* China. A collection of over 160 celluloid film negatives, c. 1900-25, the images showing scenes in Shanghai, Peking, Kalgan, Nank’ou, Tsingtao, Manchuria, Kaiyna, Koyang, etc., negatives 9.5 x 12 cm, plus numerous duplicates, many contained in four negative wallets, plus some loose ‘miscellaneous’ negatives in envelopes, wallets with pencil partial index captions (and some later indexing on separate sheets), together with a small related group of mostly small format gelatin silver print photographs, many with brief annotations to versosQTY: (approx. 200)NOTE:The photographs were taken between 1900 and 1925 by Niels Poulsen when he worked for various firms, including Liddell's, while engaged mainly in the wool trade which took him all over North China. Niels Poulson was born in 1880 in Shanghai, China, of Danish parents. His father Carl Poulson originally arrived in China in 1871 working for the Great Northern Telegraph Company and was invited by the Chinese statesman Li Hongzhang (1823-1901) – for a portrait of Li see lot 54 – to open a school of telegraphy in Tientsin (Tianjin) where the family settled and where Niels grew up. After leaving school Niels spent some time in Manchuria, but was in Tientsin during the time of the Boxer Rebellion (1899-1901). Subsequently, he spent most of his time in North China until 1926 where he moved to Shanghai. Niels was well-known in the country north of the Yangtse river. He had been regarded as the best gentleman rider in North China, having won numerous horse racing trophies. It is understood that Niels aided Li by undertaking confidential missions in Chinese disguise. The National Army Museum in Chelsea holds a collection of six photographs relating to the service of Niels Poulsen, recruitment manager of the Chinese Labour Corps in Shantung (now Shandong) Province c. 1914-1923; and to the service of Lt. Rev. Frank Harmon as a missionary and interpreter in Manchuria, Peking and France, c. 1900-1918.
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* Paderewski (Ignacy Jan, 1860-1941). Pianist, composer and Prime Minister of Poland, 1919. Photograph Signed, 'I.J. Paderewski', gelatin silver print photograph by G. Nitsche (copyright stamp in the negative lower left), half-length portrait, signed in black ink vertically up his white shirt front, a few scattered 'pinprick' marks to photograph surface, 135 x 95 mm, on original card mount with the sitter's name in white letters to lower mount, cut down into an oval shape for previous framing purposes, 21.5 x 16 cm overallQTY: (1)
* Li Hanzhang (1821-1899). Governor of Guangdong and Guangxi in the Qing Dynasty, older brother of Li Hongzhang (1823-1901). Portrait of Li Hanzhang and his second son Li Jingchu, c. 1890, albumen print, laid on card, printed credit in the negative to lower margin, image size 29 x 21.5 cm, Chinese inscriptions in black ink to left and right margins identifying the sitters in the portrait and being a presentation inscription, English presentation inscription in a neat italic hand to mount verso, 'To His Excellency the Governor of Hong Kong with the compliments and best wishes of his Ex. Li the Viceroy of two Kwangs, and his 2nd son Li-yeu San, at Canton, 9th Feb. 1890', mount dust-soiled and with several marginal tears including loss to 3 cornersQTY: (1)NOTE:The Viceroy of Liangguang or Viceroy of the Two Guangs, was one of eight regional Viceroys during the Ming and Qing dynasties. The two Guang referred to Guangdong and Guangxi provinces. The areas under the Viceroy's jurisdiction included present-day Guangdong and Guangxi provinces, as well as Hainan Province. Li Hanzhang was made viceroy for helping the Court suppress the rebellion, serving from 8 August 1889 to 13 April 1895. His younger brother, Li Hongzhang, was briefly viceroy, 24 May to 9 July 1900.Li Hanzhang’s second son, Li Jingchu (1867-1913), was the first general manager of the Bank of Communications.The governor of Hong Kong at this time was Sir George William Des Voeux (1834-1909), a British colonial administrator who served as governor from 1887 to 1891.
