283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenFramed display featuring an autographed George Clinton "Greatest Hits" CD alongside a vibrant portrait of the legendary funk musician. The CD is signed by Clinton, adding to its collectible appeal. The piece measures 14"L x 11"H and is professionally matted in a coordinating color scheme. A great addition for music memorabilia collectors or fans of Parliament-Funkadelic.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
Released by Reprise Records, "Nancy's Greatest Hits" is a compilation album featuring some of Nancy Sinatra's most iconic songs. This vintage vinyl includes classics such as "These Boots Are Made for Walkin'," "Sugar Town," and "Somethin' Stupid," her famous duet with Frank Sinatra. Showcasing her signature blend of pop and country influences, this album captures the essence of the 1960s music scene. The cover features a striking portrait of Nancy Sinatra in a stylish ensemble, making it a standout piece for collectors. A must-have for fans of classic pop and vinyl enthusiasts.Issued: 1970Dimensions: 12.75"HCountry of Origin: United StatesCondition: Age related wear.
This electronically reprocessed stereo vinyl record, released by Coronet Records, features Tommy Dorsey and His Orchestra with Frank Sinatra on vocals. The album compiles Sinatra’s early performances with Dorsey's orchestra, including tracks such as "I'll Buy That Dream" and "Is There a Chance for Me." The cover features a moody, contemplative photograph of Frank Sinatra, while the back cover presents a black-and-white illustrated portrait of both Sinatra and Dorsey. Pressed under catalog number CXS-186, this 12" LP (12.5"L x 12.5"W) is a must-have for fans of big band music and Sinatra’s early years.Dimensions: See DescriptionCondition: Age related wear.
Original Javier Solis En New York vinyl LP, released under Columbia Records EX 5028. This rare pressing features the legendary Mexican bolero and ranchera singer, accompanied by arrangements from Chuck Anderson. The tracklist includes iconic songs such as Solamente Una Vez, Besame Mucho, Noche y Dia, and Vereda Tropical, highlighting Solis' powerful voice and emotional depth. This particular copy is a Demonstration Not For Sale pressing, making it a unique collector's item. Includes the original Columbia red label vinyl and its illustrated cover showcasing a classic portrait of the artist. The back cover contains liner notes in both Spanish and English, discussing Solis' success and the impact of this album.Issued: 1963Dimensions: 12.5"HCondition: Age related wear.
Erica Rutherford, British/Canadian 1923-2008 - Untitled, c.1960s; watercolour and paper assemblage, indistinctly signed lower right 'Rutherford', 34 x 34.7 cm (ARR) Note:Rutherford exhibited with the Leicester Galleries from 1961-64. Rutherford was both one of a few female artists working in the 60s and 70s and further one of the first openly transgender British/Canadian artists.Her work was recently included in 'Women in Revolt!' at the Tate Britain in 2023-2024 and works from the late 1960s and 1970s were included in 'Foreigners Everywhere' at the 2024 Venice Biennale. The National Portrait Gallery, London recently acquired her work.She will be the subject of a cross-Canada exhibition, entitled 'Erica Rutherford: Her Lives and Works', from June 2024 to July 2027 across seven Canadian institutions including the National Gallery of Canada, Ottawa.
Adam Birtwistle, British b.1959 - David Hockney, 2002; gouache and pencil on paper, signed with initials lower right 'AB', titled and dated lower left 'Hockney 2002', 76 x 56.5 cm (ARR) Note:The Glyndebourne in Lewes commissioned Birtwistle to paint a portrait of Hockney in the same year of this work, along with portraits of Sir Peter Hall, Anja Silja, Sir George and Lady Christie and Peter Sellars for the opera house’s permanent collection.
