283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 283287 Los(e)
    /Seite

Los 1897

A 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady and a smaller 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady.

Los 2120

A quantity of Victorian black and white miniature photographs, each depicting family members, mostly housed in an embossed leather case, also a portrait miniature print and two early 19th century lithographic prints of dogs in giltwood frames (12).

Los 243

[WINE] French grape harvesting, wine tasting (& related), 23 black & white photographs, 18 x 24cms. each (but landscape & portrait), mounted & framed, (? 1960s); sold with some books on wine & related.

Los 258

An Italian marquetry playing card box, the hinged top with a club motif and a profile portrait of a lady in Art Deco style.

Los 41

A group of thirteen engravings and mezzotints of portrait subjects, including works after Hoppner, Beechey, Reynolds, Owen, Grant, Lawrence and Dahl.(13)

Los 688

A Continental porcelain miniature circular plaque depicting a Victorian lady in period dress, housed in a silver plated foliate embossed frame, the plaque 8cm diameter, together with two further portrait miniature plaques (3).

Los 692

A tin glazed two tile panel, probably Spanish or Portuguese, late 18th century, painted with a head and shoulders portrait of a saint, 40cm. by 20cm.

Los 7

A. Griffin (20th century) Portrait of a lady, oil on canvas, signed, dated 1947 on overlap.

Los 99

Arthur Gardener (20th century), Portrait of girl, oil on canvas, inscribed on label verso.

Los 846

A modern framed portrait miniature, a/f, height 14cm

Los 651

Thirty 18th and 19th Century portrait and other engravings including writers, composers and artists, etc., Peter Paul Rubens, Rousseau, Captain Cook, Hugo Grotius, Anthony Van Dyke, Augustus Keppel, Rembrant van Ryn, Milton, Pope and others

Los 1

***PLEASE NOTE THAT THE DESCRIPTION FOR THIS LOT HAS CHANGED. ***PLEASE SEE LOT 1A FOR THE WALES v NEW ZEALAND JERSEY. ****THE JERSEY IN THIS LOT IS MATCH-WORN BY GEORGE NEPIA IN THE CARDIFF v NEW ZEALAND MATCH PLAYED ON THE 22ND NOVEMBER 1924The All Blacks won the match 16-8. After the match Nepia swapped jerseys with his opposite number Tom Albert 'Codger' Johnson. Tom Johnson, retained the jersey and is the maternal grandfather of our vendor who is offering the jersey at auction. The jersey is in the traditional black with white collar, it is complete with draw-string, embroidered New Zealand fern to a stitched felt panel to the breast and with white felt number '1' to a square stitched panel to the back. The jersey is in an excellent complete state without any damage of note.Accompanying the jersey is a printed cardboard plaque which reads 'NEW ZEALAND JERSEY WORN BY ''NEPIA'' THE FAMOUS ALL BLACK'. The plaque stood alongside the jersey in a 1930s window-display at James Howells department store - an historic and landmark retailer located in Cardiff city centre (now part of the House of Fraser group).During the tour George Nepia won lavish praise for his faultless displays of kicking, tackling and fielding. The tour gained them the nickname 'The Invincibles' due to their record of playing 32 games and winning all 32, including four test matches. In the process they scored a formidable 838 points with only 116 points having been scored against them. Nepia was the only player out of the 29-strong squad to play every match, he was the scorer of 77 points. Nepia's performances prompted one leading British journalist to write, 'it is not for me to question whether Nepia was the best fullback in history. It is a question of, which others are fit to loosen the laces of his Cotton Oxford boots'George Nepia is regarded as one of rugby's finest ever full-backs and the most famous Maori of his generation. He was the third inductee to the New Zealand Sports Hall of Fame and one of the first fifteen players to be inducted to the International Rugby Hall of Fame during its inaugural year. In 2004 he was selected as number 65 in 'New Zealand's Top 100 History Makers' television show. George Nepia's portrait was featured in a set of New Zealand postage stamps in 1990 and in 'A Concise History of New Zealand' by Philippa Mein Smith, George Nepia is described as New Zealand's 'first rugby superstar'.George Nepia is also an important figure in terms of Maori racial history; the player was stopped from touring South Africa at the 'eleventh hour' as described in his biography '…it would be impolitic for us, as non-caucasians, to attempt to travel in a country whose policies toward non-Whites were even then severely restrictive.

