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283284 Los(e)/Seite
Los 277
An early Hogarth framed Oil on wooden Panel full length Portrait Study, "Frederick V", electoral Prince Palatine of The Rhine, the Panel with coat of arms and script etc., top left, original paper labels verso, one detailing the loan to The Beckenham Arts & Crafts Society by Mrs Crowther-Beynon, 36.5cm x 26.5cm
Los 278
An early Hogarth framed Oil on wooden Panel full length Portrait Study "Joachim Frederich" (d. 1608), Marquis of Brandenburg (hereditary Grand Chamberlain of The Holy Roman Empire, coat of arms and legend top left, original informational labels verso, one detailing the loan to The Beckenham Arts & Crafts Society by Mrs Crowther-Beynon, 36cm x 26cm
Los 808
A pair of late 19th century Bohemian ruby glass portrait vases of baluster form, centred with an oval medallion within a gilt and enamel border, with gilt heightened decoration, inscribed to base "Prima-donna After Correggio" and "Vanitas After Titian", height 25cm. CONDITION REPORT: The gilt decoration to the rims is slightly rubbed, Vanitas vase has chip to inside rim of the base, Prima-donna has a small chip to the inside of the base, both bases have scratches commensurate with age.
Los 908
A large late Victorian leather bound photograph album with gilt edged, shaped and decorated mounts, filled with portrait photographs (spine badly damaged), 2 x large illustrated "National Comprehensive Family Bible", published by W.R.M'Phun Glasgow & London, 1869 and 1872 (one spine badly damaged), and a large illustrated "Self Interpreting Bible", published by William McKenzie, Glasgow, Edinburgh & London (4).
Los 1086
LIZZY ANSINGH (1875-1945); oil on canvas, portrait study of a young woman believed to be Coba Ritsema, signed, indistinctly dated lower left, 50 x 45cm, framed. Both the artist and the believed sitter were part of the Amsterdamse Joffers, a group of female artists in Amsterdam who met weekly in the last quarter of the 19th century to paint and show their work. They were known for their style that closely resembled the Amsterdam Impressionists, and were all members of the Amsterdam artist society "Arti et Amicitiae" and "Sint Lucas". Other members of the group include Marie van Regteren Altena, Nelly Bodenheim, Jo Bauer-Stumpff, Jocoba Surie, Ans van den Berg, Suze Bisschop-Robertson, and Betsy Westendorp-Osieck.
Los 183
An 18th century Bilston enamel oval patch box, decorated to the lid with an oval portrait profile bust of a young woman with motto "When This You See Remember Me", width 3.8cm. CONDITION REPORT: Several small losses to the turquoise base, the mirror lacking on the inside, the base of the inside is missing a chunk of enamel in two places and cracks throughout. The lid is cracked but with no losses and the oval portrait is in fairly good condition.
Los 146
A STAFFORDSHIRE POTTERY PORTRAIT FIGURE OF JAMES 'JEMMY' WOOD (1756-1836) also known as the Miser of Gloucester, 29cm high; together with a mid 19th century engraving of 'Gloucester Old Bank / The Residence of the late James Wood Esqre', 23.5cm x 14cm, framed and glazed, (2). Note: Jemmy Wood was a businessman, banker and money lender, whose fortune led to a famous inheritance dispute which was heard before the House of Lords.
![[NATURAL HISTORY]. BOTANY Rhind, William. A History of the Vegetable Kingdom, Embracing Comprehensive Descriptions of the Pla](https://cdn.globalauctionplatform.com/36b310c0-e97a-4f61-b162-a43700d5cbf5/f9f88b3d-426a-4861-d531-30a947a0532d/468x382.jpg)
Los 265
[NATURAL HISTORY]. BOTANY Rhind, William. A History of the Vegetable Kingdom, Embracing Comprehensive Descriptions of the Plants Most Interesting from their Uses to Man and the Lower Animals; their Application in the Arts, Manufactures, Medicine and Domestic Economy; and from their Beauty or Peculiarities: together with the Physiology, Geographical Distribution, and Classification of Plants, Blackie, London, 1877, half leather, the spine ruled in gilt, portrait frontispiece, vignette half title, and a further fifty steel engraved plate illustrations (including twenty-two hand-coloured), wood engraved text illustrations, quarto.
