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283287 Los(e)/Seite
Los 7
École Flamande du XIXème siècle, d’après Pierre Paul Rubens PORTRAIT DE MATTHAEUS YRSSELIUS, ABBÉ DE SAINT MICHEL À ANVERSToile120,5 X 103,5 CM Provenance : Collection Adam Pasler, Copenhague. Acquis par l`actuel propriétaire en 1983Bibliographie : Probablement Wolfgang Alder, Corpus rubenianum Ludwig Burchard, an Illustrated catalogue raisonné of the work of Peter Paul Rubens, Part XIX: Portraits, vol.2, Anvers, Oxford, 1987, p. 204 (copy). Notre tableau est la reprise du portrait de Pierre Paul Rubens (panneau, 120 x 104 cm) conservé à Copenhague, Statens Museum for Kunst.
Los 167
Antonio Mancini (Albano Laziale 1852 - Rome 1930) UN JEUNE VIOLONISTESur sa toile d’origine92 X 73,5 CMLocalisée, signée et datée en haut à droite : PARIS / A. Mancini 78Accidents Formé à Naples auprès de Filippo Palizzi et Domenico Morelli, Antonio Mancini se lie d’amitié avec Vincenzo Gemito, relation essentielle dans la suite sa carrière. Il incarne rapidement le véritable renouvellement de la peinture Napolitaine sous influence de son naturalisme hérité du Seicento. Son œuvre se caractérise par des sujets tirés du monde des saltimbanques, des musiciens, comme notre tableau l’illustre, souvent peuplé d’enfants issus des rues Napolitaines mis en scène dans l’atelier. Il envoie à Paris un premier tableau au salon de 1872 puis y présente des oeuvres régulièrement jusqu’à l’Exposition Universelle de 1878. Après son retour à Naples où sa santé mentale se dégrade, il s’installe définitivement à Rome en 1883 et bénéficie du mécénat de figures importantes comme Hendrick Willem Mesdag ou Daniel Sargent Curtis, cousin du peintre John Singer Sargent qui déclara d’ailleurs au sujet de Mancini qu’il était le meilleur peintre du monde (cf. Portrait de Mancini par Sargent, toile, 67 x 50,5 cm, Rome, Galleria Nazionale d’Arte Moderna). Même s’il n’effectue que deux séjours à Paris, en 1875 puis entre mars 1877 et le printemps 1878, son oeuvre reste fortement marquée par sa visite de la capitale française. En effet, dès son arrivée à Paris en 1875, c’est par l’intermédiaire du comte Albert Cahen mécène et musicien belge très puissant et entiché de l’artiste, que Mancini rencontre le marchand Goupil. Ce dernier s’occupe de sa carrièreMême après son retour en Italie. Grâce à lui, Mancini rencontre un vif succès à Paris et fréquente Degas, Boldini ou Manet…Localisé à Paris et daté de 1878, peint sur une toile marqué du cachet du marchand parisien Rey, notre tableau se rattache aux tableaux de l’artiste présentés à l’Exposition Universelle, parmi lesquels Le saltimbanque (toile, 204 x 111 cm, Philadelphia, Philadelphia Museum of Art), Le pauvre écolier (toile, 130,5 x 97,5 cm conservé à Paris, musée d’Orsay), le Jeune Bacchus (toile, 58 x 40 cm, conservé au Museo Nazionale della Scienze e della Tecnica Leonardo Da Vinci, Milan). Autant par le modèle, le visage en partie dans l’ombre, que par le cadrage serré, frontal et intense, notre tableau est à rapprocher d’Un enfant avec des soldats de plomb (toile, 75 x 63 cm, Philadelphia, Philadelphia Museum of Art) datable des années 1876. La figure de notre tableau est le modèle préféré et jeune protégé de Mancini, Luigi (dit Luigiello) Gianchetti, orphelin des Abruzzes. Il l’accompagnera même lors de son séjour parisien d’où sa présence sur de nombreuses toiles de cette période : on le retrouve comme modèle dans des tableaux aujourd’hui célèbres, Le saltimbanque, Le pauvre écolier, ou Le jeune homme à la guitare (panneau, 82 x 65 cm, collection particulière). Mancini élève ici au rang de type universel cette figure, à la beauté insolente et frondeuse, issue de la misère napolitaine, réinvestie de ses souvenirs nostalgiques amour du cirque, de la musique ou jeux de l’enfance.
