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283287 Los(e)/Seite
Los 689
Laurent Fabius signed to reverse of colour photo. 7x5 colour portrait photo signed on the reverse by Laurent Fabius, Socialist politician and Prime Minister of France from 1984 - 1986. Comes with an accompanying letter and original mailing envelope. Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.
Los 1007
SNOOKER - A WALLY WEST THREE-PIECE SNOOKER CUE the centre section signed by Wally West, the butt with inset portrait, in a wooden travel case. Note: Wally West holds the world record for the highest recorded break in competitive snooker (151), scored at the Hounslow Lucania, London, in 1976.
![[HUNTING] Bathurst, Earl. A History of the V.W.H. Country, first edition, Constable, London, 1936, scarlet cloth, dustjacket,](https://cdn.globalauctionplatform.com/1ddcb872-6499-45b7-9037-a68d00fd3f47/faf24ce6-0d04-40fb-942c-3b185561c2a2/468x382.jpg)
Los 612
[HUNTING] Bathurst, Earl. A History of the V.W.H. Country, first edition, Constable, London, 1936, scarlet cloth, dustjacket, top edges gilt, portrait frontispiece, plate illustrations, folding map, small quarto; Drage, Bert. Reminiscences, Green, Kettering, 1955, two-tone ivory and scarlet cloth, plate illustrations from photographs, octavo, SIGNED & INSCRIBED BY AUTHOR; Bradley, Cuthbert. Good Sport Seen with Some Famous Packs 1885-1910, Routledge, London, no date, pictorial scarlet cloth gilt, top edges gilt, plate and text illustrations, quarto; and five other works, (8).
Los 415
A framed and glazed heightened photographic portrait of Anne Sheard, seated, within an oval gilt frame, together with a sampler by Anne Sheard, inscribed "Anne Sheard Aged 8 years 1863", and a framed and glazed needle and gold wirework study by the same hand CONDITION REPORTS Needlework - colours faded back ground colour browned, yellowed, stained, some holes, general signs of wear and tear. Sampler - the other needlework, some small holes, dark marks, speckled brown marks, loose threads, general signs of wear and tear. Picture - some fading , fraying, various cracks, chips, scratches etc throughout. All items show general signs of wear and tear
Los 948
*English School, 18th Century Portrait of Bishop Hugh Latimer, bust length in profile, in clerical robes oil on panel 30cm by 23cm in a 19th Century gilt gesso frame Notes: The sitter, Bishop Latimer (c.1487-1555) was a Fellow of Clare College Cambridge and Bishop of Worcester before the Reformation and later Church of England chaplain to KIng Edward VI. In 1555 under the Catholic Queen Mary he was burned at the stake becoming one of the three Oxford Martyrs of Anglicanism
Los 414
John Hughes Hallett (British, 20th Century) Portrait of Sir James Gray, CBE, MC, FRS (1891-1975) signed lower right "John Hughes Hallett 1959" charcoal 36 x 29cm (14 x 11in) Exhibited: The Royal Society of Portrait Painters, London (old exhibition label refers). Other Notes: Sir James Gray, MC CBE FRS was a British zoologist who helped establish the field of cytology. Gray was also known for his work in animal locomotion and the development of experimental zoology. He is known for Gray's Paradox concerning dolphin locomotion. Quite dirty. Dirt and flies under the glass.
Los 499
Bettina Shaw-Lawrence (British, b.1921) Study of Lucian Freud, naked, with his hands before his face signed lower right "Shaw-Lawrence 1944" pencil, heightened with white 49 x 29cm (19 x 11in) Literature: 'Breakfast with Lucian: A Portrait of the Artist' by Geordie Greig, pub. Vintage Books, 2015, p.74: "Back at art school after the Wales holiday, Bettina, David and Lucian attended morning life classes, for which Lucian also modelled. Bettina's drawing of a nervous-looking Lucian, near-naked and protective of his modesty, survives. 'He was so embarassed by the whole thing that he refused to take off his underpants', she said". Other Notes: Bettina Shaw-Lawrence and Lucien Freud were great friends and lovers. They met in 1939 at the Cafe Royal in Regent Street after Bettina had returned from studying in Paris under Fernand Leger to study at Cedric Morris' East Anglian School of Painting and Drawing at Benton End, Essex. At the same time as she met Freud, Bettina also met the art student and later actor David Kentish, with whom she also became romantically involved, leading to a complex relationship between the three of them. Bettina writes of the time with Freud: "We were not in love but we were lovers, briefly ... we had this lovely barn at Benton End where we used to make love and then watch the dogfights in the sky". At one point tensions came to a head between the three of them over a sweater which David had given to Bettina, resulting in a fist fight between Freud and Kentish after which Bettina and Kentish were thrown out of the school ( 'Breakfast with Lucian: A Portrait of the Artist' by Geordie Greig, 2015, p.70) In late 1939, Bettina, Freud and Kentish spent a period of time living in Capel Curig, Wales. The three of them drew numerous studies and portraits of each other throughout their friendship - both Freud and Kentish executed portraits of Bettina for her 20th birthday, however Bettina was never given these portraits. They were kept in the school warehouse by Cedric Morris. Bettina held her first exhibition at the Leicester Galleries with John Aldridge in October 1947 and throughout her career exhibited at the Leicester Galleries, Reid & Lefèvre Gallery and the Léger Gallery. Unframed. On scuffed paper which is quite creased. Old traces of Sellotape around the edges.
