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283284 Los(e)/Seite
Los 297
A First World War Pair, to 4433 PTE.E.THOMPSON DURH.L.I, comprising British War Medal and Victory Medal, with two portrait photographs; a 1939-45 War Medal; an Edward VII Coronation Medallion; a George V Coronation Medallion; a display of Military cap badges and buttons; three Second World War tin helmets, two with S.F.P. decals.
Los 224
MORTIMER MENPES RI RBA RE, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, DATED 1884, Portrait of an Old Lady with Cloth Headress; and 19TH CENTURY BLACK AND WHITE ETCHING, A Brigand, 10” x 7” and 8” x 5” (2). 225. JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, A FOLDER OF LIMITED EDITION COLOURED PRINTS, (FOR THE NORFOLK NATURALISTS TRUST), Published 1981, “Brent Goose”, “Shoveler”, “Shelduck”, “Pintail”, 10” x 6” (4)
Los 359
A Duke of Wellington Gilt Copper Box Roundel, stamped with a portrait of the Iron Duke, the reverse with tribute, enclosing twelve paper discs, each inscribed in ink with the names and dates of battles of the Peninsular War from 1808 to 1814; an aluminium medallion commemorating Sir Richard Onslow Bart. Admiral of the Blue 1797; a similar medallion commemorating the Death of Nelson; an Edward VII Coronation medallion-4
Los 375
A Second World War Bronzed Plaster Memorial Plaque, moulded with a portico surmounted by a winged angel and flanked by a soldier and a sailor, with inscription The Path of Duty Was The Way To Glory, centred by a portrait photograph of an airman under glass, the whole in an oak frame, 55cm by 45cm (some damage)
Los 659
An Italian Pinfire Double Barrel Sporting Gun by A Pedersoli, Napoli, said to have been made for King Victor Emmanuel, the 74cm barrels inlaid with maker's name in gold on the rib, the foliate etched steel tang with a gold inlaid portrait of the King, side lock and steel furniture etched and engraved with battle scenes and with gold inscription Fatale Gia Di Palestro 1848/1849, under-lever break, double scroll trigger guard inlaid with a gold coat of arms, the well figured walnut stock with chequered grip carved with leaves and tendrils (one hammer missing)
Los 1032
A FINE WILLIG-ENGRAVED COLT .44-40 WIN SINGLE ACTION ARMY REVOLVER, serial no. SA71919, 7 3/8in. nitro barrel, blade foresight with fixed rear sight, blued and silver finish overall, polished ivory grips relief engraved with the busts of George Washington and Abraham Lincoln, the barrel, frame and cylinder deeply carved and relief engraved with stylised bold acanthus scrollwork on a matt background with gold-inlaid scroll highlights, gold-washed hammer, trigger and pins, the barrel gold-inlaid with a portrait of Tatanka Jyotke (Chief Sitting Bull) atop a crossed calumet and ball-headed war club inlaid in gold, the frame with carved scenes of gold-mining and the portrait of Eliphalet Remington, the cylinder carved with scenes of settlers wagon trains and scenes of battle from the civil war, with portraits of General Robert E. Lee and Ulysses S. Grant, the pistolgrip-cap with a native American Indian and a train, the backstrap carved with the bust of Apache chief Geronimo, the barrel signed 'C. Willig'
Los 1033
A FINE WILLIG-ENGRAVED FREEDOM ARMS .454 CASULL REVOLVER, serial no. DF310, 7 1/2in. nitro barrel with ramp-mounted blade foresight and adjustable rear sights, silver finish overall, polished mammoth ivory grips, the barrel, frame and cylinder profusely chased and relief engraved with bold stylised acanthus with gold highlights and gold washed trigger, the barrel carved with scenes of prohibition and an early flying machine, the top with the Statue of Liberty and gold-inlaid with the Great Seal, the frame with American iconographies including Mickey Mouse, Coca Cola, the Ford Model T and a Texan oilfield, with portraits of Al Capone, Martin Luther King and Louis Armstrong, the triggerguard gold-inlaid with the suits from a deck of cards, the cylinder with bold acanthus scrollwork on a chequered background surrounding portraits of Henry Ford, Gustav Weisskopf, Thomas Edison, Alexander Graham Bell and Hermann Hollerith, the pistolgrip-cap relief-engraved and gold-inlaid with Neil Armstrong's moon walk, the backstrap with a portrait of John F. Kennedy and gold-inlaid with a shield of the National Indian Police, the barrel signed 'C. Willig' Other Notes: Until the introduction of the .460 Smith and Wesson Magnum, and the .500 S&W Magnum, the .454 Casull was the most powerful commercially produced handgun round on the market. Developed in 1957 by Dick Casull and Jack Fulmer, the round was an improvement on the .45 Colt. Such is the chamber pressure created, the Casull round uses a small rifle primer rather than a pistol primer. It can deliver a 250 grain bullet with a muzzle velocity of over 1900 feet per second, developing more than 2000 ft. lb. of energy.