![[NATURAL HISTORY]. Goldsmith, Oliver. A History of the Earth and Animated Nature, two volumes, Fullarton, Edinburgh & London](https://cdn.globalauctionplatform.com/36b310c0-e97a-4f61-b162-a43700d5cbf5/920869f7-1a3d-4916-e73b-fbc716c11713/468x382.jpg)
Los 267
[NATURAL HISTORY]. Goldsmith, Oliver. A History of the Earth and Animated Nature, two volumes, Fullarton, Edinburgh & London, no date, half leather (rebacked), portrait frontispiece, vignette half titles, seventy (of seventy-two) hand-coloured plate illustrations, quarto (rubbed; lacking spine labels; volume two with split upper hinge).
![[NATURAL HISTORY]. Goldsmith, Oliver. A History of the Earth and Animated Nature, two volumes, Blackie, Glasgow, 1859, half](https://cdn.globalauctionplatform.com/36b310c0-e97a-4f61-b162-a43700d5cbf5/e2f4c8bb-fcef-4e45-9d8b-19870c009f35/468x382.jpg)
Los 177
Framed Individual Autographs of the Beatles together with Print of Ink and Wash Portrait of the Beatles. Provenance and COA: Memorabilia, Ltd., La Costa, California (label en verso, dated 1978). Fading to Signatures. Not Examined out of the Frame. Frame Measures 28 Inches Tall and 19-1/4 Inches Wide. Proceeds of the sale of this item to benefit the Leidesdorf Foundation, West Palm Beach, Florida.
Los 4
19/20th Century Continental Guilloche Enamel Decorated Sterling Silver Box, the Top with a Painted Portrait on Ivory "Lady with Harp". Box signed Sterling, Portrait signed Andre Polisi. Good Condition or Better. Measures 1-5/8 Inches Tall and 6 Inches Long. `This item will only be shipped domestically and was legally imported into the United States. Shipping to California or New York is Not Available for this Lot. Shipping $42.00
Los 5
Very Fine Early 20th Century Austrian Renaissance style Enamel Decorated Sterling Silver Box, the top with a Well Executed Portrait on Ivory after da Vinci. Signed made in Austria and Sterling, Hallmarks to Base. Very Good Condition. Measures 2-3/4 Inches Tall and 5-1/2 Inches Wide. `This item will only be shipped domestically and was legally imported into the United States. Shipping to California or New York is Not Available for this Lot. Shipping $48.00
Los 135
A shell cameo brooch depicting Lord Palmerston after Richard Cockle Lucas, the bust-length profile, collet set in a pinchbeck mount with engraved border, length 6.5cm, after a wax portrait by Richard Cockle Lucas (1800-1883) dated 1852 and formerly in the collection at Harewood House. Lucas was a friend of Lord Palmerston (Henry John Temple, 1784-1865), who served as Prime Minister during two terms in the 1850s and '60s, and he was a frequent visitor to his home 'Broadlands'; he made three wax portraits of the statesman, and a statuette which was exhibited at the Royal Academy in 1859; Palmerston in return secured a Civil List pension for the sculptor. 6½cm (2in)
Los 549
Edward Miles (British, 1752-1828) Portrait miniature of Sir Edward Hyde East (1764-1847), 1st Baronet watercolour on ivory, in a later oval gold frame 4¾cm (2in) Sir Edward Hyde East, 1st Baronet (1764–1847) was a British member of parliament, legal writer, and judge in India. He served as chief justice of Calcutta from 1813 to 1822. Edward East was the great-grandson of Captain John East, who was active in the conquest of Jamaica, and obtained an estate there. He was born in that island on 9 September 1764. He became a student of the Inner Temple, London, and was called to the bar on 10 November 1786. He sat in the parliament of 1792 for Great Bedwin, and steadily supported William Pitt. In 1813 he was chosen to succeed Sir Henry Russell as chief justice of the supreme court at Fort William, Bengal. Before he left England he was knighted by the Prince Regent. Besides performing his judicial duties, he interested himself in the cause of native education, and was the chief promoter of the Hindu College. When he retired from office in 1822 the Indians presented him with an address and subscribed for a statue of him. This, executed by Francis Chantrey, was afterwards placed in the grand-jury room of the supreme court. On his return, East was made a baronet, on 25 April 1823. Some loss of colour to the blue sky to his left.