* Helena (Augusta Victoria, 1846-1923). Princess Christian of Schleswig-Holstein, third daughter of Queen Victoria & Prince Albert. Autograph Letter Signed, 'Helena', Claremont, Esher, Surrey, 14 May 1884, to Mrs [Friedrich Max Müller], saying that she will be sending her 'and the dear Professor, the vol. of my dear sister's letters with the sketch of her Life which I translated and a short preface of my own which I have added. I shall be anxious to hear if you both approve of it! Your dear husband gave me so much kind help... ', and later changing subject to the death of her brother [Leopold] and thanking them for their kind letter, with further reflections about her brother, a total of 7 pp. on 2 bifolia of personal mourning stationery, 8vo, the letter with a little loss to upper margin of final leaf from where originally glued to the inside cover of the aforementioned book, the missing paper with three ascenders still present, the book titled Alice Grand Duchess of Hesse, Princess of Great Britain and Ireland. Biographical Sketch and Letters, 1st edition, London: John Murray, 1884, 2 engraved portrait plates including frontispiece, a little spotting, initialled presentation inscription from Princess Helena to front flyleaf, 'Professor & Mrs Max Müller, from H A P., May 14 1884', original blue cloth gilt, slightly rubbed and soiled, 8voQTY: (2)NOTE:Princess Helena was the third daughter and fifth child of Queen Victoria and Prince Albert. Her older sister Princess Alice (1843-1878) was Grand Duchess of Hesse and by Rhine as the wife of Grand Duke Louis IV. She was the third child and second daughter of Queen Victoria and the first of her nine children to die. Prince Leopold (1853-1884), Duke of Albany, was the eighth child and youngest son of Queen Victoria and Prince Albert. He had haemophilia, which contributed to his death following a fall at the age of 30. Friedrich Max Müller (1823-1900) was a German-born philologist and Orientalist, who lived and studied in Britain for most of his life, marrying Georgina Adelaide Grenfell.
* Durbin (Deanna, 1921-2013). A vintage signed and inscribed sepia photograph, a close-up head portrait, signed in blue ink for Jacoba with sentiment lower left, two brown spots to upper edge (from a paperclip?) and a few lighter spots to right margin, 25 x 20 cm, together with the original mailing envelope with a mimeographed Universal Studios biography of the actress dated January 1938, 1 page, 4to, addressed to Jacoba van Hirwijnen at Van's Dutch Village Inn, Shanghai, postmarked 1 February 1938 and with receipt date 8 March 1938 inscribed to versoQTY: (3)
ENGLISH ENAMEL PORTRAIT SNUFF BOX FOR THE MARQUIS DE LAFAYETTE EARLY 19TH CENTURY of oval form with a hinged domed cover and cobalt body, the cover polychrome decorated with a portrait of the sitter beneath the title LAFAYETTE; marked with an X to the interiorDimensions:5cm longNote: Note: Most likely a souvenir to commemorate the Marquis de Lafayette's Farewell Tour of the United States in 1824-25.
