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283284 Los(e)/Seite
Cecil Beaton portrait photograph of Violet Trefusis seated on the terrace of Villa dell'Ombrellino. 10 x 15 cm.Violet Trefusis was a writer and patron of the arts. During the 50s and the 60s, her Villa dell’Ombrellino in Florence became a benchmark for cosmopolitan artists and intellectuals..
Princess Alexandra of Kent - Cecil Beaton portrait photograph of Princess Alexandra of Kent, signed 'Alexandra 1959', stamped 'CECIL BEATON PHOTOGRAPH' verso, 13 x 18 cm, along with an Official Pass relating to The Visit of Her Royal Highness Princess Alexandra of Kent in 1959, admitting Colonel R.W. Spraggett to Government House in Melbourne, and signed by the Colonel (2)..
Eight signed cricket books to include 'FRED - Portrait of a Fast Bowler' by John Arlott, 'Ferokh Engineer - Fro the Far Pavilion' by John Cantrell', 'Leading from the Front - The Autobiography of Mike Gatting', 'Rags - The Autobiography of Derek Randall', 'Sir Geoffrey - 21 Years of Yorkshire Cricket', 'Sobers - Twenty Years at the Top', 'Dermot Winng Days Reeve' and Steve Waugh 'Never Satisfied'. (8).
Queen Elizabeth The Queen Mother - Cecil Beaton portrait photograph of HM Queen Elizabeth the Queen Mother, signed in the mount 'Elizabeth R 1958', in original leather frame with domed top and embossed gilt crowned ER cipher, photographed stamped verso 'CECIL BEATON PHOTOGRAPH'. Overall 18 x 26cm..
An Art Nouveau style pendant necklace, shaped pendant inset with a panel maiden emerging from the pond, flowers in her hair, white metal frame stamped 925, above tree pale green droplet terminals, suspended from a silver belcher link chain, 37cm long, 92mm drop, 53.9g gross; porcelain portrait panel brooch; moulded face etc (5)
SIR JOHN THOMAS SELWYN, SHRUBLAND PARK SUFFOLK, SIGNED AND DATED 1860, WATERCOLOUR, 31 X 42CM, 19TH C SCHOOL, ALPINE LANDSCAPE, WATERCOLOUR, 32 X 48CM, UNFRAMED, 19TH C SCHOOL, PORTRAIT OF A YOUNG GIRL, OIL ON BOARD, OVAL, 23 X 18CM, UNFRAMED AND WILLIAM TAYLOR LONGMIRE, THIRLMERE CUMBERLAND, SIGNED AND DATED 1870, WATERCOLOUR, 26 X 42CM, UNFRAMED (4)
Leybourn William DIALLING… Printed by J. Matthews for Awnsham and John Churchill, at the Black Swan in Pater-Noster-Row, London 1700, second enlarged edition, engraved portrait and thirty-two plates, many folding, engraved illustrations in text, tables, old ink signatures and annotations of William Stringer (1740), Thomas Warthie (1793) and John Dougharty (undated), folio, modern half calf gilt title to spine. Provenance: Inscriptions relate to John Dougherty (1677-1755), of Bewdley, Worcestershire, who was a teacher of mathematics and author of Mathematical Digest published in 1748 including a chapter on dialling; sold in these rooms 11th March 2014 (lot 33).
After Jacques Saly (French 1717-1776). A large patinated plaster portrait bust of Frederick V of Denmark, signed in the cast 'I. SALY F. 1754', on an integral turned socle, 100.5cm high, 68cm wide. There are terracotta versions of this bust in the National Museum of Denmark and the David Collection in Copenhagen.
After Samuel de Wilde. A naive folk art oil on board portrait painting of Nancy Dawson, standing holding a flower, 52.9 x 38.3cm, in an ebonised moulded frame. Nancy Dawson was the stage name of Ann Newton (1728-1767). A London actress and dancer, she rose to fame performing a solo rendition of a hornpipe between acts in The Beggar's Opera at Covent Garden Theatre in 1769.
A pair of early 19th century hand-coloured engraved Royal portrait penny prints, of 'KING WILLIAM the FOURTH' and 'QUEEN ADELAIDE', 9.1 x 6.9cm, together with a pair of similar Royal portrait bust prints, titled 'PRINCE COBOURG' and 'PRINCESS OF WALES', all in glazed ebonised and reeded frames. (4) Provenance: 'A Lifetime of Collecting'-The property of a gentleman. The Princess of Wales was George IV's daughter, Charlotte Augusta (1796-1817). She married Leopold I, King of the Belgians (1790-1865) on 2nd May 1816. After only a year of and a half of marriage Charlotte tragically died after delivering a still-born son.
After John Michael Rysbrack (Flemish 1694-1770). A patinated plaster portrait bust of Michelangelo, titled 'MICHELANGELO BUONARRUOTI', on an integral socle, 70.3cm high, 51cm wide. Rysbrack was one of the leading sculptors of the 18th century and produced many portrait busts of artist and architects including Rubens, Inigo Jones and Palladio. These were very much in demand from British collectors, patrons and connoisseurs who decorated their libraries with them. There is a similar plaster cast on display in the Central Hall of the Royal Academy in London.

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