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283287 Los(e)/Seite
Los 267
Princess Diana (1961 – 1997). A handwritten letter, a portrait photograph and signature. The handwritten letter within envelope addressed to Miss Faith Lascelles, on two sheets of blue Kensington Palace notepaper, dated March 25th 1987, three sides filled. Thanking Miss Lascelles effusively for her gift of a hunting painting of Diana's great, great, great grandfather. Written in black ink in Diana's typically open, flowing hand. With a black & white photograph of Princess Diana, and a further ink signature 'Diana' separately mounted in a handsome glazed frame, 66x53cm. With Certificate of Authenticity. Hamilton Bland, Sportizus Limited, UACC members. From a good autograph collection.
Los 62
Portrait miniature, English School, early 19th century A lady with a pearl fringed blue ribbon in her hair, 9.5X7.5cm, painted on ivory, together with a 19th miniature portrait of a gentleman, watercolour on paper (2). Please note although sold with an ivory exemption certificate, we are unable to post this lot outside of the UK. Ivory exemption certificate number Z5CGRGD9Ivory exemption certificate number Z5CGRGD9
Los 884
A Belgium pottery art vase the body of ovoid form with twin handles incised decoration depicting flora and fauna and celestial bodies, height 21.5cm together with a continental studio pottery charger and a Torquay Terracota Co plate painted with portrait. (3)The pottery vessel has no condition issues, small losses to painted plate and crackle, the charger with pitting.
Los 274
PARISTOSH SEN (INDIAN, 1918-2008) Half length portrait Signed and dated '69 upper right 45cm x 28.5cm Condition Report : frame and picture in good condition Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 286
ADVERTISING - A CRAVEN 'A' CIGARETTES SHOWCARD featuring a bust portrait of a glamorous woman holding a cigarette, 50cm x 34.5cm, unframed. Condition Report : Stained along lower edge. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 294
ASSORTED COLLECTABLES comprising an Elizabeth I (1558-1603) sixpence, 1574 (drilled); a Lipton's Tea British Empire Exhibition 1924 brass tea caddy; a circular brass box, the lid with a bas-relief profile portrait of Charles James Fox, 8cm diameter; a rare Wade twin-handled mug, Silver Jubilee 1977, limited edition of 2500, produced in error with the words 'Her Royal Highness' rather than 'Her Majesty' (most of the production run is believed to have been destroyed), 8.25cm high; and two further Taunton cider mugs, each 6.5cm high, (6).
Los 320
COINS - ASSORTED mainly Great Britain, comprising commemorative crowns; ten sets of Britain's First Decimal Coins, in soft plastic wallets of issue; four ten shilling notes; and others; together with an Avon tyres enamel lapel badge; Somerton & District M.C. & L.C.C. enamel lapel badge; Butlins Xmas 1964 enamel pin badge; a universal watch key, in the form of a three-legged man, marked 'E. LITTLE'; an ambrotype portrait photograph of a woman, 5.25cm x 4cm; and a small quantity of other items.
Los 330
POSTCARDS - ASSORTED Approximately thirty, mainly real photographic cards, comprising views of 3rd Avenue, Wainwright; factory furnaces and power plants / generators; and others; together with two carte-de-visite portrait photographs of policemen (both The 'Don' Studio, Peckham); three cabinet photographs, including a portrait of a Bristol Tramways inspector; a quantity of booklets and ephemera; and four Bartholomew's folding maps.
![[NATURAL HISTORY] Culpeper, Nicholas. The Complete Herbal; to which is now added, upwards of One Hundred Additional Herbs, w](https://cdn.globalauctionplatform.com/e3d9512c-ed92-42f9-bed3-aea000a78a91/abd000f8-aa9b-4ad4-a003-aefb00cb3e02/468x382.jpg)
Los 355
[NATURAL HISTORY] Culpeper, Nicholas. The Complete Herbal; to which is now added, upwards of One Hundred Additional Herbs, with a display of their Medicinal and Occult Qualities physically applied to the Cure of All Disorders Incident to Mankind: to which are now first annexed the English Physician Enlarged, and Key to Physic..., new edition, Kelly, London, 1846, half leather, paper-protected engraved portrait frontispiece, twenty hand-coloured plate illustrations, quarto. Condition Report : Re-backed; upper compartment of spine simply repaired; rubbed and scuffed; frontispiece detached. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 13
Spanish school, early 19th century."Portrait of a gentleman.Oil on canvas.Relined.Golden frame with faults in the wood and polychromy.Measurements: 77 x 60 cm; 87 x 70 cm (frame).Half-length portrait representing a middle-aged male character. With a self-absorbed expression, the painter captures the psychology of the character, who wears a doublet and an armour, under which a white blouse with a starched neck appears.