Los 1211
* A RARE J. & W. TOLLEY 12-BORE 1877 PATENT 'GIANT GRIP' BOXLOCK NON-EJECTOR DOUBLE RIFLE, serial no. 5617, 24in. black powder reproved barrels with shallow rifling, broad matt rib, engraved 'GIANT GRIP', 'J. & W. TOLLEY. MAKERS. ST. MARY'S SQUARE. BIRMINGHAM.', silver-inlaid leaf sights for 100, 200 and 300 yards and bead foresight, 3in. chambers, Anson & Deeley 1875 patent boxlock action, patent no. 1756, use number 2970 incorporating Henry Tolley patent 'Giant grip' top extension, patent no. 461 of 3rd February 1877, carved serpentine fences, manual safety, the action, lockplates and furniture profusely engraved with bold acanthus scrollwork, surrounding vignettes of african elephant, the underside with the portrait of a lion, serpents and lions rampant with a winged bust, the toplever with a mythical bird, all on a matt background, brushed and reblued finish overall, 14 5/8in. figured pistolgrip stock with sling eyes, engraved steel pistolgrip-cap and patterned steel buttplate (repaired chip at toe), the fore-end with Homer patent fastener, patent no. 5938 of 1877, the fore-end iron engraved with serpents and fowl amid floral and foliate designs, some minor repaires to wood, weight 14lb. 14oz., in a modern oak and leather case with ten Eley brass 12-bore cases
![Howard (Brian, 1905-1958). First Poems, [God Save the King and Other Poems], author's original manuscript, [1930], title pag](http://lot-images.atgmedia.com/SR/10729/2714160/20-65-10729_468x382.jpg)
Los 20
Howard (Brian, 1905-1958). First Poems, [God Save the King and Other Poems], author's original manuscript, [1930], title page with 'First Poems. Brian Howard', in author's holograph with small heart drawn in ink beneath and a pasted-in magazine headline 'Vive la Vie!' below, 4-line quote from Rimbaud to title verso, followed by eighteen poems in the author's holograph on thirty-seven pages, using blue, red and turquoise ink, numerous corrections and deletions, markings for verse intervals, some amendments including title changes in pencil, poems usually with composition place and date (1925-1930) at foot, final 7 pp. blank, small ink stain to fore-margin of a few leaves, pages uncut, orig. patterned wrappers with repeating abstract design in red, large heart outline drawn by Howard to upper cover in blue ink, partly soiled and faded, spine largely perished and upper cover det., large slim vo. Brian Christian de Claiborne Howard was born of American parents at Winkworth, Hascombe, Surrey. In 1918 he went to Eton and became friends with Harold Acton, and it was there that he began to write and publish poetry with encouragement from Harold Acton and Edith Sitwell. He started at Christ Church, Oxford, in 1923 where he joined the Hypocrites, a group whose members included Evelyn Waugh, L.P. Hartley, Lord David Cecil, Harold Acton and Anthony Powell. Later in the 1920s, he met W.H. Auden with whom he became a close friend and who echoed Lady Caroline Lamb's words for Lord Byron in describing Brian Howard as 'mad, bad and dangerous to know'. Between 1930 and 1947 Howard produced over seventy articles for the 'New Statesman'. During the 1930s he drifted around Europe and had affairs with various young men. He was often drunk throughout his adult life and alcohol, along with drugs, became a problem during his thirties. After the War he continued to write book reviews. In the 1950s his health failed through alcohol dependency and drugs. In January 1958 Howard's lover, Sam, died accidentally of asphyxiation from fumes from a gas heater while they were living together in Nice. Four days later Brian Howard killed himself by taking an overdose of sedatives. He had failed to fulfil his early promise as a poet and published little. His importance arises more from the influence he had on his contemporaries who found his openly homosexual and flamboyant lifestlye an inspiration. He was partly the inspiration for Cedric Hampton in Nancy Mitford's 'Love in a Cold Climate', and largely inspired Evelyn Waugh's characters Ambrose Silk in 'Put Out More Flags' and Anthony Blanche