283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
Four Photography Books,Tupitsyn (Margarita), El Lissitzky Jenseits Der Abstraction, Shirmer/Mosel 1999 (Note, Pages 100-104, 106-110 have been removed); Doblin, (d'Alfred), Berlin 1928 Portrait d'une Ville Photographies de Mario von Bucovich, Hazan 1993; Das Osterreichisch-Ungarische Kaiserhaus Photographen 1860-1918, Album Verlag 1993; Kaufhold (Enno), Berliner Interieurs 190-1930 Photographien von Waldemar Titzenthaler, Nicolai 2001
CERITH WYN EVANS (B. 1958)Untitled Portrait Photograph by Sulwyn Evans 1996 black and white photograph31 by 24.1 cm.12 3/16 by 9 1/2 in.This work was executed in 1996 and is number 1 from an edition of 10.Footnotes:ProvenanceWhite Cube, LondonAcquired directly from the above by the present owner in 1996Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
§ JOHN BYRNE (SCOTTISH B.1940) CECI N’EST PAS UN AUTO-PORTRAIT, 2003 Signed lower right and inscribed with title, oil and mixed media(78cm x 72cm (30.75in x 28.25in))Footnote: Literature: This work was featured on the front cover of 'John Byrne: Art and Life', by Robert Hewison, published by Lund Humphries, 2011. Note: 'Ceci n'est pas un auto-portrait' is a significant work in Byrne's career, as reflected by its inclusion in the artist's retrospective at the Scottish National Portrait Gallery and the decision to feature it on the cover of the artist's monograph. The title makes a clear allusion to the famous work 'Ceci n'est pas une pipe' by the Belgian Surrealist master René Magritte, to whom this work is an homage. Byrne was an avid admirer of Magritte which often tells in the whimsical qualities and the quietly uncanny nature of his work. As well as resonating with the older artist's painting in a visual and ideological sense, Byrne also found comfort in the tales of Magritte's early difficulties finding his foothold in the art world. In 1967 when Byrne was in his late twenties, a struggling artist working as a carpet designer in a factory, he penned a letter of admiration to his hero, addressing it simply 'Margritte, Brussels' and dispatching it, probably with little hope, in the post. Extraordinarily, the letter found its way to Magritte, who touchingly took the time to write a supportive response which must have buoyed the young Byrne immensely. “Like you, I have known what it is like to work as a draughtsman in a factory, and I had to paint in the evenings and on Sunday. “ I think each of us has to get through these years of trial, without hope, and without despair. Life for me – now – is ‘easier’, but I know that there is nothing that can necessarily be learned.” Though there were no keys for the "secret of success" to be handed over, there was empathy and solidarity, and encouragement to keep forging on. In the portrait offered here, Byrne depicts himself with an intriguing look in his eyes. There is something at once wild and wise - a knowing nod to Magritte perhaps - that his words had been true and that the artist's road is a long, hard and strange one.
NAN GOLDIN (AMERICAN B.1953) SELF-PORTRAIT IN BLUE DRESS, NEW YORK CITY - 1985 Archival pigment print, 2020, signed verso, and the accompanying issue #239 of Aperture magazine which is dedicated to Nan Goldin's seminal work 'The Ballad of Sexual Dependency'(12.5cm x 17.5cm (5in x 7in), unframed)
Y A French enamel, tortoiseshell and composition bonbonniere, circa 1790, the cover with a semi relief profile portrait of Henri IV, on a blue guilloche ground against sunburst engraving, the gold border with crossed ribbons, dark cream composition box with tortoiseshell lining, 7.8cm (3in) diameterProperty from the estate of the late Betty, Lady Grantchester.Condition Report: The composition very hard (rubber or balata based?) with minimal scratches or nicks, the enamel fine, the portrait with no wear but dirty, the gold border crisp. The lining with a 1cm rim chip to the baseCondition Report Disclaimer
Follower of Christian SeyboldPortrait of a gentleman, small bust-length in a fur lined red coat and hatOil on copper, feigned oval8 x 5.7cm (3 x 2 in.)Together with another portrait of a gentleman, bust-length, in a blue coat and cap, oil on copper, oval by another hand 8 x 5.7cm (3 x 2in.) (2)Provenance:Sale, 8 July 1981, Lot 210 Property from the estate of the late Betty, Lady GrantchesterCondition Report: No significant condition issues. Inspection under UV reveals scattered retouching. Condition Report Disclaimer
Y Continental School (19th century)Portrait miniature of a Sybil, wearing fur trimmed white coat, double strand pearl necklace and pearl drop earrings, her brown hair up-styled within a blue and orange turbanWatercolour on ivory23 x 9.5cm (9 x 3½ in.)In a wood frame inset with an oval gilt-metal mount chased with anthemion leaf border
A quantity of jewellery, to include a Victorian 9ct gold coral, split pearl and turquoise ring, Birmingham 1879, a silver and metal spinner ring, a rolled gold memorial locket with woven hair glazed panel and portrait miniature, a pair of gold single stone sapphire stud earrings, tested as approximately 9ct gold, and a silver brooch (6)9ct gold - 1.97g totalFinger size O, L
WYNDHAM LEWIS [1882-1957]. James Joyce, 1932. lithograph; edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm sheet size - overall including frame 52 x 43 cm. This is the most sought after of this series of prints and has sold for over £2000 at auction in the past in Ireland. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium 20% + vat payable..
