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283284 Los(e)/Seite
Los 382
A SPODE BONE CHINA LIMITED EDITION CUP AND COVER, 'Commemorating Two Hundred Years of Spode Craftsmanship 1770-1970', No.7/200, painted with an armorial and a portrait of Josiah Spode, height 32cm (condition: cover is crazed, gilding damage to the area where the pedestal joins the cup, no certificate, no box)
Los 692
A 19TH CENTURY PORTRAIT OF POLITICAL SATIRIST JONATHAN SWIFT, after the original painting by Francis Binden circa 1730's, no visible signature, oil on canvas, Christies stencil mark verso, unframed, approximate size 75cm x 63cm (Condition:- painting has been cut down in size and relined, there are old repairs visible
Los 217
A set of six early 20thC Chinese printed silk Pictures, depicting traditional Chinese rural lake land and interior scenes in original black lacquer frames, five portrait orientation, one landscape orientation, size of each picture 10in x 8in (25.5cm x 20cm), including frame: 16¼in x 14in (41cm x 36cm) (6)
Los 218
A near pair of early Victorian Portrait Miniatures of children, with fair hair and white dresses, watercolours, signed ACW, each in oval white metal pendant frame, the reverse with glazed panel enclosing a fleur de lys lock of hair and seed pearls, 1¾in (4.5cm) high x 1?in (3.5cm) wide, together with an early 19th century portrait miniature of a gentleman, oil on board, in black papier mâché frame with gilt metal mounts (3)
Los 255
A vintage Chinese 'Victory' cigarette pin-up advertising poster, for T. C. Williams Co., depicting a pretty young woman in red coat, 30in x 20in (76cm x 51cm), together with another Chinese pin-up poster, also depicting a pretty youn woman, by Shiång Swi Hong Press Co., together with a machine embroidered wall hanging portrait of Chairman Mao, overall 50in x 17in (127cm x 43cm) (3)
Los 1007
Dutch/Flemish School (17th century) Portrait of a man wearing a ruff, half length Red chalk on paper laid to card, 19cm by 13cm See illustration. laid down on card, upper edge taped to mount. there is pronounced evidence of the glue used to lay the sheet down at all four corners, more noticibly so at upper right and lower left. some small tears / losses to sheet along lower edge , large loss approx 3cm from lower left hand corner and approx 0.5cm in length, further smaller losses and tears throughout left hand side , crease/tear to upper edge centre, diagonal crease accross entire width intersecting the gentalmans nose, significant staining to sheet with sporadic foxing spots. further more minor creases and losses
Los 1090
After Sir Anthony Van Dyck (1599-1641) Flemish Portrait of Charles I in armour Oil on canvas, 40cm by 30.5cm See illustration . old reline, covered in a thick layer of dirt and discoloured varnish, some minor rubbing/abrasions to edges in general. general strengthening /overpaint to background, kings shoulder, collar, his hair, the left hand side of his collar and general shadow in and around and beneath the coller on his right hand side. less consistant retouching and overpainting to his left hand side moustache, lipe, nostril and chin, slight stretcher shadow. paint slightly thin and flattened in places.
Los 1092
British School (18th/19th century) Portrait of William, Duke of Cumberland, half length standing wearing a red and ermine trimmed cloak, armoured breastplate and royal blue sash Oil on canvas, 35.5cm by 30cm . relined cleaned and revarnished now covered in a thick layer of dirt and discoloured varnish. surface of the canvas is slightly flattened from the restoratation process. evidence of retouching and overpainitng to all four edges with less consistant retouching to elements of the Dukes hair. shadow and definition along gold edge of curtain on left hand side has been strenghtened with further retouches within the background, between said curtain and his right arm and shoulder. further retouching within the darker shades and shadows of his right hand sleeve and parts of the lower right hand corner. some of this retouching has deteriorated and is evident by eye. varying sized craquelure throughout surface, some of the finer craqueleure is lifting and resulting in some tiny losses within the red of his robe on the right hand side and odd places otherwise minor rubbing and old damages / restoration in evidence to edges.
Los 1097
Manner of Mason Chamberlin (1727-1787) Portrait of Catherine Ayre, standing full length, holding roses before a landscape Oil on canvas, 125cm by 100.5cm Catherine Ayre was the wife of the Rev. Edward Bromhead and mother of Thomas Ayre Bromhead See illustrationCanvas slightly loose on stretcher. Covered in a layer of dirt and discoloured varnish. Flecks of what appears to be brown paint across surface. Frame in good and sound condition. Possible small areas of overpaint to left hand side foliage of the tree and at sitters left. The bottom left hand corner has streaks of an unknown/ liquid which is incongrous to the original surface. Not examined with a UV light.
