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283287 Los(e)/Seite
Los 348
A mid 20th Century gilt framed and glazed monochrome Watercolour and Wash reclining female nude Study, signed Redgrave lower right, William Redgrave (British, 1903-1986), was a British Sculptor described by Writer and Critic Bevis Hillier as "one of the greatest Sculptors of the 20th Century", his work was in the tradition of Rodin and is no exaggeration to say that some of it was in the class of Rodin also, his portrait busts such as Francis Bacon, Henry Cooper and Lord Olivier achieved the most telling likeness in an effortless "without striving" way, together with informational paperwork verso, 37cm x 50.5cm
Los 354
After George Cruikshank (British, 1792-1878), a good set of four patinated pine/cedar framed and glazed (later) hand coloured early 19th Century humorous Caricatures/Cartoons "The Bustle!!!", "Monstrosities of 1819", "A Dandy Shoe Maker in a Fright or The Effects of Tight Lacing" and "A New Way of Gaining Admittance to a Lady's Chamber", three landscape, one portrait shaped, the landscape frame sizes approx. 41cm x 45.5cm (4)
Los 1561
VLADIMIR TRETCHIKOFF (1913-2006); oil on canvas, portrait study of an African woman, signed, 78 x 54.5cm, framed. This painting was a direct gift from the artist to the vendor's father and has been in the family since. Also included in the lot is a signed inscribed Cape Town Festival Edition book on Tretchikoff, dated 1982 (2). (D) CONDITION REPORT: There appears to be some rippling to the top of the picture with one or two dents and the canvas is not very taut.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Los 79
A set of eight modern rectangular miniature portrait frames with oval glazed apertures, each with a print depicting famous people, 13.5 x 11.5cm, and a further similar example with a late 19th century silhouette (9). CONDITION REPORT: Dimension of the apertures: approx 8.3 x 6.9cm UK postage £15 plus VAT
Los 81
A 19th century oval portrait miniature depicting an artist with a paint palette wearing a red sash, 10 x 8cm, framed. CONDITION REPORT: General condition good, only with some minor surface wear such as tiny scratches, small area of flaking to paint on the gentleman's top (approx 0.2 x 0.1cm), loss to upper part of the plate (please refer to additional pictures), frame good with some rubbing to outer edge.
Los 147
Set of Four (4) Fine 19th Century Sevres Chateau Des Tuileries Hand painted Cabinet Plates. Artist signed portraits encircled by gilt tracing and blue celeste on scallop border. Signed and dated 1840, number S.46. two plates with light scuff to portrait or else good condition. Measures 8-1/4" Dia. Shipping $48.00 (estimate $200-$400)
Los 391
Sheikh Abdullah Lion of Kashmir signed 5 x 4 b/w portrait photo. Indian state. The self-styled Sher-e-Kashmir Lion of Kashmir, Abdullah was the founding leader of the National Conference and thrice served as the head of government in Kashmir. He agitated against the rule of the Maharaja Hari Singh and urged self-rule for Kashmir. He was the Prime Minister of the state of Jammu and Kashmir after its accession to India in 1947[3] and was later jailed and exiled. He was dismissed from the position of Prime Ministership on 8 August 1953 and Bakshi Ghulam Mohammad was appointed as the new Prime Minister. The expressions Sadar-i-Riyasat and Prime Minister were replaced with the terms Governor and Chief Minister in 1965. Sheikh Abdullah again became the Chief Minister of the state following the 1974 Indira-Sheikh accord and remained in the top slot till his death on 8 September 1982. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95
Los 89
Richard Todd signed Dam Busters, No.617 Squadron, Royal Air Force. Cover design: Scene from the 1953 film, Gibson walks from Scampton after the raid. Cover also has a small portrait top left In Memory of AM Sir Harold Mick Martin. Special pictorial hand-stamp Sir Harold Martin Memorial Service, London WC2, 4 Jan. 1989. Signed and Richard Todd Actor: Role of Guy Gibson in the film. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95
