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283287 Los(e)/Seite
Los 19
λ Albert Theer (Austrian 1815-1902) Portrait miniature of a boy wearing a blue jacket, a red and white striped shirt and a red ribbon Signed, dated and inscribed Albert Theer/Wien 1884 (centre right) Circular, in a gilt metal frame 55mm diameterProvenance: Bonhams, London, Portrait Miniatures & Silhouettes, 2 September 2008, lot 197; Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2024, lot 651, where purchased by the present private collector
Los 186
Studio of Sir Peter LelyPortrait of Letitia, later Lady Russell (c.1645–1721), three-quarter-length, seated in a landscape, wearing a brown dress and a blue cloak, holding a garland of leavesOil on canvas125.1 x 102cm; 49¼ x 40¼inProvenance:By family descent to the present ownerThe present portrait depicts Letitia Russell, daughter of the Hon. Edward Russell, second son of the 4th Earl of Bedford. Her first husband was Colonel Thomas Cheke (1628–1688) with whom she had two children. Following his death, she married in 1690 her cousin the Hon. Robert Russell, who was styled Lord Russell from 1694. Another version of the work by Sir Peter Lely, formerly the property of the Marquess of Downshire, was sold at Sotheby's, London, 6 April 2022, lot 37.
Los 13
λ French School c.1800Portrait miniature of a gentleman wearing a black coatOval, in a gilt metal brooch frame, the glazed reverse revealing a hair back71 x 58mmProvenance:Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2024, lot 640, where purchased by the present private collector
Los 217
English School Early 19th CenturyPortrait of a George Aikin (1774-1847), half-length, wearing a brown coatOil on canvas61.2 x 50.9cm; 24 x 20inProvenance:By family descent from the sitter;Property of a deceased estateAccording to an inscription on the reverse, the sitter was the agent to the Duke of Bedford.
Los 218
Attributed to Sir Thomas Lawrence PRA, FRS (1769-1830) and LaterPortrait of Elizabeth Knight (née Spelman) (1762-1800), half-length, wearing a fur-lined red dress, seated in an interiorOil on canvas91.3 x 71cm; 36 x 28inProvenance:By family descent from the sitter to Philippa Baumgartner (née Knight);By family descent to John Percy Baumgartner (1812-1903);By family descent to R. B. Beart;By family descent to Mrs P. V. Pigot, Northwich (by 1951);Private CollectionLiterature:Probably Kenneth Garlick, Sir Thomas Lawrence (London, 1954), p.45 (as unfinished and with incorrect size);Probably Kenneth Garlick, "A Catalogue of the Paintings, Drawings and Pastels of Sir Thomas Lawrence" in The Walpole Society, vol. 39, 1964, p.117 (as unfinished and with incorrect size)Elizabeth Spelman was the wife of Samuel Knight of Milton House, Cambridge. She died suddenly on 17th June 1800 “after a few hours illness only” (Milton Church, Cambridge). Knight was one of Thomas Lawrence's earliest patrons. In 1777, when Lawrence was only eight years old, he drew a miniature of Knight's neighbour Charles Pepys, and the drawing remains in the Knight family collection (see Garlick, 1964, p.240). Garlick records that Lawrence's portrait of Elizabeth was unfinished, and the present work was clearly completed by a later hand.
