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283287 Los(e)/Seite
Los 243
A small group of assorted works of art, including a Bois Durci portrait relief of John Bright, circa 1860s, 11cm diameter; a Victorian papier mache snuff box decorated with s girl on a safety bicycle, 6cm high; an Oriental black lacquered box, 10.5cm wide; and four various print maker's engraved copper plates
Los 452
A pair of portraits, British School, 19th Century -A portrait of a young lady, seated, wearing a light blue dress and brown cloak -Oil on canvas -37 x 29.5cm - 49.5 x 43cm framed -Together with another portrait of a lady, seated, wearing a lace veil - Oil on canvas - 37.5 x 30cm, 49.5 x 43cm framed (2)
Los 542
*Alfred Neville Lewis (South African, 1895-1972) -Pair of portrait studies of African man and woman -Pen and ink and pencil drawings respectively -27 x 20cm and 30 x 23cm -Both signed -Together with a double sided sheet of paper with sketches of the artist in the studio and studies from a nude model in pencil, red chalk and ink wash, 50 x 32cm - And seven studies of native peoples including Kafir women, each 8 x 11cm, one indistinctly signed - and two small prints after Keley Haswell, with two others.
Los 446
Attributed to Richard Cosway RA (British, 1742-1821) -Miniature portrait of Lady Napier -Watercolour on ivory (ivory plate cracked in two places) -8.5 x 7cm (oval) -Together with two Edwardian miniature portraits on ivory, one signed (3) -Ivory Exemption Certificate Nos. 2KKEGAF5, VBU1PFBA, and UNLBVLAX
Los 443
John Miers (British, 1756-1821) -Half-length portrait of a gentleman, circa 1790 -Silhouette painted on plaster -8.5cm (oval) -Miers' label reading 'No. 111 opposite Exeter Exchange, Strand, London' attached to the reverse -Provenance: Irene E. Kelly Antiques, Knaresborough, 1978 (original receipt attached) -Together with a bust silhouette of a lady painted on plaster, label of profilist J. Patey, London (2)
Los 581
A group of pictures of John D Welsh interest (Australian/ British, early 20th Century) -A portrait of the artist by Ivor Hele CBE (Australian, 1912-1993) -Oil on canvas (unframed, canvas rolled) -94 x 46cm -Signed and dated 1930 -Together with a portrait of Ivor Hele by John D Welsh, oil on canvas (unframed, canvas rolled), 60 x 50cm, apparently also dating to 1930 -A still life of flowers and fruit by John D Welsh, oil on canvas (unframed), 51 x 41cm -And Welsh's sketchbook with pen-and-ink drawings of Continental towns and studies from the model -And Welsh's postcard written to Lady Celia MacDonald (née Edwards) Carmichael (5) -John D Welsh was a student of Marie Ann Tuck (Australian, 1866-1947), and exhibited a painting of Santa Maria de la Salute at the Centenary Tribute Exhibition by the Students of Marie Tuck, alongside Ivor Hele -Provenance: By descent from the friend and executor of John D Welsh
Los 468
Lady Marianne Frances Bowyer Smyth (British, 19th Century) -Study of birds nesting -Watercolour over pencil -17 x 14cm -Attributed and dated 1858 to reverse -Together with a watercolour portrait of Queen Victoria after Richard James Lane, 19 x 12cm; and a bronzed full-length papercut silhouette of a gentleman (3)
Los 469
John Wallace ''George Pipeshank'' (British, 1841-1903) -Original designs for 'Cope's Portrait Gallery of Tobacco Worthies': portraits of William Thackeray (dated 1887), Thomas Carlyle (dated 1889), and two of Abraham Cooper (one dated 1889, the other 1893) -Four watercolours -Each approximately 51.5 x 38cmTogether with the colour lithograph with No. 1. W. M. Thackeray, printed at the office of 'Cope's Tobacco Plant', 57 x 44.5cm (5)
Los 397
λ λ A 19th century lapis lazuli and gold mounted portrait box, unmarked, probably Italian, the miniature by Ernst von Valentini (1759-1835), of circular form, the lapis lazuli cover inset with a portrait miniature on ivory of Pope Pius VII, within an engraved frame with ribbon-tied decoration, with engraved gold mount and interior, diameter 8.5cm Ivory registration number GPGXDJ4C. Provenance: Property of a deceased estate
Los 90
An eight row grey cultured pearl necklace, with a late-nineteenth century gold clasp, with fine pellet and twisted wire work decoration to the border, applied with initials JB for John Brogden, containing a glazed portrait miniature on shell depicting the Qutab Minar, a remarkable monument in Delhi, not only for its early-13th century structure, but for the continuation of the Mughal and Hindu architecture, the necklace is 33cm long with extra pearls
Los 18