Los 91
NO RESERVE Willis Thomas. Opera omnia, nitidius quàm unquam hactenus edita, plurimum emendata, indicibus rerum copiosissimis, ac distinctione characterum exornata. Studio & opera Gerardi Blasii... Amstelaedami: apud Henricum Wetstenium, 1682.Due volumi in-4° (mm 250x210). I: Pagine [18], 182 [i.e. 180], [8], 123, [1], 146, [10], 41, [3], con frontespizio calcografico a precedere quello a stampa e ritratto dell'Autore inciso su rame, oltre a 16 tavole calcografiche, di cui alcune ripiegate, con numerazione in cifre romane - solo parzialmente coincidente con il numero di tavole - delle figure. Marca xilografica al frontespizio, capilettera e finalini incisi su legno. II: Pagine [8], 210, [16] (di 18, manca c. ee2 bianca), 295 [i.e. 298], [6], con 3 serie di tavole calcografiche numerate I-VIII, I-VI e I-VII. Capilettera e fregi xilografici. In barbe. Arrossature e tracce di polvere, lievi bruniture. Legatura omogenea in cartonato coevo. Piatti con macchie e piccole gore. Antico tassello cartaceo al dorso del primo volume.Esemplare completo delle tavole anatomiche dell'Opera omnia del medico britannico Thomas Willis, membro fondatore della Royal Society e pioniere degli studi sul sistema nervoso e il cervello. Tra le sue scoperte, un'area alla base della scatola cranica che ancora porta il suo nome: il poligono (o circolo arterioso) di Willis. Nell'Opera omnia molte sono le osservazioni dedicate alle lesioni del sistema nervoso (apoplessia, cerebropatie) e alle malattie mentali.Two volumes. 4° (250x210 mm). I: [18], 182 [i.e. 180], [8], 123, [1], 146, [10], 41, [3] pages with engraved title page to preceed the printed one and copper engraved portrait of the Author, other than 16 engraved plates, of which some folding, with roman numbers - only partially coincident with the numbers of plates - of figures. Woodcut printer's device on title page, woodcut initials and tail-pieces. II: [8], 210, [16] (of 18, wanting fols. ee2 blank), 295 [i.e. 298], [6] pages with 3 series of engraved plates numbered I-VIII, I-VI and I-VII. Woodcut initials and tools. Uncut copy. Soiled with foxing, light browning. Homogeneous contemporary cardboard. Stains and light waterstains on the covers. Early paper littering piece on the spine of the first volume. Copy complete of the anatomic plates of the Opera omnia by the Britain doctor Thomas Willis, member and founder of the Royal Society and pioneer of the studies on the nervous system and brain. Among his discoveries, an area at the base of the skull box that still bears his name: the polygon (or arterial circle) of Willis. In the Opera omnia there are many observations dedicated to lesions of the nervous system (apoplexy, cerebropathies) and mental illnesses.
Los 10
NO RESERVE Boccaccio Giovanni. Il decameron... di nuovo ristampato, e riscontrato in Firenze con testi antichi, & alla sua vera lettione ridotto. Dal cavaliere Lionardo Salviati... Et in questa ultima impressione adornato di bellissime figure... In Venetia: appresso Alessandro Vecchi, 1614.In-4° (mm 200x145). Pagine [28], 603, [1]. Marca xilografica al frontespizio e numerosissime illustrazioni xilografiche nel testo a un terzo di pagina, ritratto dell'Autore inciso in legno in principio d'opera. Qualche arrossatura, fallo di carta all'angolo inferiore delle carte Z6 e Z7 che sfiora il testo ma bell'esemplare, genuino. Legatura coeva in pergamena su cartone, rottura alla cuffia di piede.Bella edizione illustrata con 109 legni del capolavoro del Boccaccio, nella versione testuale di Leonardo Salviati.4° (200x145 mm). [28], 603, [1] pages. Woodcut printer's device on the titlepage, many woodcut illustrations in the text, woodcut portrait of the Author. Fine copy, light foxing, losses on fols. Z6 e Z7 barely affecting the text. Contemporary vellum over pasteboards, damages on the tail head-cup. Beautiful edition of Boccaccio's masterpiece, enriched with 109 woodcut illustrations. Text edited by Leonardo Salviati.
