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â–² Dorothy Wilding (1893-1976) 1940s and later, four silver gelatin photographs on paper, depicting political figures:Vincent Massey, former Governor General of Canada;Gladwyn Jebb, former British Ambassador to France;two, Sir Sultan Mohammed Shah, known as Aga Khan IIIthe first two signed 'Dorothy Wilding'largest 67.5 x 48.5cm, unframed (4)Provenance: From the studio of Dorothy Wilding and thence by descent.For most of the above examples, the original images are held in the collection of the National Portrait Gallery.Condition ReportSome examples with marks and creasing to edges.Only two out of the four photographs in the group are signed.
â–² Dorothy Wilding (1893-1976) 1940s and later, a group of six silver gelatin photographs on paper, depicting:fashion designer, Norman Hartnell;writer, John Phillips Marquand;writer, William Somerset Maugham;actress, Claire Bloom;actress, Antonia Gerald;and a portrait of an unknown young woman, possibly Andrée Mellylargest 61 x 44cm, unsigned and unframed (6)Provenance: From the studio of Dorothy Wilding and thence by descent.For most of the above examples, the original images are held in the collection of the National Portrait Gallery.Condition ReportSome examples with faint marks and creasing to the edges.
â–² Dorothy Wilding (1893-1976) 1940s and later, a group of five silver gelatin photographs on paper, depicting actors:Yul Brynner and Gertrude Lawrence;Yul Brynner;Gertrude Lawrence;Douglas Fairbanks Jr;Gertrude Lawrence and Richard Stoddard Aldrichlargest 40cm x 36.5cm, unsigned and unframed (5)Provenance: From the studio of Dorothy Wilding and thence by descent.For most of the above examples, the original images are held in the collection of the National Portrait Gallery.Condition ReportSome examples with faint marks and creasing to the edges.
Circle of Hugh Douglas Hamilton (circa 1739-1808)Portrait of a Young Ladyhead and shoulders, seated on a chaise longueoil on canvas61cm x 50.5cm Unframed but on stretcher. The painting bears clear issues, including a prominent hole just above the sitter's head (as photographed). Picture surface is stable otherwise, with some craquelure and many smaller abrasions and holes
Green (Valentine) The History and Antiquities of the City and Suburbs of Worcester, London: for the author by W. Bulmer, 1796, 2 volumes, rebacked gilt tooled diced red calf, later title and volume labels, armorial bookplate for Joseph Jones, marbled endpapers and edges, portrait frontispiece, vignette title, 14 plates to volume 1, fold out map to volume 2, vignette frontispiece and 9 plates to volume 1; together with Wild (Charles) An Illustration of the Architecture and Sculpture of the Cathedral Church of Worcester, London: by the author, 1823, large folio, large paper edition, original boards with pasted paper label to front board, twelve engraved plates (3)A Gloucestershire book collectorGreen: later rebacked retaining original boards with spine replaced and new title labels, first few pages of volumes 2 disbound, fold tear to fold out map, scattered foxing throughout, pastedowns with browned edges, boards rubbed and corners bumped.Wild: boards worn with loss and dampstains, text clean with plates foxed
Follower of John Hayls (circa 1600-1679)Portrait of a Gentlemanthought to be the Hon. Roger Widdrington (died 1676)half-length, wearing armour with a white cravatbears inscription 'Hon ble. Roger Widdrington. Temp. Car. 2/Wissing.Pinxt' (on the reverse)oil on canvas76cm x 63cm Framed. The canvas has been relined, and the inscription to the reverse, with its reference to Wissing, will have been added at this later point. Picture surface is stable; although the picture has not been examined under UV, there are nevertheless signs of overpainting that are clear to the naked eye. There is a small, visible abrasion towards the upper left of the canvas.