MINTON PINK GROUND VASE AND COVER CIRCA 1850-60 with pierced twin handles, the domed cover with a leaf finial, the body painted with classical maidens with a swans, within a border of ribbands and cornucopia; the reverse with a portrait roundel flanked by winged putti and floral garlands; the neck painted en grisaille, on a round socle foot and square plinth base; ermine mark and incised numeral 469Dimensions:43cm high
Y ITALIAN MILANESE EBONY AND IVORY INLAID CENTRE TABLE, IN THE MANNER OF FERDINANDO POGLIANI LATE 19TH CENTURY the top inlaid with a central panel depicting Poseidon and Amphitrite with further smaller panels of putto, inlaid further with portrait roundels of famous artists, writers, and scholars within a scrolling border of arabesques, putti and griffins; above a frieze with corresponding ivory inlay and a long drawer, marked with further portrait roundels, raised on knopped facetted and tapered legs joined by a scrolling X stretcher centred by an urn finialDimensions:132cm wide, 80cm, 70cm highNote: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference FJ2U77W9Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y LARGE PORTRAIT MINIATURE OF LOUIS XVI 19TH CENTURY oval, on ivory, after the original by Joseph Boze, painted with watercolours and bodycolour, the sitter wearing a mauve and gold embroidered coat and the Order of the Holy Spirit, signed indistinctly, in an unmarked gold locket frame with tortoiseshell and mother-of-pearl covers, mirror interior, and a suspension loopDimensions:9.3cm excluding frameNote: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference WXDR5895Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y THREE PORTRAIT MINIATURES OF FAMOUS LADIES LATE 19TH CENTURY all watercolour and bodycolour on ivory, the first an oval portrait of Constance Mayer, the second a small oval portrait of the Duchesse Marie Louise de Parma; the third a circular portrait of French noblewoman, all in gilt metal framesDimensions:largest 8.5cm highNote: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration submission Reference 30392417779Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Zhu Xinjian (1953-2014)Portrait of a BeautyInk and colour on gold freckled paperInscribed and signed Dafeng Xinjian, with two seals of the artist, 66 x 66cm.Provenance: Acquired directly from the artist. 朱新建 （1953 - 2014）美人圖設色金笺，鏡心款識：美人圖。醉倚栏杆。大豐新建製。鈐印：「脂粉俗人」、「新建图章」。來源：購於藝術家處。Condition Report: 品相報告good condition.
Zhu Xinjian (1953-2014)Portrait of a BeautyInk and colour on gold freckled paperInscribed and signed Dafeng Xinjian, with two seals of the artist, 66 x 66cm.Provenance: Acquired directly from the artist. 朱新建 (1953-2014)美人圖設色金笺，鏡心款識：美人圖。高楼送客醉。鈐印：「花深處」、「新建图章」。來源：購於藝術家處。Condition Report: 品相報告：Good condition.
Zhu Xinjian (1953-2014)Portrait of a BeautyInk and colour on gold freckled paperInscribed and signed Dafeng Xinjian, with two seals of the artist, 66 x 66cm.Provenance: Acquired directly from the artist.朱新建 (1953-2014)美人圖設色金笺，鏡心款識：美人圖。醉倚栏杆。大豐新建製。鈐印：「脂粉俗人」、「新建图章」。來源：購於藝術家處。Condition Report: 品相報告Good condition.
Eight oil on canvases: A river scene, horse and two swans, titled Old Friends by Ewan 1988 96cmx 123cm, Child with Violin, 112cm x 84cm, Venice, 86cm x 116cm, portrait of a gentleman (damaged to right hand corner of canvas) 80cm x 92cm, Stable scene, 72cm x 86cm, Dinner at the Ritz, signed. 73cm x 95cm, Gentlemen in wig 92cm x 77cm,Portrait of gentlemen with a white tie 73cm x 63cm & Portrait of a lady in a bonnet, (damage to canvas) 74cm x 63cm
Six paintings/ prints: a decorative pastel portrait signed May 99 87cm x 66cm, watercolour near Hatfield Broad Oak, Essex, signed 1985 82cm x 98cm, a watercolour signed lower left 82cm x 98cm, a pastel portrait 75cm x 60cm, a pastel "In the garden" signed 75cm x 60cm, a pastel portrait signed, 75cm x 60cm.