Los 20
NO RESERVE Cicognara Leopoldo. Storia della scultura dal suo risorgimento in Italia fino al secolo di Canova del conte Leopoldo Cicognara per servire di continuazione all'opere di Winckelmann e di D'Agincourt ... Volume primo [-settimo]. Edizione seconda riveduta ed ampliata dall'autore. Prato: per i frat. Giachetti, 1823-1825.7 volumi in-8° (mm 230x145). Antiporta con ritratto dell'autore al primo volume. Esemplare composto dai volumi di testo, mancante del volume con le tavole, lievi bruniture e fioriture ma buon esemplare in barbe. Legatura coeva in mezza pelle, piatti rivestiti in carta marmorizzata, titolo in oro su tassello ai dorsi.Seconda edizione, corretta e assai ampliata dall'autore: con la prima veneziana del 1813-1818 erano usciti solo tre volumi. Opera fondamentale per la storia dell'arte moderna e opera maggiore del Cicognara, destinata a proseguire i lavori di Winckelmann e di D'Agincourt. Schlosser Magnino, 510; Graesse II, 186: "Cet ouvrage est un des meilleurs que l'Italie ai produit sur les beaux-arts". 7 volumes. 8° (230x145 mm). Frontispiece with portrait of the Author on the first volume. Copy composed by the text volumes, wanting the volume with the plates. Light browning and foxing otherwise a fair copy, uncut. Contemporary half-leather, marbled paper on the covers, gilt title on littering piece on the spine. Second edition, correct and enriched by the author: with the first venetian one of 1813-1818 appeared only three volumes. Fundamental work for modern art history and masterpiece of Cicognara, destine to continue the works of Winckelmann and D'Agincourt. Schlosser Magnino, 510; Graesse II, 186: "Cet ouvrage est un des meilleurs que l'Italie ai
Los 38
NO RESERVE Galeotti Niccolò. Ritratti de' prepositi generali della Compagnia di Gesù delineati, ed incisi. Da Arnoldo van Westherhout aggiuntivi i brevi ragguagli delle loro vite... Edizione seconda, accresciuta e corretta. In Roma: a spese di Venantio Monaldini, nella stamperia del Bernabò, e Lazzarini, 1751.In-folio (mm 385x275). Pagine [42] con 17 tavole incise in rame fuori testo di cui 16 di ritratti e una raffigurante lo stemma dell'ordine. Frontespizio in rosso e nero. Gora al margine delle ultime carte, qualche arrossatura. Legatura coeva in mezza pelle. Copia di dono per Johannes Carolus Bols, Pastor in Baelen: su una carta aggiunta legata in principio è calligrafato: "Die deugd verkrapt en Eer in Ricci hier vertoont Die om dees hade verdient opt meest te zyn geloont" (In short (free translated): all honours to Ricci who's portrait is shown below, he has deserved our) e "Dit is Ricci's agtbaar hoofd van zo veel duizend braven die tijd vernuft en zweet ja bloed ten besten gaven Voor Jesu naam en leer en die het kruys vanier manmoedig bragten voor Chinees en Japonier Verdient dien arbeid loon (?) een vonnis uitgedondert (? not sure) tot hun verderf, hun eer bemorst, hun goed geplondert Is de vergelding voor Lojolaas roem??? schaar Zo loopt de nyd de deugd als schaduw achter maar Dit schynt het lot te zyn der duegdsaamen en vroomen Geheel de wereld door ja zelfs men 't ziet tot Roomen" (In short: This is the honorable head of Ricci, one of so many thousands who gave their best in Jesus name and who spread the word and cross bravely towards China and Japan. This hard work deserves to be noticed. Cause they who spread the word were dishonored and their goods were plundered. A retribution for Lojolaas (Ignatius of Loyola) fame? And so it is, envy walks as a shadow behind virtue but this is apparently the fate of the virtuous ones. We can see it over the world, even in Rome. respect. ). Timbri 'Biblioth. Ist. St. Ignatius Antverp' a frontespizio e alla carta aggiunta legata in principio.Seconda edizione, accresciuta. I ritratti vennero incisi da Arnold van Westerhout. Sommervogel III, 1108-09.Si ringrazia il Dr. Loedja Biskup per la trascrizione e la libera traduzione.Folio (385x275 mm). [42] pages with 17 copper engraved plates out of text of which 16 portrait and one depicting the order coat of arms. Red and black title page. Waterstain on the margin of the last leaves, some foxing. Comtemporary half-leather. Gift copy to Johannes Carolus Bols, Pastor in Baelen: on the added leaf bound at the begenning of the work a note: "Die deugd verkrapt en Eer in Ricci hier vertoont Die om dees hade verdient opt meest te zyn geloont" (In short (free translated): all honours to Ricci who's portrait is shown below, he has deserved our) e "Dit is Ricci's agtbaar hoofd van zo veel duizend braven die tijd vernuft en zweet ja bloed ten besten gaven Voor Jesu naam en leer en die het kruys vanier manmoedig bragten voor Chinees en Japonier Verdient dien arbeid loon (?) een vonnis uitgedondert (? not sure) tot hun verderf, hun eer bemorst, hun goed geplondert Is de vergelding voor Lojolaas roem??? schaar Zo loopt de nyd de deugd als schaduw achter maar Dit schynt het lot te zyn der duegdsaamen en vroomen Geheel de wereld door ja zelfs men 't ziet tot Roomen" (In short: This is the honorable head of Ricci, one of so many thousands who gave their best in Jesus name and who spread the word and cross bravely towards China and Japan. This hard work deserves to be noticed. Cause they who spread the word were dishonored and their goods were plundered. A retribution for Lojolaas (Ignatius of Loyola) fame? And so it is, envy walks as a shadow behind virtue but this is apparently the fate of the virtuous ones. We can see it over the world, even in Rome. respect. ). Stamps 'Biblioth. Ist. St. Ignatius Antverp' on title page and on the added leaf bound at the begenning. Second edition, enriched. The portraits were engraved by Arnold van Westerhout. Sommervogel III, 1108-09. Thanks to Dr. Loedja Biskup for the transcription and free translation.