Los 404
§ Yolanda Sonnabend (British, b.1935) Two girls signed on the reverse "Sonnabend" oil on canvas 90 x 80cm (35 x 31in) Other Notes: Sonnabend was born in Bulawayo, Southern Rhodesia (present-day Zimbabwe)] the younger child of a sociologist, Dr Henry Sonnabend, and a physician, Dr Fira Sonnabend, both Jewish. Her father was of German descent and her mother was of Russian descent. They met at Padua University in the 1920s and emigrated to South Africa in 1930. She settled in England in 1954. From 1955 to 1960 she studied painting and stage design at the Slade School of Fine Art. She subsequently taught at the Camberwell School of Art, the Slade, the Central School and at the Wimbledon School of Art. Sonnabend worked as a theatre and ballet designer for the Royal Opera House and the Royal Ballet, as well as Sadler's Wells, the Oxford Playhouse and Stuttgart Ballet. She designed her first ballet, "A Blue Rose" by Peter Wright, in 1957 when she was a student at the Slade School of Fine Art. She first collaborated with Kenneth MacMillan in 1963 on Symphony and worked with him for over thirty years, including Rituals (1975), Requiem (1976), My Brother, My Sisters (1978) and Valley of Shadows (1983). Swan Lake (1987) and La Bayadère (1980) are some of her key achievements with the Royal Ballet. She was also a portrait painter with Kenneth MacMillan and Physicist Stephen Hawking being two of her most noteworthy subjects. In 2001, Sonnabend won the inaugural Garrick/Milne Prize for theatrical painting and portraiture. She was the subject of three National Portrait Gallery portraits. Nine of her paintings are in the collection of London's National Portrait Gallery. A retrospective of her work was held at the Serpentine Gallery in London in 1985-86. Her interest in the relationship between people is illustrated in this mysterious painting of two women. The enigma of their relationship is beautifully shown in this wonderful painting.
Los 327
§ Angus McBean (British, 1904-1990) A collection of gelatin silver prints to include: a mounted photograph of Jean Renoir seated beside the self-portrait of his father Pierre-Auguste Renoir, 1959, signed and dated lower right, 25 x 20 cm; Christmas Card 1949, 26 x 30.5 cm, and three smaller examples, one with a copyright stamp to verso and one signed in pencil in margin; Self-portrait as Neptune for a Christmas Card of 1939, 30.5 x 24 cm, and a smaller example; 'Angus McBean faked it' Christmas Card of 1952, 30.5 x 40.5 cm, and two smaller examples; together with a monochrome print, Self-portrait Christmas Card, Underwater with Umbrella, 1950, 49 x 38.5 cm two signed and one dated '59' silver gelatin prints (11) All unframed. Condition report: All are later prints probably from the 1970s bar the Christmas card. All unframed. All are later prints probably from the 1970s bar the Christmas card. Minor wear to the edges, with light creasing to some corners. A short tear to the top edge of one of the 'Angus McBean faked it' prints. Some stuck down to card.
Los 407
§ Oliver Hilary Sambourne Messel (British, 1904-1978) Study of James Libard, an antique dealer signed lower right "Messel" charcoal heightened with white, 1960 36 x 26cm (14 x 10in) The present portrait was drawn in Katharine Hepburn's house, 244 East 49th Street, New York - James Libard, resided at 228 East 49th Street, New York. Condition is fine.
