283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenEnglish School, late 18th c - Portrait Miniature of a Lady with curly black hair, in light brown dress with blue bows, ivory, oval, 44mm, in contemporary gold slide, 17.5g A Private Collection of Jewellery, lots 300-345 Some surface disturbance to the pigment around the sitter's head, perhaps in consequence of damp storage. The ivory not warped or split. Slide in good condition
English School, 19th c - A group of six Portrait Miniatures of the Royal Family, comprising Queen Victoria, Queen Victoria and the Prince Consort, he infant Prince of Wales, Prince Alfred, the Duchess of Kent and another, ivory, all but one oval, 33mm and smaller, together mounted in maroon velvet and plush lined enclosed strut frame A Private Collection of Jewellery, lots 300-345 Several with fluff or other foreign matter beneath the glass but all in good original condition
A George V silver cream jug, 48mm h, by W Aitken, Birmingham 1921, an Edwardian silver chatelaine hook, Birmingham 1901 with three accessories including a tablet and miscellaneous other silver articles, to include a vesta case, sovereign case, two postage stamp envelope cases, etc, 10ozs weighable approx, a Palais Royal giltmetal box inset with a French decorative portrait miniature of a lady on ivory, c1900 and a Chinese miniature green stone handled mirror As a lot in good condition
Five Wedgwood jasper portrait medallions and cameos, 19th c, classical subjects, oval, 50mm and smaller, impressed WEDGWOOD and a larger, earlier Wedgwood jasper portrait medallion of a man, impressed WEDGWOOD 7 Six laid down on an old, probably 19th c, maroon velvet covered mount, one detached, another broken and restuck. The earlier larger medallion broken and restuck
A Staffordshire flatback equestrian portrait figure of General Buller, 19th c, and miscellaneous Royal Doulton, Royal Worcester and other English and Continental ornamental figures and other ceramics, to include a Japanese Sumidagawa glass Flatback and most of the other items in good condition
A 1950's silver mounted short candlestick Birmingham 1954, a foreign silver eggcup with relief portrait of a gentleman and dated 'Shirley 2.4.1930', 0.5ozt approx., a pair of silver napkin rings engine turned initialled 'MC and PC' and dated 16.5.56, 0.5ozt approx., other assorted napkin rings silver cruet etc. (one box)
GREEN, Valentine, “The History and Antiquities of the City and Subu8rbs of Worcester”, 1st Edition, 2 vols., publ. London “W. Bulmer & G. Nicol) 1796, twenty-four engraved maps, plans, etc., gilt tooled leather binding with marbled boards, portrait frontispiece in vol. 1 (some spotting throughout, faults to binding spines but intact).
J. HOUBRAKEN (1698-1780). after Holbein. A set of five 18th century portrait engravings: Henry VIII, Catherine of Aragon, Jane Seymour, Anne of Cleeves, & Catherine Howard; publ. 1740-50 by J. & P. Knapton, London, each approx. 15” x 9¼”, in matching glazed frames with vignettes verso from Thomas Birch’s “Heads of Illustrious Persons of Great Britain” (each 22¼” x 1½” over-all).
Three various 19th century & later portrait miniatures: A lady in pink dress, half-length holding roses, signed “J. Laguet”, & inscribed verso “Marie Antoinette”, 4¾” x 3 1/8”; a lady seated, half-length wearing blue ribbon, 3½” x 2¾” (oval); & a young girl, signed indistinctly, 4¼” x 3” (oval).