Los 43
NO RESERVE Girard Bernard (de). De l' estat et succez des affaires de France. Oeuvre despuis les precedentes editions, augmentè, enrichy, & illustrè, contenant sommairement l' histoire des roys de France, & les choses plus remarquables par eux instituèes pour l' ornement & grandeur de leur royaume. Ensemble une sommaire Histoire des seigneurs, contes, & ducs d' Anjou... A Paris: a l'oliuier de Pierre l' Huillier, 1572.Due parti in un volume in-4° (mm 235x170). Pagine [36], 296, 278, [16]; carte 21. Marca xilografica ai frontespizi delle due parti, ritratto calcografico dell'Autore al verso del frontespizio. Bruniture diffuse, gore marginali. Legatura settecentesca in pelle, titolo e fregi in oro al dorso. Ex libris 'Del Marchese Balbiano' al contropiatto; note cassate al frontespizio.Non comune e ricercata edizione di quest'opera storica sul regno di Francia. La seconda parte contiene, con proprio frontespizio, l'Histoire Sommaire des comtes et ducs d'Aniou... Two parts in one volume. 4° (235x170 mm). [36], 296, 278, [16] pages; 21 leaves. Woodcut printer's device on title page of both parts, engraved portrait of the Author on the verso of title page. Browning, marginal waterstains. Eighteenth-century leather, gilt title and tools on the spine. Ex libris 'Del Marchese Balbiano' on the pastedown; erased notes on title page. Uncommon and sought edition of this historical work about the French Kingdom. The second part contains, with own title page, , l'Histoire Sommaire des comtes et ducs d'Aniou...
Los 69
NO RESERVE Nizzoli Mario. Thesaurus Ciceronianus. Cui post eiusdem auctoris additiones, Basilij Zanchi, Marcelli Squarcialupi, & doctissimorum aliorum virorum addita sunt multa, & quidem scitu digna... Omnia hac nova editione ab innumeris mendis expurgata. Venetiis: apud Ioannem Guerilium, 1620.In-folio (mm 320x220). Pagine [8], colonne 1360, pagine [8]. Frontespizio stampato in rosso e nero con ritratto calcografico dell'Autore, testatine e capolettera xilografici. Gora al frontespizio e alle carte, qualche macchia sui margini, lievi bruniture. Legatura coeva in pergamena su cartone, titoli manoscritti in inchiostro al dorso. Piatti con macchie, aloni e strappi, mende e lacerazioni al dorso, piatti allentati. Note di possesso al frontespizio, di cui una cassata, prove di penna e altre note parzialmente cancellate al contropiatto e alla carta di guardia anteriori.Edizione delle Observationes in M. Tullium Ciceronem, stampate per la prima volta nel 1535, con il titolo - riproposto in molte delle impressioni successive - di Thesaurus Ciceronianus. L'opera di Nizzoli fu il primo lessico latino, con oltre 20.000 vocaboli, costruito unicamente sulla base delle opere di Cicerone e la sua diffusione fu vastissima, con una circolazione attestata fino al XIX secolo. Nella lettera prefatoria l'Autore "allude a coloro che tendono a porre in ridicolo i cultori di Cicerone, esemplare modello non solo di chiarezza ed eleganza stilistica, ma anche di autentica sapienza ed eloquenza, grazie al possesso sia della scienza delle cose sia della scienza delle parole" (DBI, s.v.). Folio (320x220 mm). [8] pages, 1360 columns, [8] pages. Title page printed in red and black with engraved portrait of the Author, woodcut head-pieces and initials. Waterstain on the title page and on the leaves, some stains on the margins, light browning. Conteporary vellum over pasteboards, ink titles on the spine. Stains on the covers, spots and tears, losses on the spine, loose covers. Ownership inscription on title page, of which one erased, pen proof and other note partially erased on the pastedown and on the front flyleaf. Edition of the Observationes in M. Tullium Ciceronem, printed for the first time in 1532, with the title - riproposed in numerous following issues - fo Thesaurus Ciceronianus.