Los 14
Spanish school, ca.1830."Portrait of a gentleman.Oil on canvas.Original canvas, with repainting.Period frame.Measurements: 45 x 37 cm, 55 x 47 cm (frame).Half-length portrait of a gentleman with a melancholic look, whose countenance denotes an austere character. Under the richly brocaded armour, a pleated blouse can be seen. The neutral background highlights the variety of qualities and textures of the drapery.
Los 29
Spanish school, last third of the 18th century. Circle of Anton Raphael MENGS (Aussig, 1728-Rome, 1779)."Charles III". ca.1780.Oil on canvas.Re-framed.Back frame.Frame with xylophages. Slight lack of polychromy.Measurements: 121 x 100,5 cm; 142 x 121 cm (frame).Mengs's portrait of Charles III became the official image of the monarch and was the subject of several period versions, but there are significant variations in them. In the present painting, which is remarkably well executed, the monarch retains the pose of the original, holding a baton in his right hand while his left hand, with his forefinger outstretched, gives some kind of indication or order to a subject outside the painting. The wide pilaster provides a view of the palatial interior, although on this occasion the curtain is omitted. In analysing this painting, account should also be taken of contemporary works in which the governor wears the blue sash of the Royal Order of Charles III, such as the engraving by Manuel Salvador Carmona of 1783 (in which the motif of the icon of the Immaculate Conception on his chest is repeated) and, among others, the oil painting by Mariano Salvador Maella (now in the Banco de España Collection), who was painter of the chamber in 1774. As in Maella's painting, the king here wears a coat finely brocaded in gold and silk. Maella also painted a version with the king wearing armour, as in the original. The royal robe rests on the table, as in Mengs's painting. The rich qualities of the ermine, brocade, lace, silk, etc. are expressed with delicate brushstrokes and the right use of glazes. The courtly conception prevails over the military one in Mengs's painting. The face, like that of the German painter, is severe and regal. It is captured with the utmost naturalness. The successive interpretations of the royal effigy were intended to satisfy the demand for commissions from foreign courts and the governmental centres of the vast Spanish empire.
Los 3
Spanish school, late 18th century."Archbishop of Toledo", 1788.Oil on canvas.Frame from the 19th century.It presents faults and repainting.Measurements: 98 x 79 cm; 116 x 97 cm (frame).Portrait of the cardinal Francisco de Lorenzana (1722-1804), a figure of great relevance in the ecclesiastical sphere of his time. He was a Spanish cardinal, historian, liturgist and enlightened humanist, as well as archbishop of Toledo. It is this last position and that of cardinal that is depicted in this painting, as the scroll in the lower right-hand corner shows. With his right hand, Lorenzana makes the gesture of blessing while with his left he holds a piece of paper, perhaps a letter that he is about to write. On the red muceta, which falls from his shoulders and under which the white tunic shows, he wears a crucifix next to the large cross and the sash of the order of Charles III. Following the Baroque tradition of the velvet drapery that theatricalises the scene, the figure is placed before a maroon velvet curtain and next to a raised table on which a silver inkwell can be glimpsed. Her features are skilfully rendered, conveying an alert character. His large black eyes contrast with the whiteness of the flesh of a mature man. In the late 18th and 19th centuries several versions of this portrait were produced (such as the one in the Museo del Prado by Matías Moreno González), based on a portrait in the library of Toledo cathedral.