Los 200
English School 18th CenturyPortrait of a lady, traditionally identified as a member of the Richards family of Devon, three-quarter length, wearing a blue dress and red cloak, a landscape beyondOil on canvas120.6 x 95.7cm; 47½ x 37¾inUnframedProvenance:By family descent from the sitter;Property of a deceased estate
Los 232
Edwin Cooper (1785-1833)A grey cob with liveried groom, leading a bay hunter before a rubbing down houseSigned and dated En Cooper /Pinxt 1819 (lower left)Oil on canvas62.5 x 87.8cm; 24½ x 34½inProvenance:Possibly T. Saul Esq, 1819;Col Morris Exton, Walford Hall, Shrewsbury;With David Messum, Buckinghamshire, 1985Literature:David Messum, Autumn Catalogue 1985, p.5, illustratedExhibited:Possibly, Norwich Society of Artists, 1819, no. 29, 'Portrait of a Hunter and Pony'
Los 15
λ Édouard Delatour (Belgian 1816/17-1863)Portrait miniature of a gentleman wearing a black coatSigned Ed de Latour (centre right)Oval, in a gilt metal brooch frame, the reverse inscribed 'A gift of affection from I Alex to his dear sister Sarah'34 x 26mmProvenance:Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2024, lot 638, where purchased by the present private collector
Los 182
Johannes Vollevens I (Dutch 1649-1728)Portrait of a lady, three-quarter length, wearing a blue dress, standing in a landscape with a spanielSigned Jan Vollevens (lower left to plinth)Oil on canvas111.2 x 88.8cm; 43¾ x 35inProvenance:Bonhams, London, Old Master Paintings, 11 July 2001, lot 46;Private Collection Yorkshire;The Period Face, Somerset, where acquired by the present private collectors, 2010
Los 211
Circle of Thomas GainsboroughPortrait of a lady, traditionally identified as Miss Sparrow, but possibly H.R.H. Duchess of Gloucester and Edinburgh (1736-1807), half-length in a painted oval, wearing an ermine trimmed blue gownOil on canvas30.7 x 24.3cm; 12 x 9½inProvenance:Henry Joseph Pfungst (1844-1917);His posthumous sale, Christie, Manson & Woods, London, Catalogue of the Collection of Works by Thomas Gainsborough..., 15 June 1917, lot 77 (as Gainsborough), where purchased by Connell & Sons, London;English Private Collection;Chiswick Auctions, London, Happy & Glorious: God Save The King, 4 May 2023, lot 1, where purchased by the present owner (as Portrait of a lady said to be the Duchess of Gloucester)Literature:Catalogue of the Pfungst collection of drawings & studies by Thomas Gainsborough (London, 1915), no.37 (illustrated);Hugh Belsey, Thomas Gainsborough (Yale University Press, 2019), vol.2, p.777, no.832c (whereabouts unknown)The present work is a small version of Thomas Gainsborough's portrait of a lady, who has traditionally been identified as Miss Sparrow, today in the Metropolitan Museum of Art, New York (see Hugh Belsey, Thomas Gainsborough (Yale University Press, 2019), no.832). As Belsey has written the identity of the sitter 'remains elusive'. She acquired the identification of Miss Sparrow in 1870 when Gainsborough's portrait was engraved, although there is no further information about how this identification was arrived at. A 19th-century copy identifies her as the Duchess of Gloucester. Maria Walpole, Duchess of Gloucester certainly sat for Gainsborough three times (see Belsey, nos.403-405). The label on the back of our work, which dates from its time in the Pfungst collection, conflates the two possible sitters, reading 'Miss Sparrow married the Duke of Gloucester' but this is erroneous.Gainsborough himself painted several small versions of his portraits, which would have been easier to travel with (see for example Belsey nos 36 & 915). The Duke and Duchess of Gloucester travelled extensively throughout Europe, having been banished from the court for marrying in secret.
Los 347
Φ Alfred Grenfell Haigh (1870-1963)Portrait of Primer with Walter Earl as jockeySigned and dated A G Haigh 1910 (lower left) and inscribed PRIMER (W.EARL) (lower right)Oil on canvas51.3 x 61.3cm; 20¼ x 24¼inPrimer was owned by the Duke of Portland and trained by William Waugh. Walter Earl rode him to victory in the Hardwicke Stakes at Royal Ascot in 1909.
Los 7
Henry Pierce Bone (1779-1855) after Sir Martin Archer Shee (1769-1850) Portrait miniature of Mr Proctor, wearing a dark red cloak Signed, dated and inscribed George Proctor aetat 27/London July 1810/Painted by Henry Bone ARA/Enamel painter to the King/Prince of Wales/After MA Shee RA (to the counter enamel according to label) Enamel on copper, oval, in a rectangular wooden frame 86 x 71mmThe squared drawing for this work is in the collection of the National Portrait Gallery, London (no.NPG D17641).