WYNDHAM LEWIS [1882-1957]. Noel Coward, 1932; lithograph, edition of 200 [141/200]. 35 x 27 cm sheet size - overall including the frame 52 x 43 cm. The National Portrait Gallery collection includes this print. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable..
LEONARD BASKIN [1922-2000]. Self Portrait. bronze; signed 'L Baskin' and marked with foundry stamp 'Bedi-Rassy NY'. 25 cm high. Major international sculptor - included in most museum collections, especially in the US. [very good condition - some slight rubbing of the patina at the back of the head]. Buyers premium 20% + vat payable..
WYNDHAM LEWIS [1882-1957]. Self Portrait, 1932. lithograph, edition of 200 [141/200]. 35 x 27 cm [sheet size] - overall with frame 52 x 43 cm. The National Portrait Gallery collection includes this print. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1882-1957]. Augustus John, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - unexamined out of frame]. Buyers premium of 20 % + VAT is payable..
WYNDHAM LEWIS [1882-1957]. Wing Commander Orlebar, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1882-1957]. J B Priestley, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1882-1957]. Dame Edith Evans, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable..
WYNDHAM LEWIS [1882-1957]. Constant Lambert, 1932. lithograph, edition of 200 [141/200]. 35 x 27 cm sheet size. Overall including frame 52 x 43 cm. The National Portrait Gallery collection includes this print. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable. ARR at 4%.
Fantastic quality collection of 13 x LPs, 12 x 12", 3 x 10" and 3 x shaped 7" (31 releases in total). Titles include Portrait Of A Star (NL 89078, limited edition 3 x LP set - all Ex+), Station To Station (Dutch pressing APL 11327), Pin-Ups (Dutch copy RS 1003), Young Americans (US copy, APL1-0998), Absolute Beginners - Soundtrack (302 706-420), Maggie's Farm (shaped 7", MTPD 73), Prisoner Of Love (MTPD 76), Stage (2 x Dutch pressings), I Pity The Fool EP (See For Miles 10"), Don't Be Fooled By The Name, Another Face, Fashion, Magic Dance, Let's Dance (German 12" p/s), This Heart's Filthy Lesson (ltd 12" pic disc), Tao Jones Index - Pallas Athena (Ex/Ex), Tonight and Beauty And The Beast (Spanish). Condition is generally VG+ to Ex+.
Five Photographic Books, The Book of Nature Photography by Heather Angel, with signature to inside front, The Book of Close up Photography by Heather Angel, Portrait Photography by Jorge Lewinski & Mayotte Magnus, Tapestry of Life Inner City Portrait by Bob Moore, signed to inside front, and Complete Encyclopedia of Photography by Michael Langford, all hardback except Tapestry of Life
Rangefinder and Other Cameras, comprising a FED 4 Type b, a Konica Auto S3, a Minolta AL, a Petri Racer, a Zeiss Ikon Contessa LKE and a Zorki 4, others include a Seagull 4A TLR camera, a Contessa-Nettel Cocarette folding camera, a Kodak Portrait Hawkeye *Star* box camera, a Dekko Model 104 and a Pathe Motocamera 9.5mm cine cameras, Dekko with a Dallmeyer Speed Anastigmat 1in f/1.5, a Lot
Mid 19th century Continental portrait miniature on porcelain, the seated young man depicted half length, before a mountainous landscape, inscribed in pencil to rear 'Muller artist, by himself', possibly Karl Muller (1818-1893) 9.5 x 8.5cm, in glazed ornate gilt frameCondition report: Some cracking to the frame but no losses to the moulding visible. Some very minor losses to paint at the top of the sky. The lapel and arm have spots visible on them which would appear to be stuck to the glass rather than flaws on the painting. The glass is quite dirty overall.

-
283287 Los(e)/Seite