to the highest standards resulting in an exquisite miniature clock of the finest proportions and detailing befitting of the fine early movement.Condition Report: Movement is in fine condition with original wheel-work to the going train; the second wheel arbor has been repaired with a sleeve and the escape wheel re-pinioned. The pallet arbor appears original but the pallets themselves have probably been reworked. The alarm mechanism appears as it should although the release/locking detent may be a replacement. Although the movement has an overall oxidised/patinated appearance it is in good working order having been carefully conserved to retain old surfacers to the mechanism. The dial is very well made but with some noticeable casting faults to the plate. The mellow colour/patination is very good but we suspect that it may be a very well executed restoration/reconstruction hence is best described as being of indeterminate age. The case is almost certainly of relatively recent construction (within the last 20 years or so) but is exquisitely made, beautifully detailed and of perfect proportions. The carcass almost certainly uses 'period' timber and the overall feeling of age with shrinkage and patination is very well expressed. The only notable blemishes to the case are a slight water stain to the left-hand front hood column and the fact that the trunk door is missing its lock.Timepiece is complete with pendulum, weights and a 17th century style engraved brass winding key. Condition Report Disclaimer
Y AN IMPRESSIVE FRENCH ORMOLU MOUNTED BOULLE BRACKET CASE AND DIAL IN DISTRESSED CONDITIONSIGNED FOR BALTHAZAR, PARIS, PROBABLY MID TO LATE 19th CENTURYThe incomplete 8.5 inch circular twelve-piece deep cobalt blue-on-white Roman numeral cartouche numeral dial with Louis XIV profile bust cartouche and crown cast centre and sculpted steel hands, over apron mount cast with Classical female emblematic of the sciences and agriculture flanking small oval enamel plaque inscribed BALTHAZAR, APARIS to centre, the engraved cut brass and brown shell marquetry veneered case with brass urn finials over pierced strapwork scroll cast swollen frieze and cavetto scroll collar surmounting the ogee-shaped superstructure decorated in the Barianesque manner with female figure and portrait bust inhabited foliate marquetry, the angles with Satyr mask mounts over scrolls supporting further finials and the conforming sides set at under ninety degrees from the front, the fascia with fine complex moulded cast break-arch cornice over scrolling marquetry veneered surround to the dial aperture curving outwards at the angles and applied with canted cast gilt female terms over integral scrolls applied with gilt foliage, the sides of curved profile each finely veneered with foliate strapwork incorporating engraved sunburst mask over Classical figure and urn panel to lower margin, the rear angles applied with conforming terms and the front apron centred with an cast mask with elaborate headdress, the whole supported via four cast recumbent equines onto a serpentine outline plinth base applied with foliate case collars and with remnants of fine marquetery veneers (heavily distressed, lacking cast front door frame, and other mounts/elements).77.5cm (30.5ins) high, 54cm (21.25ins) wide, 23cm (9ins) deep. A closely related 'pendele aux chevaux' case to the current lot is in the Royal Collection and can be found at: https://www.rct.uk/collection/3069/mantel-clock
AN UNUSUAL GEORGE III EIGHT-DAY LONGCASE CLOCK MOVEMENT AND DIAL WITH 'ROCKING EYE' AUTOMATONSAMUEL LINES, LUTON, LATE 18th CENTURYThe five pillar rack and bell striking movement with anchor escapement for regulation by a seconds pendulum, the 11.75 inch single sheet engraved brass Roman numeral dial with subsidiary seconds dial, calendar aperture and signed Samuel Lines, Luton to centre, with Arabic five minutes to outer track and twin bird and urn cast spandrels to angles, the arch painted with portrait of a turbaned gentleman with 'rocking eye' automaton matching the motion of the pendulum via painted inserts connected to the pallet arbor behind, (unrestored; hands, pendulum, weights and pulleys lacking).41.5cm (16.375ins) high, 30cm (11.875ins) wide, 15cm (6ins) deep. Samuel Lines of Luton does not appear to be recorded in any of the usual clockmaker's directories.