English School, 18th CenturyPortrait Miniature of Mrs Fitzherberthalf-length, wearing a white dresswatercolour on ivory8.5cm x 6cmwith a second 18th Century ivory portrait miniature depicting a lady wearing a blue and white dress, 7cm x 6cm (2)Ivory registration references: U6VSC3ZC and TZ2AKR87
Circle of Michael Dahl (circa 1659-1742)Portrait of Viscountess Blundell, née Mary Chetwynd (1680-1756)three-quarter length, seated, in a blue dress, holding a sprigwith erroneous identifying inscription 'The Hon.ble Miss Blundell' (lower left)oil on canvas (unlined)125.8cm x 99.6cm Ombersley Court, Worcestershire In a gilt frame (bearing some signs of wear). The painting has been restored and relined. Picture surface is stable, with mild craquelure throughout. The canvas bears prominent stretcher marks, especially across the middle of the picture surface. There is an approx 2cm tall vertical tear to the same area of the canvas, along with some small, matt undulated areas indicating repair work to previous tears. Some other more general areas of unuldation are also present to the canvas.
ARR David Cowan Dobson (1894-1980)Portrait of Daphne Duke (1917-1976)half-length, wearing a jacket and scarfsigned lower leftoil on canvas76.5cm x 63.5cm The sitter was the sister of Sir Charles Mappin, of Mappin and Webb - the long established Regent Street jewellers and was married to Lt. Colonel John Arthur Talbot-Ponsonby, known as ‘Jack’, who lived from 1907-1969
Enoch Seeman (circa 1694-1744)Portrait of a Gentlemanhalf-length, probably The Hon. Montague Blundellin a white shirt, red waistcoat and blue naval jacketin a feigned ovaloil on canvas76.5cm x 63.3cm Ombersley Court, Worcestershire in an 18th Century Maratta frame. The painting is generally in good overall condition. It has been relined and restored. The picture surface is generally stable, with some slight potential areas of flaking around the middle-right of the composition. There is craquelure throughout, and there are some areas of unevenness, indicating potential losses to the varnish layer in places. There is some slight undulation to the canvas in places.
Attributed to Caspar Netscher (1639-1684)Portrait of a Gentlemanthree-quarter length, wearing armour with an embroidered red and gold sashby a rocky edge, with a plumed helmetoil on canvas45cm x 38cm Framed. The picture is stable, with craquelure throughout. Some other light surface dirt and abrasions. Canvas has been relined. Some damage and wear to the frame.
Two Early Exhibition Catalogues of Carpets in America to include: Catalogue of Oriental Rugs in the Collection of James F. Ballard, Indianapolis: The John Herron Art Institute, 1924, folio, rebound in green cloth gilt, half title, photographic frontispiece portrait, numerous colour and black and white plates; Pope (Arthur Upham) Catalogue of a Loan Exhibition of Early Oriental Carpets, Chicago: The Art Club of Chicago, 1926, folio, rebound in green cloth gilt, colour frontispiece and half title, retaining original wrappers, numerous black and white plates; Persian Art, Hudson & Kearns for The Executive Committee of the Exhibtion, 1931, 8vo, original wrappers and later cloth case; Iran Company, A Handbook of Oriental rugs, Chicago: R. R. Donnelly & Sons, 1905, 8vo, original printed wrappers; Pushman Brothers, Art Panels from the Handlooms of the Far Orient, Chicago: R. R. Donnelly & Sons, 1905; Pushman Brothers, Art Panels from the Handlooms of the Far Orient, Chicago: R. R. Donnelly & Sons, 1911; Suleeba (E. S.) Rugs from the Handlooms of the Far Orient, Kansas City: n.p., 1909 (7)The Library of Raymond Benardout
Circle of Frans Ykens (1601-1693)Portrait of a Clericin a stone niche surrounded by a garland of flowersbears signature lower centreoil on panel67cm x 46cm bears Christie's stencil to the reverse. Framed. The painting is in good condition; the picture surface is stable. The colours are vivid, indicating that the picture may have been restored. Craquelure throughout.
