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283284 Los(e)/Seite
F* Blake (20th century) - portrait of a young girl, head and shoulders wearing a green cardigan and brown necklace, oil on board, unframed, 18" x 14"; together with a watercolour and gouache depicting Pulteney Bridge Bath, simply signed and dated 1996, a further gouache study of a lion, lioness and cubs and various prints and engravings depicting ballooning scenes in France and etchings of landscapes and coastal scenes, also a pastel drawing entitled 'Port boat - Oporto', by Daphne Boothby and dated 1991, two further works by the same artist entitled 'Romsey Abbey' and a further work entitled 'Perugia', finally an oil painting depicting tall continental buildings beside a sunlit alley, signed Daphne Boothby and dated 98, (1998), various sizes (a collection)
An Assyrian carved basalt plaque, possibly 900-600 BC, finely carved in low relief with a profile portrait of the King of Assyria, Sargon II, bearing collector's label detailed 'Ex Coll. Berkeley Galleries - April 1947... ', 18cm x 13cm. Provenance: from the estate of a West Sussex collector.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of late 18th century enamel and gilt metal curtain tie backs, each decorated with a portrait of a lady, length 5.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19th century Continental silver parcel gilt and enamelled aide-mémoire, the front inset with an oval portrait miniature of an angel within a foliate engraved surround, picked out in white, red, green and blue enamel, the back with engraved landscape within Gothic arch framing, fitted with a pencil, unmarked, length 9.6cm, with fitted leather case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold and banded agate oval cameo ring, carved as a classical portrait between split shoulders, weight 3.4g, ring size approx J.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Important Archive & Pastel Portrait to Captain Robert P Hare USAAF Who Became Commanding Officer HQ Squadron 29 Bombardment Group (H) Air Force Combat Command, based in the US. Documents and many letters follow Captain Hare's efforts to gain an appropriate appointment. His time in the UK is supported by some excellent images of him in uniform and his Air force chauffeur and car at an airbase, also theatre programmes, tickets, etc. He also attended an RAF Staff College course in 1946 (signed menu)_ and his letters extend into 1947. Contained in large perpex file with each document visible. More research required
Interesting WW2 USAAF Photograph & Scrap Album, consisting of a good selection of personal snapshot photographs many taken whilst stationed overseas during WW2. Leather patch removed from US Army Air Forces suitcase? Portrait photograph of pilot in full flight gear, various documents, certificate, images of barrage balloons, letter taken from the body of a casualty in August 1944, plus other ephemera items. Some British and Canadian items also included in the album. All housed in a ring binder file.
20TH CENTURY ENGLISH SCHOOL ATTRIBUTED TO MALCOLM YOUNG "Shabby Tiger", a portrait study of a young woman seated, blouse unbuttoned, 74 cm x 59 cm, together with MALCOLM YOUNG "River landscape with tree", oil on board, unsigned, inscribed verso "Painted by Malcolm (Young) in 197? for Granada Television production drama serial of "Shabby Tiger"", 36.5 cm x 52.5 cm
MANNER OF FRANS HALS (1582-1666) A PEASANT WOMAN Oil on panel, in an integral oakleaf and berry gilt frame Image 12.5cm diam; with a watercolour portrait on ivory of Lady Jane Grey, by E. A. Watt in the manner of Cornelis Vermeulen, 6.5cm, in a decorative frame with a surmount of floral swags; and a watercolour on ivory of the Madonna in prayer, manner of Sassoferrato, 10 x 7cm, in a Regency frame (3) ++ `Hals` with much retouching over old damages; `Jane Grey` faded
FOLLOWER OF SCIPIONE PULZONE (1544-1598) PORTRAIT OF A CARDINAL Standing three quarter length, wearing vestments and a cardinal's hat, inscribed IO ROMAEUS BARB./ I.C. AUDITOR ROTAE/ IN URBE DESIGNATUS/ 157..(the last number of the date unclear), oil on canvas 140 x 107cm. * The inscription may indicate that the sitter is an Auditor of the Roman Rota, the most eminent ecclesiastical court in Rome.