Los 217
COLLECTION OF JEWELLERY1st: The brooch designed as a flower, with mesh petals opening to reveal a stamen set with circular-cut sapphires, 2nd: The brooch set with a shell cameo depicting a woman wearing a wreath in her hair, within a frame suspending seed pearl tassels, 3rd: Each earring set with a porcelain portrait miniature depicting a child reading or writing, with mother-of-pearl backing, within openwork frames with seed pearl and rose-cut diamonds tassels and accents, suspended from a foxtail-link chain on a surmount decorated with cross motifs, 1st with French assay marks, maker's mark (rubbed), 2nd with French assay marks, lengths: 1st 6.4cm, 2nd 3.6cm, 3rd 5.0cm (3)Footnotes:Please note, this lot will be subject to US Fish and Wildlife inspection if imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Los 32
COLLECTION OF GEM-SET JEWELLERY, 19TH-20TH CENTURY1st: The memorial locket decorated with black enamel, the front with a painted portrait of a gentleman wearing formal attire, within a rose-cut diamond bezel, the reverse with applied monogram set with rose-cut diamonds, 2nd: The pendant designed as a Celtic cross, set with step-cut rock crystal, 3rd: The brooch set with dendritic agate within a colourless paste surround, 4th: Two stick pins, one set with a heart-shaped garnet within a colourless paste surround, one set with a carved chalcedony flowerhead, 5th: The bracelet set with faceted rock crystal beads between chrysoprase beads, 6th: The pendant set with amber containing an insect, 7th: The pendant set with a pear-shaped emerald within a brilliant-cut diamond surround, 1st one diamond deficient, amber untested, lengths: 1st 5.6cm, 2nd 4.5cm, 3rd 2.5cm, 4th 4.5-5.4cm, 5th 18.0cm, 6th 4.7cm (8)For further information on this lot please visit Bonhams.com
Los 10
Italian School, 17th CenturyPortrait of Stefano Colonna, half-length, in black oil on panel38.7 x 26.2cm (15 1/4 x 10 5/16in).Footnotes:The present work is derived from Bronzino's three-quarter-length portrait of Colonna in armour, now in Gallerie Nazionali di Arte Antica, Rome.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 100
English School, 18th CenturyPortrait of Major-General James Hanson Salmond, half-length, in a dark jacket before a landscape oil on canvas76.2 x 64.3cm (30 x 25 5/16in).Footnotes:Major-General James Hanson Salmon (1766-1837), son of William Salmond of Antigua and Jane Hassel, was an officer in the East India Company's Forces and went on to become Military Secretary to the East India Company in 1809.For further information on this lot please visit Bonhams.com
Los 109
Venetian School, 18th CenturyPortrait of a hunter with a rifle over his shoulder oil on canvas55.4 x 45.7cm (21 13/16 x 18in).Footnotes:ProvenanceBelieved to have been at Pasadena Art Institute, CaliforniaWith Adolph Loewi, Los Angeles, by whom soldPrivate Collection, Padua, by whom sold toThe Collection of the Donà dalle Rose family, VenicePrivate Collection, VenicePrivate Collection, ChioggiaThe present work is accompanied by a copy of an expertise by Rodolfo Palluchini in which he suggests an attribution to Pietro Longhi (Venice 1701-1785).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 128
Circle of Thomas Hudson (Devon 1701-1779 Twickenham)Portrait of Captain John Wingate RN. (1688-1760), seated, three-quarter-length, a navy vessel at sea showing through a window oil on canvas 125.7 x 101.8cm (49 1/2 x 40 1/16in).Footnotes:The sitter, Captain John Wingate (1688-1760) married Sarah Velley of Ongar, Essex and had one daughter Ann. He served in the Royal Navy, becoming Captain of HMS Tarrington in 1735.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 130
Circle of John Constable R.A. (Suffolk 1776-1837 Hampstead)Portrait of a lady, in a red cape and a black hat, a view to a landscape beyond oil on panel30.7 x 24.8cm (12 1/16 x 9 3/4in).Footnotes:ProvenanceThe Collection of Mr and Mrs Paul Mellon, by whom offeredSale, Sotheby's, London, 18 November 1981, lot 136 (as Constable), where purchased by the present owner's father ExhibitedRichmond, Virginia Museum of Fine Arts, Painting in England 1700-1850: Collection of Mr and Mrs Paul Mellon, 1963, cat. no. 289 (as J. Constable)Washington, National Gallery of Art, John Constable: a selection of paintings from the collection of Mr and Mrs Paul Mellon, 30 April - 1 November 1969, cat. no. 7For further information on this lot please visit Bonhams.com
Los 131