Y A FINE DUTCH BRASS MOUNTED EBONY GRANDE-SONNERIE STRIKING TABLE CLOCK WITH MOONPHASE AND CALENDARJACOB HASIUS, AMSTERDAM, CIRCA 1740The four pillar movement with thick plates measuring approximately 8.75 by 6.375 inches enclosing fusee for the going train with verge escapement regulated short bob pendulum, the hour and quarter trains both with standing barrels secured to the frontplate and sounding the quarter followed by the hour on a graduated pair of bells every quarter hour, the backplate finely engraved with a sunburst mask flanked by foliate scrollwork incorporating ribbon-tied martial trophies over grotesque mask surmounted foliate strapwork bordered signature cartouche engraved Jacob Hasius, Amsterdam Fecit to lower margin, the 8 inch square brass dial with scroll-bordered shaped cartouche further signed IACOB, HASIUS, AMSTERDAM and incorporating date-of-the month aperture to the upper part of the matted centre, over twin shaped chamfer-cut sector apertures revealing month-of-the-year and day-of-the-week indications labelled in Dutch and engraved with their respective deities, within applied silvered Roman numeral chapter ring with stylised trident half hour markers, with scroll-pierced steel hands and lambrequin mask centred scroll cast spandrels to angles within a herringbone engraved border to the edges of the plate, the silvered arch with rolling moonphase set within very finely engraved surround incorporating lunettes and overall inhabited with Classical deities including Poseidon and Zeus together with other allegorical figures and trumpeting putti flanking an aperture for age of the moon to the apex, the ebony veneered bell-top case with scallop-shell centred scroll-engraved hinged shaped brass carrying handle and fine foliate scroll strapwork pierced and engraved fretwork overlay to both the convex upper and the tall concave lower sections of the superstructure incorporating central grotesque masks, urns and dolphins to the latter, over complex top moulding applied with fine chiselled brass vase finials above opening front incorporating brass fillet moulding bordering the glazed dial aperture and engraved winged cherub mask and scroll upper quadrant frets, the sides with circular over concave-topped scroll-engraved brass sound frets incorporating Classical portrait bust-centred cartouches, the rear matching the front, on cavetto moulded skirt base bound with strapwork scroll engraved brass over finely detailed hairy lion's paw feet.51.5cm (20.25ins) high with handle down, 31.5cm (12.5ins) wide, 20.5cm (8ins) deep. Provenance:Purchased at Christies Amsterdam sale of EUROPEAN AND NOBLE COLLECTIONS 14th December 2011 (lot 60) for 34,600 Euros. Previously the property of a Dutch private collector; with H. Brokke, Amsterdam in 1966, and the Dreesman Collection, circa 1928. Jacob Hasius is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1682-1747. He had a workshop in the Jan Roodenpoortstorenteeg and is listed in the 'Register of Good Men' in 1704 and 1716. The specification of grande-sonnerie striking, triple calendar indication and moonphase, coupled with the exceptional dial engraving and the profuse use of pierced and engraved brass mounts to the case suggest that the present clock was made as a 'statement piece' most likely for a member of the wealthy Amsterdam merchant class.Condition Report: Movement is complete, fundamentally original and is in relatively clean working condition. The grande-sonnerie striking is operational however is prone to either counting the hours incorrectly or not tripping now and again suggesting that a gentle service is probably due. All the underdial-work for the calendar indications are present and operational but will most likely require some adjustment and synchronisation. The dial is in fine original condition with exceptional engraving to the arch. The centre hole (for the hands) has a correction (from the time of making) in the form of a filled part-circle beneath the present hole otherwise faults are very much limited to a visible rivet mark (for a calendar wheel carrier post) to the matting near three o'clock. The case has a vertical veneer patch repair to the left hand upright (bordering the brass fillet moulding for the gazed aperture) of the back door otherwise is in fine original condition with faults very much limited to minor bumps, scuffs, shrinkage and other age-related blemishes. The brass frets are complete and of fine quality with good strong engraved detail throughout.Clock is complete with integral bob pendulum and a winding key. Condition Report Disclaimer
AN UNUSUAL FRENCH PORCELAIN PANEL MOUNTED GILT BRASS ALARM CARRIAGE CLOCK IN A ONE-PIECE CASEMOSER, PARIS, CIRCA 1840The two train countwheel bell striking movement with platform lever escapement regulated by sprung monometallic balance, the backplate signed Moser a Paris and numbered 8058 to lower margin, the inside lower edge of the frontplate further stamped 2453, the circular white enamel Roman numeral dial with pierced blued steel trefoil hands set within fine foliate scroll gilt brass rectangular mask incorporating a conforming enamel Arabic numeral subsidiary alarm setting dial to lower margin, the bevel-glazed one-piece case with rococo scroll cast hinged carrying handle over top glass applied with a raised oval porcelain plaque polychrome painted with an 18th century style female portrait within gilt cartouche and blue ground border set within canted gilt brass surround flanked by foliate scroll-pierced fretwork, the caddy moulded frame cast and chased in relief with fine fruiting foliage incorporating crossed ribbon decoration to uprights, the side glasses applied with conforming raised oval porcelain panels decorated with putti, each set between a pierced and engraved foliate strapwork crest and apron, the rear door with further large panel painted with an 18th century musician playing a lute within pierced upper and lower border infill, on repeating leaf chased cavetto skirt base with inset rounded angles.15cm (6ins) high with handle down, 10.5cm (4.125ins) wide, 9.5cm (3.75ins) deep. Recent research by Leigh Extence has established that Georges Moser was born in Switzerland in 1798. By 1823 he had moved to Paris and was located at 18 Grenier St. Lazarre (which became number 15 in 1825). In 1836 Moser had moved to Boulevard du Temple 9 and subsequently entered into partnership with Samuel Marti in 1840. The partnership was registered at the address Orleans-Marais 13 until 1843 when Moser left and returned to Boulevard du Temple 9 before moving to number 24 in 1846 and then finally to number 15 in 1850. In 1860 the business was registered with 'et Cie' and records ceased after 1863.Extence also notes that Georges Moser utilised movements supplied by Holingue freres who also supplied Paul Garnier and were an important part of the history of Drocourt.Condition Report: Movement is clean condition with no visible evidence of alteration or noticeable replacements. The strike and alarm mechanisms are fully operational; the going train will run but escapement sticks which is most likely due to lubrication drying-out. The dial enamel appear to be free from visible faults and the mask is in good condition with no visible wear or faults. The case is in very good original condition with minimal edge wear and discolouration to the gilding. The top glass has a slight chip to the rear edge and the rear door has a small chip to the lower right corner otherwise the glasses appear free from visible damage. The porcelain panels are in fine condition with no visible cracks or evidence of restoration; the gilt details show minimal wear.Clock has a winding key. Condition Report Disclaimer
Pair of 19th century Continental gilt metal and painted porcelain four branch candlesticks, with scrolling candle arms and portrait painted vase columns on stepped plinth bases, 50cm highBoth in sound original condition, one urn chipped and one cast acanthus leaf broken off and missing. Both very dirty and in need of cleaning and consolidation.