Michael Wishart, British 1928-1996 - Harm: Portrait of Kenneth Anger, 1970; oil on canvas, signed, dated and dedicated upper right 'Wishart 70 for Kenneth with love Michael', signed and titled on the reverse 'Harm for Kenneth Anger Poet of the Moving Picture Michael Wishart', 17.8 x 17.8 cm (ARR) Note: Wishart and Kenneth Anger (1927-2023) were friends in the 1960s and 70s. Anger was an American Underground experimental film maker, actor and writer who was of great influence to directors such as Martin Scorsese, David Lynch and John Waters. Wishart was a friend of Francis Bacon and Lucien Freud; he studied under Cedric Morris in Suffolk. His godmother was Peggy Guggenheim.
Erica Rutherford, British/Canadian 1923-2008 - Untitled, late 1960s; oil on paper, signed lower right 'Rutherford', 36 x 35 cm (unframed) (ARR) Note:Rutherford exhibited with the Leicester Galleries from 1961-64. Rutherford was both one of a few female artists working in the 60s and 70s and further one of the first openly transgender British/Canadian artists.Her work was recently included in 'Women in Revolt!' at the Tate Britain in 2023-2024 and works from the late 1960s and 1970s were included in 'Foreigners Everywhere' at the 2024 Venice Biennale. The National Portrait Gallery, London recently acquired her work.She will be the subject of a cross-Canada exhibition, entitled 'Erica Rutherford: Her Lives and Works', from June 2024 to July 2027 across seven Canadian institutions including the National Gallery of Canada, Ottawa.
A PHOTOGRAPHIC REPRODUCTION PORTRAIT OF THOMAS TOMPIONTAKEN FROM THE MEZZOTINT PORTRAIT ENGRAVED BY JOHN SMITH AFTER SIR GODFREY KNELLOR, 20th CENTURYThe likeness wearing a wig and buttoned jacket and holding a watch movement in his right hand, within oval reveal titled Tho: Tompion Automatopoeus to lower border and bearing further text inscriptions G: Kneller Eques. Pinx: opposing I: Smith fe it ex. to lower margin, framed and glazed.The image approx. 34.5cm (13.5ins) by 25cm (9.5ins).
Philips (Katherine) Poems by the most deservedly admired Mrs Katherine Philips, The Matchless Orinda. To which is added Monsieur Corneille’s Pompey & Horace, Tragedies. With several other translations out of French, London: T[homas] N[ewcomb] for Henry Herringman, 1678, third edition, small folio, contemporary calf, engraved portrait frontispiece cut down and mounted, divisional titles for Pompey and Horace[Wing, P2034] Katherine Philips was one the most celebrated poets of the 17th century and a contemporary of Aphra Behn, Margaret Cavendish and other women writers and poets who flourished after the English Civil War. Charles Cotterell (whom she gave the coterie name ‘Poliarchus’) wrote of her poems that “there are none that may not pass with favour, when it is remembered that they fell hastily from the pen but of a Woman”.
A mid 16th Century style Limoges enamel reliquary casket, initialled IR and dated 1543, the enamel panels set in a gilded wooden frame and with fabric lined interior, the rectangular panels to front and back containing portrait vignettes of saints and one Continental Armorial, the ends with conforming square panels, one triangular panel to end of cover missing, 22cm wide, 9cm deep, 20cm highTwo feet have been knocked off at one end, one is with the lot. A section of the carved cresting is loose but with the lot. One triangular enamel panel missing. The frame has certainly been re-gilded and may have been altered but it is difficult to assess owing to the gilding and the fabric lined interior.Panel to front of lid: Overall appearance good. The initials and date are in the oval to the right, there is some wear and scratches and faint hairline cracks visible under magnification. Crack and chip to top right-hand corner.Front rectangular panel: overall appearance good. various surface wear and scratches, particularly around the keyhole. Some cracks including across top right corner and to left hand edge, enamels chipped to bottom right corner.Panel to rear of lid: initialled and dated to oval on right, overall appearance good. Some surface wear and scratches to enamels.Back panel: initialled and dated to oval on right, overall appearance good. Some surface wear and scratches to enamels. Small chip to enamel in right hand oval.Triangular end pieces: one missing, the other with surface wear and scratches, particularly to the raised enamels.End panel one (Virgin Mary): This panel looks painted in imitation of enamels. Vertical crack to paintwork and some surface wear.End panel two (Depicting Angel): Initialled and dated, overall appearance good. Some surface wear and scratches to enamels, particularly to left-hand edge.