Los 2041
A Continental Silver-Gilt Snuff-Box, Maker's Mark HE? Only, Circa 1780, Perhaps Scandinavian, cartouche shaped, the hinged cover and base chased with figures within scrolls, the sides chased with classical portrait busts, 6.1cm wide, 1oz 8dwt, 43gr. Marked on bezel with maker's mark only. The mark is somewhat worn or poorly struck and so is only partly visible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the gilding., There has been a repair to the bottom front edge and there is some minor bruising overall.
Los 255
An SS Great Eastern/Leviathan Commemorative Nautilus Shell, circa 1855, engraved with a portrait of the paddle steamer and inscribed The Leviathan 25,000 tons, length 690 feet, breadth 82 Do, depth 60 Do, across paddle boxes 14 Do and with flowers and flags, 20cm long Launched in 1858, the Leviathan, designed by Isambard Kingdom Brunel, was the largest ship ever built at the time. The costs of building and launching ruined the Eastern Steam Navigation Company and so she lay unfinished for a year before being sold to the Great Eastern Ship Company, after which she was renamed The Great Eastern. One hole to the shell. Other natural flaws to the shell and some wear.
Los 480112
Portraitmaler der Klassischen Moderne, Portrait einer jungen Frau, um 1915, qualitävolles Brustbild einer dunkelhaarigen jungen Frau mit langen Ohrringen vor angedeuteter Tapete mit Papageienmotiven, nicht signiert, pastoser breiter Pinselstrich, Öl auf Malkarton, 55 x 46 cm, rücks. originaler, nicht mehr leserlicher Galerieaufkleber, im späteren Rahmen 75 x 65,5 cm. 2843-015
Los 134
Interesting Chinese Qing Dynasty soapstone figure of Li Tieguai, (17th/18th Century) with bead eyes and seated half length and an open robe, his left hand holding his iron crutch, with loses and old rubbed worn areas, similar to jade examples, 17.5cm highTogether with a portrait miniature of the collector Claude Calthrop with the figure to his side, painted by Horace Taylor in Geneva in 1918, gouache on card, (2)Provenance: Claude David Usticke Calthrop (1893-1921) First Secretary General of the Rhineland High Commission, Coblenz
Los 185
THREE COMMEMORATIVE MEDALS comprising silver 'The Machin Head' portrait medal, together with two Queen's Golden Jubilee medals, one in silver, all cased with certificates (3) Condition: All appear in good overall condition with no obvious or major damage or losses. Auctioneer's Note: deceased estate, single owner collection. Please satisfy yourself prior to bidding, items sold in good faith but sold as seen.
Los 511
BASKERVILLE PRESS - Joseph ADDISON (1672-1719). The Works.BASKERVILLE PRESS - Joseph ADDISON (1672-1719). The Works.Birmingham: Printed by John Baskerville, for J. and R. Tonson, 1761. 4 volumes,4to (295 x 233mm). Engraved portrait frontispiece of the author by J. Millerafter Godfrey Kneller, 3 engraved plates by Grignion after Hayman in vol. one,13 engraved plates or full-page engraved illustrations of medals in vol. II,engraved illustrations (some captions of plates cropped, occasional spottingand staining). Attractively bound in contemporary tree calf, spines gilt withred and green morocco lettering-pieces (spines rubbed and a little faded,joints splitting or creased). Brunet I, 17: "Très belle édition desoeuvres de cet écrivain célèbre ..."; Gaskell 17; Lowndes II: "Abeautiful and esteemed edition ..." (4)
Los 512
BASKERVILLE PRESS - Lodovico ARIOSTO (1474-1533). Orlando Furioso.BASKERVILLE PRESS - Lodovico ARIOSTO (1474-1533). Orlando Furioso.Birmingham: "Da' Torchj di G. Baskerville: Per P. Molini Librajo dell'Accademia Reale, e G. Molini," 1723. 4 volumes, large 8vo (232 x 150mm).Engraved frontispiece portrait of the author and 46 engraved plates byBartolozzi, de Longeuil, de Ghendt and others after Cipriani, Moreau le jeune,Eisen, Cochin and others (very lightly and consistently browned throughout [asusual]). FINELY BOUND in later red halfmorocco gilt by Pagnant, spines gilt in compartments, top edges gilt (a few inkspots to boards, lightly rubbed). Provenance: Newton Hall, Cambridge(armorial bookplate, with initials "J.S." added in ink). Brunet I,438: "... belle édition ..."; Cohen-de Ricci 95; Gaskell 48; GraesseI, 199; Sander 44. (4)
