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283287 Los(e)/Seite
A SET OF SIX EARLY 20TH CENTURY OVAL PORTRAIT MINIATURES, after Elizabeth Vigée-Lebrun, each depicting a different member of the French aristocracy, signed 'Lebrun', mounted as two sets in silk-backed ormolu rectangular frames, ornamented with coronet-centred floral swags and surmounted by an ornamental cresting, the miniatures 9.8cm x 7.5cm, the frames 39cm wide x 27cm high (2)
A PEARLWARE POTTERY PLAQUE, oval, relief moulded with a portrait of Charles I, robed, standing full length beside a pedestal, holding a sceptre and orb and wearing a crown, after an engraving by Charles Grignion, within a laurel and foliate swagged border, underglaze painted in the Pratt palette, circa 1800, 21.8cm high. See illustration
A PEARLWARE POTTERY PLAQUE, circular, relief moulded with a bust portrait of a gentleman, variously identified as Admiral Earl Howe or Admiral Augustus Keppel, flanked by a laurel wreath and on a pounced ground, moulded border, underglaze painted in the Pratt palette, circa 1790, 12.8cm diameter Note: Bears label verso for the D.M.Wood Collection
A CREAMWARE POTTERY PLAQUE, oval, relief moulded and underglaze painted in the Ralph Wood palette with a bust profile portrait of a gentleman, possibly the Duke of Cumberland, within a fruiting oak border, circa 1790, 15.6cm high. Note: Bears label verso for the Frank Partridge Collection. See illustration
A PEARLWARE POTTERY PLAQUE, circular, relief moulded and underglaze painted with a putto playing a flute, blue line border, circa 1810, 10cm diameter, together with a Della Robbia type circular plaque, relief moulded and painted with a bust profile portrait of the Madonna, 20th century, 14.5cm diameter (2)
A MID 19TH CENTURY SUNDERLAND LUSTRE POTTERY JUG, printed, painted and pink lustre enhanced with images comprising 'William Darling & his Daughter Grace Horsley Darling. The Forfarshire Steamer lost on Sept 7th:1838', a portrait of Grace Horsley Darling and a verse "'Forget not Christ the Lord of Hosts', loop handle 18.5cm high. See illustration
ITALIAN SCHOOL, 19th century, A Diptych in the 16th century style: Charles, Duke of Bourbon, head and shoulders portrait looking to dexter, wearing a feathered hat and fur collared coat, the opposing panel with inscription, the outer panels with further inscription and the Duke's coat of arms, 21cm x 16cm
CIRCLE OF MARGARET CARPENTER (19th century), Mrs Jedediah Strutt, Portrait, half length, sitting, looking to sinister, wearing an ivory silk gown and grey shawl, holding a book, oil on canvas, unsigned, titled to frame, 73.5cm x 61cm. See illustration A member of the Strutt family of Belper, Derbyshire.
ENGLISH SCHOOL, early 19th century, Jedediah Strutt, Portrait as a young man, head and shoulders, looking slightly to dexter, wearing a white cravat, pale yellow waistcoat and black jacket, oil on canvas, unsigned, 60.5cm x 51cm. See illustration A member of the Strutt family of Belper, Derbyshire
18TH CENTURY ENGLISH SCHOOL, Dr David Middleton, To the Court of the Old Pretender, St Germain, Paris c.1680. Half portrait, facing dexter, be-wigged and wearing a cravat with a brown coat, oil on canvas, bears a hand written label verso relating to the Sutherland family. 76cm x 63cm. See illustration
A 20th Century English School Portrait Study of Alexander Rodger Greig, half length wearing a grey jacket, white waistcoat and blue tie, Watercolour, unsigned within a rectangular yellow metal frame, 10.5cm x 8cm, within an embossed outer leather case, Frank Humphris (20th Century) ``Portrait Study of Alexander Rodger Greig``, wearing a green tie and khaki shirt, head and shoulders, coloured chalks, signed and dated 1943 bottom right, 45cm x 32cm, three black and white Portrait Photographs of the sitter together with his passport no. 43 bearing place/date of birth for Glasgow 11th March 1881
A large gilt framed early 19th Century Oil on Canvas half length Portrait Study of David Scott (of Dunninald), 1746-1805, MP for the Co. of Angus and Perth District of Burghs. Chairman Honourable East India Co., Condition commensurate with age, scratches and craquelere and some dirt to oil surface, 70cm x 59.5cm
[ASSORTED]. Wey, Francis. Rome, its Churches, Monuments, Art, and Antiquities, new edition, Virtue, London, 1887, bevelled pictorial scarlet cloth, illustrations throughout, quarto (spine faded; upper joint torn at head, with small loss); together with two volumes of John Leech`s Pictures of Life & Character; eighteen part works from The Hundred Best Pictures, each with tipped-in plate illustrations; and a 19th century family portrait photograph, identified verso as `Children of the Rev`d Henry Schreiber & Margaret Schreiber, August 1872, Lowestoft`.
