Donne (John) Poems, by J.D. with Elegies on the Authors Death, third collected edition, lacks engraved portrait frontispiece, title possibly from another copy, hole to F4 with slight loss of text to verso, some foxing and toning, modern calf-backed cloth preserving older spine, [Keynes 80; STC 7047; Pforzheimer 297], 8vo, Printed by M.F. for John Marriot, 1639.⁂ First published in 1633, this is a reissue of the second edition with the errata corrected and some minor additions.Provenance: Hieronymus ?Hainhofer (ink inscription to title dated 1655); Lois Milbourne (ink name to A5); Gilbert Coleridge (author 1859-1953, ink name on A7 dated 1898).
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Jonson (Ben) The Workes, vol.1 only (of 3), 2 parts in 1, engraved portrait frontispiece trimmed and laid down, engraved title, some soiling and marginal staining, ink scribbling to verso of final leaf, contemporary calf, rebacked, corners worn, [STC 14753], folio, Printed by Richard Bishop [and Robert Young], and are to be sold by Andrew Crooke, 1640.⁂ The first volume of Jonson's works, first published in 1616; the second and third volumes followed later in 1641.
Quarles (Francis) Solomons Recantation, entituled Ecclesiastes Paraphrased, first edition, engraved portrait frontispiece, worming to inner margin, ink marks or corrections in an early hand, ink ownership inscription of Edmund Harrington dated 1666 along with later inscriptions to endpaper, modern antique-style calf, light fading to spine, [Wing Q116], small 4to, by M. F. for Richard Royston, 1645.⁂ Scarce, we can trace only 3 copies of the first edition at auction in the last 70 years.
Collection of Queen Alexandra and related postcards in album to include portraits, 'Proclaming King Edward VII at St. James's Palace', coronation commemoration cards, 'A Souvenir Song to commemorate their majesties visit when opening the Birmingham University', Royal Family portrait cards to include; The Duke and Duchess of Fife, HRH The Princess Royal, The Princess of Wales and Prince George, etc
Isobel Atterbury HEATH (c.1909-1989) and Marjorie MOSTYN (1893-1979) Two portraits, together with a watercolour by Clare WHITE (1903-1997) Isobel Atterbury HEATH (c.1909-1989), Boy Reading p.16, graphite on paper, signed, 38 x 28cm.Marjorie MOSTYN (1893-1979), Portrait of a Young Woman (1962), graphite on paper, signed and dated '62, 36 x 25.5cm.Clare WHITE (1903-1997), Study of a Small Ensemble, watercolour, initialled, 17 x 39cm.
Emile Barthelemy FABRY (1865-1966) Portrait of Woman Mixed media on paper, signed and dated 1916, 44 x 37cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism.This St Ives era portrait was acquired by the vendor through the artist's biographer.This has loses to the gouache pigment, the paper is browned and there is some foxing
Emile Barthelemy FABRY (1865-1966) Portrait of Edith Skinner Graphite on paper, signed and inscribed, 44 x 37cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism. Edith Skinner and her husband Edgar Skinner, both payed an integral role in the St Ives Society between the years of 1912-1925, the two both had strong connections to The Leach Pottery.This St Ives era portrait was acquired by the vendor through the artist's biographer.
Emile Barthelemy FABRY (1865-1966) Untitled (Seated figure) Graphite on paper, signed, 48 x 36.5cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a large number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism.This St Ives era portrait was acquired by the vendor through the artist's biographer.There is a crease located in the top right had corner of the piece, measuring 10cm in length (please see additional image). Along with this, there is some discolouration along the edges of the paper (see additional images).
Emile Barthelemy FABRY (1865-1966) Portrait of Frances Weir Cuthbert Pastel on paper, signed and inscribed, 44 x 36.5cm.Emile Barthelemy Fabry, is a notable Belgian symbolist painter who with over fifthy other artists, took refuge in St Ives during WW1. Fabry gave lessons to local artists, and with the aid of numerous philanthropists gained artistic expose through fundrasing exhibitions for Belguim charities. He completed a vast number of portraits in chalk and charcoal of members of the local community, oftern exploring themes of romanticism and symbolism. Frances Weir Cuthbert was the daughter of American artist, Nina Weir Lewis and sister of the still life painter, Helen Stuart Wier. Frances would often visit her mother and sister in St Ives, where they had settled in 1913 and at the same time would sit for many of Fabry's drawings and Herbert Lanyon's photographs.This St Ives era portrait was acquired by the vendor through the artist's biographer.

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