Carl Ludwig Christinec (? 1732-circa 1794 Saint Petersburg)Portrait of William Gomm, half-length, in a blue coat with gold piping oil on canvas76.4 x 64.3cm (30 1/16 x 25 5/16in).Footnotes:ProvenanceBy descent from the sitter to the present ownerThe sitter was the nephew of William Gomm (1728-92), an entrepreneur and merchant banker who went to Russia in 1750 to help develop the port of Odessa; William and his siblings joined his uncle and cousins in St Petersburg and while there he sat to Christinec in the 1760s. For further information on this lot please visit Bonhams.com
Los 137
After Rembrandt Harmensz. van Rijn, 19th CenturyPortrait of the artist's wife, Saskia van Uylenburgh half-length in profileoil on canvas115 x 86.2cm (45 1/4 x 33 15/16in).Footnotes:ProvenanceThe Huijdekope Collection, inv. no. 2136 (as by Ary Scheffer, according to a label on the reverse)Private Collection, The Netherlands, by whom offeredSale, Bonhams, London Knightsbridge, 24 October 2018, lot 28, where purchased by the present ownerThe present composition is after Rembrandt's original, now in the Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Kassel.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 142
Circle of Sir Martin Archer Shee (Dublin 1769-1850 Brighton)Portrait of a boy, traditionally identified as William Plomer with his dog oil on canvas145.2 x 111.8cm (57 3/16 x 44in).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 148
Amsterdam School, 1629Portrait of a lady, half length in a black dress and white ruff bears inscription and date 'AEtatis. 49/ Ano. 1629' (upper right)oil on canvas, oval66.5 x 54cm (26 3/16 x 21 1/4in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 154
English School, 18th CenturyPortrait of a gentleman, traditionally identified as Francis Dreve, half-length, in a brown coat, within a painted oval bears inscription and date 'Francis : Dreve Esq/A:D. 1714/ AEt. 43' (on reverse of canvas)oil on canvas, unlined76.2 x 63.2cm (30 x 24 7/8in).For further information on this lot please visit Bonhams.com
Los 17
Circle of Philippe de Champaigne (Brussels 1602-1674 Paris)Portrait of a gentleman, traditionally said to be René Descartes oil on canvas67.5 x 54.5cm (26 9/16 x 21 7/16in).Footnotes:ProvenanceSale, Bonhams, London, 10 July 1986, lot 114, where purchased by the present owner's fatherFor further information on this lot please visit Bonhams.com
Los 18
Circle of Philip Mercier (Berlin 1689-1760 London)Portrait of a lady, three-quarter-length, in a white dress oil on canvas126.8 x 101.4cm (49 15/16 x 39 15/16in).Footnotes:ProvenanceWith Lane Fine Art, London, where purchased by the present owners in 1995This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 19
Follower of Pierre Gobert (Fontainebleau 1662-1744 Paris)Portrait of a lady, traditionally identified as Françoise d'Aubigné, Marquise de Maintenon, as Abundanceoil on canvas, oval 81.6 x 64.5cm (32 1/8 x 25 3/8in).Footnotes:ProvenanceWith Harris and Holt, West Yorkshire, where purchased by the present owner in 1998For further information on this lot please visit Bonhams.com
Los 190
Circle of Lady Diana Beauclerk (active England, 1734-1808)A watercolour on paper with four vignette figure studies and a portrait of the original owner against a faux lapis surround, flowering swags and coffering, inset into a maple-veneered cabinet for miniatures containing 23 18th and 19th century miniatures, the cabinet 55 x 51cm (21 5/8 x 20 1/16in).Footnotes:ProvenanceCollection of Felix Joseph (the cabinet)This lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Los 2
Circle of Frans Floris the Elder (Antwerp circa 1519-1570)Portrait of a lady as Cleopatra, bust-length oil on panel33 x 24.2cm (13 x 9 1/2in).Footnotes:ProvenanceSale, Sotheby's, New York, 4 July 2015, lot 15 (as 'Fontainebleau School, 16th Century')Sale, Christie's, New York, 14 October 2021, lot 89For further information on this lot please visit Bonhams.com
Los 3
Follower of François Clouet (Tours 1522-1572 Paris)Portrait of King Henri III of France, bust-length, in a white lace ruff and pearls oil on panel31 x 23.6cm (12 3/16 x 9 5/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 30
Italian School, 18th CenturyPortrait of Pope Gregory XI, seated three-quarter-length inscribed 'PA GRE XI DE/ BEAUFORT CANILLAc' (centre left); charged with the sitter's coat-of-arms (upper left)oil on canvas94.2 x 68.9cm (37 1/16 x 27 1/8in).Footnotes:ProvenanceSale, Bonhams, London, 15 April 2021, lot 111, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Los 32