Circle of Jonathan Richardson (1667-1745)Portrait of a Ladythree-quarter length, seated, at a pianofortebefore a classical columnoil on canvas126cm x 101.5cm In a period carved giltwood frame. The painting has been restored and relined, most likely at some point in the twentieth century. The artwork is in good overall condition. The picture surface is stable, and there is little further visible damage apart from some mild surface dirt. Some damage and loss to the carved giltwood frame.
English School, mid 18th CenturyPortrait of Lord Robert Bertie (1721-1782)half-length, wearing armour with a red ermine trimmed cloak, in a feigned ovalwith Portrait of Lady Robert Bertie (1719-98)half-length, wearing a white dress, blue sash and blue ermine trimmed robes, in a feigned ovaloil on canvas76.2cm x 63.5cm Ombersley Court, Worcestershire with erroneous identifying inscriptions, the first 'Lord Robert Bertie / brother of / the Duke of Doncaster' upper left, the second 'Lady Robert Bertie / Sister of Viscount Blundell' upper left, and 'Knapton / pinxit' to the reverse, on the lining canvas.General Lord Robert Bertie was the fifth son of Robert Bertie, 1st Duke of Ancaster. He joined the Coldstream Guards in 1737 and became general in 1777. In 1762, he married Mary, youngest daughter of Montague Blundell, 1st Viscount Blundell. Lady Bertie: the portrait has been relined and restored, with craquelure throughout, especially to the lower left quadrant, where there is also a potentially bituminous area (as indicated on the condition report image). Picture surface is stable, but with some small areas of loss to the lower right edges.Lord Bertie: the portrait has been restored and relined, with varying degrees of craquelure throughout, especially to the upper right quadrant. Picture surface is stable.
Hackney Horse Society, a collection of twenty-three silver medallions,by Mappin and Webb, Birmingham 1920,two designs, comprising: fifteen with a horse's head and 'Hackney Horse Society', the reverse with a portrait of George V, plus eight with a trotting horse above 'Hackney Horse Society', the reverse with a mounted classical soldier, approx. total weight 26.4oz. (23)
An Austro-Hungarian silver-gilt double frame, with enamelled decoration and set with turquoise borders and red stones, mounted with two cherubs, hinged strut support, with a central lock of hair under glass and a portrait of Edward VII and Queen Alexandra, in watercolour on a photographic background, oval frames, height 11.8cm.
A Pitt Club medal,William Tassie, circa 1806,shaped oval form surmounted by a wreath with a ring attachment, a central white paste portrait of William Pitt mounted on black glass within an inscription 'NON SIBI SED PATRIAE VIXIT, to the reverse it is inscribed 'In memory of the R Hon W Pitt Died 23 Jan 1806 aged 47 / Huntley Bacon Esq / Pitt Club', with a fitted red leather case, height 4.6cm.
A collection of three United States banknotes, including a 1935 'A' series $1 note, I good condition, crisp and flat, one or two grubby marks to reverse, edges and corners good, a 1934 'C' series $10 note, from circulation, considerable foxing to front and reverse, red stain to centre of portrait, some rounding to corners and evidence of creasing, and a 1935 'C' series Hawaii $1 note with HAWAII overprint to front and reverse, overall in good condition, robust but with considerable evidence of creasing
A collection of four 19th Century United States banknotes, including a 1963 25 Cents note, in good condition, some minor rounding of corners, an 1874 10 Cents note, in good condition, a brown stain to upper left corner front and reverse, a tiny perforation to lower centre of portrait, some minor rounding of corners, an 1874 25 Cents note I good condition, one or two grubby marks here and there, some minor rounding to corners, and an 1864 Confederate Sates of America $10 note, in fair condition, some creasing evident, general discolouration with some brown staining to upper edge front and reverse, a small perforation to upper centre of vignette, recommend viewing

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