22 FIGUREN AUS DER AFFENKAPELLE. Meissen. Datierung: 20. Jh. Meister/Entwerfer: Entwurf J.J. Kaendler. Technik: Porzellan, farbig und gold staffiert. Beschreibung: Bestehend aus: Querflötist, 4 Sängerinnen, Trommelträger, Affe mit Trommelstöcken, Trommler, Triangelspieler, Violinist, Dudelsackspieler, Harfenistin, Hornbläser, Affe reitend mit Klavier, Lautenspielerin, Affe mit Oboe, Posaunenspieler, 2 Flötisten, Cellist, Dirigent, 2 Notenpulte. Maße: Höhe 12,5cm bis 18,5cm. Schwertermarke. Literatur:- Adams, Len and Yvonne: Meissen Portrait Figures, Leicester 1992, S.188 und 195.- Rückert, Rainer: Meissener Porzellan von 1710-1810. Kat. Nr.1064-1078.- VEB Staatliche Porzellanmanufaktur Meissen (Hrsg.): Figuren 1. Vgl. Kapitel Affenmusiker.- www.meissen.com (Stand 31.03.2023). Die in aufwendiger Kleidung des Rokokos gestalteten Affenfiguren parodieren in höchst überspitzter Form die oberste Gesellschaftsschicht im 18. Jahrhundert und ihre Allüren. Historischen Überlieferungen nach sollen sie zudem im speziellen eine Karikatur der Kapelle des Grafen Brühl sein. Die männlichen Affen nehmen hierbei die Rollen der Musiker ein, während die weiblichen Affen als Sängerinnen dargestellt sind.Die Entstehungszeit der Kapelle ist bis heute nicht genau zu belegen. Allerdings lässt sich anhand der Formnummern und einem Kauf von 19 solcher Figuren durch Madame de Pompadour eine Entstehung um das Jahr 1753 vermuten. Wohl von Johann Joachim Kaendler erschaffen und unter Mitwirkung Peter Reinickes im Jahr 1765/66 neu überarbeitet, gelten die Affen als der »skurrilste Klassiker des Meissener Barock« (www.meissen.com).Mitte des 18.Jh. erfreuten sich Affendarstellungen, welche in parodistischer Weise menschliche Züge annehmen, größter Beliebtheit. Dieses Genre der sog. »Singerien« (franz. »singe« = Affe) wurde nicht nur in Porzellan umgesetzt, sondern findet sich ebenso in Decken- und Wandmalereien oder auf Gobelins. So lässt sich vermuten, dass u.a. wohl die Wandmalereien Christophe Hüets im sog. Affenkabinett des Schlosses Chantilly als Vorbild für die Meissener Kapelle gelten dürfen. Eine weitere französische Vorlage könnte eine Affenkapelle der Manufaktur Mennecy aus den 40er Jahren sein. Ebenso erinnert eine um 1745 entstandene Alabaster-Kapelle aus Venedig im Metropolitan Museum in New York stark an die Kaendlersche Kapelle. Meissen Deutschland Porzellan 20. Jahrhundert Kaendler, Johann Joachim Erläuterungen zum Katalog
Freemasonry: a Victorian silver, gilt, enamelled and paste-set Royal Arch Mariner's Jewel, 133 x 103mm, a star of twenty-four rays set with variously cut simulated diamonds, surmounted by a chased rose gilt oval band within which an enamel portrait of a priest wearing a jewel set breast plate and carrying a censer, initials 'SD', four small loops to the reverse, minor deficiencies to the paste settings, otherwise extremely fine and rare; in its fitted red velvet lined case.133mm high and 103mm wide
A Great War Zeppelin relic, being a wooden propeller salvaged from Zeppelin LZ112 (airship L70), the last Zeppelin to be shot down during the war, 79.35 cm long, the blades curved along one edge, the central depression pierced for bolts, painted with the words "This Propeller was taken from the last Zeppelin to be shot down over England. Immingham August 1918"; together with a reproduction of a portrait photograph of Commander Peter Strasser, who died in command of L70. [2]On the 6th August 1918 Zeppelin LZ112 (L70) was shot down over the sea near Immingham in Lincolnshire by a de Havilland DH-4 flown by Major Egbert Cadbury, with Captain Robert Leckie as rear gunner. During the following weeks the wreckage was brought ashore, and a number of the crew received sea burials.