English School, early 19th CenturyPortrait of a boy, traditionally identified as Llewelyn Wynne, full-length, with his dogoil on canvas 131 x 89cm (51 9/16 x 35 1/16in).Footnotes:The present work depicts Llewelyn Wynne at the age of 8. He was born to William Wynne and Mary Roden in Mold in 1808 and died in 1877.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 34
Attributed to Sir William Beechey R.A (Burford 1753-1839 London)Portrait of two children with a dog in an interior oil on canvas129.9 x 102.2cm (51 1/8 x 40 1/4in).Footnotes:Another version of the present portrait, catalogued as by William Beechey, was offered at Lepke, Berlin, 16 November 1926, lot 73 (Witt Library mount).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 36
Flemish School, 17th CenturyPortrait of a family oil on canvas60.2 x 84.3cm (23 11/16 x 33 3/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 4
After Antonis Mor, early 17th CenturyPortrait of Margaret of Parma, bust-length, in black costume oil on panel26.5 x 18.5cm (10 7/16 x 7 5/16in).Footnotes:The present composition is after Antonis Mor's original portrait, which is now in the Staatliche Museen, Berlin, with a few differences in the costume.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 43
After Jacob Jordaens, 19th CenturyPortrait of Elisabeth Jordaens, the artist's daughter oil on canvas, unlined52.5 x 38cm (20 11/16 x 14 15/16in).Footnotes:The present portrait is after Jacob Jordaens's original portrait, now in the Academy of Fine Arts Vienna.For further information on this lot please visit Bonhams.com
Los 45
English School, circa 1850Portrait of a young gentleman before a moonlit sea oil on canvas76.5 x 63.4cm (30 1/8 x 24 15/16in).Footnotes:The present work is derived from Sir Joshua Reynolds portrait of Master Brand ('A Contemplative Youth'), which was engraved (see: National Portrait Gallery D873).For further information on this lot please visit Bonhams.com
Los 47
Jonathan Richardson (London 1665-1745)Portrait of a gentleman, traditionally said to the artist's son, half-length oil on canvas, oval76.1 x 63.2cm (29 15/16 x 24 7/8in).Footnotes:The present portrait has traditionally been purported to depict the artist's son, Jonathan Richardson Junior and can be compared to Richardson Senior's Portrait of the Artist's Son, Jonathan Richardson the Younger, in his Study in Tate Britain, which dates to circa 1734, as well as his Group Portrait of the Artist and his Son, with John Milton which was formerly in a private collection in North Carolina. Richardson Senior was said to have painted his son on an almost daily basis.For further information on this lot please visit Bonhams.com
Los 48
Circle of Edward Haytley (active Britain, 1740-1762)Portrait of a gentleman, full-length, in a buff waistcoat and blue coat in a landscape; and Portrait of a lady, full-length, in a claret coloured dress, seated in a landscape with her dog a pair, oil on canvas72.8 x 53.4cm (28 11/16 x 21in). (2)For further information on this lot please visit Bonhams.com
Los 7
Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London)Portrait of a gentleman, bust-length, in black, within a painted oval oil on panel51.4 x 42.6cm (20 1/4 x 16 3/4in).This lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Los 70
Studio of Gilbert Stuart (Saunderstown 1755-1828 Boston)Portrait of Mrs Luke White and her son oil on canvas, unlined76.2 x 63.2cm (30 x 24 7/8in).Footnotes:Numerous versions of this portrait are known. A further period copy can be found in the Toledo Museum of Art (object no. 1926.77) and the prime version may possibly be that offered at Doyle's, New York on 5 October 2016, lot 8.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 71
Vincenzo Camuccini (Rome 1773-1844)Study for the portrait of Pope Pius VII oil on canvas47.7 x 36.9cm (18 3/4 x 14 1/2in).Footnotes:ProvenanceArt market, Rome, 1893, where purchased byThe Collection of Baron Alfred de Braye, Stanford Hall, Leicestershire (all according to labels on the reverse)Camuccini's finished portrait of Pope Pius VII is in the Kunsthistorisches Museum, Vienna. We are grateful to Prof. Giancarlo Sestieri for confirming the attribution to Camuccini (private communication, 16 December 2015).For further information on this lot please visit Bonhams.com
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283287 Los(e)/Seite