in 'Brideshead Revisited'. The manuscript here appears to be the author's final manuscript draft used for the publication 'God Save the King', his first and only book, which was published in an edition of 150 copies in 1931 by Nancy Cunard at the Hours Press in Paris. Provenance: The manuscript is accompanied by an autograph letter, dated 8th November 2006, from Dorothea Farquhar, 'Dear Mr Pinnington, I enclose the Brian Howard manuscript. For the record, I inherited it from Jenny Macdonell who was Howard's mother's God-daughter. Jenny Macdonell's mother is mentioned in Marie-Jacqueline Lancaster's biography ['Brian Howard: Portrait of a Failure', 1968]'. (1)
Los 420
Fowles (John). The Collector, 1st ed., Jonathan Cape, 1963, orig. cloth in d.j., a little rubbed and frayed to extrems., with very sl. loss, together with The Aristos, A self-portrait in Ideas, 1st ed., 1965, orig. dark-blue cloth gilt in d.j., a few minor marks and spine dulled, plus The Magus, 1st ed., 1956, orig. cloth in d.j., remains of sellotape marks to endpapers and jacket flaps, and others by the same author (The Collector, 1st US ed., 1963, The Magus 1st ed., 1966, The French Lieutenant's Woman, reprinted, 1970, The Ebony Tower, 1st ed., 1974, Daniel Martin, 1st ed., 1977 (2 copies), & A Maggot, 1st ed., 1985), all orig. cloth in d.j.s, 8vo (10)
Los 383
Scrap album. A scrap album containing approx. twenty-six watercolours, pencil drawings, and pen & ink sketches by noted artists, 1901-36, incl. caricatures by Frank Reynolds, Phil May, John Hassall, and A.J. Hardman, a pencil portrait of a mustachioed gentleman by Stan Wood, a pencil sketch of a duck by Cecil Aldin, another of Bonzo by G.E. Studdy, a watercolour seascape by Edith S. King, another of the sun setting over water by Sid Gardner, a pencil drawing of a windmill by T.W. Hammond, a watercolour of a young cleric by Fred May, a pencil drawing of a horse and foal by Arthur Spooner, another of Madame Butterfly by Lance Thackeray, and others, a.e.g., orig. roan, worn, with sl. loss to spine, and leather to upper cover split at edges and becoming detached, approx. 170 x 200mm, together with several sketches on envelopes loosely inserted With manuscript letter signed from Tom Browne to Mrs. Atkey tipped-in to front pastedown, on the artists headed paper, dated February 1st 1902, in which Browne explains that he is returning the album, saying I have got a few good names in your book. The first contribution to the album - a pen & ink sketch of a London cabby - is by Browne himself. (1)
Los 453
*Letters Patent. Attractive manuscript vellum letters patent dated 2nd December 1840, for the appointment of Auditor of the Duchy of Cornwall in charge of all records, Lordships, Manors, Lands, Rents, Tolls, etc., at a salary of four hundred pounds a year, with portrait of the young Queen Victoria in initial letters, decorative engraved borders showing royal coat of arms, britannia, cherubs, ornate scrolls, etc., with large privy Royal wax seal contained in metal skippet, presented in original presentation case (-)
Los 510
*Churchill (Winston S., 1874-1965). Typed letter initialled W., Chartwell, 20th August 1948, to Lady Lilian Grenfell, saying that he would like her to have a copy of the first volume of his book on the Second World War, greeting and sentiment in Churchills holograph in a hurried hand, one page, 4to, together with a small group of other Churchill ephemera, including four photos, one a portrait of Clementine with signed presentation inscription to mount, a Churchill family Christmas card from Captain and Mrs Soames with b&w photo including Churchill, Churchill funeral programme, Order of Service and ticket for the service in St. Pauls made out to admit Mr F. Shaw, four letters with facsimile signatures giving thanks for birthday greetings, various dates, all loosely inserted into a modern plastic sleeve folder (a folder)
Los 512
*Churchill (Winston S., 1874-1965). An original good quality head and shoulders pencil portrait, dated 22nd February 1948, showing a close-up of Churchill in half profile, smoking a cigar and wearing a hat against a backdrop of the sea with boats, indistinct signature and date lower right, 30.5 x 20.5cm, framed and glazed (1)