NOT AVAILABLE FOR ONLINE BIDDING. PLEASE CONTACT THE AUCTIONEER IF YOU WANT TO BID ON THIS LOT.Henry VIII, third coinage (1544-47), sovereign, Tower mint, mm. lis, crowned bearded king seated on throne, holding orb and sceptre with large double Tudor rose below feet, rev. lion and griffin supporting crowned royal shield, HR monogram below, wt. 12.84gms. (S.2289; N.1823; Schneider 607), nearly extremely fine, evenly struck on a broad and almost perfectly round flan, king’s portrait unusually well defined as is his royal shield and its supporters, the legends complete, bold for type and clearly lettered, with much of the outer rim on each side in evidence, an unusually choice example of this early representation of a golden denomination that has lasted into our own time, a famous piece, extremely rare and the finest known of the three pieces in private hands *ex British Museum (Sale of Duplicates, 1811) ex Durrant ex Bergne ex Brice ex Montagu ex Lockett lot 1751 ex Strauss, Sotheby 26 May 1994, the cover coin
†Charles I, unite, Tower mint, mm. cross calvary (1625-1626), crowned second bust l., wearing ruff and collar, mark of value behind, rev. crowned, square-topped, garnished shield, wt. 9.04gms. (S.2687; N.2148; Schneider 121), some weakness in the legends, otherwise extremely fine with a good portrait
†Charles I, triple unite, Oxford mint, mm. plume, 1643, crowned taller half-length figure l., holding sword midway in field and long olive branch in left hand not touching upper shoulder, no scarf, rev. declaration on continuous scroll, three plumes above and mark of value set among the plumes, date centred below scroll, wt. 26.70gms. (S.2727; N.2382), almost very fine, reverse better, notable even wear with especially pleasing fields, lacking heavy abrasion and thus offering an exceptional portrait of the king *ex Wayte Raymond, 18 May 1962, lot 76 ex J. Rashleigh, 10 June 1953, lot 57
†Oliver Cromwell, broad, 1656, by Thomas Simon, laur. bust l., rev. crowned shield of arms (S.3225; N.2744), in plastic holder, graded by PCGS as Mint State 62, a handsome example with a most pleasing golden red tone, nearly as struck with deeply frosted portrait and shield, light handling in the fields, finer than many seen, rare and appealing as the first milled gold coin equivalent in value in its day to the early guinea, which would appear within a few years of this historic coinage
†Victoria, pattern crown, 1887, in silver, by J.R. Thomas for Spink & Son, veiled and draped bust l. wearing the bejewelled ‘small crown’ (sometimes called the ‘Jubilee Tiara’), legend in English in raised capital letters forming a perfect circle enclosing the portrait entirely within another circle of connected tiny roses, thistles and shamrock (the so-called Ornate Border), SPINK & SON on truncation, rev. FIVE SHILLINGS above a round central shield enclosed by the Latin legend of the Order of the Garter, supported by a crowned lion and a collared unicorn, date in Roman numerals below, the entire motif surrounded by another Ornate Border, plain edge (ESC.344 [R3]), in plastic holder, graded by NGC as Proof 64, virtually as struck, an exceptionally choice specimen exhibiting lovely greyish mauve toning, extremely rare, a classic of the late Victorian Era Only 32 pieces struck.
