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283322 Los(e)/Seite
Los 811
George Knapton (1698-1778) Portrait of Mrs Knight, standing, three quarter length, holding a basket containing birds Inscribed Mrs Knight, oil on canvas, 95cm by 71.5cm George Knapton, the son of a City Merchant, spent seven years as apprentice to Jonathan Richardson the elder and attended the St Martin`s Lane Academy. He was a founder-member of the Roman Club and following a tour of Italy founded the Society of Dilettanti becoming their official portrait painter in 1740. A well recorded portrait by Knapton depicts Robert Knight, Baron Luxborough (painted c.1748/9 which sold at Christie`s 11 Dec 2009 Lot 146). In June 1750 Robert Knight`s son, the Hon Henry Knight married Frances Heath, daughter of Thomas Heath, MP for Harwich. It is possible this is a portrait commissioned by the Baron of his new daughter-in-law, Frances Knight remarried in 1763 following Henry Knight`s death, this time to Henry Scott, 4th Earl of Deloraine. See illustration
Los 814
Attributed to Allan Ramsay (1713-1784) Portrait of Walter Scott MP of Harden, half length, wearing a red and gold embroidered jacket Inscribed on a plaque, also partially inscribed on the remains of an old label verso, oil on canvas within a painted oval, 73cm by 61cm Walter Scott, 10th Laird of Harden (1724-1793) was MP for Roxbourghshire 1747-1765 and appointed receiver and cashier of excise in Scotland in 1765. He married Lady Diana, daughter of Hugh, 3rd Earl of Marchmont on 18 April 1754. He became 10th Laird after the death of his father, also Walter Scott, who himself had become 9th Laird after his nephew, John Scott, 8th Laird died without male issue. In 1747/8 Allan Ramsay painted the two daughters of John Scott of Harden; Mary Lillias and Anne in similar painted ovals (as recorded in The Complete Catalogue of his Paintings by Alastair Smart), in the same year their cousin Walter Scott became MP and inherited the title as 10th Laird aged only 23. Contained within a period carved wood frame See illustration
Los 818
Follower of John Philip Simpson (c.1853-1866) Portrait of a negro slave, half length, wearing a cream shirt, his wrists in chains Oil on canvas, 76.5cm by 63.5cm See illustration Among well-known British painters who included black slaves and black male figures in their work during this period were Eyre Crowe, William Mulready, Richard Ansdell and Edwin Longsden Long (1829-1891). In Long`s work Uncle Tom and Little Eva of 1866, now in the Russell-Cotes Museum, Bournemouth, the black slave bears some resemblance to the model in the above work, so Long does merit consideration on the basis of comparison with certain of his earlier, less finished, paintings.
Los 861
Joseph Walter (1783-1856) Frigates and other vessels anchored off a coastline Signed and indistinctly dated, oil on canvas, 46.5cm by 61cm The artist was born in Bristol and ranked, with Nicholas Pocock, as Bristol`s best marine painter. Although it was described on his death certificate that he was ``A ship portrait painter`` he was more than that and drew well, his draughtsmanship being excellent. As well as his ship portraits he recorded such events as the floating out of the SS Great Britain in 1843. See illustration
Los 1369
After Lady Anna Maria Stanhope (Marchioness of Tavistock and Duchess of Bedford): Self portrait with her Sisters, Lady Caroline Stanhope (d.1853) and Lady Charlotte Stanhope (1793-1859), circa 1805, watercolour on ivory, 7.8cm by 12cm, set in a decorative ormolu cabinet frame with twin rings for suspension See illustration Provenance: By descent to the last Countess of Milltown (Lady Geraldine Evelyn Stanhope, daughter of the 5th Earl of Harrington); Milltown Gift 1902. NGI 7329
Los 1385
Continental School: Portrait Miniature of an 18th Century Lady, half length, in white dress sitting on a sofa, circular, 6cm diameter and A Miniature of 18th Century Rustic Lovers in Landscapes, 6cm, indistinctly signed, framed as a pair; and A Portrait of a Lady, half length, in a brown dress, rectangular, 6.5cm by 5cm, in a leather travelling case (3)
Los 112
A Pair of Sèvres Style Porcelain Cabinet Plates, late 19th century, painted with a bust portrait of Louis XVI and M.elle de Sombreuil in jewelled cartouche within a ribbon tied meander border, on a blue ground with gilt and jewelled ornament and with panels of flowers and trophies, titled and pseudo Sèvres marks in blue, 24.5cm diameter
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283322 Los(e)/Seite