![BAYLE, Peter [or Pierre] (1647-1706). The Dictionary Historical and Critical.BAYLE, Peter (or Pierre) (1647-1706). TheDiction](https://cdn.globalauctionplatform.com/a3276cf8-db78-46ec-8c8b-ad5900c80e7d/c4522551-66eb-4352-9f5f-ad5900d05567/468x382.jpg)
Los 513
BAYLE, Peter [or Pierre] (1647-1706). The Dictionary Historical and Critical.BAYLE, Peter (or Pierre) (1647-1706). TheDictionary Historical and Critical … The Second Edition … To which is prefixed,The Life of the Author, revised, corrected, and enlarged by Mr. des Maizeaux.London: Printed for J. J. and P. Knapton (and many others), 1734-38. 5 volumes,folio (353 x 230mm). Half titles, engraved portrait of the author engraved bySamuel Smith, titles printed in red and black with woodcut ornaments.Contemporary calf (heavily rubbed and scuffed, joints split). Provenance:From the Library of the late Sir George Engle. Cf. Brunet I, 269; PMM 155(citing the first edition of Rotterdam, 1695-97): “Bayle championed reasonagainst belief, philosophy against religion, tolerance against superstition …For over half a century … Bayle’s Dictionnaire enlightened thinking inevery part of Europe.” (5)
Los 517
BINDING - Francis BACON (1561-1626). The Works.BINDING– Francis BACON (1561-1626). TheWorks. London: W. Baynes and Son, 1824. 10 volumes, large 8vo (216 x135mm). Engraved portrait frontispiece in vol. one (portrait browned, somelight spotting, staining and browning). Contemporary prize calf gilt, spineswith red and green morocco lettering-pieces (heavily rubbed and scuffed, with loss to two lettering-pieces). Provenance:Oriel College, Oxford (coats-of-arms stamped on covers and inscription dated1845 at front of vol. one). Sold as a binding, not subject to return. (10)
Los 527
BINDING - OVID (43 BC - 17 AD). Epistole Eroiche.BINDING - OVID (43 BC - 17 AD). Epistole Eroiche … Tradotte da Remigio Fiorentino. Paris: Appresso Durand, 1762. 8vo (197 x 128mm). Engraved portrait frontispiece of the translator, engraved architectural title, 22 engraved illustrations and 8 culs-de-lampe by Carlo Gregori after Giuseppe Zocchi (some intermittent light browning and spotting). FINELY BOUND BY ANTOINE MICHEL PADELOUP OR PADELOUP LE JEUNE in contemporary tan morocco gilt with red and brown morocco onlays including a large central starburst on each cover with a cut-out revealing a painted metal plaque of a coloured coat-of-arms on the upper cover and an unidentified monogram on the lower cover, the spine with red morocco lettering-piece and red morocco onlays in the compartments, blue watered silk liners, gilt edges ([?]skillfully rebacked some time ago, some very light rubbing). The binder's small printed label reading "Relié par Padeloup le jeune, place Sorbonne a Paris" is pasted at the foot of the title. A printed note, pasted onto the front free endpaper, reads: "Ce livre a figuré à l' exposition 'Dix Siècles de Livres français' (Lucerne, 9 juillet-2 octobre 1949) sous le no. 383 du catalogue." Beneath it is a small unidentified label.
Los 551a
DARWIN, Charles (1809-82) & Francis DARWIN (1848-1925, editor). The Foundations of the Origin of Species.DARWIN, Charles (1809-82) and Francis DARWIN (1848-1925, editor). The Foundations of the Origin of Species. Two Essays Written in 1842 and 1844 by Charles Darwin. Edited by his Son Francis Darwin. Cambridge: at the University Press, 1909. Large 8vo (223 x 145mm). Half title, photogravure portrait frontispiece, plate (frontispiece detached, some margins of leaves and rear endpapers with juvenile crayon and coloured pen doodles, occasional light spotting and staining). Original tan buckram, spine lettered in gilt, top edges gilt, others uncut (spine darkened, some light staining, a few spots). Provenance: W. H. H. Fletcher (armorial bookplate). FIRST EDITION.