Los 550
German School (late 18th Century) Portrait of Charles William Ferdinand, Duke of Brunswick-Wolfenbuttel (1735-1806) watercolour on ivory, in an oval turned-wood frame 3¾cm (1in) Charles William Ferdinand was a celebrated Field-Marshal in the Prussian Army and regarded as one of the most able soldiers of his time. He was the son of Charles I, Duke of Brunswick-Wolfenbuttel (1713-80) and Philippine Charlotte (1716-1801). Condition appears fine.
Los 552
English School (18th Century) Portrait of a lady in white, with powdered hair initialled and dated lower right "TR 1790" watercolour on ivory 6½cm (2in) The initials on the present miniature are likely to be a later addition. The portrait looks to be based on an Indian period John Smart portrait of the mid-late 1780s. Condition appears fine.
Los 553
French School (early 19th Century) Portrait of an artist, possibly a self-portrait watercolour on ivory in a circular gold frame 8cm (3in) The young unidentified artist looks to be studying from the bust in front of her, which is in turn staring out at the viewer. The possibility of the bust being a faithfully depicted antique is diminished by the untypical locks of hair which fall over the shoulders. Instead this bust is perhaps a representation of a deceased family member or friend, the importance of whom to the artist is reflected in the way it is raised on a plinth. The underlying style of the work is wholly Neoclassical, a theme particularly favoured in the 18th/early 19th century in Europe, and echoed here in the colonnade architectural backdrop and the attire worn by the subject. Condition is fine.
Los 555
American School (circa 1843) Portrait of a Gentleman said to be R. Perry, wearing black coat and waistcoat, gold fob seal, white shirt and cravat inscribed verso "R. Perry July 28/1843" watercolour on ivory, in original gilded copper locked frame with engraved border, reverse with aperture to reveal plaited lock of hair 6½cm (2in) Condition appears fine.
Los 556
English School (19th Century) Portrait of a lady in a blue dress on a sky background; together with a portrait of a young gentleman, in white coat and stock. watercolour on ivory (2) 4½cm (2in) The Lady appears to have some spots of discolouration in her hair and scarf, and to the left hand side of the background ; the gentleman has some loss of colour.
Los 557
Russian School (late 18th Century) Portrait of a Gentleman, in profile to the left, in the uniform of an Officer of the Russian Gardes a Cheval, possibly a member of the Imperial family, in white military uniform and gold sash, buttons and lace, with his hair brushed forward a la Brutus and with a twisted pigtail behind - the sister Regiment of the Chevalier Guards, but with gold buttons and lace oval, watercolour and bodycolour on ivory, mounted in a gilt metal cased frame 6 x 5cm (2 x 2in) Provenance: Presumed to have descended from the sitter to the present owner who is of Russian descent. The Order of Cheval was the most exclusive Russian regiment who personally guarded the Tsar; Officers were generally from the highest echelons of the Russian nobility. Dr Anthony Parton has suggested the sitter is possibly Alexander 1 of Russia (1777-1825) in the uniform of the equivalent of the Household Cavalry in England. Backed glass with gilt spandrels - condition appears fine.
Los 560
Circle of Albert Joseph Moore (British, 1841-1893) Portrait of a young woman in a white dress; Portrtait of a woman in a head scarf inscribed lower left "Violet" and signed with monogram and date of 1883 lower right, the second partially legible which reads "I know this place ... take care !" and dated 1884 watercolour, in gilt beaded frames, 13 x 9cm (5 x 3.5in); and 13 x 10cm (5 x 4in) (2) Condition appears fine - inscriptions faded.
Los 561
English School (19th Century) Portrait of a young girl in a red jacket, resting her elbow on a stone ledge watercolour on ivory (or possibly ivorine) 11 x 9cm (4 x 4in) Provenance: From an Oxfordshire country house. Under glass and colours are very good. Old gilt slip is spotted. White marks on inside of the glass - does not appear to be on painting.
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283284 Los(e)/Seite