An Edwardian yellow metal and boulder opal bar brooch, the irregular triangular boulder opal in claw settings, approximately 4.5cm long, the clasp indistinctly stamped, total gross weight approximately 5.4g, a 19th Century yellow metal pendant, chased with foliate detail, each side set with a portrait, total gross weight approximately 5.8g, a 19th Century yellow metal seal fob, a yellow metal and purple paste heart shaped pendant, etc (6)Generally good condition, wear and tear commensurate with age, there is a broken opal and gold earring
Cobbet (William) Rural Rides in the Counties of Surrey, Kent, Sussex, Hants, Berks, Oxford, Bucks, Wilts, Somerset, Gloucester, Hereford, Salop, Worcester, Stafford .... during the Years 1821 to 1832, London: Reeves & Turner, 1893, new edition, 12mo, two volumes, original gilt-stamped green cloth, portrait frontispiece, publisher's advertisements to back; together with Cole (G.) The Life of William Cobbett, London: W. Collins Sons & Co., 1924, 8vo, grey cloth and original dustcover; further with The Churchgoer, Rural Rides or Calls at Country Churches, Bristol: John Ridler, 1847, 12mo, original gilt stamped cloth, frontispiece and title in red and black, occasional vignettes to text (4)A Gloucestershire book collector
Calligraphy & Penmanship Richards (William H.) Manuscript Ornamental Album entitled 'Manuscript Ornamental Album comprising Specimens in Penmanship and Drawing' folio, dated 1847, including ink penmanship of title, unrelated title design, Ode to Spring, a page of decorative devices, and map of England and Wales with coloured borders inscribed W. H. Richards 1847, sample book pages with vignettes, an architectural plan and elevation and several pencil sketches including one further pasted and one loose, some signed W. H. Richards and dated, the pasted portrait sketch inscribed Jenny Lind 1847
Wales to include Roscoe (Thomas) Wanderings and Excursions in South Wales including the Scenery of the River Wye, London: C. Tilt, and Simpkin and Co., n.d., 8vo, aeg, original gilt-stamped cloth, frontispiece, additional engraved title, 43 plates, 2 plans and 3 vignettes; Roscoe (Thomas) Wanderings and Excursions in North Wales, London: C. Tilt, and Simpkin and Co., n.d., 8vo, aeg, original gilt-stamped cloth, frontispiece, additional engraved title, 48 plates, 3 vignettes; Gilpin (Willam) Observations on the River Wye and several Parts of South Wales, London: T. Cadell Junior and W. Davies, 1800, 4th edition, 16mo, original boards, half title; Fosbrooke (Rev T. D.) The Wye Tour or Gilpin on "The Wye", Ross: for W. Farror, 1838, 16mo, original boards, fifth edition, frontispiece and three further plates, bound with Fosbrooke, (T. D.)The Wye Tour, containing an Account of Ross... and an account of Goodrich Court, the Seat of Sir Samuel Rush Meyrick, Ross: for W. Farror, 1837, new edition, portrait frontispiece and divisional title; and two further volumes on the river Wye (6)A Gloucestershire book collector
The Archive of Lady Mary Pamela Madeline Sibell Strickland / Lyon (1895-1991), née CharterisTo include nine various leatherbound diaries in manuscript spanning 1916-1927; including some typewritten transcripts thereof (Volumes 1-4)Two ring binder files containing letters of response to the wedding of Ariel Susan Clare (adopted daughter of Mary Lyon) to Christopher Elliott in 1964, predominantly from the gentry of Gloucestershire and including from the author Michael Innes and Anne Fleming (wife of Ian Fleming)Two prisoner of war diaries by Lieutenant Algernon (Tom) Walter Strickland of the Royal Gloucestershire Hussars Yeomanry, dating from 1916-18, written while he was held prisoner in Turkey, measuring 13cm x 8.5cm each with cloth boards, with an accompanying manuscript book by his wife, Mary Strickland, summarising