Nelson (Horatio 1758-1805) British Admiral and Victor of the Battles of The Nile and Trafalgar (inter alia): a partial note in the Admiral's hand, concerned with the procuring of provisions, "... Good Biscuits or Rusk or Soft Bread can be had for our daily supply Lord Nelson would wish to see any person who can undertake this business..."; in a modern glazed frame with a pen and ink map of a harbour, traditionally identified as Plymouth Sound and its upper reaches, and with a portrait of the Admiral standing on a rocky shore with the bombardment of Copenhagen in the background, mezzotint, after the paintings by John Hoppner.
Republic of China (Taiwan): 八年抗戰勝利紀念 Commemorative medal for Victory in the Eight Years War, 1945, gilt and enamel star formed of eight groups of rays, to the centre an enamelled roundel bearing the portrait of Chiang Kai Shek within a border of eight stars to a red ground, suspension involving a smaller device of a star within a wreath, reverse numbered 9770, good very fine or better.71.31mm greatest width
A gold, amethyst and colourless gem set cluster ring, detailed '9ct', ring size approx K, a 9ct gold and turquoise cluster ring (one shoulder turquoise lacking), a 9ct gold mounted heart shaped shell cameo pendant brooch, carved as a portrait of a lady, total weight 10.7g, and a gold and blue gem set solitaire ring, unmarked, weight 1.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Thomas Lawrence - Three-quarter Length Portrait of Willoughby Legh (1749-1824) of Norbury Booths Hall, Cheshire, seated at a Table, oil on canvas, circa 1805, 125cm x 101cm, within a gilt composition frame. Provenance: the property of Michael Godfrey. A reference in the Coutts list records a price of £84 for a portrait of 'Mr Legh' and may refer to this painting; recorded in an inventory at Norbury Booths Hall in 1907; property of a lady, sale, Christie's, 16th April 1982, lot no. 92; Christie's, 3rd April 1987, lot no. 125; Christie's, 24th July 1987, lot no. 210. References: Kenneth Garlick, 'Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings', illustrated as cat no. 478, p.222.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold mounted oval shell cameo brooch, carved as a portrait of a lady within a scroll decorated surround, Birmingham 1970, width 3cm, and another gold mounted oval shell cameo brooch in a similar design within a ropetwist and 'C' scroll border, detailed '9c', total weight 11g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold oval and pierced link neckchain on a cylindrical clasp, detailed '9ct', weight 1.9g, length 43.5cm, a Victorian rectangular gilt metal pendant locket of book form, opening to reveal a portrait of a gentleman, and another Victorian rectangular gilt metal pendant locket of book form (the suspension loop lacking).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian gold mounted oval porcelain brooch, painted as a portrait of a lady within a shaped oval surround, unmarked, weight 12.2g, width 4.4cm, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Emily Eyres - Oval Half Length Portrait of a Lady, early 20th century charcoal with coloured chalks, signed, 56cm x 45cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Half Length Portrait of a Boy wearing a Blue Jacket and holding a Tricorn Hat, 18th century oil on canvas, 75cm x 61cm, within a gilt composition frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A group of Victorian and later jewellery, including a pair of glazed studs, each enclosing three dice, two imitation pearl necklaces, two pairs of dumbbell form cufflinks, various studs, rings, clips, clasps, bangles, a Victorian gilt metal oval pendant locket, glazed with a portrait of a gentleman, six officer's pips and two pairs of black earrings.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Circle of Jean Baptiste Isabey - Oval Miniature Half Length Portrait of Marie Louise, Empress of the French and Duchess of Parma, 19th Century watercolour on ivory, inscribed verso, 11cm x 8cm, within a gilt Empire revival frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold mounted oval shell cameo brooch, carved as a portrait of a lady, weight 10.4g, width 3.3cm, a Wedgwood black basalt oval brooch, a 9ct gold and ruby ring (one ruby lacking), a 9ct gold signet ring, a gold and mauve paste set ring, detailed '9ct', a 9ct white gold and colourless gem set eternity ring, total weight 8.3g, and two further rings.