A collection of jewellery, 19th century and later, comprising: a gold and blue enamel portrait miniature frame, length including bail 9cm; a citrine and seed pearl pendant mounted in yellow gold, diameter 1.5cm; a garnet five-stone ring in 9ct gold, British hallmarks, date letter for 1887, size K; an enamel, ruby and diamond ring in yellow gold, size L approx; a diamond solitaire ring in yellow gold, size I 1/2; an emerald and diamond five-stone ring in yellow gold, size K 1/2; a garnet and seed pearl cluster ring in yellow gold, size N 1/2, two seed pearls lacking; a diamond ring in yellow gold, size N 1/2, central stone lacking; leather jewellery boxProvenance: The Private Collection of the late Michael and Margaret Susands
Los 78
A late 19th century reverse carved rock crystal brooch and similar stickpin, comprising: a brooch decorated with a portrait of a racehorse with jockey up above the inscription 'Milligramme' against a mother of pearl ground, within an openwork foliate scroll yellow gold frame, width 3.5cm; and a stickpin with the terminal depicting a greyhound against a mother of pearl ground, in a yellow gold frame, stamped 18, length 7.4cm
Los 8
A collection of jewellery, comprising: a coque de perle gold pendant necklace, pendant length 6.5cm, chain length 39.5cm; an Edwardian gold, turquoise and river pearl fringe necklace, length 37cm; an emerald bead necklace to a gold clasp, length 40cm; a glass bead necklace, length 74cm; a gold bracelet of plaited design, length 17cm; a pair of onyx and white stone drop earrings mounted in platinum and gold, length 4cm; a pair of opal drop earrings mounted in gold, length 3.2cm; a gold amazonite ring, size Q 1/2; a 9ct gold, amethyst and opal brooch of scrollwork design, London hallmarks, length 3.3cm; a 9ct gold, amethyst and cultured pearl brooch designed as a floral sprig, Birmingham hallmarks, length 5cm; a heart-shaped shell cameo brooch mounted in gold, length 2.6cm; a seed pearl and mother-of-pearl brooch to a gold pin, length 4.8cm; a painted enamel portrait miniature brooch mounted in gold, length 4cm; a silver and enamel butterfly-shaped brooch, Birmingham hallmarks, length 3.6cm; an oval chrysoprase brooch mounted in silver, length 4cm; a cameo brooch mounted in base metal, length 6cm
Los 5
λ A collection of jewellery, comprising: a gilt and garnet hair ornament, 1830s, inner curve 16cm, height at centre 2.6cm excluding comb; two gold longuard chains, one stamped 9c, maximum length 151cm, one with an end detached; an etui with chased foliate scroll decoration, length 6.7cm, implements lacking; two gold chains, one stamped 15ct, maximum length 46cm; a garnet and seed pearl set gold stick pin, length 6.1cm; a seed pearl and gold mourning pendant with glazed hairwork locket compartment, diameter 2.6cm; a pearl and gold mourning brooch with glazed locket compartment, length 2cm, one pearl missing; a seed pearl and gold brooch, length 3.5cm; two seed pearl necklaces, one with a hairwork pendant, maximum length 66.5cm, one with clasp lacking; a garnet cabochon and seed pearl mourning ring in yellow gold, French control marks, size L; four other gem-set rings, a gold plated chain, a gold plated fob seal, a carnelian and seed pearl heart-shaped pendant in silver, a yellow base metal chain inset with cultured pearls and paste, and a pair of garnet cabochon and yellow base metal cufflinks, a low carat gold and coral clasp, and a portrait miniature of a ladyProvenance: The Private Collection of the late Michael and Margaret Susands
Los 241
â–² Peter Lloyd-Jones (b.1956) 'Interior with Chair and Red Cushion' signed with initials l.l., with a further portrait study verso, oil on canvas109 x 76cmProvenance: With Jonleigh Gallery, Guildford;Mr and Mrs David McCleave.Condition ReportFramed: 119 x 86cmA little very light surface dirt. There is a faint horizontal line crossing the centre of the work which appears to be the surface of the canvas. Further very faint lines cross the top and bottom thirds of the painting, however in our opinion the work presents well overall when viewed on the wall. Not examined under UV light, for a full report please contact the department.
Los 151
Roman Kravchuk (Ukrainian, contemporary) Portrait of a young girlsigned in Cyrillic l.l., also signed and inscribed in Cyrillic and dated '2004' verso, oil on canvas70 x 53.5cmCondition ReportFramed: 79x 63cmA little light surface dirt. The finish is slightly uneven in places. Not examined under UV light, for a full report please contact the department. Ready to hang.