letters received from her husband while imprisoned, with a folded map of Gallipoli, alongside two files of manuscript letters from Algernon (known in the family as Tom or Tommy) to Mary spanning 1917-1938 including those from camps in Egypt, Switzerland and Gallipoli (Turkey).A folder of various letters to Mary Pamela Lyon, some dealing with the publication of Cynthia Asquith's diaries (Mary's sister), including from Sir Rupert Hart-Davis (1907-1999) and an envelope of press cuttings and reviews of Elizabeth Longford’s biography of Wilfred Scawen Blunt, letters from Elizabeth Longford and Roger FulfordTwo small notebooks with manuscript entries in pencil, one entitled 'Bird Notes' (spanning 1955-1965) and Birds seen in South Africa Orange Free State Dec 1937- March 1938A folder of Letters entitled 'Letters from Sara from 1929 up to 1950' (daughter of Mary Lyon) including juvenile correspondenceA folder of documents relating to World War I & II with related memorabilia including a typed manuscript ‘Torpedoed’ by Martin Charteris (1913-1999), a favourite courtier of Queen Elizabeth II and her longest serving Private Secretary, several ephemera publications by the British Legion, 1950-54, an auction catalogue Bruton, Knowles & Co. ‘The Gloucestershire Treasure Sale’ 1944 for the Red Cross, including a pencil drawing ‘Paternity’ by H.G. Wells, Mary Strickland and Mrs Belloc Lowndes, drawn at Stanway as part of a parlour game. Several WWII armbands for the British Red Cross, WVS Rest Centre and WLA (Women’s Land Army), several badges including a Royal British Legion Poppy brooch, ARP Women’s Voluntary Services, Women’s Land Army and Civil Defence CorpsA folder entitled ‘Soldier’s Letters 1917-1918’, mostly addressed ‘Dear Nurse’ to Mary StricklandA folder of newspaper cuttings Jan 1977 to ..., a further folder of press cuttings of reviews of Cynthia Asquith’s diaries, 1968 and other booksA marbled paper notebook entitled ‘Last Will and Testament of Mary Constance Wemyss’ dated March 9th 1929A manuscript poem by Herbert Asquith ‘Youth in the Skies’ with his accopmpanying letter, dated 1940An envelope of letters and ephemera relating to J. M. Barrie including two copies each of Stanway Mysteries programmes for ‘The Wheel’ and ‘Where was Simon’ by Barrie, nine signed manuscripts letters by J. M. Barrie, all to ‘Lady Mary Strickland’ at various addresses, 1923-1936Folders of LettersFolder entitled ‘Cynthia Asquith to her sister Mary’ but containing various letters including one manuscript letter from Augustus John, September 19, 1936 to Lady Mary regarding his works in Chelsea portraits and advance for his portrait of Mary and another letter from Augustus John regarding the same; a typewritten autograph letter to Lady Mary from Anthony Powell, 1977Folder of Letters to Mary Lyon on occasion of Cynthia Asquith’s death, amongst others by Osbert Sitwell, ‘Bibs’ Plymouth, Denis Mackail, Lord Tavistock, etc.Five folders of letters from Mary Strickland/Charteris to her mother (1899-1937)A folder of letters entitled ‘Bibs’ Plymouth (1910s-1920s)A folder of letters from Denis Mackail 1920s-1960sFive letters from Wilfred Scawen Blunt to Mary Constance Wyndham Countess Wemyss (1862-1937) [with whom she allegedly had an affair] including one poem dedicated to herAn extensive collection of letters dating circa 1899-1978 to Mary Strickland from various correspondents including from Wilfrid Scawen Blunt, Sir Walter Raleigh, George Vernon, Cynthia Asquith, various members of the Asquith, Wemyss and Charteris family, Denis Mackail, Augustus John, H. G. Wells, Violet Bonham Carter, Henry Yorke, Hugo Charteris, Osbert Sitwell, L. P. Jacks, Joan Webster-Young, Sybell Fulford , Roger Fulford, Anne Fleming and others Lady Mary was the adopted daughter of Percy Scawen Wyndham. Her