Los 1a

A New Zealand All Blacks rugby jersey worn by the great George Nepia (1905-1986) in the first ever All Blacks defeat of Wales at Swansea in 1924. The All Blacks won the match 19-0 with the Maori full back in superb form, a remarkable display considering he was only nineteen at the time. The jersey is in the traditional black with white collar, it is complete with draw-string, embroidered New Zealand fern, which points vertically, to a stitched felt panel to the breast and with white felt number '1' to a square stitched panel to the back. There is ‘diamond’ cross-stitch to the shoulders and upper-chest. It bears an internal label inscribed D.HIDDLESTONE. The jersey is in an excellent complete state without any damage of note. Provenance: As per the internal label, the jersey was in the ownership of David ‘Dai’ Hiddlestone. Dai Hiddlestone (1890-1973) was a Welsh international rugby union player who was capped five times for Wales including against New Zealand in the aforementioned 1924 test - he only played against the All Blacks this once for either club or country. The 1924 test was played on the 29th November at St Helen’s rugby ground in Swansea. Apart from the outcome being Wales first defeat against the All Blacks, the match was notable for Dai Hiddlestone’s impromptu and ill-advised war-dance, a response to the New Zealander’s pre-match Haka. It is thought that George Nepia, unlike other witnesses, wasn’t offended by Hiddlestone’s antics and actually sought the player out to swap jerseys. What is absolutely clear is that both jerseys must have been swapped as Hiddlestone only played against the All Blacks once. Dai Hiddlestone’s family confirm these circumstances. This type of jersey with the ‘vertical fern’ is supported by a pre-match photograph, included in our on-line cataloguing. In the years after the match, Hiddlestone intermittently displayed the jersey at his home rugby-club Hendy RFC and in the 1960s the jersey was donated to the club on a ‘permanent loan’. The jersey has been viewed by many tourers including a Maori Youth touring team whilst visiting Llanelli, the team included the late great Jerry Collins. After Dai Hiddlestone’s death in 1973, the jersey was passed on to his daughter and then to her children by descent. One of the children being the Welsh capped and British Lions player Terry Price (1945-1993). Joint ownership has been agreed between the Price family and Hendy RFC. It was reported that during the match Nepia and fly-half Jack Wetter, the Welsh captain were in a collision. The Welshman temporary retiring from the field of play but returned early in the second half to play out the game with a pronounced limp. Consequently, Hiddlestone who was employed as flanker was pushed out of the forwards in to the back-line as extra cover. Thus in a more opposing role to George Nepia’s position and so providing further reasoning as to why Nepia and Hiddlestone swapped jerseys. It is explained in his autobiography 'I, George Nepia' (A H & A W Reed, 1963) that the Wales victory was regarded as retribution for the 1905 loss for 'The Originals' in Cardiff which was regarded by many as '…..a miscarriage of justice attributable to incompetent refereeing. We had been brought up to believe that Bob Deans, the centre who scored the try which was disallowed, had exclaimed on his death-bed, only three years later ''It was a try'', and every New Zealand witness of the game was prepared to swear his life away to the same effect. All this had convinced us that whatever we did, we must beat the Welsh'.  During the tour he won lavish praise for his faultless displays of kicking, tackling and fielding. The test match against Wales was the twenty-first match of their 1924-25 tour of UK, Ireland, France and Canada. The tour gained them the nickname 'The Invincibles' due to their record of playing 32 games and winning all 32, including four test matches. In the process they scored a formidable 838 points with only 116 points having been scored against them. Nepia was the only player out of the 29-strong squad to play every match, he was the scorer of 77 points. Nepia's performances prompted one leading British journalist to write, 'it is not for me to question whether Nepia was the best fullback in history. It is a question of, which others are fit to loosen the laces of his Cotton Oxford boots' George Nepia is regarded as one of rugby's finest ever full-backs and the most famous Maori of his generation. He was the third inductee to the New Zealand Sports Hall of Fame and one of the first fifteen players to be inducted to the International Rugby Hall of Fame during its inaugural year. In 2004 he was selected as number 65 in 'New Zealand's Top 100 History Makers' television show. George Nepia's portrait was featured in a set of New Zealand postage stamps in 1990 and in 'A Concise History of New Zealand' by Philippa Mein Smith, George Nepia is described as New Zealand's 'first rugby superstar'. George Nepia is also an important figure in terms of Maori racial history; the player was stopped from touring South Africa at the ‘eleventh hour’ as described in his biography ‘…it would be impolitic for us, as non-caucasians, to attempt to travel in a country whose policies toward non-Whites were even then severely restrictive’. 