CORNELIS DE MAN (1621-1706) & JACOB VAN SPREEUWEN (1611-c.1650/60) SELF PORTRAIT OF THE ARTIST AT AN EASEL IN A STUDIO, PAINTING ST JEROME IN THE WILDERNESS The central oil on panel by Van Spreeuwen, 34.5 x 28cm, within an associated trompe l'oeil cartouche panel depicting ten cherubs around a stone recess surmounted by a mask of the devil; a casket of jewellery, a pocket watch and a brush at the base, the right plinth with signature CMan f F and indistinct date 82.5 x 65cm. * The frame cartouche is uncharacteristic of De Man's work but a similar example, formerly with Bruno Meissner (Zurich, 1981), complements this picture and may be its pair. As putti are rare inclusions in his work, these illusionistic frames were probably specific commissions. A date of c.1665-1680 has been suggested. The attribution of the associated panel to van Spreeuwen is supported by similar images of St Jerome by the artist (eg Sothebys London, March 7th 2006, lot 26). In addition, the artist liked to depict a painter seated at an easel (eg Christies London, January 27th 2010, lot 343). A date of c.1650 is suggested. The debt to fellow Leiden artist Gerard Dou is evident. We are very grateful to Dr Fred Meijer for his considerable assistance with the cataloguing of this lot. ++ Scattered retouching; some thin glazes; dirty varnish
FOLLOWER OF WILLEM WISSING (1656-1687) PORTRAIT OF A LADY Standing, three quarter length, wearing a blue and orange dress, oil on panel 36 x 27cm. * The sitter had been traditionally identified as Catherine of Braganza. ++ Two fine long vertical splits in the panel; some flaking; some craquelure and lifting of the paint
FOLLOWER OF CHARLES D'AGAR (1669-1723) PORTRAIT OF A BOY Seated, full length, wearing Classical dress with a red mantle, a hound at his side, a country house beyond, oil on canvas 36 x 30cm. * The sitter had been traditionally identified as a young Charles II ++ Lined; some craquelure; scattered retouching; needs a light clean
AFTER SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF QUEEN HENRIETTA MARIA Bust length, wearing a grey-green dress, pearl necklace and earrings and a headpiece decorated with pearls, oil on mahogany panel 46.5 x 37.5cm. * Derived from Van Dyck's larger format portrait of c.1632 (Royal Collection Trust) ++ Much scattered retouching, notably around the head; some paint lifting; some flaked losses; needs a clean
ATTRIBUTED TO SAMUEL DE WILDE (1751-1832) PORTRAIT OF AN ACTOR IN THE CHARACTER OF AN ARMY OFFICER Standing full length, wearing uniform, oil on canvas, unframed 70.5 x 54cm. approx. Provenance: London, Sothebys, October 15th 2003 ++ Lined; some craquelure and other surface damages; some retouching; needs a clean etc
SIR WILLIAM ORPEN, RA, HRHA (1878-1931) (AND STUDIO?) PORTRAIT OF A GENTLEMAN Seated three quarter length, wearing ceremonial dress with lace jabot and cuffs, holding a sword and a bicorn hat, bears signature ORPEN (REPLICA) upper left, oil on canvas, unframed 127.5 x 94cm. ++ Good condition
Jack Crosland (20thC British School). Rural landscape with mountains in background and path in foreground, pastel on paper, signed and dated 1992, 34cm x 47cm, portrait of an gentleman in academic robes, oil on board, indistinctly signed and dated 1966, 49cm x 39cm, and after Arthur Watson, town scene, print, signed, 30cm x 39cm. (3)
An Elizabeth II Royal Australian Mint 'A New Effigy Era' gold proof twenty-five dollars coin 2019 '6th Portrait', cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Elizabeth II Royal Australian Mint 'A New Effigy Era' gold proof twenty-five dollars coin 2019 '6th Portrait', cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Strang (Scottish 1859-1921), figure on a lane with cottage, uncoloured etching, bearing initials in the plate. 18 x 20cm approx. Together with after Landseer, figures in an interior, steel engraving, 25 x 31cm approx and after Bonheur, 'The Horse Fair', uncoloured engraving, signed in pencil. 17 x 37cm approx. Also a small 18th Century portrait study of three gentlemen, James Hamilton MD, Reverend John Wesley and Reverend Joseph Cole, uncoloured engraving in Rococo style gilt gesso frame. 12 x 9cm approx. All framed. (4)(B.P. 21% + VAT)

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283284 Los(e)/Seite