mother was Mary Constance Charteris Wyndham and her biological father Wilfrid Scawen Blunt. Wyndham and her siblings and their spouses were members of The Souls, an elite English social group. She and her two sisters were the subjects of John Singer Sargent's 1899 painting The Wyndham Sisters.Mary was first married to Algernon (Tom) Strickland, who died in 1938, her second husband was Major John (Jack) Lyon, whom she married in 1943. Her older sister was the author and society hostess Lady Cynthia Asquith, married to Herbert Asquith, younger son of the Liberal Prime Minister Herbert Henry Asquith, who was Prime Minister at the outbreak of the First World War. Mary lost both her brothers during the war in quick succession, Yvo Alan Charteris in October 1915 and Hugo Francis Charteris (Lord Elcho) in April 1916. She resided both at Stanway House (her family home) and Apperley Court (family home of the Strickland's).Her fascinating diaries span the early years of a young Mary Strickland, documenting the outbreak of the First World War and its aftermath, nursing duties, attending seances with her mother, escapades to London and household and society gossip. Through her sister Lady Cynthia Asquith, the English writer and socialite, she was well connected with the literary elite and through her brother-in-law's family, she gained intriguing insights into the political machinations at the time. The diaries intersperse major international events with the comparative monotony of daily life in a country house and seemingly endless letter writing. An avid correspondent, the diary also documents, alongside original letters, the death in service of her brother Yvo in Gallipoli. The diaries describe varied events, from an altercation with her maid at Harrods, lunch at 10 Downing Street, bombs dropped in London, dinner with H.G. Wells, descriptions of her nursing duties during WWI at Winchcombe Hospital, her husband's imprisonment in Turkey and country house visits interspersed by reports and commentary on the events and battles of the First World War.Alongside the diaries, the archive includes extensive correspondence and documents spanning most of the 20th century with letters from literary figures such as H.G. Wells, J. M. Barrie, Denis Mackail and Osbert Sitwell alongside the family correspondence.Lady Mary Charteris pictured in the Tatler at the time of her engagement to Lieutenant Algernon W. Strickland of the Royal Gloucestershire Hussars.
Hoare (Sir Richard Colt) The Ancient History of Wiltshire, two volumes, large folio, rebound in quarter calf and marbled boards, volume one London: William Miller, 1812, additional engraved frontispiece, portrait plate and 75 plates of which 2 double page, volume two London: Lackington, Hughes ..., 1821, additional engraved title and portrait frontispiece, 51 engraved plates of which six double page, multiple vignettes to text; together with Britton [(John)] Wiltshire, London: J. Harris, 1818, 8vo, additional engraved volume title, later half calf and marbled boards (3)A Gloucestershire book collector
Yorke (Philip) The Royal Tribes of Wales Wrexham: by John Painter, 1799, 4to, rebacked gilt calf, marbled endpapers, armorial bookplate for John Walters Philips, half-title, 12 portrait plates; together with Steegman (John) A Survey of Portraits in Welsh Houses, Cardiff: National Museum of Wales, 1957-62, 2 volumes, 4to, publisher's cloth and paper wrappers (3)
Evelyn (John) Sylva: or, a Discourse of Forest-Trees, York: A. Ward for J Dodsley, 1786, two volumes, 4to, contemporary calf, title and volume labels, armorial bookplate for Thomas Wyndham, portrait frontispiece, volume 1 with 23 engraved plates and fold out table, vol 2 13 plates of which 1 fold out, 1 fold out table, bound with Terra with divisional title and 1 plate (2)A Gloucestershire book collector
