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Preisdatenbank abonnierenJEAN BELL (1923-1992), Still Life with Flowers, Ceramics and Fruit, oil on canvas, unsigned, 21 1/2" x 18", together with another similar on paper, the reverse with a male Portrait Study, unsigned, 20 1/2" x 15", both unframed (2) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)
PHILIP NAVIASKY (1894-1983), Portrait of Victor, black pencil on paper, signed and inscribed, 7" x 4 3/4", together with another ink sketch on paper, possibly a self portrait, initialled P.N., 6 1/2" x 5 1/2", both framed (2) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)
A MINTON EARTHENWARE ARTS AND CRAFTS PLAQUE, 1876, of plain shallow dished circular form painted in polychrome enamels by C.L. Florris-Broughton with the head and shoulders portrait of a maiden wearing pearls in her braided hair, high collar and turquoise dress, holding a lute beside a blossoming bough, signed and dated 1881, impressed marks, 19 1/4" diameter (Est. plus 21% premium inc. VAT) (Illustrated)
AN EDWARDIAN SATINWOOD CARLTON HOUSE DESK with stringing and rosewood banding, painted with ribbon tied floral swags hanging vignettes of cherubs, fruit and a pair of portrait roundels, the superstructure with six small drawers and three cupboards flanked by sloping hinged compartments, one fitted for stationery, sliding writing skiver lined in green leather over two short and a long frieze drawer with brass drop handles, raised on square tapering supports with brass toes and castors, 53 1/2" x 26" x 39 1/2" (Est. plus 21% premium inc. VAT) (Illustrated)
Elsie Anna Wood (British 1887-1978), possibly a self portrait, signed oil on artist board 40.5 cm x 30.5 cm. NOTE - Elsie Anna Wood was born into a Baptist family in Crouch End, North London, and was encouraged to draw and paint from an early age. Having attended the Hornsea School of Art from the age 17, a change of family circumstances prevented her from advancing to the Academy School of Art. A contemporary of Margaret Tarrant and Eileen Soper she moved away from the Home Counties taking a position with the Nile Commission Press in Cairo providing illustrations for children's literature, returning to England for five years she was asked to return to Egypt taking employment with the Society for the Propagation of Christian Knowledge. It is this work that made her name synonymous with Bible illustrations throughout the World.
L.E. Caepy, Continental School, 19th century, half length portrait of a nun in cloisters and with Reynolds Angels and All Seeing Eye from emits Hic Regula Vitae, facing forward and holding a book inscribed "Scientia Jesu Crucifixi" (Knowledge Crucified), painted in an oval, inscribed "Mariae de Wart, Instituti Mariae de Anglia Fundatrix", with baroque cartouches to each corner each with religious iconograpghy, indistinctly signed and dated 1909. 117 cm x 92 cm (see illustration).
A limited edition Dennis China works vase, designed by Sally Tuffin, dated 2000, in acorn and oak leaf pattern, limited edition No. 40 of 40 for the National Portrait Gallery, impressed and inscribed marks to the underside, height 19.5 cm. CONDITION REPORT: There is a crack in the glaze issuing from the rim and spreading diagonally towards the oak leaves on the shoulder of the vase approximately 8 cm in length. There is a further and longer 14 cm glaze crack issuing from the rim and running diagonally across the body through the shoulder into the decoration. These cracks appear to be within the glaze and are not visible from the interior of the vase. Other than those faults mentioned we cannot see other further damage.
Kelsick Wood of K.W. and Sons, Shipbuilder of Maryport, an account book of approximately 106 pages of alternating handwritten text and hand painted colour images of ships, figureheads, portrait busts of indigenous and foreign people, accounts of timber imported, town rates, ships lost and taken etc, with marbled boards and half calf spine and corners (see illustration).
A pair of portrait miniatures of two ladies, early to mid 19th century, one wearing a pink bonnet and blue dress, the other wearing a blue bonnet with peach coloured dress with white trim, both wearing a black choker, against a blue ground with ivory mount and ebonised frame, each indistinctly inscribed in ink verso, images 6 cm diameter (see illustration).
After Van Dyck, portrait miniature on ivory of Henrietta, Queen of Charles I, late 19th century, pictured wearing a gown with lace trim, pearl earrings and necklace, standing beside a drape covered table with vase of flowers and within a gilt metal slip and lacquered frame, image 12 cm x 9 cm (see illustration).