A WWII period Nuremburg rally clockwork alarm clock, the dial with portrait of Adolf Hitler before a swastika flag and titled 'Nurnberg 1923-33', probably by Gustav Becker sold to raise party fundsCondition - case tarnished and some light bruising, dial fading and surface pitting, movement winds and funtions, alarm hand detached/missing no alarm operating
A Victorian silver gilt hip-pocket cigarette case, the hinged cover enamelled with hunting scene a/f, Samson Morden, London 1888 to/w antique Continental gilt metal oval box, the top inset with circular miniature painted portrait on ivory of a young women, 6.2 x 4.4 cm (2) Ivory submission reference NKACFSYZ
A circular yellow metal cased pendant containing portrait study of an infant, with seed pearl surround and hanger, stamped 15, 4cm diam to/w a 9ct yellow gold circular locket, 2.5 cm (2) Hand-painted, but might be overpainted print - hard to tell. Good condition, glass needs to be cleaned, all pearls present,Other locket - signs of wear and use
Attributed to George Patten (British, 1801-1865) Portrait miniature of a ladywatercolour on ivoryIvory submission reference: QB3S52FE6.5 x 5.25cm, gold hair back frame***CONDITION REPORT***Possibly some tiny dirt specks but overall looks to be in very good condition, the loop of the frame has been replaced in base metal, seed pearl stitched monogram to the back slightly damagedPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Manner of Pierre Huaut (Swiss, 1647-1698) Portrait miniature of a gentleman wearing armourwatercolour on ivoryIvory submission reference: 2X5UH3DH4.5 x 3.25cm***CONDITION REPORT***Ivory looks slightly curved, possibly a little dirty but otherwise good condition, on the glass in a gilt locket framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
English School c.1800 Portrait miniature of an Irish army officerwatercolour on ivoryIvory submission reference: U4JESPSU4.75 x 3.75cm***CONDITION REPORT***Good condition under glass in a gilt locket framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Thomas Beach (British, 1738-1806) Portrait of George Templer of Shapwickoil on canvassigned and dated 179975 x 62cm***CONDITION REPORT***Oil on orignal canvas, one small patched hole near 10 o'clock, retouched to fairly good effect, otherwise a few minor specks and flaws to the work and one small white metal spot where the paint is missing to the left of the sitters head near where the repair has been, signed and dated lower left, housed in a period gilt frame with a few small losses.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Late 17th century English School Full length portrait of a child standing beneath a canopy with a dog at their feet and holding an elaborate hatoil on canvas111 x 85cm***CONDITION REPORT***Oil on canvas relined many years ago, canvas is now a little saggy with stretcher marks showing along with various creases running in from the sides and a fairly raised craquelure running throughout most of the paint but most notably in the darker areas, one or two small dents and knocks including a small hole near the bottom right corner, very dirty, a good clean should reveal significantly more details and features, housed in a period gilt gesso frame which is now rather dry and starting to separate at the corners, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
English School c.1760 Portrait of a ladyoil on canvas72 x 59cm***CONDITION REPORT***Oil on canvas relined many years ago, canvas remains tight, paint looks rather dirty and there is a horizontal ridge line running across from 9 o'clock to 3 o'clock, looks to have a later wood slip but the original carved gesso frame which is a little dirty and separating at the corners, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
17th century Flemish School Portrait of a young manoil on canvas75 x 62cm***CONDITION REPORT***Oil on canvas relined 20 - 30 years ago, canvas remains tight, paint looks a little flattened with a fine but stable craquelure running throughout and a little bit of blooming in the varnish particularly around the margins, housed in a continental parcel gilt ebonised frame which has been retouched no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
18th century English School Portrait of a woman holding an Old Master drawingoil on canvas74 x 61cm***CONDITION REPORT***Oil on canvas relined within the past 10 years, canvas remains tight, paint fairly clean with a fine but stable craquelure showing through the skin tones, probably some retouching, housed in a re-gilt period frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Circle of Hugh Douglas Hamilton (British, c.1740-1808) Portrait of a young lady, head and shoulders, seated on a chaise longue wearing a white dress with blue sashoil on canvas61 x 50.5cm, unframed***CONDITION REPORT***Oil on original canvas which remains tight but has a number of small holes knocked through it, notably one hole just below 12 o'clock and two others through her chest, other surface damage elsewhere, a fine but stable craquelure running through most of the paint, a few small patches can be seen when viewed from behind, these line up with small areas of retouching, not framed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Jean-Baptiste Greuze (French, 1725-1805) Portrait of a young lady, ‘Gabrielle’oil on canvas74 x 60cm***CONDITION REPORT***Oil on canvas relined within the past 10 years or so, canvas remains tight and paint in good clean condition, apparently unsigned, framed to the oval in a Florentine style gold painted frame which is equally in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Mid 19th century English School Portrait of two children seated with their King Charles Spanielsoil on canvas91 x 74cm***CONDITION REPORT***Oil on original canvas which is slightly saggy and showing stretcher marks around the edges, some light but stable craquelure throughout the work, not signed, a little light rubbing near the lower right corner and down the right side, housed in what looks to be the original stained wood frame, one small patched repair above the girl in blue dress.