![[GERARD, John (1545-1612)]. The Herball or General Historie of Plantes.[GERARD, John (1545-1612)]. TheHerball or Generall His](https://cdn.globalauctionplatform.com/a3276cf8-db78-46ec-8c8b-ad5900c80e7d/ae8a6368-7b7c-4174-a81c-ad5900e15297/468x382.jpg)
Los 563
[GERARD, John (1545-1612)]. The Herball or General Historie of Plantes.[GERARD, John (1545-1612)]. TheHerball or Generall Historie of Plantes. London: Edm. Bollifant for Bonham and JohnNorton, 1597]. Folio (306 x 205mm). Woodcut illustrations (lacks title,portrait, preliminary leaves and leaves at the end, some leaves with marginalrepairs at the end, variable but mainly light staining, spotting and browning).Modern green buckram. Provenance: Tatton Henry Bower (armorialbookplate); Annie E. Holden & Robt. Willingham (early signatures on frontfree endpaper); from the Library of the late SirGeorge Engle.FIRST EDITION which includes, on p. 781, the first recorded illustration of apotato [illustrated]. Arber p.134; Brunet II, 386 (citing 1633 edition); Henrey 154; Hunt174; Nissen BBI 698; Pritzel 3282. Sold not subject to return.
Los 586
MARITIME - The Searchlight. H.M.S. "Lion."MARITIME - TheSearchlight. H.M.S. "Lion." ... For Private Circulation only. [No place: nopublisher], October 1st, 1915 - April 1st, 1916. 3 issues bound in one, 4to(300 x 203mm). Wood-engraved illustrations. EXCEPTIONALLY FINELY BOUND in navyblue crushed morocco gilt by Riviere and Son, the spine lettered in gilt("H.M.S. Lion's Searchlight") with gilt coat-of-arms and 5 raisedbands, the dentelles with anchor motifs stamped in gilt at each corner, uncut,original stiff wrappers bound in. RICHLY EXTRA-ILLUSTRATED. The volumecontains, in addition to the printed material, the following: 1) the strikingoriginal full-page cover design in pen-and-ink of "H.M.S. Lion" atfull steam, initialled "E.C.B."; 2) the original full-pagepen-and-ink drawing of [?]Captain Alfred E. M. Chatfield standing on deckbeside Horatio Nelson, captioned "Have patience, I waited two years forVilleneuve"; 3) an original pen-and-ink design for a banner, showing afleet of ships heading towards a rising sun, marked up in pencil for printing;4) a 5-page autograph manuscript of the poem "The Soul of a Ship"signed [?] by Captain Chatfield (but which is uncredited in printed formon p. 5 of the first issue); 5) an original pen-and-ink and watercolourcaricature of Viscount Bassett, unsigned; 6) an original pen-and-ink circulartitle for the January 1915 issue; 7) an original pen-and-ink drawing, unsigned,captioned "Have you done your bit?", marked-up in pencil for printing[but not apparently printed]; 8) printer's proofs for a caricaturecaptioned "A.L.H."; 9) anoriginal full-page pen-and-ink drawing of a lion, unsigned, captioned,"Looking for their next meal"; 10) various letters and receipts fromG. H. Barwick, Department of Printed Books, British museum ("I amparticularly gratified to get this, and shall be very glad of anyfurther publications of the Navy of this kind ..."); 11) a fine originalpen-and-ink and watercolour portrait [subject unidentified], unsigned,captioned, "Per mare, per terram"; 12) an original pen-and-ink designfor a tail-piece. Loosely-inserted are various other ephemeral items relatingto the printing of the periodical and to the ship.