Wales to include: Williams (David) The History of Monmouthshire, London: H Baldwin for Edwards Williams, Tudor and Heath, 1796, 4to, later half calf and marbled boards, half title, engraved maps and multiple plates; Pennant (Thomas) Tours in Wales, London: for Wilkie and Robinson [et al.], 1810, 3 volumes, full tree calf with renewed spines, armorial bookplate for George Owen Cambridge, portrait frontispiece and multiple engraved plates of which several fold-out; Fenton (Richard), A Historical Tour through Pembrokeshire, London: Longman, Hurst [et al.], 1811, 4to, later rebound in half calf with marbled boards, vignette title, fold out map, multiple plates (5)A Gloucestershire book collector
Scottish Poets to include Burns (Robert) Poems chiefly in the Scottish Dialect, New edition, Edinburgh: for T. Cadell Jun. and W. Davies, 1797, two volumes, 12mo, full tree calf, half-titles, engraved portrait frontispiece; together with another two volumes set of the same, full tree calf, not matching bindings and Campbell (Thomas) The Poetical Works …, London: Henry Colburn, 1828, two volumes, 8vo, original publisher’s cloth with red Morocco title labels (6)
Burchett (Josiah) A Complete History of the Remarkable Transactions at Sea from the earliest accounts of time to the conclusion of the last War with France, London: J. Walthoe, 1720, folio, full panelled calf, engraved frontispiece, portrait plate of Burchett, nine maps, some folding, storiated initials
Chinese School (Qing dynasty), a large ancestor group portrait, depicting twenty-six seated figures in front of a screen and an altar table, oil on cotton canvas,187 x 142cmProvenance: A private collection, Cadogan Gardens, Chelsea, London SW3.Condition ReportOverall good condition with only light traces of wear and age.
After Max Klinger, a portrait bust of Friedrich Wilhelm Nietzsche (1844-1900), patinated bronze on a marble plinth, stamped to the reverse 'AKT.GES vorm. H.GLADENBECK u. SOHN / BERLIN - FRIEDRICHSHAGEN',with base 16cm wide10cm deep25cm highCondition ReportOverall good. Some wear and nibbles to the marble base.
A pair of Zwischengoldglas glass beakers, late 18th century, Bohemian, attributed to Johann Joseph Mildner (Austrian 1764-1808), each of tapered form with basal cutting, the Zwischengoldglass rim with a repeating floral motif, the reverse with an inscription to a silvered ground, each centred with a silhouette portrait in profile, the reverse decorated with neoclassical scenes of a young couple below an inscription and dated '1799', all to a silvered ground,7.6cm diameter12.1cm high (2)For a similar glass, see the Metropolitan Museum of Art, New York, accession number 27.185.336.Condition ReportOverall good order with minor surface wear and scratches commensurate with age. There is some foxing/tarnishing to the edges of the silvered surface commensurate with age. Please see the additional images.
A carved marble portrait relief, late 19th/early 20th century, Italian, centred with a profile head of Julius Caesar crowned with a laurel wreath, within a moulded oval frame with inscription to the bottom,57 x 49cmCondition ReportGeneral surface wear, scratches, and weathering. Some dirt marks and discolouration, the piece having possibly been outside at some point. General knocks, scratches, and small chips to the frame. Overall structurally stable and appears in fair order.
Edward Arlington Foley (Irish, 1814-1874), a portrait bust of a woman as Diana, white marble, inscribed to the reverse 'E A FOLEY Sc 1874', 40cm wide 27cm deep 76cm high including base Condition ReportLoss to socle. Minor chips throughout. The bust and socle probably associated.It is 76cm high including base, approximately 60cm without. Please note the height is incorrect in the printed catalogue.