Los 20

JOSEPH GELDART (1808-1882, BRITISH) A Portrait Sketch of Geldart’s Son George pencil drawing, highlighted with white 9 x 8ins 

Los 37

THOMAS CHURCHYARD (1798-1865, BRITISH) Portrait of A Redgrave pencil drawing, dated 16 Feb 1835 8 ½ x 6 ½ ins Provenance: Eastbourne Fine Art, 9 Meads Street, Eastbourne; Stanhope Shelton Collection

Los 96

JOSEPH CLOVER (1779-1853, BRITISH) Portrait of an unknown Gent Seated oil on canvas 17 ½ x 13ins 

Los 401

JOHN CORVIN Pastel portrait of Dame Judi Dench as Viola in Shakespeare's 'Twelfth Night' c.1960 at RSC, signed lower right, titled lower left with quotation etc verso, 41cm x 33cm mounted and set in wooded crazed frame

Los 424

17TH CENTURY BRITISH SCHOOL Portrait of Major General William Alington, 3rd Baron Alington of Killard, Co.Cork, Ireland, Constable of The Tower and Lord Lieutenant of Cambridgeshire (c.1634-1685). He was granted an English Peerage in 1682, taking th e title from his Hertfordshire estate, Great Wymondley. Samuel Pepys described Alington as "a young silly lord". He was involved in government matters and in 1678 received £351 16s.8d secret service money. Half length, portrayed bewigged and wearing a red robe and white cravat. Oil painting on an oval canvas, 76cm x 62cm in gilt gesso frame with oval mount and inscription plaque

Los 426

MARGARET ANDERSON "Catherstone Cotton Flower" portrait study of a chestnut horse, Pastel, signed and dated 1976, 52.5 x 34cm, framed

Los 442

MID 20TH CENTURY A set of seven Portrait Watercolours, studies of women wearing National Costume, indistinctly signed, each 22 x 17cm, some bear dates (19)58 - mounted sharing one frame, 22 x 123cm

Los 450

BRITISH SCHOOL A pair of Portrait studies in the Newlyn manner, a fisherman wearing a sou-wester and lady in bonnet, Oils on board, circa 1900, 24cm x 17cm in ornate gilt gesso frames

Los 557

Deborah Kerr signed 10x8 b/w portrait photo. Good condition

Los 939

WILLIAM HAVELL (British 1782 - 1857) PORTRAIT OF HENRY WESLEY VOYSEY Watercolour, signed, 10 x 9cm (4 x 3 1/2") With notation to reverse 'Henry Wesley Voysey MD of Aberdeen Assistant Surgeons to H M 66th Reg in Italy at Waterloo, microbiologist, botanist and geologist to the great survey on India under Col Lambton 1818-1824. Died in his palanquin April 19 1824 from jungle fever near Salkia Ghat. The above H.W. Voysey was my brothers eldest brother, Mary Ellison