GElizabeth II, proof sovereign, 1974, diademed bust r. by Arnold Machin, rev. St. George slaying the dragon, reeded edge (S.4204), in plastic holder, graded by PCGS as Proof 67 ULTRA CAMEO, a nearly perfect specimen exhibiting a marvellous portrait as well as full proof characteristics, accompanied by a copy of a letter from the Royal Mint attesting to its proof status - a major modern sovereign rarity for the finest of collections This is a new discovery – it appears to be the only example known as a proof.
NOT AVAILABLE FOR ONLINE BIDDING. PLEASE CONTACT THE AUCTIONEER IF YOU WANT TO BID ON THIS LOT.†Scotland, James VII (James II of England), 60 shillings, 1688, in gold, laur. bust r., 60 below truncation, rev. crowned arms in the collar of the Order of the Thistle, floral border inside legend, date divided by crown, plain edge (S.5635), a lovely specimen with frosty lustre and choice surfaces, nearly as struck, exceedingly rare *ex Cochran-Patrick Collection, Sotheby’s, 1957 (selling for £1100, 22 times the price of a Cromwell broad in the same auction) ex Lucien LaRiviere Scottish Collection, Spink, March 2006 Following a succession of mint appointments, charges of corruption over the weights of the various denominations issued in Scotland during the reign of the English king Charles II, political bickering inside the Mint, and the eventual replacement of officials running the facility, the Mint was closed and remained inoperable at the end of Charles II’s reign in 1685. The innovative coiner John Falconer wished to be reinstated but parliament instead appointed Lord Maitland and master coiner William Sharpe. New coinage was to undergo the Trial of the Pyx to put an end to corruption. As a consequence of these changes, no gold or copper coins were minted during the reign of James VII, whose title designated him as James II on his Scottish coins because of the addition of MAG BR to the royal title. The die engraver remains unknown but was likely one or more of the Roettiers. While five silver denominations were intended, including the 60-shillings coin, only the denominations of 40-shillings and 10-shillings were produced during this brief reign. The portrait utilized for those coins is the same as that appearing on the 60-shillings coin seen here, although almost all of the contemporaneous coins known are of poorer quality and saw much use. It is quite possible that the reason no 60-shillings coins were issued was James II’s infamous conversion to Catholicism, which fostered a crisis of confidence and led to the Glorious Revolution which ended his reign. We today have only to thank Matthew Young for rescuing the dies and producing c1828 literally a handful of examples of this beautiful coin, which is very scarce in silver and of exceeding rarity in gold, with only 3 known.
WWII Deutschland Erwacht German Book: The real first edition (not mentioning any later printing on title page) with the chapter "Hitler und seine SA" still mentioning Röhm as "Chef des Stabes der SA". In later printings this chapter has been rewritten completely. The portrait of Röhm has been changed for that of his successor Victor Lutze, but the new caption has been pasted on the old one, as likewise on several occasions elsewhere in the work where SA-leaders are concerned. The caption on p. 114 mentions a.o. Victor Lutze, whereas in later printings this has been changed in "Victor Lutze, der jetzige Chef des Stabes". With the large portrait of Hitler as frontispice and the enormous (130 x 30, 5cm) 6-times folding panoramic view of the "Standartenweihe in Luitpoldhain 1933". Binding designed by Felix Albrecht. Unfortunately wanting the dust-jacket, but complete with all the b/w and coloured pictures. Text by Wilfrid Bade. Ed. photographs: Heinrich Hoffmann. Edges original binding with minor shelf-wear. Very good copy. Excellent condition. An astonishing piece of propaganda.(some damage to spine but still retaining Dust Jacket Together with a copy Adolf Hitler Picture Album (having water damage) (2)
A COLLECTION OF BOVEY TRACEY POTTERY CO AND OTHER BLUE PRINTED EARTHENWARE MESS PLATES AND FOUR BOWLS comprising twelve of the same basic design with portrait medallions of Queen Victoria or Edward VII alternating with a scene of victory centred by a crown or naval crown and crossed flags above a number and five others, including two with scenic season borders and four similar bowls, plates c22-24cm diam, impressed or printed mark or unmarked, the Davenport soup plate with label inscribed "Salvaged from SS Pomeranian sank off Folkstone 1878", Bovey Tracey Pottery Co plate with printed oval mark for the supplier Hill & Tisdell of New Zealand (21) Several items cracked or repaired but others fine and seldom encountered in such numbers and assembled over many years

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283287 Los(e)/Seite