Los 393
Victoria (Queen of England, 1819-1901 & Albert, Prince Consort, 1819-1861). Portrait of Victoria, the Princess Royal, 27th December 1842, original etching on india paper with card mount support, etched by Prince Albert from an ink sketch by Queen Victoria showing the Princess full length under an arch of ivy leaves, date, artist name and initials in the plate impression, 150 x 117mm, mat mount (1).
Los 395
Victoria (Queen of Great Britain & Ireland, 1819-1901). A large framed certificate conferred on Phillip Mitchell by Queen Victoria on behalf of the Royal Institute of Painters in Water Colours, 30th December 1884, engraved with text within an ornate architectural border incorporating at the top a lunette depicting an artist painting a portrait of the Virgin Mary and Christ Child, and at the bottom a red seal, signed in ink by Queen Victoria ‘Victoria R.I.’ at the Royal Palace of Osborne, 45 x 35cm (17.75 x 14ins), mounted, framed and glazed. Phillip Mitchell (1814-1896) was a landscape and coastal painter who served in the Navy and later lived in Plymouth. He was largely self-taught and went on frequent sketching tours through Cornwall and as far afield as Derbyshire. He exhibited widely, and was elected a Member of the New Society of Painters in Watercolours (NWS) in 1879, having been an Associate since 1854. The NWS became the Institute of Painters in Water Colours in 1863, and subsequently added ‘Royal’ to its title by command of Queen Victoria, as commemorated in this certificate: ‘We are now pleased to confer upon the Members of that body a further mark of Our Royal Favour and Protection, by granting to them the honourable distinction of a Diploma under Our Royal Sign Manual’. (1).
Los 408
The Beatles. Group portrait of The Beatles posing and laughing in brown colourless suits made by Dougie Millings, April 1963, colour archival print reproduction from the original negative, ‘The Hayward Archive Print’ embossed stamp lower left, 18 x 22 ins (46 x 56cm), mat mount. [One of fifty copies - certificate supplied]. (1).
Los 439
Alexander (John). Jesuitico-Quakerism Examined, or a Confutation of the Blasphemous and Unreasonable Principles of the Quakers; With a Vindication of the Church of God in Britain, from their Malicious Clamours, and Slanderous Asperations, 1st ed., 1680, 1 pp. pubs. cat. at end, occasional light soiling, contemporary mottled calf, a little rubbed and scuffed, 8vo, together with Certamen Religiosum: Or, a Conference Between the Late King of England, and the Late Lord Marquesse of Worcester, Concerning Religion. Together with a Vindication of the Protestant Cause, from the Pretences of the Marquesse his last Papers; which the necessity of the King’s Affaires denyed him Oportunity to Answer, [by Thomas Bayly], 2 parts in one, 1651, title printed in red and black, (lacking portrait frontis. of Charles I), a few spots, contemporary calf, rubbed, small square 4to. (2).
Los 478
Gravelot (Hubert Francois & Cochin Charles Nicolas). Iconologie par Figures ou Traite complez des Allegories Emblemes &c., 4 vols., Paris, [1791], half-titles present, engraved portrait frontis. to vol. 1 and eng. title page to each, 202 engraved plts., occasional minor spotting and few leaves with dampstaining mostly to margins, blind ownership stamp to rear free endpapers, a.e.g., contemp. red straight-grain morocco, gilt dec. spines, extrems. slightly rubbed, 8vo. Cohen-De Ricci 456. Armorial bookplate of Baron Leigh. (4).
Los 524
Wise (Francis). A Letter to Dr Mead concerning some Antiquities in Berkshire, Particularly shewing that the White Horse, which gives name to the Vale, is a Monument of the West-Saxons, made in memory of a great Victory obtained over the Danes A.D. 871, Oxford, 1738, two folding plates, bound with Further Observations upon the White Horse and other Antiquities in Berkshire. With an Account of Whiteleaf-Cross in Buckinghamshire. As also of the Red Horse in Warwickshire, and some other Monuments of the same kind, Oxford, 1742, three engraved plates (one folding), also bound with Stukeley (William), Palaeographia Britannica: or, Discourses on Antiquities in Britain, part 1 only (of 3), 1743, three engraved plates (including two folding), marbled edges, contemp. diced calf, rubbed with a little fraying to extrems, 4to, together with Wild (Charles), Twelve Etched Outlines, selected from the Architectural Sketches made in Belgium, Germany, and France, 1st & 2nd series, 1833-36, 24 etched plates, t.e.g., contemp. cloth, split to upper joint, folio, and Verein Nurbergischer Kunstfreunde (ed.). Die Nurnbergischen Kunstler, geschildert nach ihrem Leben und ihren Werken, parts 1-4 [all published], Nuremberg, 1822-1831, 16 engraved plates, scattered spotting, contemporary half calf, upper joint of backstrip split, 4to, plus Men of Mark. A Gallery of Contemporary Portraits, parts 3 & 5 only (of 7), 1878-1881, mounted portrait photographs, a.e.g., occ. light foxing, attractive gilt dec. full calf, rubbed to extrems, 4to, plus Barnard (Henry), School Architecture; or Contributions to the Improvement of School-Houses in the United States, 2nd ed., New York, 1849, numerous wood engraved plates, orig. cloth gilt, some fraying to extrems, 8vo. (6).