Los 415
§ John Napper (British, 1916-2001) Portrait of a lady in a pink dress signed lower left "Napper 1943" oil on board 45 x 38cm (18 x 15in) Provenance: Abbott and Holder Ltd., Museum Street, London, W1. Other Notes: John Napper was born in London, and studied at the Dundee School of Art and the Royal Academy Schools from 1933 to 1934 and under Gerald Kelly in 1936. He served as a war artist from 1943-1944. Napper painted a portrait of HM The Queen in 1953 and Lady Churchill Condition is fine.
Los 350
§ Mary Potter, OBE (British, 1900-1981) Scarecrow signed lower right with initials "MP" and inscribed on the reverse with date 1970 on stretcher oil on canvas 70 x 76cm (27 x 30in) Provenance: Believed to have been acquired by the owner directly from the studio of the artist. Other Notes: Mary Potter studied under Henry Tonks at the Slade School of Fine Art in 1918, where she won many prizes including the first prize for portrait painting. She shared a studio in Fitzroy Street in London's bohemian Fitzrovia neighbourhood, becoming a member briefly of the Seven and Five Society and exhibiting with The New English Art Club and The London Group. In 1951 Potter moved with her husband to Aldeburgh on the east coast of Suffolk and lived in The Red House, which she swapped, in 1957, for Crag House, owned by Benjamin Britten, with whom she became a close friend after her divorce in 1955. Once her children had grown up, she spent long hours painting. By mixing paint with beeswax, she achieved a "chalky luminous quality" using a "pale and subtle" range of colours, and her work grew increasingly abstract. In his essay for the catalogue of her 1965 Whitechapel Art Gallery exhibition, Mary Potter Paintings 1938–1964, museum director Kenneth Clark said Potter's works "Exist in the domain of seeing and feeling; we know that they are exactly right in the same way that we know a singer to be perfectly in tune"; he described her paintings as "enchanting moments of heightened perception". In the 1960s and 1970s Potter gained increasing recognition. From 1967 she had seven solo shows with the New Art Centre in London. Major retrospective exhibitions of her work were shown at the Tate Gallery in 1980 and the Serpentine Gallery in 1981, which opened to great critical acclaim a few months before her death. In a review of that exhibition in The Sunday Times, Marina Vaizey wrote: "The results over the past several decades have been paintings of the most exquisite tensile webs of pale resonant colour, the subjects almost vanished, but the echoes imaginatively suggesting the fullness of life: an evanescent evocation of the shapes and surroundings in which people live. The very delicacy is paradoxically full-blooded". The artist produced two versions of 'Scarecrow' - the present painting is the later, more schematic of the two. The earlier 1963 version was exhibited at an exhibition at Whitechapel before being sold in 1989. We are grateful to Mrs Valerie Potter for her assistance with this entry. Slightly loose in its frame but fine.
Los 399
§ Adrian George (British, b.1944) Chinese Acrobat signed lower right "Adrian George 1983" and numbered numbered 56/100 lithograph 109 x 78cm (43 x 30in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: Adrian George studied at the Royal College of Art between 1961-64 and was taught by Peter Blake at Harrow Art School. He has exhibited extensively around the world and most recently at Chris Beetles Gallery in 2005. He was represented by Francis Kyle Gallery from 1978 to 2000. In 1983 George showed oil paintings at the Museo Municipal, Madrid in Pintura Britannica Contemporanea. In 1984 he held his first exhibition in New York, showing there again in Mozart's Travels (1991) at the Lincoln Centre. Adrian George's drawings on subjects from the world of theatre and pantomime have twice been used by the British Post Office for a series of postage stamps. In 1994 Paris in August; a diary with text and drawings by Adrian George was published by Peter Owen. Works by the artist are in the collections of the Victoria and Albert Museum and the National Portrait Gallery, London. Condition is fine - one small chip to the black frame.
Los 403
§ Wolfram Onslow Ford (British, 1879-1956) Portrait of John Neill Becker, Calcutta, 1926 signed and dated upper right "W Onslow Ford 1926" oil on canvas, unframed 72 x 57cm (28 x 22in) Large tear to the right of the sitter's head which has been patched from the reverse and over painted (not well matched). Scuffing and areas of paint loss to the edges of the canvas support. C raquelure overall with some small areas of associated paint loss. Stretcher bar marks visible from the front. Unframed.