Los 99
Christopher Wood (1901-1930) 'á Madame Laloy amicalement' signed, inscribed with title, and dated 'Christopher Wood/1926' u.l., pencil 49 x 32cm Provenance: Sotheby’s, London, ‘Drawings and Watercolours from the Collection of the Late Sir John and Lady Witt', 19 February 1987, lot 393. This portrait depicts Madame Laloy, the wife of musicologist Louis Laloy, and most likely dates from the spring of 1926, when Christopher Wood was most friendly with them. In a letter to his mother in March 1926, Wood expressed an ambition to design a ballet with Laloy and, later that year, he met Laloy and the French composer Georges Auric in London, to discuss designing scenery for a Chinese play. Previously, Wood had been commissioned by Diaghilev to create designs for his 1926 production of 'Romeo and Juliet', however, these were later replaced with designs by Miró and Ernst. This period marks a shift in Wood's work. His view of his French connections began to change and he began to turn his attentions away from the ballet. It was at this moment that the character of Wood's work would start to develop, moving away from the modernist influences of Cocteau, Picasso and Diaghilev. By August 1926, Wood's work was influenced by his friendship with Ben and Winifred Nicholson. This new outlook would shape his work in Cornwall and Brittany over the next four years. The drawing offered for sale showcases Wood's minimalist approach to line, capturing form with just the essential details. Condition ReportFramed: 66 x 47cm Time staining. Creasing around the edges. A little dirt and discolouration along the top edge. Not viewed out of glazed frame.
Los 374
â–² David Bailey (b.1938) 'Box of Pin-Ups', 1965thirty-six half-tone prints, with the biographical details of each sitter printed on the reverse of each print, printed by Weidenfeld & Nicolson, London, and contained in the original card box, signed to the reverseeach approximately 37 x 32cmProvenance: Sotheby's, New Bond Street, 'Made in Britain II', 13 September 2017, lot 175;The David and Pam McCleave Collection of Modern British Art.Literature: Martin Harrison, 'David Bailey: Archive One, 1957-1969', Thames & Hudson, London, 1999, ill. pp.157, 169, 175, 177, 179 and 181;David Bailey, 'Bailey's Stardust', National Portrait Gallery, London, 2014, ill. pp.191-197.Condition ReportThe prints appears to be in good condition overall. Light handling creases, only visible in raking light. The box has some discolouration with surface dirt, staining and abrasions to the reverse. The edges and corners of the box are worn with a tear to the upper left corner.
Los 294
â–² Stephen Ward (1912-1963) 'Sketches for a Portrait'signed 'Stephen Ward', inscribed with title and numbered '27' l.r., black and white chalk and pencil52 x 38.5cmCondition ReportFramed: 77 x 62cmScattered spots of foxing starting to emerge. Cockling and creasing. Pinholes to corners. Small tears to the extreme edges. Appear to be stuck down in the corners. Not viewed out of glazed frame.
Los 242
â–² Ronald Ossory Dunlop RA (Irish-British, 1894-1973) Self portraitsigned 'Dunlop' l.l., oil on canvas50.5 x 40.5cmCondition ReportFramed: 63 x 53cmCraquelure in areas. Light surface dirt. The canvas texture is visible where the paint has been thinly applied in places, in contrast to other areas which are thicker impasto. Not examined under UV light, for a more detailed report please contact the department.
Los 292
â–² Michael Ayrton (1921-1975) 'Portrait of Wyndham Lewis'signed 'Michael Ayrton', inscribed with title and dated '55/Jan: 16th' u.r., black chalk, with a second portrait in pen and ink and wash verso51 x 62.5cm, unframedProvenance: Sotheby's, 'Modern British and Irish Paintings, Drawings and Sculpture', 12 October 1988, lot 294;the property of a private collector.Condition ReportPinholes with tiny tears to the extreme corners. The sheet has been hinged to a mount with two pieces of tape applied to the reverse of the top edge. A little light smudging. There is a very faint border of discolouration to the edges.
Los 356
â–² David Hockney OM CH RA (b.1937) 'Portrait of Felix Man', 1969lithograph on japon, signed 'David Hockney' in pencil l.r.sheet 76.5cm x 53.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is not numbered. Scattered spots of foxing. Light creases visible to the reverse. A diagonal crease mark to the lower right corner. Please see additional condition images. Deckled edges. Unframed.
Los 338
Two artist teddy bears, a Bears That Are Special teddy bears, designed by Pam Howells, 1 of 3, signed Pam Howells 1998 to card tag, with dark blonde and black flecked mohair, black glass eyes, pronounced muzzle black stitched nose mouth cream stitched pads —22in. (55cm.) high; and a larger Portrait Bears cream mohair bear (missing one eye)
Los 495
A Peggy Nisbet Tower Treasures Queen Elizabeth II Coronation Chair, with Stone of Scone, marked 570 to back —9 ¾in. (25cm.)high; a Limited edition Tower Treasures Queen Elizabeth II official Silver Jubilee portrait chair, 470 of 500, marked to base, a bisque model of Queen Elizabeth II marked Nisbet 1978, REGD 470, in original outfit, a Queen Elizabeth II doll and a Queen Victoria doll (padded arm rest missing to right hand side of chair)
Los 185
An early 20th century memorial medal with a portrait of Sun Yat-sen to the obverse and an image of his former residence with the inscription 'The Former Residence Dr. Sun Yat-Sen' below another in Chinese characters to the reverse in a fitted case along with a 20th century blue and white porcelain lidded ink box with a central five clawed Imperial dragon chasing a flaming pearl with four character marks in underglaze blue to the base in a fitted fabric lined box. d.12.5cm (box)
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283287 Los(e)/Seite