Los 213
Circle of Thomas GainsboroughPortrait of Simon Crook (1722-1801), half-length, wearing a brown coat and waistcoat, and powdered wig, in a painted ovalOil on canvas, c.176376.9 x 64.4cm; 30¼ x 25¼inProvenance:By descent from the sitter the Rev Henry S. C. Crook, 6 Darlington Street, Bath;His posthumous sale, James Rainey, Bath, 14 October 1884, lot 286;Where purchased by John Stone, Solicitor, 6 Westgate Buildings, Bath;By descent to the previous owner;By whom sold, Aldridge's, Bath, Fine Art & Interiors, 30 November 2021, lot 348, where purchased by the present ownerSimon Crook was an apothecary in Abbey Street, Bath. He served on Bath City Council from 1754 to 1791, and was the mayor in 1778. In 1763 he was depicted in the satirical print The Knights of Baythe, or the One Headed Corporation. The present work dates from the same period, and an old stamp on the back of the original canvas, dated 1763, was discovered during recent conservation. 1763 was the year Thomas Gainsborough's death was erroneously reported by The Bath Journal. However, Gainsborough was seriously ill, and he did not work in his studio for the last 3 months of that year. Crook was a neighbour of Gainsborough, who also lived in Abbey Street from 1760 until 1766, when he moved to The Circus. During his Bath period Gainsborough painted several apothecaries, including Thomas Haviland (c.1761), James Haviland (c.1770), and Dr Rice Charleton (c.1764).
Los 339
Thomas Benjamin Kennington (1856-1916)Portrait of Anne Struthers (née Kennington) (1884-1962), the artist's daughter, wearing a white and pink dress, seated in an interiorSigned and dated T.B.Kennington 06 (lower right)Oil on canvas111.7 x 86.7cm; 44 x 34¼inProvenance:By family descent from the artist
Los 11
λ Circle of Peter MayrPortrait miniature of a gentleman wearing a brown coat, blue waistcoat and powdered wigRoundel, in a gilt metal frame48 x 48mmProvenance:Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2024, lot 618, where purchased by the present private collector
Los 214
Circle of Thomas GainsboroughPortrait of Sarah Jarman (née Wyersdale) (1696-1773), half-length, wearing a black dress with white fichu and bonnet, within a painted ovalOil on canvas75.6 x 63.6cm; 29¾ x 25inProvenance:Private Collection, Somerset;Private CollectionSarah Wyersdale married John Jarman of Parsonage Farm, Bishop's Hull Somerset.
Los 270
Giovanni Battista Canevari (Italian 1789-1876)Portrait of Geraldine Laura Hutchings (1811-1869), half-length, wearing a black dress and holding a posy of flowersSigned and dated GB Canevari f./Roma 1848 (centre left) and inscribed Portrait/of/Geraldine Laura Hutchings/wife of/Hubert Hutchings/by Canevari/taken at Rome 1847 (to label)Oil on canvas76 x 63.4cm; 30 x 25in, framed as an ovalProvenance:By family descent from the sitter, Sandford Orcas Manor, Dorset;Dukes, Dorchester, Sandford Orcas Manor: Auction of the Contents, 6 March 2024, lot 387 (as Canaciari)
Los 35
ALEXANDER THE GREAT, 336-35 BC Silver drachm, in plastic case, boxed along with a 1797 cartwheel twopenceQty: 2The Drachm measures approx 18mm diameter, and weight approx 4.2g. The cased set includes a certificate from CPM Coins stating its authticity, as well as its similarity in size to other drachm. McTears does not carry out in-house authetication, so cannot provide more infromation.The materials by CPM Coins provided with the lot state 'It carries a portrait of Hercules on the obverse - although some may argue it is actually a portrait of Alexander himself - and Hercules's father, Zeus, on the reverse'. McTears does not have additonal provenance information for this lot.
Los 52
A portrait of a horse and gentleman in landscape, modern oil on board, in ornate gilt frame, overall frame dimensions 110cm x 88cm Slightly dirty with paint crazing, frame has some areas of chipping in top left-hand corner This is painted on board , not on canvasSlightly dirty with paint crazing, frame has some areas of chipping in top left-hand corner
Los 13
A 19th century Victorian wax portrait of Sir Walter Raleigh, framed & glazed. The portrait depicting side profile of explorer Raleigh, wearing ruff collar & silvered armour. Presented in circular turned mahogany frame with convex glass. Wall hanging to verso.Frame measures approx. 15.5cm diameter.
Los 17
Portrait of Iris Apfel as a DoeSigned S Dietz (lr)Acrylic on canvas48 x 24 inches (121.9 x 60.9 cm)No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
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283287 Los(e)/Seite