Los 7
NO RESERVE Bacon Francis. Opera omnia, quae extant: philosophica, moralia, politica, historica... Hactenus nunquam conjunctim edita, jam vero summo studio collecta, uno volumine comprehensa, & ab innumeris mendis repurgata. Cum indice rerum ac verborum universali absolutissimo. His praefixa est auctoris vita. Francofurti ad Moenum: impensis Joannis Baptistae Schonwetteri typis Matthaei Kempfferi, 1665.In-folio (mm 330x190). Pagine [20], colonne 1324, Pagine [31], con ritratto calcografico dell'Autore al verso dell'occhietto. Marca calcografica al primo frontespizio, stampato in rosso e nero, altra marca incisa su legno ai frontespizi delle varie opere. Capilettera e fregi xilografici. Restauri al fascicolo iniziale, brunito, arrossature. Legatura coeva in pergamena su cartone, titoli in oro su tassello in pelle al dorso, tagli spruzzati in marrone, segni di bindelle. Macchie e aloni ai piatti, rotture alla cuffia di testa, strappi al tassello al dorso. Timbro al frontespizio.Prima edizione collettanea delle opere di Bacon stampata in Germania e seconda in assoluto. Rispetto all'edizione londinese del 1638 è considerata migliore e più completa. Gibson, 236; Brunet I, 604; Graesse I, 273.Folio (330x190 mm). [20] pages, 1324 columns, [31] pages, with copper engraved portrait of the Author on the verso of the half-title. Copper engraved printer's device on the first title-page, different woodcut printer's device on the other title-pages. Woodcut initials and tools. Foxing and brownings, first quire restored. Contemporary vellum over pasteboards, gilt title on lettering piece on the spine, edges speckled brown. Spots and stains on the covers, damages on the spine. Macchie e aloni ai piatti, rotture alla cuffia di testa, strappi al tassello al dorso. Stamp on the first title-page.First collected edition of Francis Bacon's works printed in Germany. Being the second collected edition of Bacon's works at all, it is more complete than the edition printed in London in 1638. Gibson, 236; Brunet I, 604; Graesse I, 273.
Los 74
NO RESERVE Pindarus. Ode di Pindaro antichissimo poeta, e principe de' greci lirici cioe, Olimpie Pithie & Nemee Istmie tradotti in parafrasi, & in rima toscana da Alessandro Adimari; e dichiarate dal medesimo. Con osservazioni, e confronti d'alcuni luoghi immitati, ò tocchi da Orazio Flacco. Con tavole copiosissime. In Pisa: nella stamperia di Francesco Tanagli, 1631.In-4° (mm 265x200). Pagine [20], 748, [64]. Con antiporta e sei tavole a piena pagina nel testo, il tutto inciso in rame. Al recto bianco di carta +8 è applicata una incisione con ritratto di Pindaro non pertinente. Minimi difetti ma ottimo esemplare. Legatura coeva in pergamena su cartone, titolo manoscritto al dorso, cerniera anteriore debole.Rara edizione originale e unica opera volgarizzata di Pindaro recensita da Paitoni (III, pp. 106-108). E' la più celebre opera dell'Adimari particolarmente celebrata per il suo apparato erudito e per la correttezza della versione. Brunet IV, 663: "On estime plus les observations d'Adimari sur Pindare que sa traduction"; Gamba, 2054; Graesse V, 297.4° (265x200 mm). [20], 748, [64] pages. Copper engraved frontispiece and 6 fullpage plates. Engraved portrait of Pindarus, not pertinet to the edition, on recto of fol. +8. Fine copy. Contemporary vellum on pasteboards, inked title on the spine, weak hing. Rare first edition of the only work by Pindarus translated in vernacular. (Paitoni III, pp. 106-108). It's the most famous work edited by Adimari. Brunet IV, 663: "On estime plus les observations d'Adimari sur Pindare que sa traduction"; Gamba, 2054; Graesse V, 297.
Los 351
Early 19th century Silver pair cased verge pocket watch, Birmingham 1817, the fusee movement signed Goldsmith, Liverpool, no. 1413, the pierced balance cock with an engraved portrait, the dial with Roman numerals, case maker 'WH' (William Ryley), 58mm (at fault) - Condition Report: - Movement - currently not working and requires repair. Dial - some visible hairlines. Glass - light surface marks. Hands - hour hand broken. Case - inner case bruised, outer case with bruising and surface marks . - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained.
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283287 Los(e)/Seite