Los 533
Brown (Thomas). Pseudodoxia Epidemica: Or, Enquiries into very many Received Tenents, and Commonly Presumed Truths, 5th ed., 1669, three parts in one, folding portrait frontis. (repair to verso), two engraved plates, p.6 lower corner torn away (affecting marginal note), marginal wormtracks, occasional spotting and browning, contemporary calf, upper cover detached, rubbed, 4to, together with Experimenta, Atque Observationes quibus Electricitas Vindex Late Constituitur, Atque Explicatur, Augustae Taurinorum, [Torino, 1769], 66 pp., folding table (repair to verso), folding engraved plate, occasional light spotting, modern wrapper, 4to, plus The Principles of Analytical Calculation, by Robert Woodhouse, 1st ed., Cambridge, 1803, 219 pp., one or two repaired tears, small marginal burnhole, modern marbled wrapper, 4to, with others including Francis Maseres’ Tracts on the Resolution of Affected Algebraick Equations by Dr. Halley’s, Mr. Raphson’s and Sir Isaac Newton’s Methods of Approximation, 1800 (author’s presentation copy), William Nicholson’s The First Principles of Chemistry, 1790 and John Astruc’s A Treatise of the Venereal Disease, in Six Books, 2 vols., 1737. (33).
Los 534
Culpeper (Nicholas). A Directory for Midwives: Or, a Guide for Women in their Conception, Bearing and Suckling their Children, 1755, folding engraved plate, advert. leaf at end, bound without front and rear blanks, a few spots, previous owner signatures to title, contemporary sprinkled calf, insect damage to upper cover, a little rubbed, 8vo, together with Pyretologias, Pars Altera: Sive, Exercitatio de Febribus Inflammatoriis Universalibus, Part II only, by Richard Morton, 1694, advert. leaf at end, lacking portrait frontispiece, a few spots, marginal wormtrack to first few leaves, previous owner signature to title, contemporary panelled calf, old reback, rubbed, 8vo. ESTC N2151; Wing M2833. (2).
Los 545
Paris (John Ayrton). The Life of Sir Humphrey Davy, 1st ed., 2 vols., 1831, engraved portrait frontis. to vol. I, folding facsimile plate to vol. II, occasional light spotting, Radcliffe Observatory Oxford inkstamps at front, previous owner signatures, original boards, neat calf reback, 8vo, together with Memoirs of the Life of Sir Humphrey Davy, Bart, by his Brother, John Davy, 2 vols., 1st ed., 1836, engraved portrait frontis. to vol. I (offsetting to title), 16 pp. pubs. list at front of vol. I, some light spotting and toning, original boards, neat calf reback, 8vo. (4).
Los 552
Bindings. The Plays of William Shakespeare, Accurately Printed from the Text of the Corrected Copy left by the Late George Steevens, 10 vols., new ed., 1823, half titles, portrait frontispiece to vol. I, a few light spots, armorial bookplates of Lord Battersea, a.e.g., contemporary claret red straight-grained morocco, covers with gilt lyre and corner pieces enclosed by blind anthemion rolls, spines lettered and decorated in gilt, joints and edges a little rubbed, 12mo. (10).
Los 35
Nelson (Admiral Horatio). Memoirs of the Life and Achievements of the Right Honourable Horatio Lord Viscount Nelson, by a Captain of the British Navy, 2nd ed., 1805, 116 pp., lacking portrait frontispiece?, occasional spotting, press cuttings and portraits pasted at front and rear, contemporary owner inscription, title with repaired tear, two letters from the National Maritime Museum tipped-in (noting differences with their copy), contemporary half calf, spine chipped, a little rubbed, 8vo, together with The Young Navigator’s Guide to the Sideral and Planetary Parts of Nautical Astronomy., 2nd ed., corrected, 1828, diagramatic illustrations, pubs. list at end, occasional soiling and dampstains, previous owner inscriptions, contemporary half calf, some wear, 8vo, with others related including A Selection from the Public and Private Correspondence of Vice-Admiral Lord Collingwood, 2 vols., 5th ed., 1837. (9).