A portrait miniature on ivory of a young lady of note, wearing a blue dress with lace trimmings and yellow ribbon, a book in her hand, seated upon a red striped settee before a classical column, mounted in a gilt slip with reeded circular ebonised frame, image diameter 8.5 cm, indistinctly signed verso and with a red wax seal: and a portrait miniature on ivory of a lady, 19th century, her hair in long flowing curls wearing a triple row of pearls and ermine over her shoulders, mounted in an ebonised frame 7.5 cm x 6 cm.
Johan Georg Paul Fisher (1786-1875), portrait miniature on ivory of a gentleman wearing a white high collared shirt and black jacket, a gold chain around his neck, signed Paul Fisher and dated 1838, mounted within an oval gilt metal slip and inscribed in ink verso Portrait of a Gentleman painted by Paul Fisher, 8 Upper Spring Street, Portman Square, image 9.5 cm x 7.5 cm.
Two portrait profile miniatures, early 19th century, one of a fashionable gentleman with enviable sideburns and wearing a high collar shirt and rich blue jacket, the other depicting an elderly gentleman with white ruff collar and black jacket, both watercolours on card, mounted in gilt slips with lacquered frames, pressed brass suspension rings, each image 7.5 cm x 6.2 cm.
A prisoner of war carved bone box containing dominoes, early 19th century, the sliding lid with two full length watercolour portrait miniatures of a gentleman and a lady of the period, sliding open to reveal 41 hand carved bone dominoes and a single cowrie shell with geometric arcaded decoration the sides and supported upon four pillar feet with pointed finials, height 5.5 cm width 19 cm depth 7 cm (see illustration). CONDITION REPORT: The prisoner of war domino box has come from a good private source, ironically it was put aside for a Charity pile. The lid is in good condition throughout albeit rather tired and dirty but there are no obvious major faults. All finials in the box are intact and the feet again are intact, but note the two feet by the arched top both have the outward facing side smoothed off. I cannot tell whether this has been a repair or not but it is the same on both. The panel between these two back legs has a 6 mm and 3.5 cm fine split. On the same panel there is also a 2.5 cm section of edging missing. The opposing lower side has a 1 cm section by 6 mm section of the top right hand corner missing and a 1 cm section of the lower border missing. The colours throughout are very much faded but still visible. All in all a nice piece and in my opinion I can forgive the faults it has.
Stow (John). The Survey of London: Contayning the Orignall, Increase, Moderne Estate, and Government of that City, Methodically Set Downe..., London, Printed by Elizabeth Purslow, Sold by Nicholas Bourne, 1633, engraved portrait mounted to front pastedown, title rebacked, some marginal repairs, contemporary blind panelled calf, rebacked, folio
After Sir Thomas Lawrence - A large Northern English School portrait study of a gentleman, possibly part of the Branson family - noted solicitors of Bank St, Sheffleld and from the sale vendors as lot 156. The portrait in original gilt wooden frame, the verso marked with remains of label for Geo Wilkinson of Devonshire St, Sheffield. Measures 132cms x 106cms ( frame )
A large Victorian English Northern School oil on canvas painting portrait study of 19th century Sheffield solicitor Charles Anthony Branson ( 1827 - 1899 ) The study bearing labels for Geo Wilkinson & Co of Devonshire St, Sheffield. Gilt frame with notation lower centre. Measures 108cms x 82cms
MICHAEL AYRTON [1921-75]. Self Portrait and Minotaur [Personal Janus], 1970. bronze, edition of 9 [artist's cast - marked 0/0]. 35 cm high. Provenance: Elisabeth Ayrton [the artist's wife], c.1986; private collection, UK. This is Ayrton's best self portrait sculpture in our opinion - illustrated on the back cover of the Michael Ayrton biography by Dr Justine Hopkins [Andre Deutsch]. The Tate Gallery collection includes 26 of Ayrton's artworks, but no sculpture as good as this. [very good condition]. Buyers premium of 20% + VAT is payable.
THREE VICTORIAN AND LATER SILVER VESTA CASES, all of typical form, comprising: two engine turned example, one with embossed floral corners, initialled, lacking ring suspension, and the other, plain initialled, 2.8oz, together with A SCROLL ENGRAVED WHITE METAL EXAMPLE, mounted with a circular photographic portrait of a bulldog, (4)
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