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Vera Cummings - He-Tino-Toa (Half Length Portrait of a Maori Man with Moko Tattoos, wearing a Korowai Cloak and Tiki), early 20th century oil on canvas, signed, 19.5cm x 14cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian gold chain, fitted with a bloodstone fob, a paste fob, a small oval locket, a watch key and an oval pendant locket with engraved decoration, total weight 19.1g, a cornelian fob seal, engraved with a portrait of a gentleman, three gilt metal mounted paste seals, a foil backed gem set shield shaped seal ended watch key, another smaller seal ended watch key, fitted to a chain, and a gilt metal split ring.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - 'Gateshead' (Pierhead Portrait of a Masted Clipper), 19th century oil on canvas, titled, 59.5cm x 104cm, within a painted and gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
British School - Half Length Portrait of a Royal Navy Midshipman wearing a Snake Clasp Buckle, 19th century oil on board, 29cm x 24cm, within a swept gilt composition frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A silver brooch, designed as a sea lion, import mark London 1990, weight 10.6g, width 5.2cm, a 9ct gold mounted oval shell cameo brooch, carved as a portrait of a lady, a gold, peridot and seed pearl bar brooch, detailed '9ct', a pair of gold mounted cultured pearl earring with screw fittings, detailed '9ct', a 9ct gold and ruby six stone ring, a 9ct gold pendant cross, total weight 14.9g, a gold topped and sapphire stick pin, detailed '9ct', and three silver brooches.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Elizabeth II silver limited edition plate, designed by Pietro Annigoni, commemorating the Silver Jubilee, with engraved bust portrait, 'ERII' cypher and '1952-1977', signed, No. 1418 of 2000, London 1977 by Roberts & Dave, weight 352.4g, diameter 22.8cm, cased with certificate.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Alfred Aaron Wolmark - Half Length Portrait of a Young Lady, early 20th century oil on canvas, signed, 49.5cm x 40cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Strickland Lowry - Half Length Portrait of a Gentleman wearing a Green Jacket and White Stock, with his Hand placed on a Book, oil on canvas, labels verso, circa 1777, 74.5cm x 62cm, within an ebonized and gilt frame. Provenance: the property of Michael Godfrey. Sotheby's, 24th November 1999, lot no. 725.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
George Romney - Study of a Seated Lady, 18th century pen and brush with ink over pencil on laid paper, 20.5cm x 19cm, within a gilt frame. Note: this composition was inspired by the 'Weeping Dacia' sculptural relief now in the Capitoline Museum, Rome, and formed a reference point for many of Romney's 50" x 40" portraits of women in the late 1770s, such as the portrait of Mrs John Birch now in the collection of the Phoenix Art Museum, Arizona, USA. We are grateful to Alex Kidson for confirming the attribution to Romney as well as his help in the cataloguing of this lot.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Cricket: A hallmarked silver trophy, 'The Brylcreem Cricket Cup', inscribed on the base 'awarded to Derek Shackleton, Hampshire, for his bowling performances throughout the 1958 season', the twin handled urn and lid By Garrard and Company, London, 1958, weight 10oz, height 23.5cm, on a turned ebony plinth, with photograph showing Derek and the other winners and a portrait photograph (3)
A collection of cricket related photographs and ephemera, to include a press agency image of Cambridge University student match at Cambridge, G.O Shelmerdine at a cricket dinner April 1958, including Duke of Norfolk to Joe Goldman from a William Harrison to a reception at the Dorchester Hotel 22nd May 1958 relating to a presentation on behalf of Surrey County Cricket club by the right honourable Lord Birkett of a portrait by Mr Frank Berrisford, autograph of John Shepherd, Barbados and Kent, a postcard of the cricket team photograph at Scarborough, other small photograph's, newspaper cuttings, etc.
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283287 Los(e)/Seite