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lewis Baumer (British, 1870-1963) Portrait of the ballet dancer, Elizabeth Caterina Geltzer, London 1910conté crayon and chalk on light grey papersigned, label verso30 x 25cm***CONDITION REPORT***Good clean condition, some black dirt marking on the glass near the top right corner but not the work itself, washline mount and slim glazed gilt frame with labels for Cromer Antique Gallery and the Leigh Underhill Gallery.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Margaret Fisher Prout (1875-1963) Portrait of Ursula Moreton OBE FRAD, picnickers in a landscape versooil on boardsigned50 x 37cm***CONDITION REPORT***Oil on board in slightly neglected condition, looks to be some damage running down the length of her neck which has been retouched, further light scratching running vertically to the left, signed lower left, housed in a period gesso frame which has numerous small losses, a sketch verso with paint and dirt specking and some scratchingPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Mária Szánthó (Hungarian, 1898-1998) Portrait of Lilianna Bazellioil on canvassigned78 x 59cm***CONDITION REPORT***Oil on canvas relined 10 years ago also, canvas remains tight, paint has a little fine craquelure but essentially is in good clean condition, ornate gilt scroll frame with slight cracking at the corners, no inscriptions versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Oliver Messel (British, 1904-1978) Portrait of a black man in military uniformoil on boardProvenance: ex collection Thomas Baptise who was good friends with Oliver and Thomas Messel. He was godfather to Linley Lewis, Thomas Messel's nephew.53 x 39cm***CONDITION REPORT***Oil thinly painted onto hardboard base, now rather dirty with various dents and scuffs throughout, notably some dents near the top left and right corners, some light surface scratches through above the forehead and near the ear and elsewhere and some slight rubs into the paint running across the lower margin, housed in a gilt frame with the artist obituary verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Stephen Thomas Ward (British, 1912-1963) Portrait of ‘Baron’, a high society photographercharcoal and chalksigned and dated 195256 x 39cm***CONDITION REPORT***Charcoal and chalk on dark grey paper which overall looks to be in good condition, under glass in a nicotine stained painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Stroudley (British, 1906-1985) Portrait of a woman wearing a red coatoil on canvas92 x 71cm, unframed***CONDITION REPORT***Oil on original canvas which remains tight, possibly an unfinished sketch rather than a fully finished work, numerous small surface scuffs particularly around the margins, not signed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Lawrence Isherwood (British, 1917- 1989) Portrait of a gentlemanoil on canvas91 x 61cm and a colour print, The Lancashire Mine, 42 x 61cm***CONDITION REPORT***Painting in good untouched condition, not signed, ornate gilt scroll frame, some sort of title on the back has been painted over, print has slipped in the mount, looks to be in good condition with a fair amount of mould spotting on the glass, plain black frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Adam Birtwistle (British,1959-) Portrait of David Hockneypencil and watercolourmonogrammed and dated '0167 x 50.5cm***CONDITION REPORT***Good untouched condition, some light undulation of the paper at 4 o'clock, dirt specks are on the glass rather than the work itself, plain card mount and plain wood frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Adam Birtwistle (British, 1959-) Portrait of Peter Blakepencil and gouache75 x 75cm***CONDITION REPORT***Some slight undulation of the paper which is set as a floating mount but overall looks to be in good clean condition, stepped card mount and peach toned metal frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
ANDRADE, Jacinto Freire de .-VIDA | DE | DOM JOÃO | DE | CASTRO | QVARTO VISO-REY | DA INDIA. | ESCRITA POR IACINTO FREYRE | DE ANDRADA.- Lisboa: na Officina Craesbeeckiana, 1651.- [8], 443, [49] p.: 1 frontispício, 1 retrato, 1 grav.; 26 cm.- E., Original edition of the most important work of the author (1597-1657), priest, historian and poet, born in Beja, considered a model of good Portuguese language, having known at least one more edition in the 17th century (1671), seven in the 17th, and six in the 19th century. Illustrated edition with an engraved frontispiece, a portrait of D. João de Castro (at the beginning of the text) and a woodcut engraving inserted on p. 59, representing a cross of St. Thomas. Copy slightly cropped, with occasional minor blemishes. Frontispiece a little dusty, with manuscript ownership mark in the upper margin, dated 1811. Solid 20th century binding (wooden folders?), full skin (pork?), with blind tooling on the covers (multiple compartments) and spine, with new endpapers. Inocêncio, III, p. 239. Samodães, 1305. Arouca, A 352.
