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Glyn Philpot (1884-1937) plaster, Garden Statue, 1913, 28ins. This work was commissioned by Robert Allerton, the distinguished American collector, who Philpot met at the Opera in Covent Garden. In 1913 Philpot was invited to stay at Allerton Park, near Chicago, after winning a gold medal at the Carnegie International competition. Philpot painted a portrait of Allerton (Man in Black, Tate Gallery collection) and sculpted the Garden Statue. Two over-life-size versions were carved in stone and positioned either side of an avenue leading to Allerton's house. This is one of two plaster casts that remained with the artist's family, a bronze was cast in 1968 and an additional eight in 1986. Exhibited: Grosvenor Galleries, 1923. Illustrated in Gibson, p.117
Late 18th/early 19th Century oval gilt metal Jewellery Box, the hinged lid inset miniature portrait of a couple, the lady wearing a white dress, the gentleman a brown coat, in a landscape within a beaded border, the base case with stiff leaves, 13cms, (5"). *The accompanying note suggests that the couple are Marie Francois Marquise de Roison and Nicolas Compt D'Esterhazy, who were married in 1799.
Buffon, George Louis le Clerc. A Natural History, General and Particular; Containing the History and Theory of the Earth, A General History of Man, of the Brute Creation, Vegetables, Minerals, &c, 10 Vols. London: printed for the proprietor and sold by H. D. Symonds, 1797. 8vo, portrait frontis., plates, new endpapers, later green morocco backed spines, spines lettered in gilt, (10).
Hobbs. J.B.. My Cricket Memories. London: Heinemann, 1924. 1st edn, 8vo, portrait frontis., a further 7 b. & w. plates from photographs, green cloth; Mason, Ronald. Jack Hobbs. London: Hollis & Carter, 1960. 1st edn, 8vo, illus., cloth, dustjacket; and a large quantity of other books on cricket, including Denis Compton annuals and Wisden publications.
Churchill, T.O.. The Life of Lord Viscount Nelson. London: by Bowyer et al., 1811. 3rd edn, 4to, eng. portrait frontis., 13 other plates (two, including one of the funeral cortege, folding), facsimile letter, marbled endpapers, edges and boards, half calf with maroon lettering piece (scuffed; spine torn, without loss).
Dante Alighieri. The Vision of Hell, trans. Rev. Henry Francis Cary. London: Cassell, n.d.. New edn, 4to, portrait frontis. and paper-protected plate illus. by Gustave Dore, a.e.g., bevelled pict. crimson cloth; with The Vision of Purgatory and Paradise. London: Cassell, n.d.. New edn, 4to, plate illus. by Gustave Dore, a.e.g., bevelled pict. royal blue cloth (both re-backed, preserving original spine strip, and with new endpapers), (2).
Holy Bible,...containing the Old and New Testaments. London: for Eyre & Strahan, 1813. 4to, half calf with gilt bands to the spine and a maroon lettering piece (title p. torn and restored, without loss); and Cruden, Alexander. A Complete Concordance to the Old and New Testament. London: for Longman et al., 1842. 4to, eng. portrait frontis., a.e.g., full black morocco, (2).
Cockburn, Henry. Memorials of His Time, 3 Vols. London: Black, 1856. 8vo, eng. portrait frontis., bookplates for F.A. Cockburn, marbled endpapers and edges, full calf with gilt dec. spines and crimson / dark green lettering pieces (joints rubbed; vol. 3 with loose upper cover); and eight other leather bindings, (11).

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