Los 607
Raleigh (Sir Walter). The Historie of the World, in Five Bookes, 1st ed., 1614, addn. eng. title, eng. portrait to printed title, seven (of 8) double-page eng. maps, wood eng. head and tail-pieces and initial letters, contemp. marginalia and underlining, some old water-stains and soiling, first and final leaves creased and frayed, one plt. and two text leaves detached and trimmed, lower corner of Oo2 torn away with sl. loss to text, lacking endpapers, contemp. calf, worn, with loss to spine and corners, thick folio. STC 20637. (1)
Los 693
Ometev (Boris & Stuart, John). St. Petersburg, Portrait of an Imperial City, 1990, b&w illusts. from photos., together with Briggs (Asa & Miles, Archie), A Victorian Portrait, Victorian Life and Values as Seen Through the Work of Studio Photographers, 1st ed., 1989, colour and b&w illusts. from photos., plus Fahey (David & Rich, Linda), Masters of Starlight, Photographers in Hollywood, 1st UK ed., 1987, b&w illusts. from photos., all orig. cloth in d.j.s, 4to, VG, plus other mostly modern art and history of photography books including a complete run of Reportage Magazine, with some duplicates (approx. 50)
Los 107
*Cameron (Julia Margaret). Portrait of Alfred Lord Tennyson, c. 1870s, albumen print photo in poor condition, approx. 17 x 21.5cm, with other assorted portrait photographs including albumen print of the Prince of Wales, 1872, two carbon prints of Princess Christian and Princess Victoria, Mary of Teck, c. 1890s, a gelatin silver print photo of Churchill and portraits of Italian types (a folder)
Los 124
Hanfstaengl (Frans). Skizzen aus den Kriege 1870-71 Munich, n.d., c. 1872, seventy-one mounted albumen prints (including title) of drawings relating to the Franco-Prussian War, each with accompanying text leaf, some spotting throughout, a.e.g., orig. cloth gilt, slightly rubbed, oblong small folio, together with Tennyson (Alfred, Lord) The Works... with Photographic Illustrations by Payne Jennings, R. & A. Suttaby, [1878], mounted albumen portrait frontis., circular albumen print on the title-page, eight full-page mounted albumen prints, and three mounted oval portraits, all within printed gold borders with captions in red, full red morocco, lettered and decorated in gilt, slightly rubbed at joints and corners, a.e.g., 8vo (2)
Los 144
*Military and Naval. A group of sixteen albumen print photos, c. 1870s, and later, mostly showing military manoeuvres in England, mounted on old album leaves, images 21 x 14cm and smaller, together with a further misc. group of ten later military and naval scenes including a group portrait in Afghanistan with Col. Rowcroft, wearing his VC medal, c. 1879, various sizes (approx. 26)
Los 344
Maps. DAnville (Jean Baptiste Bourguignon), Carte de LInde pour la Compagnie des Indes, 2 sheets, November 1752, uncoloured engraved map on two sheets, some light damp staining and one tear, 895 x 1045mm, together with Edwards (Bryan), A New Map of the West Indies, for the History of the British Colonies, 1793, uncoloured engraved map, split at the folds but with little loss, 700 x 1112mm, and Heger (J.), A Map of the Post Roads of Germany, pub. William Faden, 1795, folding engraved map, hand coloured in outline, split at folds and peeling from linen backing, approx. 760 x 920mm, and Zatta (Antonio), Provincia di Middlesex, Provincia di Essex, Provincia di Kent, Provincia di Surrey, 1779, four engraved county maps, hand coloured in outline, each 205 x 310mm, and Edwards (Bryan), A Map of the Island of St. Domingo, c.1800, uncoloured engraved map, split at the folds but with little loss, 460 x 740mm, and Arrowsmith (A.), Map of Europe, Drawn from all the Best Surveys, 1 June 1798, large folding map of Europe in four separate parts, hand coloured with title cartouche and dedication portrait of Joseph Banks, some light staining, 1295 x 1490mm (13)
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283284 Los(e)/Seite