Los 417
Morrell (Lady Ottoline, 1873-1938). An archive of newscuttings, photographs, postcards, prints and engravings and other reproductions, compiled by Lady Ottoline Morrell, circa 1920-1935, including photographs and newspaper reproductions of paintings by the Bloomsbury Group, numerous newspaper portraits of artists, celebrities, actors, writers, family members, weddings, and fashionable figures of the day, some historical persons of note, cuttings of topical news and events, and including a photograph of Thomas Hardy in academic dress, five real photo postcards of Benito Mussolini, a St. Dominic's Press booklet 'The Law the Lawyers Know About' (1923), a portrait photograph of Lady Ottoline at Garsington signed Kyrle, circa 1928, colour lithograph cartoons by Max Beerbohm, two large signed photographs of the singer and dancer Tina Meller, a reproduction of Renoir's Etude du Nu, issued to subscribers of the Bulletin de la Vie Artistique, early 1920s, a signed and inscribed oval portrait of the dancer and choreographer Michio Itow, 1915, a photograph of Stanley Spencer painting (possibly at Burghclere) probably taken by Lady Ottoline, a wood engraving by Clifford Webb 'Skiing at Arosa', signed, titled and dated 1931 in ink, all mounted in seven near matching vellum-backed folio albums with colour printed floral patterns to covers of each (with Fox Bookbinder, 5 George Street, London label), rubbed and some marks, 430 x 330mm (17 x 13ins), together with two scrap albums compiled by Lady Ottoline's daughter Julian Morrell, circa 1924-1928, containing numerous photographs of film stars of the period (9)
Los 225
*Exhibition Prints. A group of 18 vintage bromoil vintage gelatin silver prints by Murray Barford, circa late 1920s, including landscapes and architectural interest, various sizes including large format, many on exhibition card mounts with labels and details to versos, plus a gelatin silver portrait of an unidentified man, possibly Murray Barford, indistinctly signed and dated 1932 to mount beneath (19)
Los 272
*Carl Zeiss-Ikon Contarex 85mm f2 lens. A Carl Zeiss-Ikon Contarex Sonnar 85mm f/2 chrome portrait lens, early 1970s, complete with front and rear lens caps and lens hood, serial number 3287273, all in good condition, untested but was in good working order 2-3 years ago when last used, optics are free from scratches and fungus (2)
Los 211
*Marcus Adams, Bertram Park & Gilbert Adams. A large quantity of mostly portrait photography of men, women and children, circa 1920s/1960s, mostly gelatin silver prints, mounted and loose, including some signed by the photographer to mounts, various sizes including large format and 6 framed and glazed (a large carton)
Los 342
*German School. Portrait of St. Luke reading his gospel, with head of a black bull, 16th century, oil on quarter sawn baltic pine panel, showing St. Luke reading chaper 1 verse 5 of his gospel 'Fuit in diebus Herodis Regis Judeae sacerdos quidam nomine Zaccharias ...', 375 x 283 mm Provenance: Possibly the sale of the art collection and library of Richard Bull (1721-1805), a well-known antiquarian and collector, Sotheby's May 1881. Subsequently, Reverend Henry Clark (1785-1862) vicar of Harmston, Lincolnshire. His daughter Susanna Harris (n‚e Clark), wife of the Reverend Joseph Harris (1831-1892). Thence by descent. (1)
Los 420
*Peschka (Anton Emanuel, 1885-1940). Changing of the Guard ("The Palace Growl"), Vienna, 1909, oil on canvas, depicting a crowd of people watching the changing of the guard at the Hofburg Palace, Vienna, signed and dated lower right, several surface scratches and other minor marks, some light overall discolouration, 856 x 854mm (33.6 x 33.5ins), period ebonised frame (by Franz Rapf, Wolizeile 5/B„ckerstrasse 5, Wien, with his label to reverse), some damage Provenance: Private collection, Hampshire. Anton Peschka studied alongside Egon Schiele at the Akademie in Vienna. In 1909 he was among the 15 founding members of Schiele's Neukunstgruppe, who were later forced to leave the school after disagreements with their professor. That same year (also the date of the present work), Schiele painted a portrait of his fellow student (Portrait of the painter Anton Peschka, sold Christies, London 2001). Peschka married Schiele's sister Gertrude in 1914 and remained a close friend of the artist thoughout his life. This painting will benefit significantly from light cleaning and restoration. (1)
Los 22
A selection of Silver plated items including a sugar bowl and milk jug with applied swan handles on scrolling feet with engraved decorations,a coffe pot from James Dixon and son Sheffield of similar design, two sugar sifter spoons one with a mother of pearl handle and the other with a commemorative portrait made for the coronation in 1937 of King George VI and Queen Elizabeth, a cold meat fork with repousse handle, a silver plated table crumb pan with ivorine handle, an ear/tooth pick in white metal case together with a Victorian Sewing Hem Gauge Button Hole Knife Brass with retractable blade
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283287 Los(e)/Seite