MENESES, D. Luís de (3º Conde da Ericeira).- HISTORIA | DE | PORTUGAL | RESTAURADO. | OFFERECIDA | AO SERENISSIMO PRINCIPE | DOM PEDRO | NOSSO SENHOR. | ESCRITTA | POR | DOM LUIS DE MENEZES | CONDE DA ERICEYRA...- Lisboa: Na Officina de Antonio Pedrozo Galraõ; Na Officina de Miguel Deslandes, 1710-1698.- 2 vols.: frontispício grav., 1 retrato; 33 cm.- E., D. Luís de Meneses (1632-1690), 3rd Count of Ericeira, military and political, born in Lisbon, was one of the most notable historians of the Restoration of Independence; he would commit suicide on May 26, 1690. First edition, the most appreciated and with the largest format, of this important title in Portuguese historiography, which reports the political-military events that took place in Portugal between 1640 and 1668. The collation of the two volumes is as follows: volume I - [12], 908, [31, 1 br.] p.: 1 engraved frontispiece, 1 portrait; volume II - [20], 975, [1 br.] p. The first volume is from the second edition, dated 1710 (the first is from 1679) and retains not only the engraved frontispiece, but also the beautiful portrait of the author (signed Fred. Bouttats) that is missing from most copies. The second volume dates from 1698 and was printed by Miguel Deslandes and does not include any engravings. Copy slightly cropped, with signs of handling and occasional light browning; engraved frontispiece slightly wrinkled. Ex-libris by João José d’Abreu M. M. de Lemos, in both volumes (on the front cover of volume II). Contemporary bindings, worn. Inocêncio, V, p. 307. Samodães, 2085. Arouca, M 302.
Portrait of a lady, ivory miniature, gold frame, tortoiseshell lined back with mother-of-pearl and gold inlays, European, 18th/19th C., signs of use, welding on the ring, signed PAUL NALLIER, unmarked gold, pursuant to Decreto-Lei no. 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10217C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 10 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10217C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
FAMÍLIA REAL: [Álbum de recordações].- Séculos XIX/XX.- 1 volume (21 f.); 50 cm.- E., Album consisting of 21 sheets of cardboard, on which documents (prints, photographs, letters, postcards and other autograph documents) relating to the following members of the Portuguese Royal Family were pasted: Queen D. Maria II (1 lithographed portrait cut into an oval, 1 page with signature, 1 letter addressed "À Sa magesté le Roi des Français"); King D. Pedro V (1 lithographed portrait, 1 signed page); King D. Luís I, (1 photograph, 1 page with signature); Queen Consort D. Maria Pia, (1 photograph with dedication, 1 page with signature); King D. Carlos I (1 photograph, 1 page with signature, 15 autograph letters); Queen Consort D. Amélia of Orleans (1 signed photograph, 13 letters, 6 tickets and 2 postcards); Crown Prince D. Luís Filipe (1 photograph with dedication "To Casanova", 2 letters, 2 tickets and 3 drawings of boats); King D. Manuel II (1 signed photograph, 4 letters, 5 postcards and 2 tickets); Infante D. Afonso (1 photograph, 3 letters and 1 ticket). Documents dated between 1838 and 1913, some of which were addressed to the painter and watercolourist Enrique Casanova. Album covered with full brown shagreen binding, with application of a royal crown in the upper cover (upper left corner) and five broaches in the back plane (silver metal applications).