Thomas Hodge (British 1827-1907),Gilbert Mitchell-Innes 'The Owner', three-quarter length portrait,pencil and wash on sheet, initialled TH and dated 1889,16x11cm;together with another Victorian golfing watercolour, possibly by the same hand,Study of Legs /78 (after G M-I),watercolour on card, unsigned,13x13.5cm.Qty: 2
Pte. A Mitchell 9770. Northants Regiment, Pte. F E Mitchell 3088 Machine Gun Corps, medals and related items, Pte. A Mitchell 9770, Northants Regiment, died 24th October 1918 of influenza in Germany whilst a prisoner of war, taken after the battle of Mons and sent to Marl to work on a farm, awarded British War Medal, Victory Medal, 1914 Star and a bronze Memorial Plaque with scroll, buried at Cologne Southern Cemetery XVI.B.38, two photographic postcards; Pte. F E Mitchell 3088, Machine Gun Corps, died 24th/29th April 1916 aged 19 awarded British War Medal, Victory Medal and a bronze Memorial Plaque with scroll, Imperial War Graves Commission dated 30th August 1928 relating to Loos Memorial M.R.19, Part IX (Millward-Peacey), Certified Copy of an Entry of Birth for Frederick born 28th June 1896, dated 24th June 1909; copies taken from "Those That Didn't" by Peter Inns 2011; scroll giving a list of war graves, portrait.
Quentin Bell (1910-1996), a Fulham pottery oblong portrait dish, 1980s, incised and part glazed with the full length portrait of a woman, blue border, incised mark ‘Fulham pottery Quentin Bell’, 23cm x 12.5cm Typical minor manufacturing imperfections, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Quentin Bell (1910-1996), a Fulham pottery circular portrait dish, 1980s, incised and painted in blue with the portrait of a woman, incised mark ‘Fulham Pottery Quentin Bell’, 21cm, together with a pottery teacup and saucer by another hand (3) The Quentin Bell dish has typical minor manufacturing imperfections, good condition. The cup and saucer has typical minor manufacturing, good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Quentin Bell (1910-1996), a pottery circular portrait dish, 1990s, the dish painted with a half length portrait of a woman, with grey-blue and copper lustre border, incised mark to underside, 26cm diameter, together with Bell, Quentin - Elders and Betters, signed, John Murray, 1995, and a group of other works and ephemera relating the Charleston and the Bloomsbury group Typical minor manufacturing imperfections, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Quentin Bell (1910-1996), three pottery portrait square tiles, 1980s/1990s, the largest incised and painted in black with a half length portrait of a woman seated at a table, on an H & A Smith tile, inscribed mark verso, 15cm, the second with a nude of a woman holding a red robe on a blue background, inscribed mark the soul, 14cm, the smallest a Fulham pottery tile incised with a portrait of a woman in cream within an ochre scroll incised border, incised ‘bottle kiln’ mark in a seal ‘Fulham Pottery Quentin Bell’, 9.7cm (3) The largest tile has a small chip to the top right corner, otherwise the others are in good condition with typical minor manufacturing imperfections.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A vintage glossy print (21x27cm approx) with image of an unfinished version of Peter Blake's portrait of The Beatles, with handwritten note by Peter Blake to border of print 'The Beatles 1964 by Peter Blake. Photographed in an unfinished state. Collection: Robert Fraser Gallery, London'. Also with label affixed to verso with further info.
Four issues of Mersey Beat magazine to include: Vol 2. No. 51 (July 4-18 1963) with Astrid Kirchherr portrait of George Harrison on cover, Vol 2. No 52. (July 18-August 1, 1963) with Beatles cover, Vol 2. No. 54 (August 15 - August 29, 1963), Vol 3. No.59 (Oct 24 - November 7, 1963). All with centre fold, some staining, age wear - all are complete issues with pages intact.
Mixed assortment of Beatles memorabilia to include: boxed reel of AGFA Per 528 audio tape with printed label to box 'John Lennon Special' (contents not checked), a likely c 1980s / 90s facsimile set of reproduction prints from John Lennon drawings, fourteen original vintage photographs, the majority 11.5x9" and stamped by Barrie Wentzell, others inc one stamped by Dezo Hoffmann, one contemporary print (a group portrait), also reproduction memorabilia inc 'Garden Fete' booklet, business card, first press kit.
A late 19th century French gilt-speltre mantel clock with figural mounts depicting an artist & his work, a painted porcelain portrait miniature above the 3” dial having enamel Roman numerals & eight-day Carlhian & Corbiere of Parise movement, on shaped giltwood plinth, 34cm wide x 30cm high x 12.5cm deep over-all. (slight faults/restoration).
Loading...