Los 973

HENRY WRIGHT KERR RSA, RSW (Scottish 1857 - 1936) PORTRAIT OF AN ELDERLY WOMAN Watercolour, signed with initials and dated (18)88, 16 x 14cm (6 1/4 x 5 1/2")

Los 433

A Royal Vienna painted and enamelled porcelain table casket round box with gilt ground, hinged lid centred with portrait of a female with laurel crown, signed "Burer", framed with ring of enamelled flowers mirrored on base, interior of lid and base with gilt strapwork medallions, titled "Sapho" to underside with shield in underglaze blue, 8cm high x 17cm diameter

Los 478

A Continental painted porcelain portrait plaque rectangular plaque depicting a female overlooking her shoulder, within brass frame, unsigned, impressed "106" to verso of plaque, 16cm high x 11.5cm wide (plaque unframed)

Los 648

Two mourning jewels and a locket a Victorian yellow metal and black enamel hair art mourning pendant brooch dated 1855, a silver locket back pendant brooch, with a glazed portrait miniature of a little boy surrounded with clear gem stones, a 9ct 1920's round locket with engraved monogram to the front

Los 70

TOYOKUNI III (Kunisada) Bust portrait of an actor, woodblock print, 34 x 24cm, Tadakiyo, Kabuki actor, 34 x 23cm, Kunisada II, Actor with pipe and box, 35 x 24cm (3)

Los 797

A late 19th Century pub advertising mirror to Glen Atbyn Blend, Fine Old Highland Whisky, John Stewart, Edinburgh and Glasgow, with oval portrait of two Highland Soldiers taking a dram, mirror 95 x 117cm

Los 182

A 19th century continental iron plaque, of oblong form cast in high relief with a half length portrait of an ancient bearded scholar reading a book with German text, 20cm x 17.5cm

Los 292

A Sevres cabinet coffee can and saucer, the cup painted with a gilt bordered square portrait "De Monpensier", saucer with a central floral M within blue and gilt borders together with another French cabinet coffee cup and saucer, the cup painted with an indistinctly signed portrait of a young lady on a turquoise ground entitled to the base "Ninon De Lenclos" (4)

Los 365

A 19th century Spode cup and saucer, a Vienna ceramic box with portrait to the lid, together with six further ceramic/enamel small boxes

Los 469

A continental opaque and blue glass vase, of slightly tapering pedestal form painted with a portrait of a putto blowing bubbles in an enamelled and gilt frame, 23cm high and a blue glass paperweight as a whale, 19.5cm long (2)

Los 491

A 19th century French dressing table jar, of drum shaped form the clear glass body with gilt metal mounts and swags, the domed hinged lid inset with a porcelain panel printed and painted with a head and shoulder portrait of a young lady opening to reveal a mirror verso, 10.5cm diameter, and a French gilt brass circular box of drum shaped form cast with flowers and leaves the hinged lid inset with an ivory panel painted with a head and shoulder portrait of a young lady opening to reveal a lined interior, 6.5cm diameter (2)

Los 503

An oval miniature portrait on ivory, study of a young girl in a Gainsborough style hat, 8cm high, two other oval miniature portraits of young ladies, 8cm high, all in piano ivory frames and another oval miniature on ivory copy of Gainsborough's Blue Boy in stained oval frame with gilt metal mounts, 8cm high (4)

Los 582

Early 20th century coloured engraving portrait, of "Lady Hamilton as Circe", 40cm x 26cm and another depicting "Lady Seel", 33cm x 26cm each signed "Sydney E.Wilson" with titles on the mounts, ornate gilt frames (2)

Los 642

English School, portrait study of a late 18th century cleric, oil, 69cm x 58cm, black and gilt frame

Los 647

19th Century School, large portrait study of a young man, oil 69cm x 53cm, ebonised frame

Los 661

Anthony Devas R.A. (1911-1958), portrait (head and shoulder) of Mr James Voase Rank, signed, 59cm x 48cm, ornate gilt frame, paper title on reverse DDS

Los 30

Gottfried Van Pelt (1873 - 1926) oil on canvas portrait of a fisherman signed lower left in heavy gilt frame 40cm x 30cm

Los 302

A large 19th century oil on canvas half-length portrait of a gentleman in a later gilt frame, 79cm x 91cm (overall).