After Andy Warhol,American 1928-1987,Self portrait;screenprint in colours on wove, and stamped with artist's signature, numbered 19/100 in pencil,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
Christopher Wool, American b.1955-and Felix Gonzalez-Torres, Cuban/American 19571996,Untitled: The Show is Over, 1993; Untitled (Double Portrait), 1991;each offset lithograph on wove,(i) sheet: 141 x 94 cm,(ii) sheet: 100 x 70 cm,(unframed)(2)Note: together with the book 'Christopher Wool: Pattern Paintings 1987-2000', published on the occasion of Christopher Wool's exhibition at New York's Skarstedt Gallery, 2007.
After Pablo Picasso, Spanish 1881-1973, Portrait de femme; Passe de cape; Passe de cape; La femme endormie; Hand with Bouquet; (i) offset lithograph with five colours on Arches wove, stamped signature, (ii) offset lithograph on Arches wove, printed by Les Affiches d'Art, France, (iii) offset lithograph on Arches wove, printed by Les Affiches d'Art, France, (iv) screenprint with one colour on Arches wove, printed by Les Affiches d'Art, France, (v) offset lithograph on wove, printed by Aaron Ashley, New York, 2000, largest: 101.5 x 66.4 cm, (unframed) (ARR) (5)
After Amedeo Modigliani,Italian 1884-1920, Portrait of Roger Dutilleul, 1959;lithograph in colour on wove,signed in the plate numbered LIX/CCL in pencil,from the Portfolio of Forty Five Drawings by Modigliani,the total edition was 1000,printed by Arti Grafiche Pezzini, Milan, with their blindstamp,published Grove Press Inc, New York,sheet: 41.8 x 24.7 cm,(framed)(ARR) Note: together with a Certificate of Authenticity issued by N. Isen, Philadelphia.
Nicolas Party,Swiss b.1980-Portrait with a Seahorse Necklace, 2021;woodcut print on HM-5 gampi-shi paper,signed and numbered 95/100 in pencil,presented in a bright yellow portfolio,sheet: 24.1 x 28.3 cm,(unframed)Note: this is the Phaidon special edition, which includes a signed and numbered 95/100 hardback edition of 'Nicolas Party: Stéphane Aquin, Stefan Banz, Ali Subotnick, Melissa Hyde', published Phaidon Press Ltd, 2021.
India interest, Kolar Gold Fields. Twenty-nine tinted photographs on paper. A set of tinted photographs purportedly taken by Herbert 'Glencore' Smith, printed on paper and mounted, showing South India including Sadhus, villages, plants and buildings, portrait with ink description to verso reading Mrs Janet Glencoe Smith, housed in cloth box, mid 20th century. (largest mount measuring 38cm x 33cm) (Herbert Glencoe Smith lived on the Kolar Gold Fields, South India, from 1930 until his death in 1947. He was one of the first pilots in the British Flying Corp during the First World War)
EDYTH STARKIE (1867-1941); oil on canvas, portrait of Major-General Harding Steward, signed and dated 1890, and with paper label verso signed 'Steward', 70 x 58cm, in gilt frame. Note: this lot was purchased at these rooms around October 2001 and is now accompanied by a folder of research about the artist and Major-General E Harding Steward. Edyth Starkie was an establish Irish portrait painter who was married to Arthur Rackham.
AFTER GEORGE ROMNEY; oil on canvas, 'Portrait of Boy with Dog', unsigned, 73 x 60cm, in gilt frame with old label verso inscribed 'Portrait of Boy with Dog by Romney, Lined 1918' indicating the canvas has been relined.Condition Report: I would believe this portrait to be 19th century yes, there are no tears or rips to the back of that canvas. Canvas is inscribed that it was reclined 1918 which would also suggest to me that the painting is from the 19th century. I have attached additional photographs to the lots images.
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