Los 38
Pardoe (Julia). The Beauties of the Bosphorus, 1838, engraved portrait frontispiece, additional title, map and 78 engraved views after William Bartlett, occasional light spotting, disbound, upper cover and part of spine only, 4to, together with Denmark Delineated; or, Sketches of the Present State of that Country, by A. Andersen Feldborg, Edinburgh, 1824, additional engraved title, 22 (of 23 plates, lacking Cronburg Castle), titles misbound, a few spots, contemporary half calf, a little rubbed, 8vo. (2).
Los 45
Schriverius (Petrus). Beschryvinge van de Graven van Holland, Zeeland ende Friesland, van der eersten Diederick af, totden laersten Philips., The Hague, 1678, addn. eng. title (trimmed at foot with some loss to caption), eng. dedication & armorial, twenty eng. portrait plts. with eng. & letterpress caption beneath, folding table, contemp. vellum, 12mo, together with Shoberl (Frederic), The World in Miniature: The Netherlands, Containing a Description of the Character, Manners, Habits, and Costumes., [1823], sixteen hand-col. eng. plts. only (of 18), occasional minor spotting & offsetting, contemp. calf, gilt dec. spine, rubbed, 12mo. (2).
Los 56
Ackermann (Rudolph). A History of The University of Oxford, Its Colleges, Halls and Public Buildings, pub. R.Ackermann, 2 vols. 1814, addn. half title to each vol., eng. b & w portrait frontis. to vol. 1, dedication and list of subscribers, 114 engraved and aquatint plates (including the thirty-three founders plates) all with contemp. hand colouring (complete as lists), some offsetting mainly from plates to text, very occ. light spotting, armorial book plate of E.W.Wynne Pendarves to each vol., a.e.g., gilt ruled dentelles, contemp. gilt dec. diced calf by C.Hering, hinges and joints weak, 4to. Abbey Scenery no. 278. Tooley, no.5. A handsome set. (1).
Los 95
Buffon (Georges Louis Le Clerc). Oeuvres Completes de Buffon Augmentees par M.F.Cuvier. de Deux Volumes Supplementaires, vols. 1 & 2, 4, 6, 9, 11, 13 & 14, 16 & 17, 25 & 26 and vol. 2 of the supplement, pub. Paris, 1829 - 31, addn. half title to each volume, vol.1 with portrait frontis., 116 (only) engraved plts. with contemp. hand colouring, partially uncut, contemp. qtr. red morocco gilt, 8vo, together with Nouvelle Histoire des Animaux ou Le Naturaliste du Second Age, pub. Paris, 1810, engraved portrait frontis., twenty-four uncoloured eng. plts., numerous wood engravings to text, upper hinge and joint weak, contemp. calf gilt, worn at extrems., 12mo. Sold as a collection of plates not subject to return. (14).
Los 117
Jardine (Sir William). The Birds of Great Britain and Ireland, 4 vols., pub. Hardwicke and Bogue, c.1885, uncoloured eng. portrait frontis. and addn. half title to each vol., some pencil doodles to title page of vol. 4, 129 eng. plts. with contemp. hand colouring, vol. 4 with one plt. and pps. 295-298 detached, occ. slight spotting throughout, a.e.g., contemp. calf with gilt dec. spines, boards a little stained, spines faded, a little rubbed and bumped at extrems., 12mo, together with The Naturalist’s Library, vol. 11, Ornithology, Birds of Western Africa, part 1, c.1850, addn. half title with eng. vignette with contemp. hand colouring, eng. b & w portrait frontis., thirty-two engraved plts. with contemp. hand colouring, contemp. half calf with gilt dec. spine, 12mo, with The Natural History of Game-Birds, 1834, addn. half title with eng. vignette with contemp. hand colouring, eng. b & w portrait frontis., thirty engraved plts. with contemp. hand colouring, some toning and offsetting throughout, a.e.g. contemp. blind stamped morocco, rubbed at extrems., 12mo, plus The Naturalist’s Library, Vols. 1 & 24, Mammalia and Ornithology. British Birds part 1st., 1843, addn. half title with eng. vignette, portrait frontis., thirty and thirty-four eng. plts. respectively, all with contemp. hand colouring, slight offsetting, t.e.g., matching contemp. speckled calf with gilt dec. spines, 12mo. (8).