Los 60

A late 19th century framed pastel portrait of a gentleman, 50cm x 62cm (framed).

Los 98

John Edward Goodall (fl.1877-1891) British. Portrait of a Young Man, Watercolour, Signed, 12.25” x 10.25”

Los 243

Margaret Sarah Carpenter (1793-1872) British. Portrait of a Lady, Chalk, Unframed, 12.5” x 9.5”. Provenance; William Evans of Eton – John Anderson, then by descent

Los 278

18th Century English School. Portrait of a Lady, Wearing a Pink Dress, with White Collar and Bonnet, Oil on Canvas, Painted Oval, in a Fine Carved Giltwood Frame, 30” x 25”

Los 42

19th Century English School. Portrait of a Man, Watercolour on Ivory, Oval, 3.5” x 2.75, together with two other miniatures, three (3)

Los 254

William Carpenter (1818-1899) British. Portrait of Henry Josi Esq, Engraving, Unframed, 8.5” x 7.5”. Provenance; William Evans of Eton– John Anderson, then by descent.  

Los 251

William Carpenter (1818-1899) British. Portrait of a Young Lady, Chalk, Signed ‘W Carpenter, Simla, Nov 1853’, 14” x 10.25”. Provenance; William Evans of Eton – John Anderson (RJS-33), then by descent

Los 241

Margaret Sarah Carpenter (1793-1872) British. Portrait of Frances Charlotte Josephine Smart (nee de Bernier), Watercolour, Signed and Inscribed ‘Mrs Smart’, Circa. 1847, Unframed, 10” x 7”. Provenance; William Evans of Eton – John Anderson (NPG ref. neg. 30965) (RJS14a), then by descent

Los 279

18th Century English School. Portrait of the Reverend Edward Miller, Oil on Canvas, Inscribed on the reverse, ‘Rev Edw Miller’ and numbered ‘E. 54’, with ‘J M Pinxit 1775’, Painted Oval, in a Fine Carved Giltwood Frame, 30” x 25”

Los 23

George Hayter (1792-1871) British. Portrait of an Artist, Etching, 5.5” x 4.75”, together with a collection of Etching and Engravings. (Q)

Los 302

Circle of Arthur Ambrose McEvoy (1878-1927) British. Portrait of a Lady, Oil on Canvas laid down, 18” x 15”

Los 252

William Carpenter (1818-1899) British. Portrait of Lizzie Burrows, Chalk, Signed twice, Inscribed ‘Lizzie Burrows’, and Dated 1846, 10.25” x 8.25”. Provenance; William Evans of Eton– John Anderson (RJS-28), then by descent

Los 320

Attributed to John Singleton Copley (1738-1815) American. Portrait of a Young Girl, wearing a White Bonnet and Blue Ribbon, Circa 1785, Oil on Canvas, Oval, 24” x 18.5”

Los 15

After Francois Villiers Huet (1772-1813) French. Portrait of ‘Mrs Q’, Engraved by W. Blake, overall 12.75” x 9”

Los 107

Diep Minh Chau (1919-2002) Vietnamese. Full Length Portrait of a Man in shorts, holding a gun, Watercolour, Signed with Motif, and Inscribed, 15.5” x 9.5”. Provenance; The Roy Miles Gallery 1994.

Los 209

Howard Morgan (1949-   ) British. Portrait of a Man, Charcoal, Signed and Dated ‘X11 ’85, Unframed, 32” x 22.5”, and six others by the same hand, seven 

Los 322

Thomas Blinks (1860-1912) British. A Sketch Portrait of a Lady, believed to be his wife, Oil on Canvas, Unframed, 20” x 16”. Provenance; ‘Moodie’, December 4th, 1940

Loading...Loading...
  • 283287 Los(e)
    /Seite

Kürzlich aufgerufene Lose