A portrait of a Military and a portrait of a Lady, two round miniatures - one on ivory, the other on cardboard, placed together in a copper and gilt double-sided frame en relief, French, 19th C. (1st quarter), miniature on ivory with minor defects, miniature on cardboard with faults and defects on the pictorial layer. Notes: back of miniature "Portrait of a lady" with handwritten inscription in French, dated 1839 This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09993C. Prospective purchasers are advised by Cabral Moncada Leilões that several countries prohibit the importation of property containing materials from endangered species, including but not limited to ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 5,4 cm back of miniature "Portrait of a lady" with handwritten inscription in French, dated 1839 This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09993C. Prospective purchasers are advised by Cabral Moncada Leilões that several countries prohibit the importation of property containing materials from endangered species, including but not limited to ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
SÃO TOMÁS, Frei Leão de, O.S.B.- BENEDICTINA | LVSITANA. | DEDICADA AO GRANDE | Patriarcha S. Bento. | ORDENADA PELLO P. M. | Fey Leão de S. Thomas Monje da Congrega- | ção de S. Bento de Portugal, & Lente de Ves- | pora igualado a Prima na Real, & insigne | Vniuersidade de Coimbra.- Em Coimbra: Na Officina de Diogo Gomes de Loureiro; Na Officina de Manoel de Carualho, 1644-1651.- 2 vols.: 1 retrato; 26 cm.- E, Fr. Leão de São Tomás (1574-1651) was abbot general of the Benedictine Monastery of Tibães, having started the construction of the respective church, which was only completed in 1661. The two volumes show the following collation: I - [8], 566, [38] p.; II - [8], 519, [1] p. The first volume presents a beautiful intaglio-engraved portrait of St. Benedict on the verso of the third folio. The second volume includes an alphabetical catalogue of the coats of arms of the kingdom's nobility, comprising 310 families. Copy slightly cropped with slight browning but complete and, in general, clean, preserving the rare portrait. Handwritten ownership on the title page of the second volume: Do uzo do Pe. Fr. Thome(?) da Conceição. Recent bindings, full flexible parchment, with ties and handwritten title on the spines. Inocencio, V, p. 170. Samodães, 3107. Arouca, S 277 and 278. According to Inocêncio, it is a work of great erudition and its author denounces great studies and deep knowledge of ancient things.
FIGUEIREDO, Manuel de Andrade de.- Nova escola para aprender a ler, escrever, e contar: primeira parte.- Lisboa Occidental: Na Officina de Bernardo da Costa de Carvalho, [1722].- [16], 156 p.: 1 portada grav., 1 retrato, [1], 44 gravuras; 30 cm.- E., First and only published part of the most famous Portuguese treatise on calligraphy. Complete copy, retaining all intaglio engravings: engraved title with the coat of arms of the Kingdom of Portugal overlooking Lisbon, the portrait of the author (signed by B. Picart), the calligraphed figure of the knight and the 44 engravings numbered from 1 to 44. Manuel de Andrade de Figueiredo (1670-1735), a leading figure in the calligraphic art of the 1700s, laid the foundations for teaching the so-called “letra caligráfica portuguesa”. His manual is divided into four parts: the first dedicated to the teaching of spoken and written Portuguese; the second presents the different types of letters used at the time; the third establishes the rules of Portuguese orthography; the fourth teaches the basics of arithmetic. The pictures represent handwriting exercises for students, notions of letter design and alphabets of various styles. Copy a little handled, with occasional minor restorations and stains from use and sometimes ink; tear on engraving 25, no lack of support, repaired with old adhesive tape. Contemporary binding, full leather, with some wear and new endpapers. Inocencio, V, p. 355. Samodães, 151. Ameal, 107. Ferreira Lima (Calígrafos), p. 7 et seq.
Loading...
![FAMÍLIA REAL: [Álbum de recordações].- Séculos XIX/XX.- 1 volume (21 f.); 50 cm.- E., Album consisting of 21 sheets of cardbo](https://cdn.globalauctionplatform.com/192d8e06-40e6-40ad-aeac-af5c00e0a0af/3d1e3d34-5f21-4ffb-858b-af5c00fa3cad/468x382.jpg)