![MISCELLANY - John GAY (1685-1732). Fables. [etc.]MISCELLANY - John GAY (1685-1732). Fables. London: Printed for J. Tonso](https://cdn.globalauctionplatform.com/a3276cf8-db78-46ec-8c8b-ad5900c80e7d/2845bb03-c797-477b-af05-ad5900e2276b/468x382.jpg)
Los 589
MISCELLANY - John GAY (1685-1732). Fables. [etc.]MISCELLANY - John GAY (1685-1732). Fables. London: Printed for J. Tonson and J. Watts, 1727. 4to (256 x 200mm). Title with engraved illustration, 50 engraved illustrations only ([?]of 51, lacking L4 [i.e. pp. 73-74], variable browning, spotting and staining). Contemporary calf gilt (heavily rubbed). A second volume, not present here, followed in 1738. With a quantity of very miscellaneous books and documents including John Bunyan's The Works (London, 1736, 2 vols., engraved portrait, contemporary calf, defective), [Daniel Defoe’s] The Life and Strange Surprizing Adventures of Robinson Crusoe (London, 1790, 2 vols., engraved plates, contemporary calf), [Susanna Dobson’s] Historical Anecdotes of Heraldry and Chivalry (Worcester, 1795, contemporary calf, upper cover detached), W. H. Bartlett’s Walks about the City and Environs of Jerusalem (London, [c. 1844], second edition, engraved plates, original decorated cloth gilt), John M. Kemble’s Horæ Ferales; or, Studies in the Archæology of the Northern Nations (London, 1863, contemporary blue calf gilt, head of spine lacking), J. B. Waring’s Stone Monuments, Tumuli and Ornament of Remote Ages (London, 1870, original buckram, soiled), Report on Central African Rail Link Development Survey. Vol. 1. (London, June 1952, plates, folding maps, buckram-backed paper boards), a bound album containing early 20th-century monochrome photographs of American locomotives, several belonging to the "Columbus and Southern Ohio Electric Co."; with a manuscript Account Book relating to the Estate of Robert Hedington of Great Waldingfield, Suffolk, kept from 1787 to 1853; and a collection of miscellaneous legal documents, the majority on vellum, most 18th- and 19th-century, but some earlier. Please note that only a part of this lot is illustrated. The lot sold not subject to return. (qty)
![MISCELLANY, 17th & 18th CENTURY - Thomas SPRAT (1635-1713). The History of the Royal Society of London. [etc.]MISCELLANY, 17](https://cdn.globalauctionplatform.com/a3276cf8-db78-46ec-8c8b-ad5900c80e7d/5283168b-6552-4702-829e-ad5900e25ae4/468x382.jpg)
Los 590
MISCELLANY, 17th & 18th CENTURY - Thomas SPRAT (1635-1713). The History of the Royal Society of London. [etc.]MISCELLANY, 17th and 18th CENTURY - ThomasSPRAT (1635-1713). The History of theRoyal Society of London, For the Improving of Natural Knowledge … The FourthEdition. London: Printed for J. Knapton (and others), 1734. 4to (227 x180mm). Title printed in red and black, 2 folding engraved plates, initials andornaments (some light mainly marginal staining). Contemporary calf (rebackedsome time ago, rubbed and scuffed, a few strips worn). Provenance: JamesBarlow (old signature on title); old inscription on rear endpaper. With 10other miscellaneous 17th- and 18th-century works in 11vols, namely Pliny’s Epistolae et Panegyricus. Editio nova (Amsterdam,Elzevir, 1659, 12mo, contemporary vellum), La Vie de Sainte Therese ecritepar elle-mesme. De la Traduction de Monsieur Arnauld d’ Andilly (Paris,1670, 4to, contemporary calf), Ovid’s Metamorphosen (Amsterdam, 1683,large 8vo, engraved frontispiece and plates, contemporary vellum), Juvenal’s Satyrae… Editio nova (Amsterdam, 1684, 4to, engraved frontispiece, contemporarycalf, crudely rebacked), Albius Tibulli’s [Opera] (Amsterdam, 1708, 4to, fine engraved frontispiece, plates, contemporary calf, upper cover detached), Horace’s [Opera], edited by Richard Bentley (Amsterdam, 1713, 4to, engraved frontispiece, contemporary panelled vellum, contemporary pen-and-ink portrait of Bentley loosely-inserted),Sextus Propertius’s Elegiarum libri quatuor (Amsterdam, 1727, 4to, fine engraved frontispiece, contemporary calf), John Milton’s Paradise Lost. ANew Edition, By Richard Bentley (London, 1732, 4to, lacks the plates,contemporary calf, rebacked), William Wycherley’s The Country Wife …(Altered from Wycherley.) (Dublin, 1766, modern cloth) and John Ireland’s HogarthIllustrated (London, 1791, 2 vols, engraved plates by Hogarth, contemporarycalf). Provenance:From the Library of the late Sir George Engle. The lot sold not subject to return. (12)
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283284 Los(e)/Seite