Los 138
Ward (Rowland). The English Angler in Florida, with some Descriptive Notes of the Game Animals and Birds, 1st ed., 1898, portrait frontispiece, b & w illustrations, spotting front and rear, bookplate, original red cloth, slight fading to spine, 8vo, together with Modern Development of the Dry Fly. The New Dry Patterns, the Manipulation of Dressing them and Practical Experiences of their Use, by Frederic M. Halford, 1st ed., 1910, portrait frontispiece, colour charts and illustrations of flies, photogravure plates, a few light spots, t.e.g., original cloth, lightly rubbed, 8vo, plus James G. Bertram’s The Harvest of the Sea. A Contribution to the Natural and Economic History of the British Food Fishes, 1865. (3).
Los 341
Baden-Powell (Lord Robert, 1857-1941). Autograph letter signed, ‘R.S.S. Baden-Powell’, Groote Schuur, Rondebosch, Near Cape Town, 21 September 1900, to Arthur Shears, ‘Allow me through you to thank the people of Littlehampton for their liberal donation towards the Mafeking Relief Fund. It has done great good in helping to relieve the sufferers by the Siege’, 1 p. on printed letterhead, paper with horizontal centrefold crease and uniform toning, framed and glazed, the carved wooden frame with a relief portrait of Baden-Powell and monogram at head and ‘Defender of Mafeking’ within scroll at foot, crossed rifle and sword to left and right border and ornamental foliage to corners and upper border. Groote Schuur, now a museum, was then the home of the businessman and former prime minister of Cape Colony Cecil Rhodes. (1).
Los 40
A Prince Albert 1845 Commemorative Medal, 5.6cm diameter, in silver, the obverse with a portrait of the Prince within ALBERTUS PRINCEPS VICTORIAE REGINAE CONJUX.1945, the reverse under glass, with sulphide finish depicting St George and the dragon, set into a hinged frame in a fitted gilt tooled maroon leather case
Los 41
A Boer War/First/Second World War Family Group of Twelve Medals, comprising Four awarded to 4742. PTE. C. GALLAGHER. W.YORK.REGT., of Queen`s South Africa Medal with four clasps CAPE COLONY, ORANGE FREE STATE, TRANSVAAL and LAING`S NEK, King`s South Africa Medal with two clasps SOUTH AFRICA 1901 and SOUTH AFRICA 1902, Special Reserve Long Service and Good Conduct Medal (7310 3/W.YORK.REGT.) and Coronation Medal 1911, and a Special Constabulary Long Service Medal with two clasps LONG SERVICE 1929 and THE GREAT WAR 1914-18,awarded to CHARLES McMANUS mounted on the same bar, together with two copies of portrait photographs of Pte. Gallagher; a First World War Pair, awarded to 220358 A.SJT.E.MARSHALL. E.YORK.R., of British War Medal and Victory Medal, with copy of portrait photograph; a Second World War Group of Five, awarded to 4389614 GNR.T.MARSHALL. R.A., of British Empire Medal, 1939-45 Star, France and Germany Star, War Medal and Efficiency Medal with TERRITORIAL bar, together with two Soldier`s Service and Pay Books, Certificate of Service, Testimonials, ephemera, copy portrait photographs and an ARP badge
Los 115
A Pair of Black and White Rifles Regimental Portrait Photographs, one of a Colonel resting against a table, wearing a Victorian frogged tunic and crossbelt, holding his plumed astrakhan hat and sword, the other showing a Colonel seated and flanked by two standing Lieutenants before a bell tent, 25cm by 16.5cm, in glazed oak frames
Los 319
Her Highness the Ranee of Sarawak (Sylvia Brett Brooke) - A Kayan Chief and a Dyak Woman, a pair of pencil sketches, signed and inscribed, 31cm by 21cm; and Portrait of a Malay Woman, watercolour, signed, 26cm by 21cm, together with a book Sylvia, Queen of the Headhunters - an Outrageous Englishwoman and her Lost Kingdom by Philip Eade. **Sylvia Brooke, otherwise known as Her Highness the Ranee of Sarawak was consort and ``slave`` of Sir Vyner Brooke who was the last White Rajah of the jungle kingdom of Sarawak in Borneo in the 1930``s and 1940`s
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283287 Los(e)/Seite